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The House of Hunger

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219:, sleeping rough, being beaten up by thugs and policeman alike and struggling with alcoholism, as it is of the Rhodesia it describes.... The 'hunger' of the book's title does not refer only to the literal starvation which was ravaging post-independent Zimbabwe at the time. Rather it implies a more far reaching and metaphorical hunger of the soul – the vacuous yearning and emptiness within the national consciousness, aspiring for more but held back by poverty and corruption." 283:
chaotic narrative from the perspective of mostly unlikeable characters. Marechera's writing feels less like satire than the experience of being forced to relive someone else's nightmare—the characters' demons have somehow become yours, but you may never be able to decipher why you (or they) are being so tormented. Whether this aesthetic was a self-indulgent, European import or a revolutionary, antinationalist African innovation depended on whom you asked."
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shocked me, not because it brought me the news about some bit of brutality or another—literature from every continent and era has made that more or less routine—but because I was shocked by the words on the page, the book in my hands. Marechera seemed to be coming at me with everything, yet with an
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Novelist Drew Johnson said in 2009: "Marechera's knack for surprise and ambush would be the envy of any airport thriller writer, yet here it's entirely divorced from plot. Surprise is managed in a way that I don't know how to explain or what exactly to compare it to—it's just genuinely unexpected.
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relies on a formal and stylistic mode heavily imbued with the very chaos and grotesquery that his texts criticize, ... deliberately alienating the reader at every level of content and form. Content: sordid representations of sexuality, domestic abuse, drunkenness, and profanity; form: a disjointed,
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film adaptation of the book as a drama-documentary, with which Marechera was initially involved, and for which he returned to Zimbabwe in 1982 ostensibly for five weeks, soon ran into trouble when the author fell out with the producer. Marechera withdrew from the film, and he never again left the
34: 176:, this work is actually a collection of one novella of 80-odd pages ("House of Hunger") and nine satellite short stories. The small group of texts in its entirety reflects the author's vision of (mainly township) life in 200:
The book is typically described as "vulgar", "obscene", "lewd", "morally objectionable", "irreverent", "notorious", "brutal," and "violent", but also as "honest" and "beautiful". Marechera's distinctive
184:'s rule of the country that at independence became Zimbabwe) — with a minority of the shorter pieces in the book depicting an African exile's experience of life in 246:
wrote that reading Marechera's work was "like overhearing a scream". Because it was so vivid about the experience of growing up in slum conditions in
703: 768: 617: 1095: 807: 435: 471: 411: 242:. At the award ceremony, with typically unconventional and disruptive behaviour, Marechera threw plates at his fellow guests. 169:(1952–1987), his first published book, and was published three years after he left university and ten years before his death. 1080: 610: 510: 330: 317: 112: 20: 306: 223: 563: 493: 1085: 603: 1105: 829: 1100: 268:") "the coolest opening line in African fiction", as well as being "a fair summary of the writer's life." 255: 277:
enormous artistry. His life seemed to be at stake in his words and, while I was reading, so did mine."
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Commenting on the semi-autobiographical nature of the book, April McCallum has said: "Marechera's debut
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Brendon Nicholls, "Postcolonial Narcissism, Cryptopolitics, and Hypnocritique: Dambudzo Marechera's
971: 595: 785: 633: 239: 158: 547:"From Rhodesia to Zimbabwe via Oxford and London. A Study of the Career of Dambudzo Marechera" 371:"Mesochronous Marechera: African Aesthetics, Violence, and Temporality in The House of Hunger" 923: 70: 1090: 867: 8: 1029: 995: 822: 166: 150: 92: 47: 898: 874: 458: 392: 326: 313: 189: 119: 107: 1012: 953: 790: 758: 382: 1053: 1041: 19:"House of Hunger" redirects here. For 2022 horror novel by Alexis Henderson, see 353: 1007: 852: 746: 693: 683: 76: 546: 1074: 1046: 988: 903: 891: 857: 724: 396: 243: 185: 450: 1034: 1022: 933: 879: 627: 476: 292: 261: 251: 387: 983: 812: 736: 663: 653: 648: 231: 126: 57: 1058: 1000: 943: 834: 778: 519: 370: 33: 976: 913: 800: 731: 673: 181: 177: 162: 625: 436:"Zimbabwe, Literature: Dambudzo Marechera and The House of Hunger" 202: 154: 564:"On Dambudzo Marechera: The Life and Times of an African Writer" 494:"On Dambudzo Marechera: The Life and Times of an African Writer" 472:"A brief survey of the short story, part 54: Dambudzo Marechera" 247: 216: 205: 120: 412:"The House of Hunger review — A brutal coming of age" 375:
Ariel: A Review of International English Literature
536:. London: Indigo Productions for Channel 4, 1982. 280:Michelle Decker has written, "Marechera's satire 1072: 230:the following year was joint winner — alongside 254:(his former publisher as editorial director of 215:is as much a product of being down and out in 611: 586:"Waiting for the Rain in the House of Hunger" 222:First published to critical acclaim in 1978 ( 618: 604: 32: 446: 444: 409: 386: 258:) has described it as "a shocking book". 488: 486: 195: 940:Rosehill: Portrait from a Midlands City 296:country, dying there five years later. 1073: 441: 368: 349: 347: 208:is discussed and utilized frequently. 599: 483: 325:1978: Pantheon, US hardback edition, 264:has called the book's opening line (" 549:, Ph. D. thesis, University of Hull. 364: 362: 299: 344: 13: 700:When Did You Last See your Father? 556: 14: 1117: 1096:Fiction with unreliable narrators 864:Where I Used to Play on the Green 359: 21:House of Hunger (Henderson novel) 307:Heinemann African Writers Series 224:Heinemann African Writers Series 192:, where Marechera had studied). 539: 369:Decker, Michelle (2020-01-10). 16:1978 book by Dambudzo Marechera 526: 503: 464: 428: 403: 312:2009: Heinemann, 2nd edition, 1: 337: 180:(specifically, the period of 1081:1978 short story collections 7: 256:Heinemann Educational Books 10: 1122: 743:In the Country of the Skin 592:(Zimbabwe), 17 March 2014. 18: 1019:Heart's Journey in Winter 963: 844: 754:The Bottle Factory Outing 713: 640: 451:"Zimbabwe's Rebel Writer" 132: 118: 106: 98: 86: 63: 53: 43: 31: 581:, Vol. 8, No. 2 (2013). 511:"The Last Book I Loved, 410:ianopolot (2019-10-03). 309:(No. 207), 1st edition; 266:I got my things and left 102:Zimbabwe (then Rhodesia) 286: 1086:African Writers Series 830:A Month in the Country 786:The Condition of Muzak 634:Guardian Fiction Prize 240:Guardian Fiction Prize 159:short story collection 1106:Zimbabwean literature 388:10.1353/ari.2020.0003 196:Content and reception 1101:Metafictional novels 972:The Devil's Own Work 660:The Dear Green Place 532:Austin, Chris, dir. 354:"Dambudzo Marechera" 172:Sometimes subtitled 137:Black Sunlight  27:The House of Hunger 1030:Reading in the Dark 996:The Eye in the Door 818:The House of Hunger 575:The House of Hunger 534:The House of Hunger 523:, 18 November 2009. 513:The House of Hunger 438:, The Culture Trip. 274:The House of Hunger 228:The House of Hunger 213:The House of Hunger 146:The House of Hunger 28: 823:Dambudzo Marechera 765:Friends and Romans 680:A Song and a Dance 167:Dambudzo Marechera 48:Dambudzo Marechera 38:First edition (UK) 26: 1068: 1067: 887:Empire of the Sun 579:Postcolonial Text 480:, 7 January 2014. 461:, 18 August 2014. 459:BBC World Service 356:, bbawriting.com. 300:Selected editions 190:Oxford University 142: 141: 99:Publication place 1113: 1013:Candia McWilliam 954:Pauline Melville 808:Night in Tunisia 791:Michael Moorcock 759:Beryl Bainbridge 620: 613: 606: 597: 596: 550: 545:David Pattison, 543: 537: 530: 524: 507: 501: 490: 481: 468: 462: 448: 439: 434:April McCallum, 432: 426: 425: 423: 422: 407: 401: 400: 390: 366: 357: 351: 236:Night In Tunisia 133:Followed by 122: 88:Publication date 36: 29: 25: 1121: 1120: 1116: 1115: 1114: 1112: 1111: 1110: 1071: 1070: 1069: 1064: 1042:Fugitive Pieces 959: 840: 709: 704:Margaret Blount 636: 624: 584:Elliot Ziwira, 559: 557:Further reading 554: 553: 544: 540: 531: 527: 508: 504: 491: 484: 469: 465: 449: 442: 433: 429: 420: 418: 408: 404: 367: 360: 352: 345: 340: 302: 289: 198: 89: 82: 39: 24: 17: 12: 11: 5: 1119: 1109: 1108: 1103: 1098: 1093: 1088: 1083: 1066: 1065: 1063: 1062: 1050: 1038: 1026: 1016: 1008:Debatable Land 1004: 992: 980: 967: 965: 961: 960: 958: 957: 947: 937: 930:Sweet Desserts 927: 917: 907: 895: 883: 871: 861: 848: 846: 842: 841: 839: 838: 826: 804: 794: 782: 772: 769:Sylvia Clayton 762: 750: 747:Peter Redgrove 740: 728: 721:The Big Chapel 717: 715: 711: 710: 708: 707: 697: 694:Maurice Leitch 687: 684:P. 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Kavanagh 677: 670:Winter Journey 667: 657: 644: 642: 638: 637: 623: 622: 615: 608: 600: 594: 593: 582: 571: 570:, Winter 2006. 562:Helon Habila, 558: 555: 552: 551: 538: 525: 509:Drew Johnson, 502: 500:, Winter 2006. 492:Helon Habila, 482: 463: 440: 427: 402: 381:(1): 131–163. 358: 342: 341: 339: 336: 335: 334: 331:978-0394508320 323: 322: 321: 318:978-0435895983 301: 298: 288: 285: 197: 194: 140: 139: 134: 130: 129: 124: 116: 115: 110: 104: 103: 100: 96: 95: 90: 87: 84: 83: 81: 80: 77:Pantheon Books 74: 67: 65: 61: 60: 55: 51: 50: 45: 41: 40: 37: 15: 9: 6: 4: 3: 2: 1118: 1107: 1104: 1102: 1099: 1097: 1094: 1092: 1089: 1087: 1084: 1082: 1079: 1078: 1076: 1060: 1056: 1055: 1051: 1048: 1047:Anne Michaels 1044: 1043: 1039: 1036: 1032: 1031: 1027: 1024: 1020: 1017: 1014: 1010: 1009: 1005: 1002: 998: 997: 993: 990: 989:Alasdair Gray 986: 985: 981: 978: 974: 973: 969: 968: 966: 962: 955: 951: 950:Shape-Shifter 948: 945: 941: 938: 935: 931: 928: 925: 921: 918: 915: 911: 908: 905: 904:Peter Ackroyd 901: 900: 896: 893: 892:J. 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Ballard 889: 888: 884: 881: 877: 876: 872: 869: 865: 862: 859: 858:John Banville 855: 854: 850: 849: 847: 843: 836: 832: 831: 827: 824: 820: 819: 814: 810: 809: 805: 802: 798: 795: 792: 788: 787: 783: 780: 776: 773: 770: 766: 763: 760: 756: 755: 751: 748: 744: 741: 738: 734: 733: 729: 726: 725:Thomas Kilroy 722: 719: 718: 716: 712: 705: 701: 698: 695: 691: 688: 685: 681: 678: 675: 671: 668: 665: 661: 658: 655: 651: 650: 646: 645: 643: 639: 635: 631: 629: 621: 616: 614: 609: 607: 602: 601: 598: 591: 587: 583: 580: 576: 572: 569: 565: 561: 560: 548: 542: 535: 529: 522: 521: 516: 514: 506: 499: 495: 489: 487: 479: 478: 473: 470:Chris Power, 467: 460: 456: 452: 447: 445: 437: 431: 417: 413: 406: 398: 394: 389: 384: 380: 376: 372: 365: 363: 355: 350: 348: 343: 332: 328: 324: 319: 315: 311: 310: 308: 304: 303: 297: 294: 284: 281: 278: 275: 269: 267: 263: 259: 257: 253: 249: 245: 244:Doris Lessing 241: 237: 233: 229: 225: 220: 218: 214: 209: 207: 204: 193: 191: 187: 183: 179: 175: 174:Short Stories 170: 168: 164: 160: 156: 152: 148: 147: 138: 135: 131: 128: 125: 123: 117: 114: 113:0-435-90986-X 111: 109: 105: 101: 97: 94: 91: 85: 78: 75: 72: 69: 68: 66: 62: 59: 56: 52: 49: 46: 42: 35: 30: 22: 1052: 1040: 1035:Seamus Deane 1028: 1023:James Buchan 1018: 1006: 994: 982: 970: 949: 939: 934:Lucy Ellmann 929: 924:Peter Benson 919: 909: 897: 885: 880:Graham Swift 873: 863: 851: 828: 817: 816: 806: 797:The Murderer 796: 784: 774: 764: 752: 742: 730: 720: 699: 690:Poor Lazarus 689: 679: 669: 659: 647: 628:The Guardian 626: 589: 578: 574: 567: 541: 533: 528: 518: 512: 505: 497: 477:The Guardian 475: 466: 454: 430: 419:. 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Carr 779:Robert Nye 590:The Herald 520:The Rumpus 421:2020-09-12 338:References 163:Zimbabwean 977:Alan Judd 964:1991–1998 914:Jim Crace 910:Continent 899:Hawksmoor 875:Waterland 845:1981–1990 801:Roy Heath 714:1971–1980 674:Eva Figes 641:1965–1970 397:1920-1222 238:— of the 182:Ian Smith 71:Heinemann 64:Publisher 775:Falstaff 178:Rhodesia 127:30208116 1054:Trumpet 455:Witness 203:collage 186:Britain 165:writer 155:novella 153:) is a 1061:(1998) 1049:(1997) 1037:(1996) 1025:(1995) 1015:(1994) 1003:(1993) 991:(1992) 979:(1991) 956:(1990) 946:(1989) 936:(1988) 926:(1987) 916:(1986) 906:(1985) 894:(1984) 882:(1983) 870:(1982) 860:(1981) 853:Kepler 837:(1980) 825:(1979) 803:(1978) 793:(1977) 781:(1976) 771:(1975) 761:(1974) 749:(1973) 739:(1972) 727:(1971) 706:(1970) 696:(1969) 686:(1968) 676:(1967) 666:(1966) 656:(1965) 416:Medium 395:  329:  316:  305:1978: 248:Harare 217:Oxford 44:Author 206:prose 54:Genre 815:and 393:ISSN 327:ISBN 314:ISBN 287:Film 151:1978 121:OCLC 108:ISBN 93:1978 79:(US) 73:(UK) 1057:by 1045:by 1033:by 1021:by 1011:by 999:by 987:by 975:by 952:by 942:by 932:by 922:by 912:by 902:by 890:by 878:by 866:by 856:by 833:by 821:by 811:by 799:by 789:by 777:by 767:by 757:by 745:by 735:by 723:by 702:by 692:by 682:by 672:by 662:by 652:by 577:", 568:VQR 498:VQR 383:doi 234:'s 161:by 1077:: 632:s 588:, 566:, 517:, 496:, 485:^ 474:, 457:, 453:, 443:^ 414:. 391:. 379:51 377:. 373:. 361:^ 346:^ 291:A 250:, 732:G 630:' 619:e 612:t 605:v 515:" 424:. 399:. 385:: 333:. 320:. 157:/ 149:( 23:.

Index

House of Hunger (Henderson novel)

Dambudzo Marechera
Short story
Heinemann
Pantheon Books
1978
ISBN
0-435-90986-X
OCLC
30208116
1978
novella
short story collection
Zimbabwean
Dambudzo Marechera
Rhodesia
Ian Smith
Britain
Oxford University
collage
prose
Oxford
Heinemann African Writers Series
Neil Jordan
Guardian Fiction Prize
Doris Lessing
Harare
James Currey
Heinemann Educational Books

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