561:. According to Christine Poulson, the Crucifixion is the archetype of self-sacrifice and further emphasises the ideal that the Lady of Shalott fails to represent. Poulson also considers this representation of the subject in the context of changing women's roles in the 1880s and 1890s, suggesting that it served as a warning of imminent death to women who stepped from their restricted roles and explored their desires. Rossetti depicted Lancelot's contemplation of the Lady's "lovely face". Neither illustration pleased Tennyson, who took Hunt to task for depicting the Lady caught in the threads of her tapestry, something which is not described in the poem. Hunt explained that he wanted to sum up the whole poem in a single image, and that the entrapment by the threads suggested her "weird fate". The scene fascinated Hunt, who returned to the composition at points throughout his life and finally painted a large scale version shortly before his death. He required assistants, as he was too frail to complete it himself. This deeply conceived evocation of the Lady, ensnared within the perfect rounds of her woven reality, is an apt illustration of the
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world, arguing that "The Lady of
Shalott" centres on the temptation of sexuality and her innocence preserved by death. Christine Poulson discusses a feminist viewpoint and suggests: "the Lady of Shalott's escape from her tower as an act of defiance, a symbol of female empowerment." Based on Poulson's
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and
Tennyson. "The Lady of Shalott" was particularly popular with the Brotherhood, which shared Tennyson's interest in Arthuriana; several of the Brotherhood made paintings based on episodes from the poem. Two aspects, in particular, of "The Lady of Shalott" intrigued these artists: the idea of the
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Stanzas five to eight describe the lady's life. She suffers from a mysterious curse and must continually weave images on her loom without ever looking directly out at the world. Instead, she looks into a mirror, which reflects the busy road and the people of
Camelot who pass by her island.
961:" makes clear visual references to "The Lady of Shalott": lead vocalist Kimberly Perry holds a book of poems by Tennyson as she lies in a boat, floating down a river like the Lady of Shalott (the boat in the Perry video is similar to some illustrations of the poem, such as the image by
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The depiction of death has also been interpreted as sleep. Poulson says that sleep has a connotation of physical abandonment and vulnerability, which can either suggest sexual fulfillment or be a metaphor for virginity. Fairy tales, such as
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557:'s 1857 edition of Tennyson's works, illustrated by Hunt and Rossetti, Hunt depicted the moment when the Lady turns to see Lancelot. In the background of the illustration, Hunt juxtaposes the window facing Lancelot with a painting of
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She leaves her tower, finds a boat upon which she writes her name, and floats down the river to
Camelot. She dies before arriving at the palace. Among the knights and ladies who see her is Lancelot, who thinks she is lovely.
484:", have traditionally depended upon this association. So, as related to the Lady of Shalott, Poulson says: "for in death has become a Sleeping Beauty who can never be wakened, symbols of perfect feminine passivity."
288:); the earlier version is closer to the source material than the latter. Tennyson focused on the Lady's "isolation in the tower and her decision to participate in the living world, two subjects not even mentioned in
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referred to "The Lady of
Shalott" in their songs "Who Has Seen Her Wave Her Hand", "Mirrors Magic Sights", "When Lust Evokes the Curse", and "Floating Towards Distress" from their 2002 album
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accompaniment of violin, cello and piano. Another early musical setting of the poem was probably a work for mezzo-soprano soloist, chorus and orchestra by the
English composer
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The reflected images are described as "shadows of the world", a metaphor that makes it clear they are a poor substitute for seeing directly ("I am half-sick of shadows").
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The remaining seven stanzas describe the effect on the lady of seeing
Lancelot; she stops weaving and looks out of her window toward Camelot, bringing about the curse.
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made a list of "Immortals", artistic heroes whom they admired, especially from literature, some of whose work would form subjects for PRB paintings, notably including
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One of
Tennyson's biographers found the Arthurian material is "introduced as a valid setting for the study of the artist and the dangers of personal isolation".
694:(2011), the Lady of Shalott appears as a character, possessing a mirror that allows characters in the Book World to see into the real world ("the Outland"). In
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in 1917 based on
Tennyson's poem as his first composition; however, this piece is unpublished. It has been recorded at least twice. In 1946,
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of the 1842 second version of the poem describe a pastoral setting. The Lady of
Shalott lives in an island castle in a river which flows to
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516:(PRB). According to scholar Anne Zanzucchi, "in a more general sense, it is fair to say that the Pre-Raphaelite fascination with
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The poem has been also often quoted in whole or in part within other television films and series. Examples of that include the
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painted three episodes from the poem. In 1888, he painted the Lady setting out for Camelot in her boat; this work is now in
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view, escaping from the tower allows the Lady of Shalott to emotionally break free and come to terms with female sexuality.
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Poulson, Christine (1996). "Death and the Maiden: The Lady of Shalott and the Pre-Raphaelites". In Harding, Ellen (ed.).
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246:. The vivid medieval romanticism and enigmatic symbolism of "The Lady of Shalott" inspired many painters, especially the
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on 18 September 1999, with the Broadheath Singers and the Windsor Sinfonia conducted by Robert Tucker. In 1957–1958,
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604:. In 1894, Waterhouse painted the Lady at the climactic moment when she turns to look at Lancelot in the window in
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The poem has been furthermore referred to or quoted in various ways in modern music. For instance, folk duo the
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reads various stanzas of the poem and acts out the Lady of Shalott's tragic end as she floats down the river.
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680:(2007) is a retelling of the story. Tennyson's poem is also used for narration and as a narrative device in
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Tennyson's early poetry, with its medievalism and powerful visual imagery, was a major influence on the
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698:(2021) by Laura Sebastian, Elaine of Shalott is the main character and a close friend and advisor to
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Feminist critics see the poem as concerned with issues of women's sexuality and their place in the
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who appeared at the 1898 Ballad Concert accompanying Ellen Bowick, for which Amy had composed a
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1567:"Tennyson's Lady of Shalott and Pre-Raphaelite Renderings: Statement and Counter-Statement"
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614:. Poulson argues that Waterhouse's impressionistic painting style in his 1894 rendering of
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759:(2005). In some novels, the poem is also referenced within the plot by characters, as in
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1521:"Hattie Morahan interview: 'There were a few hitches, I was pregnant during the shoot'"
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and one of his best-known works. Inspired by the 13th-century Italian short prose text
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lady trapped in her tower and the dying girl floating down the river towards Camelot.
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The poem forms the backbone of voice-over for the episode "Tracie's Story" (2012) of
943:, each song retelling parts of the story from the poem. The song titled "Shalott" on
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638:"The Lady of Shalott" has been adapted in various ways in later works of literature.
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subject matter loosely based on medieval sources. It is inspired by the legend of
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1437:(Print ed.). London: MacMillan and Company Limited. pp. 4, 23–24.
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This article is about the lyrical ballad. For the Waterhouse painting, see
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890:(once a pupil of Cyril Rootham) composed a 40-minute ballet suite titled
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Side-by-side comparison of the 1833 and 1842 versions of Tennyson's poem
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refer to the Lady of Shalott in "Left Me a Fool" from their 1987 album
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One of the first settings of the poem to music was by English composer
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Its various lines have been turned into book titles by authors such as
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evokes a "sense of vitality and urgency". In 1915, Waterhouse painted
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used the line "The mirror crack'd from side to side" as the title of
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Quotes from the poem have been included in many novels, including
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Re-framing the Pre-Raphaelites: Historical and Theoretical Essays
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626:, as she sits wistfully before her loom; this work is now in the
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1598:(provided by The Camelot Project at the University of Rochester)
396: As he rode down to Camelot.
933:, though some poem lines were removed. Dutch gothic metal band
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created a piece for viola solo, based on Waterhouse's painting
664:
used an adaptation of the poem as a primary theme of her novel
431: All the Knights at Camelot;
317:
203:
117:
292:." Tennyson also wrote "Lancelot and Elaine", a poem based on
1208:"Lancelot and Elaine | Robbins Library Digital Projects"
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adapted the poem to music, and featured it on her 1991 album
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in which the poem itself plays a large part in the plot. In
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and their followers, as well as other authors and artists.
220:, a young noblewoman stranded in a tower up the river from
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from the original on 21 December 2021 – via YouTube.
439: The Lady of Shalott."
1356:""'I am half sick of shadows,' said The Lady of Shalott""
412: The Lady of Shalott.
356: The Lady of Shalott.
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Potwin, L.S. (December 1902). "The Source of Tennyson's
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Season 4, Episode 3 by the character of Isobel Crawley.
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339: Lady of Shalott."
1452:(Print ed.). London: Penguin Books. p. 138.
1150:(8). Modern Language Notes, Vol. 17, No. 8: 237–239.
1548:"Nice Threads: Tennyson's Lady of Shalott as Artist"
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episode "She Messy" (2019), as well as the BBC film
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I Am Half-Sick of Shadows, Said the Lady of Shalott
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I Am Half-Sick of Shadows, Said the Lady of Shalott
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1386:"Kaori Yuki Creates Camelot Garden One-Shot Manga"
1369:"Camelot Garden (キャメロット・ガーデン Kyamerotto Gāden?)".
1324:Discovering Literature: Romantics & Victorians
1016:(2016), Tennyson's poem plays an important role.
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982:quotes it "Give Me Your Eyes", a bonus track on
324:, but the local farmers know little about her.
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1297:. Aldershot: Scolar Press. pp. 173–194.
1103:"The Lady of Shalott by Lord Alfred Tennyson"
27:"Shalott" redirects here. For the onion, see
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565:. This work is now in the collection of the
258:Like Tennyson's other early works, such as "
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858:'s poem "The Gentleman of Shalott" (1946).
520:is traceable to Tennyson's work". In 1848,
224:. Tennyson wrote two versions of the poem,
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1670:
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383:" as he rides by and is seen by the lady.
232:, incorrectly dated 1833), of 20 stanzas,
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953:tells the poem from her own perspective.
270:, as recounted in a 13th-century Italian
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1049:(1983). The poem is also referenced in
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569:Museum of Art in Hartford, Connecticut.
535:
496:
448:
390:Thick-jewell'd shone the saddle-leather,
363:
38:1832 Victorian ballad by Alfred Tennyson
2221:The Lady of Shalott Looking at Lancelot
1517:
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854:, 2011). It also inspired the title of
607:The Lady of Shalott Looking at Lancelot
394:Burn'd like one burning flame together,
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1489:Cheltenham Looker-On, 26 November 1898
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379:Stanzas nine to twelve describe "bold
286:Il Novellino: Le ciento novelle antike
236:, of 19 stanzas (also in a book named
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1388:. Anime News Network. 28 January 2008
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429:And they crossed themselves for fear,
408:The mirror crack'd from side to side;
216:, the poem tells the tragic story of
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1085:""The Lady of Shalott" Construction"
350:She knows not what the curse may be,
1679:Alfred Tennyson, 1st Baron Tennyson
1554:Vol. 89, No. 4 (Fall 2001), 54–68.
1317:
13:
1540:
1532:from the original on 18 June 2022.
1518:Rampton, James (9 November 2016).
1471:The Morning Post, 21 November 1898
992:took the title for his 1994 album
410:"The curse is come upon me," cried
406:Out flew the web and floated wide—
14:
2315:
1589:
1025:episode "The Understudy" (1975),
908:composed a setting of Tennyson's
844:All in the Blue Unclouded Weather
433:But Lancelot mused a little space
392:The helmet and the helmet-feather
388:All in the blue unclouded weather
329:And by the moon the reaper weary,
206:by the 19th-century English poet
1774:
1623:
1342:Wadsworth Atheneum Museum of Art
900:composed a piece for solo piano
882:was given in the School Hall at
437:God in his mercy lend her grace,
435:He said, "She has a lovely face;
423:"Who is this? And what is here?"
242:), and returned to the story in
181:
2304:Poetry by Alfred, Lord Tennyson
2294:Arthurian literature in English
1799:The Charge of the Light Brigade
1573:6:3 (September 2002), 231–256.
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1037:episode "Girl" (2013), and the
1031:episode "Invasion" (1995), the
691:One of our Thursdays Is Missing
684:'s "Camelot Garden" (2008). In
354:And little other care hath she,
331:Piling sheaves in uplands airy,
1503:. Republic Nashville Records.
1462:The Standard, 18 November 1898
1258:The New Arthurian Encyclopedia
1200:
1113:
1095:
1077:
988:. British musician and singer
427:Died the sound of royal cheer;
425:And in the lighted palace near
284:(No. LXXXII in the collection
18:The Lady of Shalott (painting)
1:
1616:(from the 1990 concept album
1435:The Prime of Miss Jean Brodie
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1013:My Mother and Other Strangers
999:
736:The Prime of Miss Jean Brodie
633:
563:mythology of the weaving arts
296:'s version of the story from
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1869:Now Sleeps the Crimson Petal
1256:, in Lacy, Norris J. (ed.),
1228:, in Lacy, Norris J. (ed.),
352:And so she weaveth steadily,
7:
1972:Flower in the Crannied Wall
1633:public domain audiobook at
1480:The Globe, 21 November 1898
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806:A Great and Terrible Beauty
302:, which he included in his
10:
2320:
1407:Fram, Noah (6 July 2021).
1318:Roe, Dinah (15 May 2014).
1230:The Arthurian Encyclopedia
940:When Lust Evokes the Curse
872:"graceful and picturesque"
716:The Picture of Dorian Gray
514:Pre-Raphaelite Brotherhood
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1358:. Art Gallery of Ontario.
1188:. University of Rochester
852:I Am Half-Sick of Shadows
746:To Say Nothing of the Dog
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81:May 1832, revised in 1842
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2044:Chapel House, Twickenham
957:'s country music video "
861:
827:Tirra Lirra by the River
786:Floating Down to Camelot
311:
69:An 1853 illustration by
33:Shalott (disambiguation)
2107:Charles Tennyson Turner
1855:Lady Clara Vere de Vere
1560:10.1111/0044-0124.00545
1499:The Band Perry (2010).
1448:Mitford, Nancy (1954).
1254:"Tennyson, Alford Lord"
1252:Staines, David (1991),
1226:"Tennyson, Alford Lord"
667:The Tower at Stony Wood
598:John William Waterhouse
549:, between 1888 and 1905
132:with isolated lines in
2267:La Damigella di Scalot
2061:Blackdown, West Sussex
1694:Poems, Chiefly Lyrical
1450:Love in a Cold Climate
1433:Spark, Muriel (1961).
1409:"Half Sick of Shadows"
1182:"Alfred Lord Tennyson"
766:Love in a Cold Climate
628:Art Gallery of Ontario
610:; this work is now in
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522:Dante Gabriel Rossetti
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506:John Atkinson Grimshaw
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277:La Damigella di Scalot
31:. For other uses, see
22:Rosa 'Lady of Shalott'
2162:Alfred, Lord Tennyson
1813:A Dream of Fair Women
1751:The Miller's Daughter
1618:Tyger and Other Tales
1571:Religion and the Arts
1371:Bessatsu Hana to Yume
1320:"The Pre-Raphaelites"
1144:Modern Language Notes
1107:online-literature.com
978:and Swedish pop band
776:Up the Down Staircase
592:
575:
539:
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367:
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333:Listening, whispers,
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244:"Lancelot and Elaine"
226:one published in 1832
2216:(Hunt, c. 1888-1905)
1993:Ring Out, Wild Bells
1979:The Higher Pantheism
1765:The Ballad of Oriana
1744:Mariana in the South
1644:at BBC Poetry Season
1046:An Englishman Abroad
1022:Upstairs, Downstairs
696:Half Sick of Shadows
662:Patricia A. McKillip
653:Anne of Green Gables
648:Lucy Maud Montgomery
559:Christ's crucifixion
262:", the poem recasts
108:Arthurian literature
20:. For the rose, see
2248:Song of the Sparrow
2213:The Lady of Shalott
2205:The Lady of Shalott
2167:The Lady of Shalott
1905:St. Simeon Stylites
1792:Break, Break, Break
1716:The Lady of Shalott
1641:The Lady of Shalott
1612:The Lady of Shalott
1604:The Lady of Shalott
1565:Thomas L. Jeffers,
1546:Thomas L. Jeffers,
1373:. Hakusensha. 2008.
1186:The Camelot Project
1140:The Lady of Shalott
1065:Weaving (mythology)
985:Super Extra Gravity
918:The Lady of Shalott
910:The Lady of Shalott
892:The Lady of Shalott
880:The Lady of Shalott
677:Song of the Sparrow
617:The Lady of Shalott
582:The Lady of Shalott
546:The Lady of Shalott
541:William Holman Hunt
526:William Holman Hunt
502:The Lady of Shalott
454:The Lady of Shalott
373:The Lady of Shalott
200:The Lady of Shalott
187:The Lady of Shalott
47:The Lady of Shalott
2232:(Waterhouse, 1915)
2224:(Waterhouse, 1894)
2208:(Waterhouse, 1888)
2113:Frederick Tennyson
1848:In Memoriam A.H.H.
1841:Idylls of the King
1702:The Deserted House
1326:. British Library.
902:La dame de Shalott
721:Eric Frank Russell
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567:Wadsworth Atheneum
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488:Cultural influence
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305:Idylls of the King
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2183:Elaine of Astolat
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2049:Farringford House
1919:Tears, Idle Tears
1884:The Palace of Art
1338:"Lady of Shalott"
1267:978-0-8240-4377-3
1239:978-0-8240-4377-3
1180:Zanzucchi, Anne.
1040:Tales of the City
925:Loreena McKennitt
791:Diana Wynne Jones
612:Leeds Art Gallery
369:William Maw Egley
299:Le Morte d'Arthur
290:Donna di Scalotta
282:Donna di Scalotta
268:Elaine of Astolat
234:the other in 1842
218:Elaine of Astolat
213:Donna di Scalotta
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130:Iambic tetrameter
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1951:Crossing the Bar
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990:Richard Thompson
963:W. E. F. Britten
923:Canadian singer
898:Olivier Messiaen
856:Elizabeth Bishop
822:Jessica Anderson
781:David Benedictus
672:Lisa Ann Sandell
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150:Publication date
71:Elizabeth Siddal
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2089:Lionel Tennyson
2083:Hallam Tennyson
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1541:Further reading
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1526:The Independent
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1316:
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1305:
1291:
1274:
1268:
1260:, p. 446,
1250:
1246:
1240:
1232:, p. 543,
1219:
1215:
1206:
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1189:
1178:
1171:
1156:10.2307/2917812
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1132:
1119:
1118:
1114:
1101:
1100:
1096:
1083:
1082:
1078:
1073:
1061:
1002:
996:from the poem.
864:
836:Sick of Shadows
640:Agatha Christie
636:
495:
490:
478:Sleeping Beauty
447:
441:
438:
436:
434:
432:
430:
428:
426:
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389:
358:
355:
353:
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341:
338:
334:
332:
330:
316:The first four
314:
256:
248:Pre-Raphaelites
208:Alfred Tennyson
202:" is a lyrical
182:
167:
165:
162:
153:1832 & 1842
134:iambic trimeter
73:
56:Alfred Tennyson
53:
46:
39:
36:
25:
12:
11:
5:
2317:
2307:
2306:
2301:
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2173:
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2158:
2157:
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2126:
2125:
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2110:
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2098:
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2077:Emily Tennyson
2073:
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2066:
2064:
2063:
2058:
2057:
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2040:
2038:
2034:
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2013:
2011:
2007:
2006:
2004:
2003:
1996:
1989:
1982:
1975:
1968:
1961:
1954:
1946:
1944:
1940:
1939:
1937:
1936:
1929:
1926:The Two Voices
1922:
1915:
1908:
1901:
1894:
1887:
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1872:
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1591:
1590:External links
1588:
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1222:Staines, David
1213:
1199:
1169:
1130:
1121:"Il Novellino"
1112:
1094:
1075:
1074:
1072:
1069:
1068:
1067:
1060:
1057:
1028:The Buccaneers
1001:
998:
959:If I Die Young
955:The Band Perry
947:'s 2006 album
863:
860:
832:Sharyn McCrumb
706:at her loom.
644:her 1962 novel
635:
632:
494:
491:
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446:
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421:
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386:
348:
337:'Tis the fairy
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9:
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3:
2:
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2299:British poems
2297:
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2119:Arthur Hallam
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2055:
2054:Tennyson Down
2052:
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2050:
2047:
2045:
2042:
2041:
2039:
2035:
2029:
2027:
2023:
2021:
2019:
2018:The Foresters
2015:
2014:
2012:
2008:
2001:
1997:
1994:
1990:
1988:
1987:
1983:
1980:
1976:
1973:
1969:
1967:
1966:
1962:
1959:
1955:
1952:
1948:
1947:
1945:
1941:
1934:
1930:
1927:
1923:
1920:
1916:
1913:
1912:Sweet and Low
1909:
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1862:Locksley Hall
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1814:
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1807:
1806:The Day-Dream
1803:
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1609:
1607:
1606:: an overview
1605:
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1321:
1314:
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1304:1-85928-314-4
1300:
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1080:
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1053:
1052:Downton Abbey
1048:
1047:
1042:
1041:
1036:
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1024:
1023:
1017:
1015:
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1009:
1008:
997:
995:
991:
987:
986:
981:
980:The Cardigans
977:
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971:
966:
964:
960:
956:
952:
951:
946:
945:Emilie Autumn
942:
941:
936:
932:
931:
926:
921:
919:
915:
914:Bent Sørensen
911:
907:
903:
899:
895:
893:
889:
885:
881:
877:
876:Cyril Rootham
873:
869:
859:
857:
853:
849:
846:, 1991), and
845:
841:
837:
833:
829:
828:
823:
818:
816:
812:
808:
807:
802:
798:
797:
792:
788:
787:
782:
778:
777:
772:
768:
767:
762:
761:Nancy Mitford
758:
757:
752:
748:
747:
742:
741:Connie Willis
738:
737:
732:
728:
727:
722:
718:
717:
712:
707:
705:
701:
697:
693:
692:
687:
686:Jasper Fforde
683:
679:
678:
673:
669:
668:
663:
659:
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654:
649:
645:
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631:
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591:
584:
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556:
548:
547:
542:
538:
534:
531:
527:
523:
519:
515:
507:
503:
499:
485:
483:
479:
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459:
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419:
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397:
384:
382:
374:
370:
366:
362:
357:
346:
340:
325:
323:
319:
309:
307:
306:
301:
300:
295:
294:Thomas Malory
291:
287:
283:
279:
278:
273:
269:
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261:
251:
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245:
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235:
231:
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135:
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126:
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119:
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109:
106:
102:
98:
94:
91:
88:
84:
80:
76:
72:
66:
61:
57:
51:
44:
41:
34:
30:
23:
19:
2265:
2251:(2007 novel)
2246:
2227:
2219:
2211:
2203:
2166:
2165:
2028:(song cycle)
2025:
2017:
1984:
1963:
1891:The Princess
1889:
1874:
1839:
1832:
1750:
1715:
1692:
1686:Early poetry
1640:
1629:
1617:
1614:set to music
1611:
1603:
1570:
1551:
1525:
1513:
1494:
1485:
1476:
1467:
1458:
1449:
1443:
1434:
1428:
1418:16 September
1416:. Retrieved
1412:
1402:
1390:. Retrieved
1380:
1370:
1364:
1350:
1341:
1332:
1323:
1313:
1294:
1257:
1247:
1229:
1216:
1202:
1190:. Retrieved
1185:
1147:
1143:
1139:
1133:
1124:
1115:
1106:
1097:
1088:
1079:
1050:
1044:
1038:
1032:
1026:
1020:
1018:
1011:
1005:
1003:
993:
983:
975:Strange Fire
973:
970:Indigo Girls
967:
948:
938:
928:
922:
917:
909:
906:Phyllis Tate
901:
896:
891:
888:Arthur Bliss
884:Eton College
879:
871:
868:Amy Horrocks
865:
851:
848:Alan Bradley
843:
835:
825:
819:
814:
811:Jilly Cooper
809:(2003), and
804:
794:
784:
774:
764:
754:
749:(1997), and
744:
735:
731:Muriel Spark
725:
714:
708:
695:
689:
675:
665:
658:Anne Shirley
651:
637:
621:
615:
605:
602:Tate Britain
596:
580:
555:Edward Moxon
552:
544:
511:
501:
474:
466:
463:
458:Walter Crane
453:
422:
416:
405:
400:
387:
381:Sir Lancelot
378:
372:
360:
349:
343:
328:
315:
303:
297:
289:
285:
281:
275:
271:
257:
237:
229:
211:
199:
197:
174:
141:Rhyme scheme
40:
2010:Other works
1965:Enoch Arden
1943:Late poetry
1898:Sir Galahad
1602:Tennyson's
1552:Yale Review
1125:Liber Liber
1089:mseffie.com
994:Mirror Blue
840:Robin Klein
771:Bel Kaufman
756:Avalon High
726:Next of Kin
711:Oscar Wilde
700:King Arthur
260:Sir Galahad
2289:1833 poems
2283:Categories
2176:Characters
2097:(grandson)
2091:(grandson)
2026:The Window
1834:Lady Clare
1709:The Kraken
1528:. London.
1375:(one-shot)
1192:10 January
1071:References
1000:Television
801:Libba Bray
682:Kaori Yuki
634:Literature
577:Waterhouse
530:John Keats
518:Arthuriana
482:Snow White
254:Background
191:Wikisource
2115:(brother)
2109:(brother)
1958:The Eagle
1827:St. Agnes
1583:Full text
1034:Endeavour
930:The Visit
838:, 1984),
830:, 1978),
751:Meg Cabot
688:'s novel
674:'s novel
469:Victorian
272:novellina
264:Arthurian
175:Full text
145:Aaaabcccb
2188:Lancelot
2121:(friend)
2103:(sister)
2000:Tithonus
1758:Claribel
1635:LibriVox
1530:Archived
1505:Archived
1413:BookPage
1224:(1987),
1059:See also
950:Opheliac
817:(2006).
799:(1993),
789:(1985),
779:(1965),
769:(1949),
739:(1961),
729:(1959),
719:(1890),
670:(2000).
656:(1908),
104:Genre(s)
96:Language
2259:Related
2037:Related
1933:Ulysses
1730:Mariana
1392:1 March
1164:2917812
1007:Accused
815:Wicked!
796:Hexwood
704:scrying
322:Camelot
318:stanzas
274:titled
222:Camelot
99:English
86:Country
78:Written
29:Shallot
2170:(1833)
2079:(wife)
2070:People
2020:(play)
1879:(1842)
1820:Godiva
1784:Poetry
1737:Oenone
1697:(1830)
1301:
1264:
1236:
1162:
935:Autumn
593:detail
585:, 1888
508:(1875)
480:" or "
460:, 1862
445:Themes
375:, 1858
204:ballad
168:(1842)
163:(1832)
118:Ballad
2240:Other
2085:(son)
1876:Poems
1160:JSTOR
1010:. In
862:Music
312:Story
280:, or
239:Poems
230:Poems
158:Lines
125:Meter
1986:Maud
1420:2021
1394:2009
1299:ISBN
1262:ISBN
1234:ISBN
1194:2008
524:and
228:(in
166:171
161:180
114:Form
2197:Art
2164:'s
1575:doi
1556:doi
1152:doi
1142:".
965:).
813:'s
803:'s
783:'s
773:'s
763:'s
753:'s
733:'s
723:'s
713:'s
650:'s
579:'s
553:In
543:'s
504:by
493:Art
456:by
189:at
54:by
2285::
1581:.
1569:,
1550:,
1524:.
1411:.
1340:.
1322:.
1275:^
1184:.
1172:^
1158:.
1148:17
1146:.
1123:.
1105:.
1087:.
920:.
894:.
793:'
743:'
630:.
371:,
308:.
2154:e
2147:t
2140:v
2002:"
1998:"
1995:"
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1949:"
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1700:"
1671:e
1664:t
1657:v
1620:)
1585:.
1577::
1562:.
1558::
1422:.
1396:.
1344:.
1307:.
1210:.
1196:.
1166:.
1154::
1127:.
1109:.
1091:.
850:(
842:(
834:(
824:(
476:"
335:"
198:"
35:.
24:.
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