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The Four of Us Are Dying

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This theatricality is especially present in its use of harsh shadows and in the neon-signage that hangs above the set to represent Manhattan. One very clear example of this would be when Arch Hammer exits the jazz bar where a bold lighting change indicates that he has put Maggie and the events at the club out of his mind and now seeks his next target. The cinematography is also unusually elaborate and quite cinematic. Extreme, low, wide canted angles drift languidly folly Arch through the streets, symbolising how sleazy and careless his world is. POV shots zipping down from one elevator button to another. A birds-eye view watches him scramble out of an elevator. The camera swirls in smooth reverence around Maggie as she sings her lament. The jazz score is incessant and adds a distinct, coherent rhythm to the episode.
460:"After the first half-dozen stories had been written, part of the hustle was getting an agent. Through those years I found several who would let me use their names, though few cared to sign a contract with me. One of these men, Jay Richards - at the time head of the television department of the Famous Artists Agency, long since absorbed by I.F.A. (International Famous Agency), and since embedded in I.C.M. (International Creative Management), which represents me now in television and movies - agreed to read something. I showed Jay 'All of Us Are Dying.' After reading it, he crossed out the title with a ballpoint pen and wrote in 'Rubberface!' Then he sent it to 289:. This is a cheap man, a nickel-and-dime man, with a cheapness that goes past the suit and the shirt; a cheapness of mind, a cheapness of taste, a tawdry little shine on the seat of his conscience, and a dark-room squint at a world whose sunlight has never gotten through to him. But Mr. Hammer has a talent, discovered at a very early age. This much he does have. He can make his face change. He can twitch a muscle, move a jaw, concentrate on the cast of his eyes, and he can change his face. He can change it into anything he wants. Mr. Archie Hammer, 347: 312:
Trying to escape down an alley, Hammer sees a poster of boxer Andy Marshak, and changes his face to the fighter's. Pennell's men are fooled. Thinking he is in the clear, he runs into Marshak's father at a street newsstand, who mistakes him for the son who broke his mother's heart and "did dirt to a
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This episode is notable for its heightened, theatrical lighting, blocking and set design. While most episodes are presented in a very theatrical manner (with limited locations, heightened dialogue and theatrical blocking) not many episodes present themselves as if the action took place on a stage.
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Marshak's father is standing on the street, with a gun on Hammer. The con man tries to demonstrate that he is not who the old man thinks he is, but before he can concentrate and change his face, Mr. Marshak shoots him. As Hammer lies dying, his face shifts from one person to another until he dies
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He was Arch Hammer, a cheap little man who just checked in. He was Johnny Foster, who played a trumpet and was loved beyond words. He was Virgil Sterig, with money in his pocket. He was Andy Marshak, who got some of his agony back on a sidewalk in front of a cheap hotel. Hammer, Foster, Sterig,
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comes by to pick him up for questioning; together, they leave for the police station. As they enter the hotel's revolving door, Hammer again assumes the boxer's appearance. The detective rushes back into the building to find Hammer.
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sweet decent little girl who would've cut off an arm for" him. As Mr. Marshak reels off the reasons why he hates Andy and his punk behavior, Hammer pushes the old man out of the way and returns to his hotel room. A
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Next, while impersonating murdered gangster Virgil Sterig, Hammer pays a visit to Mr. Pennell, to extort money; Pennell is the man who had Sterig killed. Pennell sends his men after Hammer.
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Arch Hammer is a con man who can change his face to look like anyone he chooses. He walks into a
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In 2005, "The Four of Us Are Dying" was produced for the stage by 4 Letter Entertainment.
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on January 1, 1960. The episode was based on the original short story by
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His name is Arch Hammer, he's 36 years old. He's been a salesman, a
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The Twilight Zone: Unlocking the Door to a Television Classic
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Television episodes written by George Clayton Johnson
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The Twilight Zone (1959 TV series) season 1 episodes
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13th episode of the 1st season of The Twilight Zone
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Albany, GA: Bear Manor Media. 345: 1567:Ninety Years Without Slumbering 1553:The 7th Is Made Up of Phantoms 42: 1: 1714:The Brain Center at Whipple's 1665:I Am the Night—Color Me Black 1602:Number 12 Looks Just Like You 1456:On Thursday We Leave for Home 616:The Sixteen-Millimeter Shrine 498:Trivia from The Twilight Zone 455: 1017:A Hundred Yards Over the Rim 693:I Shot an Arrow into the Air 7: 1767:Fiction about shapeshifting 665:And When the Sky Was Opened 491:The Twilight Zone Companion 10: 1793: 1707:Mr. Garrity and the Graves 1518:The Last Night of a Jockey 1212:Showdown with Rance McGrew 919:The Trouble with Templeton 532:"The Four of Us Are Dying" 475:The Twilight Zone Magazine 388:"The Four of Us Are Dying" 218:(1959 TV series, season 1) 1479: 1340: 1331:The Changing of the Guard 1261:Person or Persons Unknown 1068: 968:A Penny for Your Thoughts 849: 763:People Are Alike All Over 584: 246:. It originally aired on 223: 213: 179: 174: 126: 119: 108:January 1, 1960 104: 96: 86: 73: 63: 53: 40: 30: 21: 1693:Stopover in a Quiet Town 1504:Nightmare at 20,000 Feet 1463:Passage on the Lady Anne 1317:I Sing the Body Electric 1024:The Rip Van Winkle Caper 982:The Odyssey of Flight 33 912:The Lateness of the Hour 756:Long Live Walter Jameson 679:The Four of Us Are Dying 336: 234:The Four of Us Are Dying 24:The Four of Us Are Dying 1532:The Old Man in the Cave 1358:The Thirty-Fathom Grave 1045:The Mind and the Matter 510:Grams, Martin. (2008). 297: 1282:Hocus-Pocus and Frisby 989:Mr. Dingle, the Strong 884:A Thing About Machines 609:Mr. Denton on Doomsday 470:George Clayton Johnson 334: 322:wearing his own face. 295: 252:George Clayton Johnson 81:George Clayton Johnson 1609:Black Leather Jackets 1546:Probe 7, Over and Out 1511:A Kind of a Stopwatch 1414:No Time Like the Past 1135:Deaths-Head Revisited 933:The Night of the Meek 926:A Most Unusual Camera 870:The Man in the Bottle 812:A Passage for Trumpet 784:A Nice Place to Visit 749:A World of Difference 496:DeVoe, Bill. 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Index

The Twilight Zone
John Brahm
Rod Serling
George Clayton Johnson
Jerry Goldsmith
Harry Townes
Ross Martin
Phillip Pine
Don Gordon
Peter Brocco
Milton Frome
Beverly Garland
What You Need
Third from the Sun
The Twilight Zone (1959 TV series, season 1)
List of episodes
American television
The Twilight Zone
CBS
George Clayton Johnson
Rogue
dispatcher
truck driver
con man
bookie
bartender
jack-of-all-trades
nightclub
detective

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