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377:– with a sandpaper cover to destroy other books on the shelf). "I didn't even know it was going to be an album. It was just the case of jumping at the chance of being in the studio. I actually didn't get up in time, Martin had to physically get me out of bed to get me to the studio – that's how little I believed it would happen. I was still doing late night petrol station shifts. I was even more amazed when Tony presented me with a white label. I was completely baffled. 'What, this is really going to be an album? You must be insane! No-one's going to buy this!' And then Tony got the idea from the Situationists about the sandpaper book, and decided to do some with a sandpaper sleeve. It was
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413:", Italian for "continuous struggle"), released in 1981, was recorded without Hannett, and introduced percussionist Bruce Mitchell, Reilly's most frequent musical partner and occasional manager. It was recorded on a four-track cassette deck at home (while it was slightly padded in the studio, the tape hiss is intact); among the first crisp, professionally released recordings made cheaply at home. The EP
588:) used as the basis for several tracks. Initial copies came with a 7" or CD single, "I Know Very Well How I Got My Note Wrong", credited to "Vincent Gerard and Steven Patrick", in which a take of the Morrissey B-side "I Know Very Well How I Got My Name" dissolves into laughter after Reilly hits a wrong note.
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poster that includes that phrase), was produced by Martin
Hannett. Reilly: "...he more or less got sounds for me that no one else could understand that I wanted. And he understood that I wanted to play the electric guitar but I didn't want this horrible distorted, usual electric guitar sound and he
347:
With everyone's departure, The
Durutti Column defaulted to Reilly's solo project. Other musicians contributed to recordings and live performances as occasioned. Former Alberto Y Lost Trios Paranoias drummer Bruce Mitchell doubled as co-manager with Wilson throughout their career on Factory and for
400:
and rock. Reilly: "...I had a lot of classical training when I was young, guitar and formal training, the scales I write with and the techniques I use are classical techniques and scales – a lot of minor melodic and minor harmonic scales, which generally aren't used in pop music. Usually it's
611:
toward his fiance, Desdemona in Act One, Scene Two: "I have but an hour of love, of worldly matters and direction, To spend with thee: we must obey the time." An accompanying single, "The
Together Mix", featured two reworkings of album tracks by
268:. The name was also taken from a four-page comic strip entitled "Le Retour de la Colonne Durruti" ("The Return Of The Durruti Column") by André Bertrand, which was handed out amidst student protests in October 1966 at
401:
pentatonic". Hannett's production included adding electronic rhythm and other effects, including birdsong on "Sketch for Summer". The album was accompanied by a flexidisc with two tracks by
Hannett alone.
388:" with "...an attempt at experimental things"; the record contained nine gentle guitar instrumentals (later releases occasionally feature Reilly's soft and hesitant vocals) including elements from
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505:. The latter is a live album recorded in Tokyo and the first pop album released in the UK solely on the relatively new compact disc format (and also available on VHS and LaserDisc.)
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was a departure from roots with the addition of deep electronic percussion. Kellett and
Metcalfe remained (Metcalfe playing viola); they also appear alongside Reilly and Mitchell on
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On 7 September 2009, Colin Sharp died from a brain haemorrhage. Reilly suffered a stroke in 2011, following which he was left unable to play the guitar the way he did before.
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He was sacked in July of that year, for not being a considered correct choice. He did not release any material with the band other than a couple of pieces on a
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558:(1988), on which Reilly played guitar. Reilly has said he was neither properly credited nor compensated for composing most of the music on
793:(along with a slightly edited re-release of the first volume from 1989), remastered versions of two very scarce LPs from the early 1980s (
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some years later), Sharp went on to form The
Roaring 80s, SF Jive, and Glow, and also dedicated himself to acting; only Reilly remained.
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The
Durutti Column played at the Factory club (organised by their managers), and cut two numbers for the first Factory Records release
367:
managed to get that." The record featured a sandpaper sleeve (like the title of the record, inspired by a
Situationist joke, a book –
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678:). The album was once again produced by Stephen Street, with Mitchell and Metcalfe, and it included, on the track "The Next Time",
644:(a 1991 collection of early singles, compilation contributions and unreleased material on the separate label Factory Benelux), and
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332:. On the eve of recording a debut album, the band broke up after a dispute about Wilson and Erasmus's choice of producer,
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741:) were re-released with additional material by Factory Too/London, under the banner Factory Once, between 1996 and 1998.
597:(1990), Mitchell played on only one track, the album being otherwise a solo recording by Reilly, heavily influenced by
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before the single was released). This was to be the last
Durutti Column record released by Factory, in early 1991.
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Factory Too effectively ended in 1998, and subsequent
Durutti Column albums have been on independent labels
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The music was unlike anything else performed by post-punk acts at the time. Reilly rooted himself in "
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on drums and Keir Stewart on bass, keyboards and harmonica. They were among the first acts signed to
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For the first few years after the demise of Factory, the only Durutti Column album releases were
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In 1998, Durutti Column contributed "It's Your Life Baby" to the AIDS benefit compilation album
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was killed by an unknown assailant in 1991. He was later memorialised by the
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Strong, Martin C. (1999) "The Great Alternative & Indie Discography",
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music scene, in late 1970s and early 1980s. He was the original singer of
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has a far more direct sound than earlier records, with guest vocals from
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is a British former singer and music producer, who formed part of the
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Phil Rainford later reappeared as producer for two albums for singer
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sample release. At the time he was also known as "Phil Raincoat".
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In 1993, Tony Wilson attempted to revive Factory Records, and
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in addition to Mitchell's drumming. The album was produced by
1408:"The Durutti Column | Line-up | Cerysmatic Factory"
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Durutti Column guitarist Vini Reilly 'embarrassed' by appeal
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that stuck the sandpaper onto the card. I was mortified."
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Heaven Sent (It Was Called Digital, It Was Heaven Sent)
789:). Kookydisc has also released two further volumes of
1490:"Prince Far I With The Suns Of Arqa* - Musical Revue"
874:. He engineered and mixed another Nico's live album,
19:
For the militia group of the Spanish Civil War, see
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Vini Reilly: Always The Bridesmaid, Never The Bride
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Shadowplayers: The Rise and Fall of Factory Records
536:and Reilly's then partner, Pol, and the use of a
516:(1987), the first new UK album to be released on
256:. The name was derived from a misspelling of the
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1238:. Users.rcn.com. 24 January 1978. Archived from
244:, assembled a band around the remnants of local
805:, first appeared in 2005 via Wilson's project
572:, with looped samples of vocalists (including
336:. Rowbotham, Bowers and Joyce went on to form
698:was released between these albums in 1996 by
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1426:"The Durutti Column Biography 1978 – 1991"
1165:The Guinness Encyclopedia of Popular Music
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320:, a double 7" compilation also featuring
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787:Sunlight to Blue . . . Blue to Blackness
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248:band Fast Breeder, specifically drummer
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709:The eight albums recorded for Factory (
688:Time Was Gigantic ... When We Were Kids
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982:Time Was Gigantic... When We Were Kids
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1358:. 4 June 2013. Event occurs at 0:11s
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1024:Sunlight to Blue... Blue to Blackness
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13:
1577:Musical groups established in 1978
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915:The Return of the Durutti Column
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711:The Return of the Durutti Column
359:The Return of the Durutti Column
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1326:, December 1987 (Issue 9), p. 3
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1264:. Users.rcn.com. Archived from
520:(as well as the usual media of
1587:English post-punk music groups
1582:Musical groups from Manchester
1554:gigography at Fac-Gigographies
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1062:(paperback ed.). London:
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297:Alberto y Lost Trios Paranoias
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1347:Morrissey: Vini Reilly Part 5
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1030:Love in the Time of Recession
952:The Guitar and Other Machines
747:Onda Sonora: Red Hot + Lisbon
731:The Guitar and Other Machines
530:The Guitar and Other Machines
514:The Guitar and Other Machines
279:, former guitarist for local
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285:Ed Banger and the Nosebleeds
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7:
1377:News from New Writing North
663:in the song "Cowboy Dave".
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364:Situationist International
362:(title inspired by a 1967
352:1979–1990: Factory Records
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44:Performing at Teatro de
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1607:English art rock groups
1597:Factory Records artists
1451:The Rough Guide to Rock
791:The Sporadic Recordings
199:band formed in 1978 in
1382:2 October 2011 at the
1096:"Zeroing in on Martin"
896:Live with Prince Far-I
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348:many years afterward.
58:Background information
16:British post-punk band
877:Do or Die: Diary 1982
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508:Kellett left to join
467:(trumpet). The album
270:Strasbourg University
1430:Thedurutticolumn.com
1386:. 11 September 2009.
994:Someone Else's Party
767:Someone Else's Party
752:Red Hot Organization
702:and was produced by
642:Lips That Would Kiss
548:, who also produced
266:Buenaventura Durruti
240:, later partners in
1453:. pp. 315–320.
1424:Prendergast, Mark.
1170:Guinness Publishing
846:who were signed to
634:Stratford-upon-Avon
603:William Shakespeare
112:, Artful, Kookydisc
1552:The Durutti Column
1538:The Durutti Column
1529:The Durutti Column
1521:The Durutti Column
1496:. 3 September 1994
1168:(First ed.).
1102:. 21 December 2007
946:Circuses and Bread
844:The Durutti Column
799:Amigos Em Portugal
674:(a subdivision of
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518:Digital Audio Tape
495:Circuses and Bread
193:The Durutti Column
67:Greater Manchester
52:, Portugal in 1995
32:The Durutti Column
1268:on 5 October 2013
1242:on 5 October 2013
1172:. p. 750/1.
1073:978-1-84513-634-5
1036:A Paean to Wilson
816:play adapted for
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491:Say What You Mean
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1337:Ghostarchive
1335:Archived at
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582:Annie Lennox
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309:Suns of Arqa
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238:Alan Erasmus
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144:Past members
134:Poppy Morgan
132:Keir Stewart
101:1978–present
97:Years active
25:
1494:Discogs.com
1352:Prism Films
1324:Underground
1222:The Quietus
1064:Aurum Press
1056:Nice, James
958:Vini Reilly
902:Discography
882:James Young
867:Live Heroes
818:BBC Radio 3
735:Vini Reilly
672:Factory Too
648:(1991) and
566:Vini Reilly
465:Tim Kellett
437:cor anglais
338:The Mothmen
301:Colin Sharp
293:Tony Bowers
277:Vini Reilly
250:Chris Joyce
234:Tony Wilson
217:Tony Wilson
205:Vini Reilly
173:Tim Kellett
169:Colin Sharp
161:Tony Bowers
153:Chris Joyce
125:Vini Reilly
46:Gil Vicente
1571:Categories
1362:12 October
1082:References
890:album for
836:Manchester
680:Peter Hook
510:Simply Red
485:John Keats
449:Tuxedomoon
369:Guy Debord
342:Simply Red
326:John Dowie
201:Manchester
177:Peter Hook
165:Toby Toman
1292:Pitchfork
1272:4 October
1246:4 October
1129:Canongate
1058:(2011) .
988:Rebellion
840:post-punk
814:Jeff Noon
779:Kookydisc
763:Rebellion
684:New Order
650:Red Shoes
636:, in 2006
560:Viva Hate
555:Viva Hate
550:Morrissey
538:sequencer
528:and CD).
281:punk rock
246:punk rock
232:In 1978,
197:post-punk
90:post-rock
82:dream pop
78:Post-punk
69:, England
1533:Allmusic
1380:Archived
1339:and the
976:Fidelity
812:A short
696:Fidelity
614:Together
570:sampling
429:trombone
386:new wave
374:MĂ©moires
1542:Discogs
1356:YouTube
1207:, p. 29
1195:, p. 49
1049:Sources
608:Othello
223:History
121:Members
110:Factory
86:ambient
50:Coimbra
1558:CP Lee
1500:5 July
1474:5 July
1435:5 July
1176:
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1106:8 July
1070:
1044:(2012)
1038:(2010)
1032:(2009)
1026:(2008)
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1002:(2004)
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984:(1998)
978:(1996)
972:(1994)
966:(1990)
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954:(1987)
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942:(1984)
934:(1983)
926:(1981)
918:(1980)
106:Labels
74:Genres
63:Origin
842:band
777:) or
618:Ibiza
453:viola
283:band
1502:2020
1476:2020
1437:2020
1364:2019
1274:2013
1248:2013
1174:ISBN
1133:ISBN
1108:2011
1068:ISBN
870:and
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