197:, Vicomte Armand De Breville, a young and impoverished French aristocrat, is fencing with his friend Sir Cuthbert Jameson. Armand had, some time earlier, proposed marriage to a crude but wealthy American woman, Euphemia Van Zyl, but she instead married the elderly Duke of Dundee. Sir Cuthbert and Armand are both now romantically interested in another passenger, a strong-willed Australian heiress named Diana Caverel. Diana rejects Sir Cuthbert's proposal, calling him "the best, the truest, the most valued friend I have ever possessed." The Duke and Duchess of Dundee board, preceded by their courier, Barker. Two snobbish British tourists, Mr. and Mrs. Coxe-Coxe, eagerly greet Barker, thinking that he is the Duke. They lend him money to gamble under his infallible system. Euphemia sees Armand and apologises for having ill-treated him. After she leaves, he proposes to Diana, and she accepts.
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but says to Diana that if anything should happen to leave her "husbandless", he is "not worth weeping for." Diana loves Armand passionately. She has been worried about whether Armand loves her and feels that this statement means that he does. Sir
Cuthbert then appears and mentions that Euphemia is in Naples. Diana believes that Armand is having an affair with the Duchess. Sir Cuthbert doubts that Euphemia would take up with a married man, but Diana notes that the Duchess might not know of Armand's marriage; indeed his own parents have only just been informed of it.
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to annul his marriage. He proposes to settle Armand's debts to save the marriage. Armand, seeing an opportunity, challenges Sir
Cuthbert to a duel, saying that he is insulted by the accusation. Sir Cuthbert resists, but Armand enrages his friend by suggesting that it is inappropriate for Sir Cuthbert to have accompanied Diana. As they begin the duel, Armand intentionally steps into Sir Cuthbert's blade. As he dies, he declares that he himself, not Sir Cuthbert, caused his death. He asks Sir Cuthbert to care for Diana.
319:, which was tried upon the Birmingham public, has fallen flat. The critics are unanimous in their verdict that the play lacks the elements of strength and popularity and that no amount of carpentering, tinkering, or revising could infuse life into it. This after Mr. Gilbert had announced, seemingly without thought of the possibility of failure, that he had resolved to forswear comic opera for more important work. Now it is being recalled that he promised his public, after the disastrous
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at the time of the wedding, and informing Diana that he is moving to annul the marriage. However, this has the unintended effect of angering Armand's parents, who balk at his dishonourable actions and state that they would not do anything to harm Diana's reputation. They declare that they will disown Armand and welcome Diana as their daughter.
112:. H. M. Walbrook suggested the reason for this, writing, "It reads like the work of a tired man. ... There is his manner but not his wit, his lyrical fluency but not his charm. ... the most part, the lyrics were uninspiring and the melodies uninspired. Isaac Goldberg added, "the old self-censorship relaxed".
279:. The reporter, through a series of leading questions, made it seem that Gilbert had insulted various leading actor-managers of the day. Gilbert also declared that he was retiring from writing for the stage (although he eventually wrote a further four stage works). As soon as Gilbert found out about the
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they entrusted the money, was actually the Duke's courier. Armand now tells
Euphemia that he is married. Although he had begun proceedings to annul the marriage, he is having second thoughts and plans to halt the proceedings. The Duchess agrees to pay Armand's debts, although she is naturally upset.
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Armand asks
Lachaud to stop the application, but the lawyer says that it is too late. The only way to interrupt the proceeding is if Armand dies. He tries to poison himself, but Lachaud prevents him. Sir Cuthbert arrives and angrily accuses Armand of lying in the letter about his parents' intention
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The
Marquis and Marquise de Breville, Armand's parents, appear and question Diana. They are shocked to find out that her father was a mere merchant and state that they would have forbidden the marriage, noting that Armand was underage. A letter arrives from Armand, also stating that he was underage
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One year later, in Paris at Armand's flat, Armand discovers that Diana has no more fortune. In debt, Armand asks
Lachaud, his lawyer, to annul the marriage. Under the French Civil Code, a man under the age of 25 required parental consent to marry, and Armand had only been 24. Armand goes to Naples,
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In the face of
Saturday the officials and the company stand helpless and appalled. This day, which recurs at stated and well-ascertained intervals, is treated as a phenomenon entirely outside the ordinary operations of nature and, as a consequence, no attempt whatever is made to grapple with its
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at the
Duchess's villa, six months later, Euphemia decides to leave the Duke and return to America to marry Armand. Mr. and Mrs. Coxe-Coxe arrive, demanding the return of the money that they had lent to the "Duke". They are about to be arrested, but Armand explains that Barker, the person to whom
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together. Most of these were tremendously popular, both in London and on tour. Their success eclipsed
Gilbert's playwriting career, during which he produced dozens of plays. While many of his comedies enjoyed success, some of his dramas, particularly the later ones, did not. After his 1888 flop,
268:), together with his old-fashioned style, dissatisfied the critics. Despite a fine production with "exquisite costumes" and excellent acting from Fortescue and others, the many critics in attendance panned the piece. Nevertheless, the play did good business at the box office in Birmingham.
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reported
Gilbert as saying: "London critics attack an author as if he was a scoundrel of the worst type, and I do not feel disposed to put myself forward as a cock-shy for these gentlemen... The fact is, managers cannot judge of a play when they see it in manuscript. If
45:. The piece concerns an heiress who loses her fortune. Her shallow husband sues to annul the marriage, leaving her pregnant and taking up with a wealthy former lover. The piece was produced on tour in Britain in 1897, never playing in London.
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was heavy. The play continued to tour for a while, and Gilbert tried several cuts and minor rewrites, but reviews continued to be poor. Because of its lack of success in the provinces, the play never opened in London and ultimately failed.
262:, the play opened on 27 September 1897. The first-night audience was enthusiastic, but the play's tragic ending, as well as Gilbert's treatment of Diana and his familiar theme of "woman victimized by man's double standards" (compare
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After so many years of distinguished successes as a comic opera librettist in collaboration with Sir Arthur Sullivan, Mr. Gilbert returned to serious play writing only to score a failure. His new comedy,
238:. Overwhelmed by his emotions, he assures her that he is moving to halt the proceedings and begs her to take him back. No longer in love with him, she haughtily rejects him and departs.
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Diana arrives, and Armand discovers that she has given birth to their son. She appeals to him to stop the annulment so that their child will not suffer the stigma of
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inherent difficulties. To the question, "What has caused the train to be so late?" the officials reply, "It is Saturday" – as who should say, "It is an earthquake."
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a play, it is accepted not because it is a good play but because it is by Pinero, and if a stranger, though a clever dramatist, sends Irving or
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was also briefly considered, but Gilbert balked at Carte's suggested revisions. Instead, Gilbert turned to writing a new contemporary drama,
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article, he denied that the paper had quoted him correctly. Nevertheless, the press tore into him. For example,
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302:, or anyone else, a play it is refused, however good, because they cannot judge of it." The paper continued:
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108:, opening in March 1896. This was the least successful of them, running for only 123 performances at the
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was no exception; its poor reception provoked Gilbert to announce retiring from writing for the stage.
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The Duchess of Dundee, the Duke's young bride (née Euphemia S. Van Zyl of Chicago) – Cicely Richards
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The same day that the play opened in Birmingham, coincidentally, Gilbert wrote a letter to
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163:) for her touring company. The snobs and valet in the piece are based on an 1869
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By March 1897, Gilbert was ready to get back to work. He suggested to producer
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506:. Oxford, England: Oxford University Press. p. Introduction, vii.
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may be little remembered today, but the letter is frequently quoted:
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in Edinburgh, Gilbert gave an interview to a reporter from the
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After the short Birmingham run, as the play was moving to the
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Gilbert was the librettist of the extraordinarily successful
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The Story of Gilbert and Sullivan or The 'Compleat' Savoyard
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Sir Cuthbert Jameson, a middle-aged Baronet – Edmund Maurice
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In 1906 and afterwards for several years, Gilbert worked on
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Mr McFie, the Duchess of Dundee's secretary – Howard Sturge
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Mr Dusley Coxe, a snobbish British tourist – Compton Coutts
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Compton Coutts and Nora O'Neill as Mr. and Mrs. Dudley Coxe
780:(piano score), New York: Oakapple Press, 2009. Linked at
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Mrs Dudley Coxe, a snobbish British tourist – Nora O'Neill
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The Marquise de Bréville, Armand's mother – Adelina Baird
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Contradiction Contradicted – The Plays of W. S. Gilbert
682:, W. S. Gilbert Society website, accessed 11 April 2011
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The Marquis de Bréville, an aristocrat – Arthur Nerton
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Gilbert & Sullivan Opera, A History and a Comment
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W. S. Gilbert, A Classic Victorian & His Theatre
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Shepherd, Marc. "Introduction: Historical Context",
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Vicomte Armand de Bréville, his son – Luigi Lablache
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Final curtain: The last Gilbert and Sullivan Operas
816:. London: F. V. White & Co. Ltd. Archived from
829:. London: Chappell in association with A. Deutsch.
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662:, 10 October 1897, p. 5, accessed 24 October 2009
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430:Captain Munro, of the steam yacht P. and O. SS.
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102:The last of the Gilbert and Sullivan operas was
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411:Mr Barker, the Duke's courier – W. R. Staveley
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390:The Duke of Dundee, an octogenarian peer –
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452:Miss Somerton, a passenger – Regina Repton
420:Mr McQuarrie, purser of the P. and O. SS.
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574:, (London: John Murray, 1929), pp. 424–29
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1126:List of compositions by Arthur Sullivan
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485:, 7 June 2006, accessed 24 October 2009
458:Diana Caverel, an Australian heiress –
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741:Gilbert and Sullivan–A Dual Biography
139:. A revival of Gilbert's comic opera
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743:. Oxford: Oxford University Press.
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123:that he write a libretto for a new
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713:Ainger, p. 406 and Stedman, p. 312
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254:Vivian Stenhouse as Mr. McQuarrie
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440:Quartermaster – Charles Leighton
358:London and North Western Railway
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795:. Oxford University Press.
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127:based on his earlier play,
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260:Theatre Royal, Birmingham
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739:Ainger, Michael (2002).
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246:Production and aftermath
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1041:The Yeomen of the Guard
999:The Pirates of Penzance
810:Walbrook, H.M. (1922).
374:Roles and original cast
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825:Wolfson, John (1976).
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561:Walbrook, pp. 122–24
343:Gilbert's letter to
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19:For other uses, see
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897:, 28 September 1897
618:Stedman, pp. 311–12
543:Stedman, pp. 252–58
414:Mr Taylor – C. Butt
84:Beginning in 1871,
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1079:Savoy opera
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125:comic opera
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1299:1897 plays
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1027:The Mikado
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345:The Times
1263:Category
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1006:Patience
676:Archived
498:(1996).
281:Despatch
236:bastardy
173:Synopsis
160:Iolanthe
1200:Ivanhoe
1192:The Zoo
1072:Related
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265:Charity
214:Act III
1245:German
1235:(1899)
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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