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The Hitcher (1986 film)

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696:"extremely brutal and extremely gory", but he and personal manager Kip Ohman (who later became co-producers of the film) also saw in it "a level of challenge, intensity and poetry". Bombyk and Ohman were worried about getting it into good enough shape to show their boss, producer Ed Feldman, and his partner, Charles Meeker, and prove to them that it was more than an exploitation film. Bombyk worked with Red via several long-distance phone calls to Texas and eventually the writer moved to Los Angeles. Red agreed to work with Ohman on the script until it was ready to be shown to Feldman and Meeker. They liked the script but wondered, "how could we manage to translate it to the screen without making a slasher movie?" Meeker said. 772:. They agreed on C. Thomas Howell and liked his look. At the time, Howell was being more selective with the roles he took and heard that the script was a generic thriller. Harmon personally gave Howell a copy of the script. He could not put it down and "couldn't believe the things that happened to my character in the first 12 pages. I knew I wanted to do it". He also wanted to work with Hauer. Unbeknownst to Hauer, Howell found him "frightening, intimidating, and that he was in a constant state of fear, almost as if he really was John Ryder and I really was Jim Halsey". 2071: 438:, indicating Ryder's proximity. The police arrive and arrest Jim, whom Ryder is framing for his murders. Though the police doubt his guilt, they lock him up overnight as protocol. Jim wakes to find the cell door unlocked and the officers murdered. He panics and flees with a revolver. At a gas station, he sees two officers, takes them hostage, and forces one of them to drive. Jim speaks on the radio to Captain Esteridge, the officer in charge of the manhunt. As Esteridge convinces Jim to surrender, Ryder pulls alongside and kills the two officers. 878:, she contacted Feldman, a former employer, and asked for a copy of the script. She submitted it to her boss, HBO senior vice-president Maurice Singer. He liked it and sent it back to New York to be read by Michael Fuchs, HBO chairman and chief operating officer. They needed Fuchs' approval to get the film made. It would not be easy to convince him because it was not the kind of material that he liked and he did not want to make it. However, Dubrow had to go back to New York on other business and met with Fuchs. She mentioned the script for 931:, though the film did not receive a high-definition release until 2019, when a Blu-ray and DVD mediabook set was released by Alive Fernsehjuwelen GmbH. This release presented the film uncut for the first time in Germany, though picture quality was not ideal, as the remaster was sourced from a 35mm German release print, the best film element known to exist at the time. However, British label Second Sight Films, while preparing a release of their own, discovered the original film elements to be held by 687:. His letter concluded: "It (the story) grabs you by the guts and does not let up and it does not let go. When you read it, you will not sleep for a week. When the movie is made, the country will not sleep for a week". Script development executive David Bombyk received a copy of Red's letter and was intrigued by the description of the film. Red sent him a script that was approximately 190 pages in length (one page traditionally equals one minute of screen time). 1144: 887:
Fuchs did not want the girl to die and Dubrow argued that this would change the story significantly. There were arguments about how the girl should die and Dubrow remembers, "they were trying to make her death not horrible, when – by the nature of the script – it had to be". The studio even suggested softening her death by having a funeral. The filmmakers refused to back down and Silver Screen executives finally relented at the last minute.
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script. He recalled that "even the exact actions that remained in the script were described in much bloodier and gorier detail". The producers were impressed with him and the fact that he also envisioned the film as a Hitchcockian thriller. However, Harmon objected to the eyeball in the hamburger scene and never planned to show the girl getting ripped in half.
935:, owners of the HBO Films library, and were ultimately able to complete a 4K restoration of the film supervised by director Harmon. This restored version was released in both 4K and standard Blu-ray formats by Second Sight in the UK on September 30, 2024, and by Warner Bros. Home Entertainment in North America a few weeks later on October 22. 679:". He found that the "elements of the song – a killer on the road in a storm plus the cinematic feel of the music – would make a terrific opening for a film". Red had a lot of time to think about the song and it inspired ideas for the story. During his seven-month stay in Austin, he drove a taxi cab and wrote 462:
through the windshield and onto the road. Ryder challenges Jim to run him over, which he does. When Jim leaves his car to look at Ryder's body, Ryder jumps up, but Jim shoots him repeatedly with a shotgun, killing him. Jim leans against Esteridge's car in a daze and smokes a cigarette as the sun sets.
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was also considered for the role. Singer mentioned Dutch actor Rutger Hauer. While in L.A. for a short visit, Hauer read the script. Even though he was looking for non-villainous roles, the script "really got a hold of me ... I thought, 'If I do one more villain, I should do this.' I couldn't refuse
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The film's producers then went looking for an inexpensive director. Still photographer-turned-cameraman Robert Harmon was given a copy of the script by his agent and called his agent early next morning, telling him that he wanted to do it. In February 1984, Harmon met the producers to talk about the
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While most reviewers criticized the sadistic nature of the film's violence in general and Nash's death in particular, one of the film's producers said that the film's commercial failure was because of a lack of violence and that Nash's death should have been shown: "There's other gore in the movie,
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Feldman and Meeker decided to come on board as executive producers. Ohman and Red spent six months reworking the script, removing most of what Ohman felt was repetitive violence. Once they got it in good enough shape, Ohman gave it back to Bombyk and also to David Madden, a production executive for
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Jim and Nash abandon the patrol car and hike to a motel. While Jim is in the shower, Ryder abducts Nash. Jim searches for her. Captain Esteridge discovers Jim and enlists him to negotiate with Ryder, who is at the wheel of a large Mack truck. Ryder has gagged and tied Nash between the truck and its
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Over the next few months, the filmmakers negotiated two key scenes in the script: the girl getting ripped apart and the eyeball in the hamburger. For the latter scene, Harmon just changed the body part to a finger. As for the former, everyone at HBO/Silver Screen, except Dubrow, wanted it changed.
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Fox ultimately rejected the project over the budget and saw it as a "straight-out horror movie". Madden also admitted that he would have "argued to soften the movie. There were some people at the studio who thought it was pretty gross". Feldman and Meeker optioned the film themselves, paying Red $
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Ryder is taken into custody. Esteridge gives Jim a ride, but Jim, believing the police cannot hold Ryder, takes Esteridge's revolver and vehicle to chase down Ryder's prison bus. Ryder kills the deputies and leaps through Jim's windshield as the bus crashes. Jim slams on his brakes, sending Ryder
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In the original script, an entire family is slaughtered in their station wagon, an eyeball is discovered inside of a hamburger, a woman is tied to a truck and a pole and then torn in half, two teenagers engage in sex, shootings and car crashes. In its original form, Bombyk found the script to be
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The patrol car crashes, and Ryder disappears again. After briefly considering suicide, Jim reaches a cafe, where Ryder confronts him. He points out Jim's revolver is unloaded. Ryder leaves him several bullets and departs. Jim boards a bus, where he meets Nash and explains his situation. After a
431:. He comes across the family's blood-soaked car and vomits. Ryder corners Jim but simply tosses him the keys from Jim's car. Ryder leaves with a trucker and nearly runs Jim down with the truck, which crashes into the pumps of a gas station. As Jim flees, Ryder causes the station to explode. 133: 458:. Esteridge tells Jim that his men cannot shoot Ryder because his foot would slip off the clutch, causing the truck to roll. Jim enters the cab with Ryder, who gives him a revolver and tells him to shoot, but Jim is unable to do so. Ryder, disappointed, releases the clutch, killing Nash. 882:
and pitched the Hitchcockian thriller angle. When she returned to L.A., Singer told her that Fuchs agreed to make the film but with the stipulation that the girl would not be torn apart and the violence would be reduced. The film's budget was set at $ 5.8 million.
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desert and gives him a ride. The hitchhiker, who calls himself John Ryder, forces Jim's leg down on the accelerator when they pass a stranded car. Ryder states he murdered and dismembered the driver and intends to do the same to Jim, threatening him with a
857:. Many executives liked the script but balked at the girl being ripped apart scene. At least two studios were willing to consider making it but only if Harmon was replaced. However, the film's producers had faith in their director and stuck by Harmon. 670:
in the hopes of getting the opportunity to direct a feature-length film. When no offers came, he moved from New York City to Austin, Texas, taking a drive-away car cross-country. While driving from one city to another, he got the idea for a film from
446:. Nash appears with Jim's revolver, disarms the officers, and flees with Jim in their patrol car. As the police chase after them, Ryder joins the chase and murders the officers by causing a massive car accident and shooting down a police helicopter. 1002:
criticized the film's lack of intensity and originality, and wrote, "Mr. Harmon, making his feature debut, displays a much surer hand for action than for character, though even some of the action footage here looks meaninglessly overblown".
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Released in the United States on February 21, 1986, the film was originally met with tepid critical and commercial response, grossing $ 5.8 million on a $ 7.9 million budget. In later years, it has been reappraised as a
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awarded the film a score of 2 1/2 out of 4 stars (his most frequently used rating), criticizing the film's violence as being "genuinely grisly and unappealing" while also noting that the film wasn't without interest.
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Hauer would go on to say that critics misunderstood the film, calling it an allegory in which Ryder represents evil. The film has since been acknowledged as a cult classic and one of Hauer's most iconic roles.
1260: 424:. Terrified, Jim asks what Ryder wants. He replies, "I want you to stop me." When Jim realizes that Ryder's seat belt is unbuckled and the passenger door is ajar, he shoves Ryder out of the moving car. 904:
was obligated to distribute any film by HBO/Silver Screen. After TriStar representatives saw an early screening, studio president David Matalon remarked, "it's the best film that we have for 1986".
1023:, have shot the movie in such brown murk, you can hardly make anything out. By the end, you're willing to forgive Ryder his worst if someone would just change the light bulb". In his review for 1056:
other killings, but this is the main one. It's the motivation for the hero. You can't show all the killings we showed and then not show the main one. It's cheating the audience".
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were mentioned. Harmon was set on casting Stamp and even carried around his picture to pitch meetings. Stamp received a copy of the script but turned down the role.
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awarded it zero stars, arguing that the identification of the film's hero with the killer is hollow because the killer has no backstory or even a motive.
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opened in 800 theaters on February 21, 1986, and made $ 2.1 million during its opening weekend, going on to gross $ 5.8 million in North America.
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Relieved, Jim continues his journey. When he sees Ryder in the back of a family car, Jim tries to warn the occupants, but has a minor
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who called it, "an odyssey of horror and suspense that's as tightly wound as a garrote and as beautifully designed as a guillotine".
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At a roadside diner, Jim meets Nash, a waitress who cooks him lunch while he calls the police. He finds a severed finger among his
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wrote, "The script (by Eric Red) is laconic in a dull way, much Cain but hardly able. And Harmon and his cinematographer,
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police car pulls the bus over, Jim surrenders. The furious officers accuse him of killing their colleagues and are about
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in mind when he wrote the part of Ryder. Furthermore, Red felt that the character should have an electronic voice box.
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also gave the film zero stars, calling it "a nauseating thriller" and "a thinly veiled but more gruesome ripoff of
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it." The one reservation Hauer had was with the scene where the girl is torn apart and Feldman told him, "you
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interpreted the film as a "slasher movie about gay panic, a nasty piece of homophobic angst for the age of
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Jennifer Jason Leigh agreed to do the film because she wanted to work with Hauer again (they co-starred in
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In early drafts of the script, John Ryder had been described as skeletal in nature and so actors like
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called it "a highly unimaginative slasher ... with a script that has many holes." In his review for
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stands as a white-knuckle vision of horror, bolstered by Rutger Hauer's menacing performance.” On
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the bad guy and you'll be the baddest bad guy there ever was!" Red mentioned to Hauer that he had
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as Esteridge. The remake added a female protagonist named Grace Andrews, who was portrayed by
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of 6/10. The consensus reads: "Its journey is never quite as revelatory as it could be, but
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Scott, Jay (February 25, 1986). "Nasty piece of homophobic angst Logic takes a hike in
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Hauer, Rutger (2007). "All Those Moments". Harper Entertainment. p. 152.
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The Nevada Filmography: Nearly 600 Works Made in the State, 1897 Through 2000
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as the title character, a murderous hitchhiker who stalks a young motorist (
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was offered the role but an agreement could not be reached on his salary.
1714: 1465: 1121: 1106: 1086: 979: 975: 737: 725: 717: 421: 2016: 2005: 2066: 1203:"The Hitcher movie review & film summary (1986) | Roger Ebert" 1044: 1020: 969: 765: 663: 535: 416: 370: 234: 214: 1094: 1030: 924: 672: 451: 412: 386: 252: 132: 1143: 556: 24: 2011: 1039: 659: 358: 156: 832:, have supporting roles as police officers who pursue Jim Halsey. 1493: 1129: 804:(known for playing the naked psychopathic killer Warren Stacy in 408: 960:
holds a 64% approval rating based on 39 critic reviews, with an
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Attanasio, Paul (February 21, 1986). "Taking a Joyless Ride".
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while working on another film and to her it sounded like "
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For the role of Jim Halsey, the producers mentioned
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1986 American horror thriller film by Robert Harmon
1833: 395:, which featured Howell reprising his role, and a 2271: 788:(known for playing ill-fated police officers in 860:Independent producer Donna Dubrow heard about 407:Jim Halsey, a young man delivering a car from 2092: 1093:, was released on January 19, 2007, starring 1727:. Section 5, p. 3. Accessed August 10, 2019. 1397: 1395: 1393: 1391: 1389: 1387: 1385: 1383: 1381: 1379: 1377: 1375: 1373: 1371: 1369: 1367: 1365: 1363: 1361: 1827: 1825: 1359: 1357: 1355: 1353: 1351: 1349: 1347: 1345: 1343: 1341: 2099: 2085: 2069: 870:with a person". When she went to work for 389:. The film was followed by a 2003 sequel, 131: 1920:"Robert Harmon reflects on 'The Hitcher'" 1792: 1710: 1708: 1530: 1401: 1215: 641:Learn how and when to remove this message 109:Learn how and when to remove this message 1899:"Dutch Actor Hauer Back, Without Accent" 1822: 1679: 1677: 1402:Caulfield, Deborah (February 23, 1986). 1338: 821:The Grim Adventures of Billy & Mandy 1969: 1896: 1295:from the original on September 24, 2024 1248: 849:passed on it, as did smaller ones like 2380:English-language horror thriller films 2370:English-language action thriller films 2272: 1943: 1917: 1831: 1736: 1705: 1486: 1458: 784:In addition, veteran character actors 2375:English-language crime thriller films 2080: 1809: 1683: 1674: 1507: 1489:"Michael Ironside Isn't a Psychopath" 1452: 1313: 1871:Looks for a Better Ride on Cassette" 1864: 1858: 1719:Thumbs down on a ride with 'Hitcher' 1581:"The Hitcher (4K UHD & Blu-ray)" 1427: 1180:British Board of Film Classification 1037:". A rare positive review came from 943: 797:Jason Goes to Hell: The Final Friday 579:adding citations to reliable sources 550: 47:adding citations to reliable sources 18: 1978:. British Broadcasting Corporation. 1944:COTTER, PADRAIG (August 25, 2020). 1737:Maslin, Janet (February 21, 1986). 1263:from the original on August 6, 2024 1230:from the original on August 6, 2024 13: 2310:1980s psychological thriller films 1918:Hughes, Kat (September 25, 2024). 1684:Ebert, Roger (February 21, 1986). 1435:"The Arrow Interviews... Eric Red" 14: 2431: 2249:Jesse Stone: Benefit of the Doubt 1986: 1836:Leonard Maltin's 2014 Movie Guide 1459:Cullum, Paul (January 12, 2006). 1136:Speculative fiction/Horror portal 1075:The Hitcher II: I've Been Waiting 835: 814:(who would later be the voice of 415:, spots a man hitchhiking in the 392:The Hitcher II: I've Been Waiting 1604: 1216:Alexander, Sean (June 6, 2024). 1142: 1128: 1114: 555: 526:Jon Van Ness as Trooper Hapscomb 23: 2395:Films directed by Robert Harmon 1963: 1937: 1911: 1890: 1865:Hunt, Dennis (August 8, 1986). 1803: 1786: 1774:. 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Major studios like 286:February 21, 1986 10: 2436: 2400:Films scored by Mark Isham 2320:1986 action thriller films 2295:1980s crime thriller films 2201:Jesse Stone: Night Passage 1840:. Penguin Press. pp.  1487:Murray, Will (June 1990). 890: 707: 541:Tom Spratley as Proprietor 2410:Films shot in Los Angeles 2115: 1408:Gets A Ride to Hollywood" 1320:. McFarland. p. 87. 1063: 517:as Interrogation Sergeant 369:) across the highways of 334: 326: 318: 310: 300: 277: 267: 240: 230: 220: 210: 179: 162: 152: 142: 137:Theatrical release poster 130: 125: 1832:Maltin, Leonard (2013). 1739:"Terror on the Highways" 454:, and is threatening to 2405:Films set in California 2390:Films about hitchhiking 2385:Films about automobiles 2355:American neo-noir films 2233:Jesse Stone: No Remorse 2217:Jesse Stone: Sea Change 2193:Jesse Stone: Stone Cold 2185:Ike: Countdown to D-Day 1288:American Film Institute 465: 402: 2420:TriStar Pictures films 1717:(February 24, 1986). " 872:Silver Screen Partners 258:Silver Screen Partners 2225:Jesse Stone: Thin Ice 1970:Papamichael, Stella. 1904:The Victoria Advocate 992:". In her review for 933:Warner Bros. Pictures 919:has been released on 791:Electra Glide in Blue 2360:American road movies 2340:American chase films 2285:1980s American films 1223:Comic Book Resources 575:improve this article 493:as Captain Esteridge 485:Jennifer Jason Leigh 379:Jennifer Jason Leigh 202:Jennifer Jason Leigh 43:improve this article 2330:1986 thriller films 1527:Hauer 2007, p. 155. 1518:Hauer 2007, p. 153. 1183:. 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Robert Harmon
Eric Red
Rutger Hauer
C. Thomas Howell
Jeffrey DeMunn
Jennifer Jason Leigh
John Seale
Frank J. Urioste
Mark Isham
HBO Pictures
Silver Screen Partners
Tri-Star Pictures
horror thriller
Robert Harmon
Eric Red
Rutger Hauer
C. Thomas Howell
West Texas

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