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The Haunted Man (album)

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343:, to ask, "What do you do when you feel like you're going to die because you can't write anything?" He advised her to draw, and subsequently Khan took life-drawing classes and a children's illustration course. Combined with intensive dance classes to boost her confidence, Khan began to feel inspiration enough to begin writing again, penning the album's opening song, "Lilies", which she said was inspired by a scene in the 1970 film 700: 662: 600: 595: 562: 524: 519: 474: 695: 690: 685: 680: 657: 652: 647: 642: 590: 585: 580: 557: 552: 547: 542: 514: 509: 504: 469: 464: 459: 454: 335:(2009), she tried to rehabilitate herself to rebuild a sense of who she was without the music. In May 2010, Khan stated that although she had enough songs to put out as an album, she wanted to take more time working on new material, as she had been on tour for a long time, and found it boring to write songs about being on tour. She experienced a "profound writer's block", which led her to call 31: 881:
expressed that although the album "occasionally draw blood", it "doesn't live up to its stripped and dangerous cover", adding, "For every song that opens up and invites you in to experience the startling wonders of private world, there's another that just hangs like a gauzy veil of unusual sounds
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when Natasha Khan's carefully-marshalled musical forces evoke exactly the right ambience for songs pivoting on the notion of renewal. But sometimes the recurrent mood of ecstatic affirmation of life that's evident in her singing can be short-changed by arrangements that fuss to no great purpose,
796:"sounds like a bold, confident album that strips away a lot of the sonic embellishments from Khan's sound", adding that "erhaps it's the sound of someone who's worked out that less can sometimes be more, that not trying too hard isn't the same as not trying." 759:
deals in less trinkets than its predecessor, it's not scant in splendour. Instead, for large swathes, it's like being plunged into a fairytale soundtracked by skin-prickling electro and populated by downtrodden sods hunting for breadcrumbs of comfort."
4436: 3521: 749:"one of the year's most beguiling albums", writing that it "sounds like effort magnificently realized. The rawness of feeling is achieved through equally raw ambition." Ben Hewitt of 813:
is more direct than any of Bat for Lashes' previous work, and manages to keep the air of mystique around Khan that has made her one to watch and listen to since her early days."
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noted a sense of clarity on the album "that comes from the sense of physical boundaries being pushed, of personal space being tested to its limits".
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critiqued that Khan's "moody charisma and piercing vocals ensure the album is still an enjoyable listen. All the same, it's disappointing that
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s Kevin Liedel viewed that "while the album's comparatively restrained arrangements occasionally wilt in the face of Khan's fierce melodrama,
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is an assured and sonically seductive recordβ€”if only it didn't echo a little too often the sound of other women's work." Andy Gill of
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praised the album as Khan's "sexiest, spookiest LP", stating that "the visions here seem all her own. And they're pretty awesome."
4408: 3026: 2991: 1259:, selling 13,334 copies in its first week. The following week, it fell to number 36 with 3,991 copies sold. The album entered the 2503: 3273: 2663: 4468: 4159: 3557: 4396: 3092: 3876: 2933: 4099: 3961: 856:
felt that it "does not deal the killer blow of originality that by now Khan should have in her power", concluding that "
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radio stations on 22 October. "A Wall" was released as the album's third and final single on 18 February 2013.
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and vague lyrics, not so much impenetrable as too insubstantial to be worth the effort of investigation."
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is the third studio album by English singer and songwriter Natasha Khan, known professionally as
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Khan stated in July 2012 that, after she returned home in March 2010 from touring in support of
4608: 3303: 2607: 3591: 3386: 378:" was released as the album's lead single on 24 July 2012. The song reached number 144 on the 2199: 3188: 5091: 4592: 4574: 4556: 3797: 3150: 3097: 2629: 2611: 2062: 1786: 1395: 1313: 948: 843:
s beauty is too often only skin deep." Despite citing the album as Khan's "strongest yet",
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is still a worthy, often gorgeous entry in the Bat for Lashes canon." In a mixed review,
738: 621: 495: 3036: 5014: 4627: 4420: 3853: 3001: 1091: 982: 366:; just these raw, honest women. I had no make-up on, it's just me and my haunted man!" 345: 94: 5007: 4667: 4164: 3820: 3626: 2996: 2554: 1225: 231: 3265: 5039: 4169: 4104: 3565: 3330: 3183: 1188: 782:
s Julianne Escobedo Shepherd felt that it was "strongest in its simplest moments".
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at number 64, becoming Khan's highest-charting album so far in the United States.
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score of 78, based on 36 reviews, which indicates "generally favorable reviews".
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rating out of 100 to reviews from mainstream publications, the album received an
709: 571: 356:, and features a naked Khan carrying an equally naked man on her back. Khan told 169: 809:
opined, "Focus and restraint might not sound exciting in and of themselves, but
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dissipating their impact in brittle beats and pointless detail."
120: 362:: "I really wanted to strip things back in honour of women like 4609:"Bat For Lashes dΓ©voile le clip de son nouveau single "A Wall"" 4582: 1742:; drums, programming, string arrangement, woodwind arrangement 4542: 352:
The album's artwork was photographed by American photographer
4914: 4514: 4462: 4373: 3151:"Bat For Lashes poses naked on 'The Haunted Man' album cover" 1137: 1114: 988: 38: 4830:"The haunted man – Inclus CD – Bat for Lashes – Vinyl album" 1068: 931: 4808: 4337: 4251:"US charts: Swift poised to overtake One Direction's sales" 2175: 724:
received generally positive reviews from music critics. At
4474: 4414: 4361: 4349: 4722: 4481:"Portuguesecharts.com – Bat for Lashes – The Haunted Man" 4385: 4344:"Australiancharts.com – Bat for Lashes – The Haunted Man" 3155: 2754: 1045: 751: 609: 358: 4502: 4421:"Offiziellecharts.de – Bat for Lashes – The Haunted Man" 4402: 2934:"Dearly Beloved: Bat for Lashes on Becoming 'The Bride'" 4571:"Bat for Lashes Chart History (Top Alternative Albums)" 4450: 4509:"Swedishcharts.com – Bat for Lashes – The Haunted Man" 4457:"Italiancharts.com – Bat for Lashes – The Haunted Man" 3988:"The 100 Best Albums of the Decade So Far (2010–2014)" 4370:(in French). Hung Medien. Retrieved 19 October 2012. 4224:"Official Charts Analysis: Taylor Swift LP sells 61k" 3522:"Album: Bat For Lashes, The Haunted Man (Parlophone)" 3021: 3019: 4521:"Swisscharts.com – Bat for Lashes – The Haunted Man" 4358:(in Dutch). Hung Medien. Retrieved 19 October 2012. 2276:
Isabel Seeliger-Morley – mix engineering assistance
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The 100 Best Albums of the Decade So Far (2010–2014)
4380:"Dutchcharts.nl – Bat for Lashes – The Haunted Man" 4409:"Lescharts.com – Bat for Lashes – The Haunted Man" 4222: 4192: 3266:"Future Releases on Triple A (AAA) Radio Stations" 3016: 2328:Justin Parker – vocal recording, vocal production 1899:; additional programming, arrangement, conducting 4382:(in Dutch). Hung Medien. Retrieved 11 July 2016. 2958: 2956: 2662: 2266:Sam Okell – string recording, string engineering 2178:– guitar, synths, beat programming, drum machine 5083: 4589:"Bat for Lashes Chart History (Top Rock Albums)" 4368:"Ultratop.be – Bat for Lashes – The Haunted Man" 4356:"Ultratop.be – Bat for Lashes – The Haunted Man" 3683:"Bat for Lashes, 'The Haunted Man' (Parlophone)" 3457:"Bat for Lashes, The Haunted Man, Pop CD review" 4329:: CS1 maint: others in cite AV media (notes) ( 3681:Shepherd, Julianne Escobedo (23 October 2012). 3356:"Reviews for The Haunted Man by Bat for Lashes" 2322:; additional engineering on choral arrangement 2312:; additional engineering on choral arrangement 1005: 5097:Albums produced by Dan Carey (record producer) 4661:"Top Current Albums – Week Ending: 11/04/2012" 4469:"Charts.nz – Bat for Lashes – The Haunted Man" 3515: 3513: 3236:"All Your Gold: Bat For Lashes: MP3 Downloads" 2953: 677: 4947: 4805:"The haunted man – Bat for Lashes – CD album" 317:. The album was preceded by the lead single " 4486: 3585: 3583: 3447: 3445: 639: 577: 539: 501: 451: 4430: 3625:. No. 316. November 2012. p. 97. 3510: 3481: 3479: 3380: 3378: 3326:"The Haunted Man by Bat For Lashes reviews" 3093:"Bat For Lashes May Recruit Beck For Album" 2710:Sales figures based on certification alone. 2643: 4954: 4940: 4132:"Under the Radar's Top 100 Albums of 2012" 3738:"Bat for Lashes: The Haunted Man – review" 3491:"Bat for Lashes: The Haunted Man – review" 29: 3903:"musicOMH's Top 100 Albums Of 2012: 50–6" 3580: 3451: 3442: 3409: 3407: 1247: 4493:"Official Scottish Albums Chart Top 100" 3726: 3680: 3485: 3476: 3375: 3117: 3115: 3058: 3056: 3054: 2931: 2880: 2878: 2372:Dan Sanders – photographic commissioning 2346:Cassidy Turbin – additional engineering 1667:Credits adapted from the liner notes of 313:. It was released on 12 October 2012 by 4526: 4523:. Hung Medien. Retrieved 11 July 2016. 4511:. Hung Medien. Retrieved 11 July 2016. 4483:. Hung Medien. Retrieved 11 July 2016. 4471:. Hung Medien. Retrieved 11 July 2016. 4459:. Hung Medien. Retrieved 11 July 2016. 4437:"GFK Chart-Track Albums: Week 42, 2012" 4411:. Hung Medien. Retrieved 11 July 2016. 4346:. Hung Medien. Retrieved 11 July 2016. 4248: 3676: 3674: 3413: 3296:"A Wall: Bat For Lashes: MP3 Downloads" 1738:; horn arrangement, string arrangement 321:", which was released on 24 July 2012. 18:2012 studio album by Bat for Lashes 5084: 4606: 3732: 3706: 3646: 3555: 3551: 3549: 3404: 3179:"Laura: Bat For Lashes: MP3 Downloads" 3121: 3062: 2893:Strings and horns on tracks 5, 6 and 8 2340:Cole Marsden – additional engineering 1638: 1627: 1616: 1565: 1539: 4935: 4607:Hamard, Jonathan (22 December 2012). 4220: 4190: 3929: 3700: 3642: 3640: 3589: 3350: 3348: 3211:"CHART: CLUK Update 4.08.2012 (wk30)" 3112: 3090: 3051: 2875: 2334:Dean Nelson – additional engineering 2318:Kato Γ…dland – additional engineering 2282:Tom Loffman – additional engineering 1513: 1487: 1464: 1441: 1407: 1376: 1353: 1325: 1300: 432: 399: 389: 3671: 3614: 3612: 3558:"Bat For Lashes – 'The Haunted Man'" 3519: 3122:Hooton, Christopher (24 July 2012). 2298:Drew Smith – additional engineering 2288:Mo Hausler – additional engineering 2083:; choral singer, choral arrangement 4719:"Bat for Lashes // The Haunted Man" 4281:"The Haunted Man by Bat for Lashes" 4100:"Uncut's Top 75 new albums of 2012" 4072:"Stereogum's Top 50 Albums Of 2012" 3619:"Bat for Lashes: The Haunted Man". 3546: 3276:from the original on 22 August 2012 2270:; horn recording, horn engineering 1813:; beat programming, harmonium beat 1727:, live cymbals, string arrangement 679: 13: 4961: 4908:"The Haunted Man – Bat for Lashes" 4852:"Bat for Lashes – The Haunted Man" 4022:. 10 December 2012. Archived from 3637: 3387:"The Haunted Man – Bat for Lashes" 3384: 3345: 2718: 2308:Rob Ellis – additional production 14: 5123: 4882:"The Haunted Man: Bat for Lashes" 4779:"The Haunted Man: Bat for Lashes" 4289:. United Kingdom. 12 October 2012 4249:Willams, Paul (1 November 2012). 3709:"Bat for Lashes: The Haunted Man" 3707:Liedel, Kevin (19 October 2012). 3609: 3592:"Bat for Lashes: The Haunted Man" 3063:Snapes, Laura (18 October 2012). 2741: 2156:Ben Christophers – choral singer 902: 866:argued that "here are moments on 641: 579: 541: 503: 453: 4397:Musiikkituottajat – IFPI Finland 4393:Bat for Lashes: The Haunted Man" 3930:Lewis, Luke (20 November 2012). 3302:. United Kingdom. Archived from 3242:. United Kingdom. Archived from 2699: 2673: 2160:; choral sampler, piano, synths 1658:signifies an additional producer 1269: 698: 693: 688: 683: 678: 660: 655: 650: 645: 640: 598: 593: 588: 583: 578: 560: 555: 550: 545: 540: 522: 517: 512: 507: 502: 472: 467: 462: 457: 452: 85:Assault & Battery 2 (London) 4911:(select "Dane szczegΓ³Ε‚owe" tab) 4900: 4874: 4844: 4822: 4797: 4771: 4741: 4711: 4681: 4653: 4600: 4549:"Bat for Lashes Chart History ( 4533:"Official Albums Chart Top 100" 4301: 4273: 4242: 4221:Jones, Alan (29 October 2012). 4214: 4191:Jones, Alan (22 October 2012). 4184: 4160:"Pazz+Jop 2012: Albums Winners" 4152: 4124: 4092: 4064: 4046:"SPIN's 50 Best Albums of 2012" 4038: 4006: 3980: 3954: 3923: 3895: 3869: 3841: 3813: 3785: 3757: 3590:Hogan, Marc (22 October 2012). 3556:Hewitt, Ben (12 October 2012). 3318: 3288: 3258: 3228: 3203: 3187:. United States. Archived from 3171: 3143: 3084: 2984: 2932:McGovern, Kyle (16 June 2016). 2256:Alexis Smith – mix engineering 1905:Everton Nelson – violin leader 4749:"Bat For Lashes – Haunted Man" 4597:. Retrieved 17 February 2013. 4579:. Retrieved 17 February 2013. 4561:. Retrieved 17 February 2013. 3520:Gill, Andy (13 October 2012). 2925: 2905: 2896: 2887: 2866: 2857: 2848: 2363:Natasha Khan – concept, design 1850:; sampler, atmospheric sounds 1731:; sampler, bass piano, bells, 1604: 1285: 1: 4639:British Phonographic Industry 4539:. Retrieved 21 October 2012. 4499:. Retrieved 21 October 2012. 4447:. Retrieved 19 October 2012. 3065:"Cover Story: Bat for Lashes" 3000:. 24 May 2016. Archived from 2918: 2649:Certifications and sales for 2150:Sarah Jones – backing vocals 1255:debuted at number six on the 324: 4858:(in Italian). Archived from 4014:"The 75 Best Albums of 2012" 3877:"Best albums of 2012: 40–21" 3849:"The 50 best albums of 2012" 3821:"DIY Albums Of 2012: 10 – 1" 3091:Paine, Andre (28 May 2010). 2964:"The 25 Best Albums of 2012" 2835: 2822: 2807: 2797: 2787: 2777: 2765: 2758: 2636: 2618: 2600: 2586: 2571: 2559: 2547: 2532: 2520: 2508: 2496: 2484: 2472: 2460: 2448: 2436: 2424: 2412: 2210: 2131:Steve Rossell – double bass 2125:Richard Pryce – double bass 2050:Maximillian Baillie – viola 2024:– additional synths, guitar 1989:Sally Herbert – arrangement 1674: 1662: 1241: 1238: 1216: 1213: 1199: 1196: 1182: 1179: 1165: 1162: 1148: 1145: 1125: 1122: 1102: 1099: 1079: 1076: 1056: 1053: 1039: 1036: 1022: 1019: 999: 996: 976: 973: 959: 956: 942: 939: 919: 916: 885: 7: 3962:"The Top 50 Albums of 2012" 3765:"The Top 50 Albums of 2012" 281:Released: 19 September 2012 10: 5128: 4427:. Retrieved 11 July 2016. 4399:. Retrieved 11 July 2016. 2841: 2357: 2250:; production, engineering 2220:David Kosten – production 2030:Tim Pigott-Smith – violin 1275:All tracks are written by 1194:Top 75 New Albums of 2012 1140:The 25 Best Albums of 2012 1117:The 75 Best Albums of 2012 991:The 50 Best Albums of 2012 369: 290:Released: 18 February 2013 5063: 5024: 4978: 4969: 2826: 2811: 2801: 2794: 2791: 2784: 2781: 2772: 2769: 2762: 2753: 2750: 2747: 2740: 2737: 2734: 2731: 2707: 2696: 2681: 2670: 2659: 2656: 2623: 2605: 2591: 2576: 2564: 2552: 2537: 2525: 2513: 2501: 2489: 2477: 2465: 2453: 2441: 2429: 2417: 2405: 2398: 2395: 2382: 2302:; engineering assistance 2244:(tracks 1, 2, 4, 5, 8–11) 2232:; additional engineering 2217:Natasha Khan – production 2187:– additional arrangement 2044:; additional arrangement 2003:Michael Spearman – drums 1997:; additional arrangement 1891:– orchestral arrangement 1789:– keyboards, programming 1711:; glass percussion, harp 1611: 1608: 1603: 1295: 1292: 1289: 1284: 1220: 1203: 1186: 1169: 1152: 1129: 1106: 1083: 1071:The Top 50 Albums of 2012 1060: 1043: 1026: 1003: 980: 963: 946: 934:The Top 50 Albums of 2012 923: 908: 901: 898: 895: 892: 440: 437: 407: 404: 298: 259: 248: 244: 207: 199: 168: 156: 140: 112: 88:Beethoven Street (London) 73: 65: 54:12 October 2012 50: 37: 28: 23: 4425:GfK Entertainment Charts 3932:"50 Best Albums Of 2012" 2644:Certifications and sales 2375:Richard Welland – design 2230:(tracks 2, 4, 5, 10, 11) 2228:; additional production 2113:Mike Kearsey – trombone 2009:Jeremy Pritchard – bass 1947:Natalia Bonner – violin 1878:Leo Taylor – live drums 1652: 4755:Ireland. Archived from 4537:Official Charts Company 4497:Official Charts Company 3793:"Top 50 Albums of 2012" 3027:"AllMusic Best of 2012" 2863:Tracks 2, 4, 5 and 8–11 2456:Suomen virallinen lista 1941:Kate Robinson – violin 1929:Louisa Fuller – violin 1923:Ian Humphries – violin 1211:Top 100 Albums of 2012 1160:50 Best Albums of 2012 1051:50 Best Albums of 2012 1034:Top 100 Albums of 2012 5107:Capitol Records albums 3270:All Access Music Group 2608:Top Alternative Albums 2388:Chart performance for 2352:John Davis – mastering 2262:(tracks 2, 4, 5, 8–11) 2252:(tracks 2, 4, 5, 8–11) 2234:(tracks 2, 4, 5, 8–11) 2202:– synths, programming 2036:Oli Langford – violin 1983:Sophie Harris – cello 1965:Vicci Wardman – viola 1791:(tracks 1, 3, 4, 6–11) 1248:Commercial performance 1177:Top 50 Albums of 2012 954:Top 50 Albums of 2012 755:commented that "while 272:Released: 24 July 2012 5102:Bat for Lashes albums 2119:Oren Marshall – tuba 2107:Dan Newell – trumpet 2079:Brendan Ashe – piano 2056:Lucy Railton – cello 2040:; string arrangement 1977:Chris Worsey – cello 1911:Rick Koster – violin 4172:on 19 September 2015 3798:Consequence of Sound 3004:on 20 September 2016 2724:Release history for 2514:New Zealand Albums ( 2193:Tariq Khan – synths 2015:T.J. Allen – synths 1953:Bruce White – viola 1935:Jeff Moore – violin 1838:; bass, programming 1834:; piano, percussion 1832:(tracks 2, 4, 9, 10) 1697:(tracks 1, 7, 8, 11) 1279:, except where noted 1017:Best Albums of 2012 949:Consequence of Sound 395:Professional ratings 4862:on 25 December 2017 4699:on 15 February 2015 4325:cite AV media notes 4261:on 14 November 2012 4112:on 13 December 2014 4026:on 15 February 2015 3736:(14 October 2012). 3650:(23 October 2012). 3534:on 14 November 2012 3489:(11 October 2012). 3462:The Daily Telegraph 3455:(12 October 2012). 3417:(16 October 2012). 3306:on 15 February 2015 3246:on 15 February 2015 3191:on 15 February 2015 2854:Tracks 1–6 and 8–11 2728: 2653: 2567:Schweizer Hitparade 2526:Portuguese Albums ( 2406:Australian Albums ( 2392: 2378:Zosienka – sketches 2268:(tracks 2, 5, 7, 8) 2242:Dan Carey – mixing 2226:(tracks 1, 3, 6, 7) 2185:Charlotte Hatherley 1985:(tracks 2, 5, 7, 8) 1979:(tracks 2, 5, 7, 8) 1973:(tracks 2, 5, 7, 8) 1971:Ian Burdge – cello 1826:; drum programming 1822:– beat programming 1717:(tracks 2, 4, 6–11) 1707:; beat programming 1600: 1357:"Horses of the Sun" 878:The Daily Telegraph 745:s Marc Hogan named 496:The Daily Telegraph 396: 4759:on 17 October 2012 4729:on 18 October 2012 4689:"Haunted Man, The" 4641:. 27 February 2015 3968:. 20 December 2012 3911:. 15 December 2012 3883:. 26 November 2012 3801:. 14 December 2012 3773:. 14 December 2012 3039:on 28 January 2013 2972:. 13 December 2012 2723: 2648: 2480:Offizielle Top 100 2396:Chart (2012–2013) 2387: 2246:; mix engineering 2222:(tracks 1, 3, 6–9) 1959:Nick Barr – viola 1917:Ali Dods – violin 1699:; clarinet synth, 1595: 1415:" (writers: Khan, 805:Heather Phares of 728:, which assigns a 394: 390:Critical reception 106:Riversonic (Italy) 5112:Parlophone albums 5079: 5078: 4832:(in French). Fnac 4723:EMI Music Germany 4668:Nielsen SoundScan 4319:. 2012. P3270492. 4165:The Village Voice 4080:. 5 December 2012 4052:. 3 December 2012 3857:. 3 December 2012 3829:. 7 December 2012 3652:"The Haunted Man" 3419:"Bat For Lashes: 3385:Phares, Heather. 2997:Time Out New York 2872:Tracks 3, 4 and 6 2839: 2838: 2716: 2715: 2711: 2641: 2640: 2555:Sverigetopplistan 2166:Chris Vatalaro – 2137:Eliza Marshall – 1824:(tracks 1, 8, 11) 1721:(tracks 2, 7, 11) 1649: 1648: 1591: 1590: 1468:"The Haunted Man" 1245: 1244: 1226:The Village Voice 719: 718: 339:, lead singer of 302: 301: 240: 239: 82:Mr Dan's (London) 5119: 5064:Related articles 4956: 4949: 4942: 4933: 4932: 4926: 4925: 4923: 4921: 4912: 4904: 4898: 4897: 4895: 4893: 4878: 4872: 4871: 4869: 4867: 4848: 4842: 4841: 4839: 4837: 4826: 4820: 4819: 4817: 4815: 4801: 4795: 4794: 4792: 4790: 4785:. United Kingdom 4775: 4769: 4768: 4766: 4764: 4745: 4739: 4738: 4736: 4734: 4725:. Archived from 4715: 4709: 4708: 4706: 4704: 4695:. Archived from 4685: 4679: 4678: 4676: 4674: 4665: 4657: 4651: 4650: 4648: 4646: 4631: 4625: 4624: 4622: 4620: 4613:Charts in France 4604: 4598: 4586: 4580: 4568: 4562: 4546: 4540: 4530: 4524: 4518: 4512: 4506: 4500: 4490: 4484: 4478: 4472: 4466: 4460: 4454: 4448: 4434: 4428: 4418: 4412: 4406: 4400: 4389: 4383: 4377: 4371: 4365: 4359: 4353: 4347: 4341: 4335: 4334: 4328: 4320: 4305: 4299: 4298: 4296: 4294: 4277: 4271: 4270: 4268: 4266: 4257:. Archived from 4246: 4240: 4239: 4237: 4235: 4226: 4218: 4212: 4211: 4209: 4207: 4196: 4188: 4182: 4181: 4179: 4177: 4168:. Archived from 4156: 4150: 4149: 4147: 4145: 4128: 4122: 4121: 4119: 4117: 4108:. Archived from 4096: 4090: 4089: 4087: 4085: 4068: 4062: 4061: 4059: 4057: 4042: 4036: 4035: 4033: 4031: 4010: 4004: 4003: 4001: 3999: 3994:. 18 August 2014 3984: 3978: 3977: 3975: 3973: 3958: 3952: 3951: 3949: 3947: 3942:on 12 April 2013 3938:. Archived from 3927: 3921: 3920: 3918: 3916: 3899: 3893: 3892: 3890: 3888: 3873: 3867: 3866: 3864: 3862: 3845: 3839: 3838: 3836: 3834: 3817: 3811: 3810: 3808: 3806: 3789: 3783: 3782: 3780: 3778: 3770:Beats Per Minute 3761: 3755: 3754: 3752: 3750: 3730: 3724: 3723: 3721: 3719: 3704: 3698: 3697: 3695: 3693: 3678: 3669: 3668: 3666: 3664: 3644: 3635: 3634: 3616: 3607: 3606: 3604: 3602: 3587: 3578: 3577: 3575: 3573: 3564:. Archived from 3553: 3544: 3543: 3541: 3539: 3530:. Archived from 3517: 3508: 3507: 3505: 3503: 3487:Petridis, Alexis 3483: 3474: 3473: 3471: 3469: 3449: 3440: 3439: 3437: 3435: 3411: 3402: 3401: 3399: 3397: 3382: 3373: 3372: 3370: 3368: 3352: 3343: 3342: 3340: 3338: 3322: 3316: 3315: 3313: 3311: 3292: 3286: 3285: 3283: 3281: 3262: 3256: 3255: 3253: 3251: 3232: 3226: 3225: 3223: 3221: 3207: 3201: 3200: 3198: 3196: 3175: 3169: 3168: 3166: 3164: 3147: 3141: 3140: 3138: 3136: 3119: 3110: 3109: 3107: 3105: 3088: 3082: 3081: 3079: 3077: 3060: 3049: 3048: 3046: 3044: 3035:. Archived from 3023: 3014: 3013: 3011: 3009: 2992:"Bat for Lashes" 2988: 2982: 2981: 2979: 2977: 2960: 2951: 2950: 2948: 2946: 2929: 2912: 2909: 2903: 2900: 2894: 2891: 2885: 2882: 2873: 2870: 2864: 2861: 2855: 2852: 2830:29 October 2012 2815:23 October 2012 2805:16 October 2012 2785:15 October 2012 2751:12 October 2012 2743: 2729: 2722: 2709: 2682:United Kingdom ( 2654: 2647: 2553:Swedish Albums ( 2502:Italian Albums ( 2454:Finnish Albums ( 2430:Belgian Albums ( 2418:Belgian Albums ( 2393: 2386: 2349: 2343: 2337: 2331: 2325: 2321: 2315: 2311: 2305: 2304:(tracks 4, 6, 7) 2301: 2295: 2291: 2285: 2279: 2278:(tracks 3, 6, 7) 2273: 2272:(tracks 5, 7, 8) 2269: 2263: 2259: 2253: 2249: 2245: 2239: 2238:(tracks 3, 6, 7) 2235: 2231: 2227: 2223: 2205: 2196: 2190: 2181: 2172: 2163: 2159: 2153: 2147: 2143: 2134: 2133:(tracks 5, 7, 8) 2128: 2127:(tracks 5, 7, 8) 2122: 2116: 2115:(tracks 5, 7, 8) 2110: 2109:(tracks 5, 7, 8) 2104: 2103:(tracks 5, 7, 8) 2095: 2086: 2082: 2076: 2073:; choral singer 2072: 2059: 2053: 2047: 2043: 2039: 2033: 2027: 2018: 2012: 2006: 2005:(tracks 3, 7, 9) 2000: 1996: 1995:(tracks 2, 5, 7) 1992: 1986: 1980: 1974: 1968: 1967:(tracks 2, 7, 8) 1962: 1961:(tracks 2, 7, 8) 1956: 1955:(tracks 2, 7, 8) 1950: 1949:(tracks 2, 7, 8) 1944: 1943:(tracks 2, 7, 8) 1938: 1937:(tracks 2, 7, 8) 1932: 1931:(tracks 2, 7, 8) 1926: 1925:(tracks 2, 7, 8) 1920: 1919:(tracks 2, 7, 8) 1914: 1913:(tracks 2, 7, 8) 1908: 1907:(tracks 2, 7, 8) 1902: 1898: 1894: 1885: 1881: 1875: 1866: 1862: 1853: 1849: 1845: 1841: 1837: 1833: 1829: 1828:(tracks 2, 9–11) 1825: 1816: 1812: 1808: 1800: 1796: 1792: 1783: 1776: 1757: 1753: 1749: 1745: 1741: 1737: 1730: 1722: 1718: 1714: 1710: 1709:(tracks 1, 4, 8) 1706: 1698: 1694: 1687: 1606: 1601: 1594: 1569:"Deep Sea Diver" 1543:"Rest Your Head" 1287: 1282: 1281: 1230: 1229: 1228: 1143: 1142: 1141: 1120: 1119: 1118: 1097: 1096: 1095: 1074: 1073: 1072: 1013: 1012: 1011: 994: 993: 992: 937: 936: 935: 926:Beats Per Minute 904: 890: 889: 851: 842: 821: 781: 768: 744: 703: 702: 701: 697: 696: 692: 691: 687: 686: 682: 681: 665: 664: 663: 659: 658: 654: 653: 649: 648: 644: 643: 603: 602: 601: 597: 596: 592: 591: 587: 586: 582: 581: 565: 564: 563: 559: 558: 554: 553: 549: 548: 544: 543: 527: 526: 525: 521: 520: 516: 515: 511: 510: 506: 505: 477: 476: 475: 471: 470: 466: 465: 461: 460: 456: 455: 400:Aggregate scores 397: 393: 380:UK Singles Chart 291: 288: 282: 279: 273: 270: 254:The Haunted Man 209: 208: 152: 151: 147: 134: 61: 59: 33: 21: 20: 5127: 5126: 5122: 5121: 5120: 5118: 5117: 5116: 5082: 5081: 5080: 5075: 5059: 5020: 5001:The Haunted Man 4974: 4965: 4960: 4930: 4929: 4919: 4917: 4910: 4906: 4905: 4901: 4891: 4889: 4888:. United States 4880: 4879: 4875: 4865: 4863: 4850: 4849: 4845: 4835: 4833: 4828: 4827: 4823: 4813: 4811: 4803: 4802: 4798: 4788: 4786: 4777: 4776: 4772: 4762: 4760: 4747: 4746: 4742: 4732: 4730: 4717: 4716: 4712: 4702: 4700: 4687: 4686: 4682: 4672: 4670: 4663: 4659: 4658: 4654: 4644: 4642: 4633: 4632: 4628: 4618: 4616: 4605: 4601: 4587: 4583: 4569: 4565: 4547: 4543: 4531: 4527: 4519: 4515: 4507: 4503: 4491: 4487: 4479: 4475: 4467: 4463: 4455: 4451: 4435: 4431: 4419: 4415: 4407: 4403: 4390: 4386: 4378: 4374: 4366: 4362: 4354: 4350: 4342: 4338: 4322: 4321: 4311:(liner notes). 4309:The Haunted Man 4307: 4306: 4302: 4292: 4290: 4279: 4278: 4274: 4264: 4262: 4247: 4243: 4233: 4231: 4219: 4215: 4205: 4203: 4189: 4185: 4175: 4173: 4158: 4157: 4153: 4143: 4141: 4140:. 27 March 2013 4137:Under the Radar 4130: 4129: 4125: 4115: 4113: 4098: 4097: 4093: 4083: 4081: 4070: 4069: 4065: 4055: 4053: 4044: 4043: 4039: 4029: 4027: 4012: 4011: 4007: 3997: 3995: 3986: 3985: 3981: 3971: 3969: 3960: 3959: 3955: 3945: 3943: 3928: 3924: 3914: 3912: 3901: 3900: 3896: 3886: 3884: 3875: 3874: 3870: 3860: 3858: 3847: 3846: 3842: 3832: 3830: 3819: 3818: 3814: 3804: 3802: 3791: 3790: 3786: 3776: 3774: 3763: 3762: 3758: 3748: 3746: 3731: 3727: 3717: 3715: 3705: 3701: 3691: 3689: 3679: 3672: 3662: 3660: 3645: 3638: 3618: 3617: 3610: 3600: 3598: 3588: 3581: 3571: 3569: 3568:on 4 March 2016 3554: 3547: 3537: 3535: 3527:The Independent 3518: 3511: 3501: 3499: 3484: 3477: 3467: 3465: 3453:McCormick, Neil 3450: 3443: 3433: 3431: 3421:The Haunted Man 3412: 3405: 3395: 3393: 3383: 3376: 3366: 3364: 3354: 3353: 3346: 3336: 3334: 3331:AnyDecentMusic? 3324: 3323: 3319: 3309: 3307: 3294: 3293: 3289: 3279: 3277: 3264: 3263: 3259: 3249: 3247: 3234: 3233: 3229: 3219: 3217: 3209: 3208: 3204: 3194: 3192: 3177: 3176: 3172: 3162: 3160: 3149: 3148: 3144: 3134: 3132: 3120: 3113: 3103: 3101: 3089: 3085: 3075: 3073: 3061: 3052: 3042: 3040: 3025: 3024: 3017: 3007: 3005: 2990: 2989: 2985: 2975: 2973: 2962: 2961: 2954: 2944: 2942: 2930: 2926: 2921: 2916: 2915: 2910: 2906: 2901: 2897: 2892: 2888: 2883: 2876: 2871: 2867: 2862: 2858: 2853: 2849: 2844: 2782:United Kingdom 2726:The Haunted Man 2721: 2719:Release history 2664:Certified units 2651:The Haunted Man 2646: 2626:Top Rock Albums 2539:Scottish Albums 2478:German Albums ( 2466:French Albums ( 2400: 2390:The Haunted Man 2385: 2360: 2355: 2347: 2341: 2335: 2329: 2323: 2319: 2313: 2309: 2303: 2299: 2293: 2289: 2283: 2277: 2271: 2267: 2261: 2257: 2251: 2247: 2243: 2237: 2233: 2229: 2225: 2221: 2213: 2208: 2203: 2194: 2188: 2179: 2170: 2161: 2157: 2151: 2145: 2141: 2132: 2126: 2120: 2114: 2108: 2102: 2099:Richard Watkins 2093: 2084: 2080: 2074: 2070: 2057: 2051: 2045: 2041: 2037: 2031: 2025: 2016: 2010: 2004: 1998: 1994: 1990: 1984: 1978: 1972: 1966: 1960: 1954: 1948: 1942: 1936: 1930: 1924: 1918: 1912: 1906: 1900: 1896: 1892: 1883: 1879: 1873: 1864: 1860: 1851: 1847: 1843: 1839: 1835: 1831: 1827: 1823: 1814: 1810: 1806: 1798: 1794: 1790: 1781: 1774: 1755: 1754:; string synth 1751: 1747: 1746:; choral words 1743: 1739: 1735: 1728: 1720: 1716: 1712: 1708: 1704: 1696: 1692: 1685: 1677: 1669:The Haunted Man 1665: 1655: 1650: 1642:"Laura" (video) 1592: 1584: 1558: 1532: 1506: 1480: 1457: 1445:"Winter Fields" 1434: 1400: 1369: 1346: 1329:"All Your Gold" 1318: 1272: 1257:UK Albums Chart 1253:The Haunted Man 1250: 1224: 1223: 1206:Under the Radar 1139: 1138: 1116: 1115: 1093: 1092: 1070: 1069: 1007: 1006: 990: 989: 971:Albums of 2012 933: 932: 888: 868:The Haunted Man 863:The Independent 858:The Haunted Man 849: 840: 838:The Haunted Man 824:The Haunted Man 819: 811:The Haunted Man 794:The Haunted Man 790:Alexis Petridis 779: 766: 757:The Haunted Man 747:The Haunted Man 742: 722:The Haunted Man 699: 694: 689: 684: 661: 656: 651: 646: 599: 594: 589: 584: 572:The Independent 561: 556: 551: 546: 523: 518: 513: 508: 473: 468: 463: 458: 414:AnyDecentMusic? 392: 372: 346:Ryan's Daughter 327: 306:The Haunted Man 294: 289: 286: 285: 280: 278:"All Your Gold" 277: 276: 271: 264: 263: 235: 226: 223:The Haunted Man 217: 149: 145: 144: 130: 57: 55: 46: 24:The Haunted Man 19: 12: 11: 5: 5125: 5115: 5114: 5109: 5104: 5099: 5094: 5077: 5076: 5074: 5073: 5067: 5065: 5061: 5060: 5058: 5057: 5050: 5043: 5036: 5028: 5026: 5022: 5021: 5019: 5018: 5011: 5004: 4997: 4990: 4982: 4980: 4976: 4975: 4970: 4967: 4966: 4963:Bat for Lashes 4959: 4958: 4951: 4944: 4936: 4928: 4927: 4899: 4873: 4843: 4821: 4796: 4770: 4740: 4710: 4680: 4652: 4626: 4599: 4581: 4563: 4541: 4525: 4513: 4501: 4485: 4473: 4461: 4449: 4429: 4413: 4401: 4395:(in Finnish). 4384: 4372: 4360: 4348: 4336: 4313:Bat for Lashes 4300: 4272: 4241: 4213: 4183: 4151: 4123: 4091: 4063: 4037: 4005: 3979: 3953: 3922: 3894: 3868: 3840: 3812: 3784: 3756: 3725: 3713:Slant Magazine 3699: 3670: 3636: 3608: 3579: 3545: 3509: 3475: 3441: 3415:Zaleski, Annie 3403: 3374: 3344: 3317: 3287: 3257: 3227: 3202: 3170: 3159:. 23 July 2012 3142: 3111: 3083: 3050: 3015: 2983: 2969:Slant Magazine 2952: 2923: 2922: 2920: 2917: 2914: 2913: 2904: 2895: 2886: 2874: 2865: 2856: 2846: 2845: 2843: 2840: 2837: 2836: 2834: 2831: 2828: 2824: 2823: 2821: 2816: 2813: 2812:United States 2809: 2808: 2806: 2803: 2799: 2798: 2796: 2793: 2789: 2788: 2786: 2783: 2779: 2778: 2776: 2771: 2767: 2766: 2764: 2760: 2759: 2757: 2752: 2749: 2745: 2744: 2739: 2736: 2733: 2720: 2717: 2714: 2713: 2705: 2704: 2701: 2698: 2697:United States 2694: 2693: 2690: 2687: 2679: 2678: 2675: 2672: 2668: 2667: 2661: 2658: 2645: 2642: 2639: 2638: 2635: 2621: 2620: 2617: 2603: 2602: 2599: 2589: 2588: 2585: 2574: 2573: 2570: 2565:Swiss Albums ( 2562: 2561: 2558: 2550: 2549: 2546: 2535: 2534: 2531: 2523: 2522: 2519: 2511: 2510: 2507: 2499: 2498: 2495: 2490:Irish Albums ( 2487: 2486: 2483: 2475: 2474: 2471: 2463: 2462: 2459: 2451: 2450: 2447: 2442:Dutch Albums ( 2439: 2438: 2435: 2427: 2426: 2423: 2415: 2414: 2411: 2403: 2402: 2397: 2384: 2381: 2380: 2379: 2376: 2373: 2370: 2364: 2359: 2356: 2354: 2353: 2350: 2344: 2338: 2332: 2326: 2316: 2306: 2296: 2292:; engineering 2286: 2280: 2274: 2264: 2260:; engineering 2254: 2240: 2224:; engineering 2218: 2214: 2212: 2209: 2207: 2206: 2197: 2191: 2182: 2173: 2164: 2154: 2148: 2135: 2129: 2123: 2117: 2111: 2105: 2101:– French horn 2096: 2087: 2077: 2060: 2054: 2048: 2034: 2028: 2019: 2013: 2007: 2001: 1987: 1981: 1975: 1969: 1963: 1957: 1951: 1945: 1939: 1933: 1927: 1921: 1915: 1909: 1903: 1886: 1876: 1867: 1859:– synth sound 1854: 1844:(tracks 8, 10) 1817: 1784: 1756:(tracks 9, 11) 1678: 1676: 1673: 1664: 1661: 1660: 1659: 1654: 1651: 1647: 1646: 1643: 1640: 1636: 1635: 1632: 1629: 1625: 1624: 1621: 1618: 1614: 1613: 1610: 1607: 1593: 1589: 1588: 1585: 1583: 1582: 1579: 1576: 1572: 1570: 1567: 1563: 1562: 1559: 1557: 1556: 1553: 1550: 1546: 1544: 1541: 1537: 1536: 1533: 1531: 1530: 1527: 1524: 1520: 1518: 1515: 1511: 1510: 1507: 1505: 1504: 1501: 1498: 1494: 1492: 1489: 1485: 1484: 1481: 1479: 1478: 1475: 1471: 1469: 1466: 1462: 1461: 1458: 1456: 1455: 1452: 1448: 1446: 1443: 1439: 1438: 1435: 1433: 1432: 1429: 1426: 1422: 1420: 1409: 1405: 1404: 1401: 1399: 1398: 1393: 1390: 1387: 1383: 1381: 1378: 1374: 1373: 1370: 1368: 1367: 1364: 1360: 1358: 1355: 1351: 1350: 1347: 1345: 1344: 1341: 1336: 1332: 1330: 1327: 1323: 1322: 1319: 1317: 1316: 1311: 1307: 1305: 1302: 1298: 1297: 1294: 1291: 1288: 1273: 1271: 1268: 1249: 1246: 1243: 1242: 1240: 1237: 1235:Pazz & Jop 1232: 1218: 1217: 1215: 1212: 1209: 1201: 1200: 1198: 1195: 1192: 1184: 1183: 1181: 1178: 1175: 1167: 1166: 1164: 1161: 1158: 1150: 1149: 1147: 1144: 1135: 1132:Slant Magazine 1127: 1126: 1124: 1121: 1112: 1104: 1103: 1101: 1098: 1089: 1081: 1080: 1078: 1075: 1066: 1058: 1057: 1055: 1052: 1049: 1041: 1040: 1038: 1035: 1032: 1024: 1023: 1021: 1018: 1015: 1001: 1000: 998: 995: 986: 978: 977: 975: 972: 969: 961: 960: 958: 955: 952: 944: 943: 941: 938: 929: 921: 920: 918: 915: 912: 906: 905: 900: 897: 894: 887: 884: 873:Neil McCormick 816:Slant Magazine 717: 716: 713: 705: 704: 675: 667: 666: 637: 629: 628: 625: 617: 616: 613: 605: 604: 575: 567: 566: 537: 529: 528: 499: 491: 490: 487: 479: 478: 449: 443: 442: 439: 435: 434: 430: 429: 426: 420: 419: 416: 410: 409: 406: 402: 401: 391: 388: 371: 368: 326: 323: 311:Bat for Lashes 300: 299: 296: 295: 293: 292: 283: 274: 260: 257: 256: 246: 245: 242: 241: 238: 237: 228: 219: 205: 204: 201:Bat for Lashes 197: 196: 195: 194: 189: 184: 179: 172: 166: 165: 160: 154: 153: 142: 138: 137: 136: 135: 128: 123: 116: 110: 109: 108: 107: 104: 98: 92: 89: 86: 83: 80: 75: 71: 70: 67: 63: 62: 52: 48: 47: 44:Bat for Lashes 42: 35: 34: 26: 25: 17: 9: 6: 4: 3: 2: 5124: 5113: 5110: 5108: 5105: 5103: 5100: 5098: 5095: 5093: 5090: 5089: 5087: 5072: 5069: 5068: 5066: 5062: 5055: 5051: 5048: 5044: 5041: 5040:Pearl's Dream 5037: 5034: 5030: 5029: 5027: 5023: 5017: 5016: 5012: 5010: 5009: 5005: 5003: 5002: 4998: 4996: 4995: 4991: 4989: 4988: 4984: 4983: 4981: 4979:Studio albums 4977: 4973: 4968: 4964: 4957: 4952: 4950: 4945: 4943: 4938: 4937: 4934: 4916: 4913:(in Polish). 4909: 4903: 4887: 4883: 4877: 4861: 4857: 4853: 4847: 4831: 4825: 4810: 4807:(in French). 4806: 4800: 4784: 4780: 4774: 4758: 4754: 4753:Tower Records 4750: 4744: 4728: 4724: 4721:(in German). 4720: 4714: 4698: 4694: 4690: 4684: 4669: 4662: 4656: 4640: 4636: 4630: 4614: 4610: 4603: 4596: 4595: 4590: 4585: 4578: 4577: 4572: 4567: 4560: 4559: 4554: 4552: 4545: 4538: 4534: 4529: 4522: 4517: 4510: 4505: 4498: 4494: 4489: 4482: 4477: 4470: 4465: 4458: 4453: 4446: 4442: 4438: 4433: 4426: 4423:(in German). 4422: 4417: 4410: 4405: 4398: 4394: 4388: 4381: 4376: 4369: 4364: 4357: 4352: 4345: 4340: 4332: 4326: 4318: 4314: 4310: 4304: 4288: 4287: 4282: 4276: 4260: 4256: 4252: 4245: 4230: 4225: 4217: 4202: 4201: 4195: 4187: 4171: 4167: 4166: 4161: 4155: 4139: 4138: 4133: 4127: 4111: 4107: 4106: 4101: 4095: 4079: 4078: 4073: 4067: 4051: 4047: 4041: 4025: 4021: 4020: 4015: 4009: 3993: 3989: 3983: 3967: 3963: 3957: 3941: 3937: 3933: 3926: 3910: 3909: 3904: 3898: 3882: 3878: 3872: 3856: 3855: 3850: 3844: 3828: 3827: 3822: 3816: 3800: 3799: 3794: 3788: 3772: 3771: 3766: 3760: 3745: 3744: 3739: 3735: 3734:Empire, Kitty 3729: 3714: 3710: 3703: 3688: 3684: 3677: 3675: 3659: 3658: 3657:Rolling Stone 3653: 3649: 3643: 3641: 3632: 3628: 3624: 3623: 3615: 3613: 3597: 3593: 3586: 3584: 3567: 3563: 3559: 3552: 3550: 3533: 3529: 3528: 3523: 3516: 3514: 3498: 3497: 3492: 3488: 3482: 3480: 3464: 3463: 3458: 3454: 3448: 3446: 3430: 3429: 3428:The A.V. Club 3424: 3422: 3416: 3410: 3408: 3392: 3388: 3381: 3379: 3363: 3362: 3357: 3351: 3349: 3333: 3332: 3327: 3321: 3305: 3301: 3297: 3291: 3275: 3271: 3267: 3261: 3245: 3241: 3237: 3231: 3216: 3212: 3206: 3190: 3186: 3185: 3180: 3174: 3158: 3157: 3152: 3146: 3131: 3130: 3125: 3118: 3116: 3100: 3099: 3094: 3087: 3072: 3071: 3066: 3059: 3057: 3055: 3038: 3034: 3033: 3028: 3022: 3020: 3003: 2999: 2998: 2993: 2987: 2971: 2970: 2965: 2959: 2957: 2941: 2940: 2935: 2928: 2924: 2908: 2899: 2890: 2881: 2879: 2869: 2860: 2851: 2847: 2832: 2829: 2825: 2820: 2817: 2814: 2810: 2804: 2800: 2790: 2780: 2775: 2768: 2761: 2756: 2746: 2730: 2727: 2712: 2706: 2702: 2695: 2691: 2688: 2685: 2680: 2676: 2669: 2665: 2660:Certification 2655: 2652: 2633: 2632: 2627: 2622: 2615: 2614: 2609: 2604: 2598: 2596: 2590: 2583: 2579: 2575: 2568: 2563: 2556: 2551: 2544: 2540: 2536: 2529: 2524: 2517: 2512: 2505: 2500: 2493: 2488: 2481: 2476: 2469: 2464: 2457: 2452: 2445: 2444:Album Top 100 2440: 2433: 2428: 2421: 2416: 2409: 2404: 2394: 2391: 2377: 2374: 2371: 2369:– photography 2368: 2367:Ryan McGinley 2365: 2362: 2361: 2351: 2345: 2339: 2333: 2327: 2317: 2307: 2297: 2294:(tracks 6, 7) 2290:(tracks 3, 4) 2287: 2281: 2275: 2265: 2255: 2241: 2219: 2216: 2215: 2201: 2198: 2192: 2186: 2183: 2177: 2174: 2171:(tracks 7, 8) 2169: 2165: 2155: 2149: 2146:(tracks 7, 8) 2140: 2136: 2130: 2124: 2118: 2112: 2106: 2100: 2097: 2091: 2090:Justin Parker 2088: 2078: 2068: 2064: 2061: 2058:(tracks 3, 6) 2055: 2052:(tracks 3, 6) 2049: 2038:(tracks 3, 6) 2035: 2032:(tracks 3, 6) 2029: 2023: 2020: 2014: 2011:(tracks 3, 9) 2008: 2002: 1999:(tracks 5, 7) 1993:; conducting 1991:(tracks 2, 7) 1988: 1982: 1976: 1970: 1964: 1958: 1952: 1946: 1940: 1934: 1928: 1922: 1916: 1910: 1904: 1897:(tracks 1, 3) 1890: 1889:John Metcalfe 1887: 1880:(tracks 1, 9) 1877: 1874:(tracks 1, 3) 1871: 1868: 1858: 1855: 1846:; Omnisphere 1821: 1818: 1804: 1799:(tracks 3, 9) 1788: 1785: 1780: 1773: 1770:programming, 1769: 1765: 1761: 1734: 1726: 1703:, horn synth 1702: 1695:; bass synth 1693:(tracks 1, 3) 1691: 1683: 1680: 1679: 1672: 1670: 1657: 1656: 1644: 1641: 1637: 1633: 1630: 1626: 1622: 1619: 1615: 1602: 1598: 1586: 1580: 1577: 1574: 1573: 1571: 1568: 1564: 1560: 1554: 1551: 1548: 1547: 1545: 1542: 1538: 1534: 1528: 1525: 1522: 1521: 1519: 1516: 1512: 1508: 1502: 1499: 1496: 1495: 1493: 1490: 1486: 1482: 1476: 1473: 1472: 1470: 1467: 1463: 1459: 1453: 1450: 1449: 1447: 1444: 1440: 1436: 1430: 1427: 1424: 1423: 1421: 1418: 1417:Justin Parker 1414: 1410: 1406: 1402: 1397: 1394: 1391: 1388: 1385: 1384: 1382: 1379: 1375: 1371: 1365: 1362: 1361: 1359: 1356: 1352: 1348: 1342: 1340: 1337: 1334: 1333: 1331: 1328: 1324: 1320: 1315: 1312: 1309: 1308: 1306: 1303: 1299: 1283: 1280: 1278: 1270:Track listing 1267: 1265: 1263: 1258: 1254: 1236: 1233: 1231: 1227: 1219: 1210: 1208: 1207: 1202: 1193: 1191: 1190: 1185: 1176: 1174: 1173: 1168: 1159: 1157: 1156: 1151: 1136: 1134: 1133: 1128: 1113: 1111: 1110: 1105: 1090: 1088: 1087: 1082: 1067: 1065: 1064: 1059: 1050: 1048: 1047: 1042: 1033: 1031: 1030: 1025: 1016: 1014: 1010: 1002: 987: 985: 984: 979: 970: 968: 967: 962: 953: 951: 950: 945: 930: 928: 927: 922: 914:Best of 2012 913: 911: 907: 891: 883: 880: 879: 874: 869: 865: 864: 859: 855: 848: 847: 839: 835: 834: 833:The A.V. Club 829: 828:Annie Zaleski 825: 818: 817: 812: 808: 803: 801: 800: 795: 791: 787: 786: 778: 777: 772: 765: 764: 763:Rolling Stone 758: 754: 753: 748: 741: 740: 735: 731: 727: 723: 714: 712: 711: 707: 706: 676: 674: 673: 672:Rolling Stone 669: 668: 638: 636: 635: 631: 630: 626: 624: 623: 619: 618: 614: 612: 611: 607: 606: 576: 574: 573: 569: 568: 538: 536: 535: 531: 530: 500: 498: 497: 493: 492: 488: 486: 485: 484:The A.V. Club 481: 480: 450: 448: 445: 444: 436: 433:Review scores 431: 427: 425: 422: 421: 417: 415: 412: 411: 403: 398: 387: 385: 381: 377: 367: 365: 361: 360: 355: 354:Ryan McGinley 350: 348: 347: 342: 338: 334: 333: 322: 320: 316: 312: 308: 307: 297: 284: 275: 268: 262: 261: 258: 255: 251: 247: 243: 234: 233: 229: 225: 224: 220: 216: 215: 211: 210: 206: 202: 198: 193: 190: 188: 185: 183: 180: 178: 175: 174: 173: 171: 167: 164: 161: 159: 155: 143: 139: 133: 129: 127: 124: 122: 119: 118: 117: 115: 111: 105: 102: 99: 96: 93: 91:Wayward Sound 90: 87: 84: 81: 78: 77: 76: 72: 68: 64: 53: 49: 45: 40: 36: 32: 27: 22: 16: 5013: 5006: 5000: 4999: 4992: 4987:Fur and Gold 4985: 4918:. Retrieved 4902: 4890:. Retrieved 4885: 4876: 4864:. Retrieved 4860:the original 4855: 4846: 4834:. Retrieved 4824: 4812:. Retrieved 4799: 4787:. Retrieved 4782: 4773: 4763:19 September 4761:. Retrieved 4757:the original 4743: 4733:19 September 4731:. Retrieved 4727:the original 4713: 4701:. 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Retrieved 2937: 2927: 2907: 2898: 2889: 2868: 2859: 2850: 2725: 2708: 2650: 2630: 2612: 2594: 2389: 2022:Adrian Utley 1805:programming 1787:David Kosten 1686:(all tracks) 1682:Natasha Khan 1668: 1666: 1599:bonus tracks 1597:iTunes Store 1314:David Kosten 1277:Natasha Khan 1274: 1261: 1252: 1251: 1221: 1204: 1187: 1170: 1153: 1130: 1107: 1084: 1061: 1044: 1027: 1009:The Guardian 1004: 981: 964: 947: 924: 893:Publication 876: 867: 861: 857: 854:Kitty Empire 846:The Observer 844: 837: 831: 823: 814: 810: 804: 797: 793: 785:The Guardian 783: 774: 761: 756: 750: 746: 737: 721: 720: 708: 670: 632: 620: 608: 570: 534:The Guardian 532: 494: 482: 373: 357: 351: 344: 330: 328: 305: 304: 303: 253: 230: 222: 221: 212: 192:David Kosten 187:Natasha Khan 101:The Premises 39:Studio album 15: 5092:2012 albums 5047:Sleep Alone 4972:Discography 4866:25 December 4836:15 February 4814:15 February 4789:25 December 4703:15 February 4673:27 December 4619:27 December 4615:(in French) 4441:Chart-Track 4293:15 February 4176:25 December 4144:25 December 4116:25 December 4084:25 December 4030:15 February 3998:25 December 3946:25 December 3915:25 December 3887:15 February 3861:29 December 3833:15 February 3805:25 December 3777:25 December 3749:15 February 3718:15 February 3502:15 February 3434:25 December 3396:27 November 3337:22 December 3310:15 February 3250:15 February 3195:15 February 3163:25 December 3135:15 February 3076:25 December 3043:29 December 2976:25 December 2176:Beck Hansen 1764:thumb piano 1293:Producer(s) 792:wrote that 771:Will Hermes 364:Patti Smith 79:DK (London) 5086:Categories 5015:Lost Girls 4920:25 October 4645:9 December 4317:Parlophone 4265:1 November 4255:Music Week 4234:1 November 4229:Music Week 4200:Music Week 4019:PopMatters 3663:23 October 3601:22 October 3572:18 October 3538:13 October 3468:12 October 3367:23 October 3361:Metacritic 2919:References 2774:Parlophone 2748:Australia 2434:Wallonia) 2422:Flanders) 2204:(track 10) 2200:James Ford 2195:(track 10) 2139:bass flute 1895:; sampler 1857:Dave Sitek 1852:(track 11) 1815:(track 11) 1809:; vocoder 1782:(track 11) 1775:(track 10) 1109:PopMatters 730:normalised 726:Metacritic 424:Metacritic 337:Thom Yorke 325:Background 315:Parlophone 203:chronology 163:Parlophone 95:Abbey Road 58:2012-10-12 5008:The Bride 4594:Billboard 4576:Billboard 4558:Billboard 4551:Billboard 4206:13 August 4077:Stereogum 3992:Pitchfork 3966:Pitchfork 3631:0955-4955 3596:Pitchfork 3098:Billboard 3070:Pitchfork 2631:Billboard 2613:Billboard 2595:Billboard 2578:UK Albums 2401:position 2348:(track 8) 2342:(track 8) 2336:(track 8) 2330:(track 5) 2324:(track 7) 2320:(track 4) 2314:(track 7) 2310:(track 4) 2300:(track 3) 2284:(track 3) 2258:(track 1) 2248:(track 1) 2236:; mixing 2211:Technical 2189:(track 8) 2180:(track 8) 2162:(track 8) 2158:(track 7) 2152:(track 7) 2142:(track 6) 2121:(track 5) 2094:(track 5) 2085:(track 7) 2081:(track 4) 2075:(track 7) 2071:(track 4) 2063:Rob Ellis 2046:(track 6) 2042:(track 3) 2026:(track 3) 2017:(track 3) 1901:(track 7) 1893:(track 1) 1884:(track 4) 1872:– guitar 1870:Finn Vine 1865:(track 9) 1863:; synths 1861:(track 1) 1848:(track 9) 1842:; synths 1840:(track 4) 1836:(track 2) 1830:; guitar 1820:Dan Carey 1811:(track 9) 1807:(track 8) 1797:; synths 1795:(track 1) 1779:harmonium 1760:Mellotron 1752:(track 9) 1748:(track 7) 1744:(track 6) 1740:(track 5) 1736:(track 4) 1729:(track 3) 1725:Omnichord 1715:; synths 1713:(track 2) 1705:(track 1) 1684:– vocals 1675:Musicians 1663:Personnel 1491:"Marilyn" 1396:Rob Ellis 1380:"Oh Yeah" 1339:Dan Carey 1262:Billboard 1172:Stereogum 1086:Pitchfork 1063:Pitchfork 896:Accolade 886:Accolades 739:Pitchfork 622:Pitchfork 341:Radiohead 232:The Bride 182:Rob Ellis 177:Dan Carey 132:synth-pop 126:dream pop 69:2010–2012 5071:Sexwitch 4994:Two Suns 4693:JB Hi-Fi 3908:musicOMH 3391:AllMusic 3274:Archived 3032:AllMusic 2770:Ireland 2763:Germany 2432:Ultratop 2420:Ultratop 2144:; flute 2092:– piano 2069:, drums 1882:; drums 1793:; beats 1719:; piano 1690:autoharp 1631:"Daphne" 1517:"A Wall" 1304:"Lilies" 1029:musicOMH 910:AllMusic 807:AllMusic 447:AllMusic 384:triple-A 332:Two Suns 287:"A Wall" 214:Two Suns 170:Producer 103:(London) 97:(London) 66:Recorded 51:Released 41: by 5025:Singles 4892:26 July 4056:11 July 3972:11 July 3104:26 July 3008:11 July 2945:11 July 2911:Track 7 2902:Track 5 2884:Track 3 2827:Poland 2819:Capitol 2792:France 2732:Region 2692:60,000 2689:Silver 2671:France 2666:/sales 2657:Region 2358:Artwork 2168:timpani 2067:marimba 1803:vocoder 1750:; 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Index


Studio album
Bat for Lashes
Abbey Road
The Premises
Genre
Art pop
dream pop
synth-pop
Label
Parlophone
Producer
Dan Carey
Rob Ellis
Natasha Khan
David Kosten
Bat for Lashes
Two Suns
The Bride
Singles
Laura
Bat for Lashes
Parlophone
Laura
Two Suns
Thom Yorke
Radiohead
Ryan's Daughter
Ryan McGinley
NME

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