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thousand
Mexicans. One imagines he would at least go look and see for himself! And one resents a scene labelled "The Attack," which is so short one can't even look at all of it, said attack being motionless men in a thin line pointing guns at the Alamo! The interior of the Alamo was well done — yet do people stop a desperate defense to go through heroics about a line and fighting to the death? Or do they fight to the death without talking about it? Perhaps the original fighters did go through that line, drawn on the floor, stunt, and agree among themselves to fight till they died, but such desperate fighters didn't all stop fighting at once to discuss the matter. Miss Storey, with a small part, made the most of it, as usual, and gave a convincing presentation of a woman in utter despair, but she deserved a better and less crude setting than she received — and so did her subject."
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villain". While
Lieutenant Almeron Dickenson was a real person and his wife was present at the mission, her name was Suzanna. Suzanna Dickenson and her infant daughter survived the battle, but there is no evidence of a Mexican spy or a marriage attempt. Instead, Santa Anna sent Suzanna north to inform the victory of the Mexican forces to General Sam Houston. Flores cites Rony's labeling of Méliès' productions as a "hybrid documentary and fantasy" and notes that it was an early attempt at a historical documentary based on its attempt at a faithful setting. Frank Thompson's analysis of the production notes states that William F. Haddock was delving into the archives to produce an accurate depiction of the Alamo at the studio because the Alamo itself was altered from the time of the battle. Thompson noted that despite the battle being within
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return for the right to take a survivor to be his bride. After the Alamo falls, only a few women survive, among them is Lucy
Dickenson. Senor Navarre holds General Santa Anna to the promise and prepares to marry her the next day. Before the marriage can be performed Lieutenant Dickenson and the reinforcements arrive and capture Senor Navarre. Lieutenant Dickenson avenges his wife's honor by slaying Senor Navarre with his sword. The final scene of the film shows Santa Anna surrendering as a "common soldier".
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356:. Wilbert Melville "conceived the idea, designed the plot and formulated the scenario" for the film. The film was produced with the permission of the mayor. The film was released on May 25, 1911. One estimate of the cast claimed some five hundred people were present in the picture, but this is not supported by other details of the production.
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the action a specific interest. The last scene, showing Santa Anna's surrender 'as a common soldier,' is rather obscure. One wonders why he did it. In all other scenes the action is clear and effective. It would be a stolid audience indeed that failed to respond to the thrilling scene inside the Alamo."
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included a brief review of the film which states, "This is indeed a well presented historical subject. The action has breadth and historical perspective, with stirring scenes and large groupings, and at the same time there is a human plot threading its way through the historical background and giving
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and
Lieutenant Dickenson volunteers. As soon as he departs, Senor Navarre attempts to charm Lucy Dickenson, but she is repulsed by his advances and is saved from being overpowered by Colonel Travis. Senor Navarre is forced out and proceeds to provide General Santa Anna information on the mission in
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Richard R. Flores analyzed the lost film and notes that Méliès' production was claimed to have been 10 minutes in length and that it could not make a significant depiction of the battle. The historical accuracy of the film was compromised to carry out the plot of the "pretty girl, shy hero, and a
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found great fault with the production. Claudy wrote that "ne hardly conceives of a commander, informed of the approach of a column of the enemy, so far away they are only visible through field glasses, getting sufficiently panic stricken to send immediately for help saying he is besieged by a
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The film has been noted as historically inaccurate in its plot, but that it tries for accuracy in its setting. Reviews of the film were mixed and C. H. Claudy's criticism of the film is a striking contemporary account of the film's depiction. No known copies of the film exist today, and it is
364:, the escape of Rose, and the surrender of Santa Anna. One of the first theaters to show the film was the Wonderland Theater which would premiere the film on May 27, 1911. One advertisement for the film gave the film's length as 3,000 feet.
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s review stated that " is a very thrilling and altogether satisfactory reproduction of an important historical episode. The company deserves the highest commendation for the picture and the way it is produced."
245:. The film has a romance element where Mexican spy Senor Navarre has affections for Lieutenant Dickenson's wife, Lucy. When the Mexican Army lays siege, Colonel Travis calls upon his men to send word to General
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An advertisement for the film highlighted the Alamo being bombarded with real cannon, the ride of
Lieutenant Dickenson with the dispatch to General Sam Houston, the arrival of Davy Crockett, the death of
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section of "Answers to
Inquiries" noted that in regard to the two men leaning against a tree, the one with his hand on it was William Clifford and the private leaning against it was Mr. Young.
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209:. The film was said to be 10 minutes in length and focused on the formula of "pretty girl, shy hero, and a villain" during the battle.
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in
January 1910. Méliès promised to produce a historically "correct" depiction of the Battle of the Alamo. The film was directed by
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included an adapted story written by John
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the "exact reproduction" used a painted canvas backdrop and focused on an entirely fictional plot.
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moved his production and distribution unit, the Star Film
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622:"The Motion Picture Story Magazine (Aug 1911-Jan 1912) (Aug 1911-Jan 1912)"
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750:. The Morning Tulsa Daily World (Tulsa, Oklahoma). 26 May 1911. p. 6
483:. Mount Carmel Item (Mount Carmel, Pennsylvania). 16 June 1911. p. 4
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A negative review in the column "Avoidable
Crudites" by C. H. Claudy in
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728:. Escanaba Morning Press (Escanaba, Michigan). 20 June 1911. p. 9
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No known copies of the film exist today, and it is considered to be a
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is the earliest film version of the events surrounding the 1836
772:. The Evening News (Ada, Oklahoma). 5 September 1911. p. 3
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Remembering the Alamo: Memory, Modernity, and the Master Symbol
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602:. New York, Chalmers Publishing Company. 1911. p. 1426
458:. New York, Chalmers Publishing Company. 1911. p. 1313
646:. San Antonio: Maverick Publishing Company, 2002. p. 27.
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To the People of Texas & All Americans in the World
684:. The Motion Picture Publishing Co. 1911. p. 474
662:. The Motion Picture Publishing Co. 1911. p. 476
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Texas Hollywood: Filmmaking in San Antonio Since 1910
624:. The Motion Picture Publishing Co. 1911. p. 628
481:""The Immortal Alamo" and Western Theatorum Tonight"
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The film is a historical drama that depicts General
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572:Why We Fought: America's Wars in Film and History
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706:. Electricity Magazine Corp. 1911. p. 173
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508:. Electricity Magazine Corp. 1911. p. 163
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793:Lost Films: Important Movies That Disappeared
544:. University of Texas Press. pp. 96–98.
600:"Moving Picture World (Jan-Jul 1911) (1911)"
456:"Moving Picture World (Jan-Jul 1911) (1911)"
423:. Several movie stills of the film survive.
1059:With Davy Crockett at the Fall of the Alamo
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704:"Motography (Apr-Dec 1911) (Apr-Dec 1911)"
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506:"Motography (Apr-Dec 1911) (Apr-Dec 1911)"
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576:. University Press of Kentucky. pp.
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1115:Alamo: The Price of Freedom
1107:The Alamo: 13 Days to Glory
991:Manuel Fernández Castrillón
976:Antonio López de Santa Anna
538:Flores, Richard R. (2010).
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296:In response to an inquiry,
227:Antonio López de Santa Anna
193:. The film's cast included
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173:released on May 25, 1911.
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406:The Moving Picture World
394:The Moving Picture World
350:Peacock Military Academy
316:uses a painted backdrop.
207:Peacock Military Academy
986:Joaquín Ramírez y Sesma
568:Rollins, Peter (2008).
412:The June 1911 issue of
340:and on location at the
332:. The film was shot in
289:as Lieutenant Dickenson
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981:Martín Perfecto de Cos
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304:Production and release
122:May 25, 1911
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1212:1910s American films
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901:Battle of the Alamo
582:The Immortal Alamo.
368:Historical accuracy
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213:considered to be a
179:Battle of the Alamo
1043:The Immortal Alamo
969:Mexican commanders
863:The Immortal Alamo
852:The Immortal Alamo
433:List of lost films
330:William F. Haddock
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314:The Immortal Alamo
272:William A. Carroll
203:William A. Carroll
187:William F. Haddock
175:The Immortal Alamo
166:The Immortal Alamo
89:William A. Carroll
45:William F. Haddock
24:The Immortal Alamo
1187:Films set in 1836
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1014:Susanna Dickinson
960:William B. Travis
950:Almaron Dickinson
795:. Citadel Press.
748:"(Wonderland Ad)"
642:Thompson, Frank.
276:William B. Travis
268:as Lucy Dickenson
262:as Senor Navarre,
243:William B. Travis
229:'s attack on the
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81:Edith Storey
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1019:Juan Seguín
940:James Bowie
334:San Antonio
326:San Antonio
247:Sam Houston
171:silent film
59:Produced by
41:Directed by
1162:1911 films
1156:Categories
822:2008-06-08
802:0806516046
439:References
387:Motography
142:10 minutes
126:1911-05-25
51:Written by
1123:The Alamo
1099:The Alamo
927:Defenders
776:25 August
754:25 August
732:25 August
710:25 August
688:25 August
666:25 August
628:25 August
606:25 August
512:25 August
487:25 August
462:25 August
421:lost film
381:Reception
362:Jim Bowie
348:from the
292:Mr. Young
215:lost film
98:Mr. Young
16:1911 film
1134:See also
427:See also
283:as Padre
183:directed
155:Language
69:Starring
233:in the
158:English
147:Country
124: (
1126:(2004)
1118:(1988)
1110:(1987)
1102:(1960)
1094:(1955)
1086:(1954)
1078:(1938)
1070:(1937)
1062:(1926)
1054:(1915)
1046:(1911)
1029:Legacy
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548:
346:cadets
909:Siege
580:–69.
398:'
342:Alamo
338:Texas
35:Still
857:IMDb
797:ISBN
778:2014
756:2014
734:2014
712:2014
690:2014
668:2014
630:2014
608:2014
546:ISBN
514:2014
489:2014
464:2014
254:Cast
241:and
221:Plot
855:at
274:as
185:by
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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