The Madcap Laughs - Knowledge

578:'s drummer, although for this occasion he was playing bass. The problem with this new set-up, though, was that the songs were recorded as Barrett played them live in the studio; on the released versions, a number of them have false starts and commentaries from Barrett. The first track Barrett and his fellow musicians worked on was "No Man's Land", after Barrett had played through the song several times, to allow Shirley and Wilson to pick up the segments. Once the rehearsal was through, they went for a take, to check how the band sounded and to test the equipment from within the control room. After these tests, the band recorded three takes, the last of which became the master take for "No Man's Land"; the bass, however, was re-recorded at a later date. Playing along with Barrett wasn't easy, according to Jones: "It was a case of following him, not playing with him. They were seeing and then playing so they were always a note behind ..." Shirley said of Barrett: "He gave the impression he knew something you didn't. He had this music sort of giggle ..." 688:, to Barrett's dismay, and a Floyd tour in the Netherlands. However, towards the end of July, on the 26th, they managed to record "She Took a Long Cold Look at Me", "Feel", "If It's in You", another version of "Long Gone", an attempt at a re-make of "Dark Globe", and even a medley of "She Took" / "Feel" / "If It's in You". Barrett would not allow the musicians to rehearse or to re-record their overdubs, insisting that they sounded fine. After several months of intermittent recording, the album was finally deemed complete. After the final recording sessions for the album had been completed, Gilmour and Waters mixed not just the tracks they had produced, but also the Jones tracks, in a matter of two days. Five tracks were mixed on 5 August: "Long Gone", "She Took", "Feel", "If It's in You", and "Octopus". The following day, three tracks, "Golden Hair", "Dark Globe", and "Terrapin", were mixed in just three hours. The track order was sequenced by Barrett and Gilmour on 6 October. 600:. Beforehand, it had been agreed that this session would be dedicated to transferring their previously recorded, 4-track recordings onto Studio 3's newer 8-track machine, for further overdubs in later sessions. At Jones' suggestion, and despite warnings the producer had received that Barrett should not be in the studio unaccompanied, Barrett went in on his own to carry out the mixing. It had been decided that nearly all of the tracks that were recorded up to that point needed further overdubbing except for "No Man's Land" and "Here I Go". At this point, Barrett considered placing "Opel" on the album, Jones calls it among Barrett's "best and most haunting" songs. On the session for 3 May, three tracks on the album were overdubbed by 968:

Waters was more optimistic, declaring Barrett a "genius". Malcolm Jones was shocked by what he perceived as the substandard musicianship on the Gilmour and Waters-produced songs, however: "I felt angry. It's like dirty linen in public and very unnecessary and unkind ..." Barrett later said of the album: "I liked what came out, only it was released far too long after it was done. I wanted it to be a whole thing that people would listen to all the way through with everything related and balanced, the tempos and moods offsetting each other, and I hope that's what it sounds like." In a bid to increase sales, Jones wrote a letter to music magazine,

1027: 529:, unsure of Jenner's production technique, Jones asked to hear some of the previous year's tapes; Barrett played him "Swan Lee", "Late Night", "Rhamadam", "Lanky (Parts One and Two)" and "Golden Hair". Of these, "Swan Lee" had no vocals, but Jones saw potential in the song; "Late Night" did have vocals and, Jones remarked, "a certain charm"; while "Golden Hair" was "great". After the playbacks, Barrett performed several songs on guitar for Jones: "Opel" and "Clowns and Jugglers" (both attempted during the sessions with Peter Jenner), and the newly written " 634:, although his performance on "Religious Experience" was not released until the album was reissued in 2003. The next day's session had Barrett adding backwards guitar to "No Good Trying", and lead to "Terrapin" and "No Man's Land". It was around this time that Jones' involvement came to an end – during these last few sessions, Gilmour had started taking an interest in how Barrett was getting along with his album. Although Barrett had told his flatmate that he was going off "for an afternoon drive", he instead followed Pink Floyd out to 555: 585:", which required no overdubs at all. This session for "No Man's Land" and "Here I Go" lasted just three hours. When asked if he had any new songs for the following week's session, on 23 April, Barrett replied that he had "a weird idea I want to try out" and that other musicians would not be required. Afterwards, Barrett mentioned that he was interested in revisiting one of the Jenner tracks − "Rhamadam". On the morning of the 23rd, Barrett arrived at the studio with a 525:

recordings. Jones would later comment that the sessions with Barrett had gone well: "Syd was in a great mood, and in fine form, a stark contrast to the rumours and stories I'd been fed." Jones also explained the rationale behind EMI letting Barrett record again: "What was decided was to see what was the strength of Syd's new material, and plan accordingly. If it worked, then, O.K. we'd do an album. If not, we'd call it a day ..." In a meeting at Barrett's flat in

6478: 5940: 5452: 508: 891: 886: 781: 776: 881: 876: 871: 853: 848: 843: 838: 833: 771: 766: 761: 743: 738: 733: 728: 723: 412:, was asked by the other members of Pink Floyd to join as a second guitarist, initially not to replace Barrett, but cover for him, because his unpredictable behaviour prevented him from performing. For several shows Gilmour sang and played guitar while Barrett wandered around on stage, every now and then deciding to join in playing guitar and singing. Waters and fellow band members keyboardist 438:− but this soon proved to be unworkable. At his last rehearsal with the band, he presented a new song entitled "Have You Got It Yet?", which proved to be deliberately unplayable as the others attempted to join in, until they realised the joke of the title. On 6 April, the group officially announced that Barrett was no longer a member of Pink Floyd. Upon leaving the band, Barrett said to 979:, backed by Gilmour and Shirley. He baffled the audience (and Gilmour and Shirley) when he abruptly took off his guitar after the fourth number and walked off stage. They played "Terrapin", "Gigolo Aunt", "Effervescing Elephant", and "Octopus". From the start of the performance up to (but not including) "Octopus", the vocals were near-inaudible. The performance has been bootlegged. 31: 589:, on which he had recorded motorbike sounds; these, he told Jones, were "all ready to put onto the 'Rhamadam' four track". The producer described the sound quality as "terrible", an opinion that was confirmed once Barrett's player had been hooked up to a 4-track machine. Instead it was decided that Barrett should source the motorbike sounds from EMI's large 229: 476:"), "Silas Lang", or "Lanky (Parts One and Two)". After recording had resumed in June and July, progress continued on these tracks, especially "Swan Lee", and a new, improved version of "Clowns and Jugglers" was taped at this point also. Barrett wouldn't commit to recording the track "Rhamadam" (sic) to tape properly, however. 964:, praised some of the music as "funny, charming, catchy – whimsy at its best. I love most of side one, especially 'Terrapin' and 'Here I Go,'" but opined that some of the material was "worthy of the wimp-turned-acid-casualty Barrett is." Initial sales and reaction were deemed sufficient by EMI to sanction a second solo album. 472:. Jenner thought Barrett would like to finish the tracks that Jenner transferred the previous October; Barrett on the other hand, had other plans. During these first, tentative sessions, Jenner failed to properly record any vocals at all for the tracks "Golden Hair", "Late Night", "Clowns and Jugglers" (later retitled " 542:"Opel", and two old ones. Barrett and his new producer were in agreement that "Opel" was among the best of the new recordings at this time; only two complete takes of the song were taped, though, after multiple false starts. The next song attempted was "Love You", the first take of which featured a faster 668:

biographer Rick Sanders. "We had very little time," Gilmour recalled in a May 2003 interview. "Syd was very difficult, we got that very frustrated feeling: Look, it's your fucking career, mate. Why don't you get your finger out and do something? The guy was in trouble, and was a close friend for many

623:

is that in, Syd?", to which Barrett would simply reply "Yeah" or "That's funny". Wyatt had also offered the following comments on the sessions: "Working with Syd Barrett's a piece of cake, I think. I found him courteous and friendly. I can't think of anything wrong with him. I really liked his songs.

1344:

photo session, Syd was still in his underpants. His lady friend of two weeks, 'Iggy the Eskimo', was naked in the kitchen." Iggy met Barrett in March 1969, through Barrett's then-girlfriend, Jenny Spires. Barrett had moved into Wetherby Mansions, and Jenny took Iggy there one evening. Iggy stayed on

463:

later commented on Jenner & King leaving with Barrett many years later: "Peter and Andrew clearly felt that Syd was the creative centre of the band, a reasonable point of view given our track record up until that point. Consequently, they decided to represent him rather than us." In May, Jenner

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and a new guitar track, and several ideas for "Clowns and Jugglers" were considered; Barrett and Jones both felt that the results were superior to the previous versions. The following day, in about five hours, Barrett recorded vocal and guitar tracks for four recently recorded songs, starting with

546:

than the officially released take 2. After "Love You", they recorded "It's No Good Trying", which was similarly completed in just a few takes. Barrett was in "great form, and very happy", Jones recalled, and "very together". During the lunch break that day, they talked about improving some of the

369:, Barrett's behaviour became increasingly erratic and unpredictable. Many report having seen him on stage with the group during this period, strumming on one chord through an entire concert or not playing at all. In August 1967, Pink Floyd were forced to cancel their appearance at the prestigious 1361:. The original sleeve featured no musician credits, barring producer credit; later issues contain musician credits. On the original release, track 10 is listed as "She Took a Long Cold Look", although on the 2010 remaster the track is re-titled to "She Took a Long Cool Look", in similar vein to 967:

Upon release, Gilmour said: "Perhaps we were trying to show what Syd was really like. But perhaps we were trying to punish him ..." Barrett stated that "It's quite nice but I'd be very surprised if it did anything. If I were to drop dead, I don't think it would stand as my last statement."

672:

In a different interview Gilmour expanded further on the rush to complete the album: “We were led to believe the project was going to be shelved. We were told that EMI had spent too much money on it and it was a long way from completion. An extension was negotiated on the basis that we get it

479:

Although Jenner claims he got on well with the singer, he would also state that the 1968 sessions had not gone smoothly, admitting: "I had seriously underestimated the difficulties of working with him ..." Shortly after the July dates, Barrett abruptly stopped recording, breaking up with

524:

Jones had little difficulty in persuading his boss, Roy Featherstone, and Ron White, authoriser of EMI recordings, to allow Barrett to record with the company again. In April 1969, the young executive took over the project and Barrett began working on newer material, while reworking the 1968

624:

I liked them musically, I liked them lyrically, and I liked the way he sang them. I just think that not everybody fits into the business. I know from personal experience, it's not that easy." During this time, Barrett also played guitar on the sessions for Soft Machine founder

389:, a doctor well established in the underground music scene, led to no visible improvement in Barrett's behaviour. A few dates in September were followed by the band's first tour of the United States. At this point, Barrett's condition grew steadily worse. At a show at 547:

other songs from the Jenner sessions, particularly "Golden Hair" and "Late Night", the last of which was just a backing track at this point. After returning to the studio, they worked on "Terrapin", with Barrett requiring just a single take, and added

536:

The Jones-produced sessions commenced on 10 April 1969 at EMI's Studio 3, with that day being dedicated to going through the 1968 tapes again to see what could be improved upon. The first track to be worked on was "Swan Lee", which received vocal

1331:

For the album cover, Barrett painted the floor of his bedroom in Wetherby Mansions, orange and purple. with the help of the nude woman appearing on the back of the record sleeve, who was an acquaintance of his, Indian born, of English and

424:, they all agreed to go without Barrett: according to Gilmour's recollection, one person asked, "Shall we pick Syd up?" and another said, "Let's not bother." Since Barrett had written or co-written 10 of the 11 songs on their debut album, 290:

in April 1968. The album had a lengthy recording history, with work beginning in May 1968, but the bulk of the sessions taking place between April and July 1969, for which five different producers were credited − including Barrett,

1345:

at the flat when Jenny left for The States a couple of weeks later. Iggy didn't know who Barrett was or that he was previously in Pink Floyd. Iggy heard Barrett play several songs that would later appear on the album, one being "

616:: The three songs were "Love You", (now dropping "It's") "No Good Trying", and "Clowns and Jugglers". Even after the Soft Machine members added overdubs to "Clowns and Jugglers", Barrett wished to add bass and drums to it. 397:", Barrett slowly detuned his guitar; the audience seemed to enjoy such antics, unaware of the rest of the band's consternation. Sometime in October, Jenner transferred tapes of "In the Beechwoods", two takes of " 491:

By the start of 1969, a somewhat recovered Barrett decided to return to his musical career and revisit the Jenner-produced recordings. He contacted EMI, and was passed on to Malcolm Jones, then-head of EMI's new

2299:

After only recording two takes of "Dark Globe", it was deemed finished, however, by the end of the session they recorded a third take. Although the version recorded earlier in the session was issued instead.

673:

finished in double-quick time. That meant not spending money. The fact that we were busy and Abbey Road’s other bookings both conspired to make the time available very short. Decisions had to be made.”

325:

in the UK but not released in the US until 1974, enjoyed minimal commercial success on release, reaching number 40 on the UK's official albums chart. It was re-released in 1974 as part of

684:". As the following day's session was dedicated to overdubbing "Octopus", this became Barrett's final session for over a month, due to a temporary halt while Gilmour and Waters mixed 5109: 4926: 4150: 593:

library. The selection process took up to an hour, at which point Jones started to lose faith in Barrett. Later on, Barrett changed his mind and abandoned the idea.

430:, as well as the band's three singles up to this point, the original plan was to keep him in the group as a non-touring member − in a similar arrangement to what 566:

The following session took place on 17 April, in Studio 2 at EMI. Jones arrived there to find that Barrett had brought in friends of his as support musicians:

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The version of "Clowns and Jugglers" that was overdubbed, was the first version that Jones and Barrett had worked on during their first session together.

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The Gilmour–Waters-produced tracks were mixed first by Gilmour and Waters, while the Jones-produced tracks for mixed by Gilmour alone on 16 September.

638:. During the trip, he asked David Gilmour for his help on the album, and, at the end of May, Malcolm Jones abandoned his production responsibilities. 30: 4569: 3998: 3448: 5083: 4953: 3085: 5004: 4798: 4176: 4056: 2565: 2272:

Gilmour and Waters may have heard the Soft Machine version of "Clowns and Jugglers", which may have been the reason to why they later re-made it.

5408: 4721: 4694: 5030: 4291: 4891: 3712: 5105: 4918: 3392: 2220:. An early version of "Clowns and Jugglers", involving military-style drumming and organ overdubs was included on the standard version of 6517: 6512: 4838: 946:

in the UK,. It sold 6,000 copies in the first few months and reached number 40 in the UK and was fairly well-reviewed by music critics.

650:, Jones states that "when Dave came to me and said that Syd wanted him and Roger to do the remaining parts of the album, I acquiesced". 6040: 6032: 5261: 1349:", which she called "quite catchy". In October 2010 she was interviewed, revealing that her name was Evelyn. The album was designed by 5057: 6532: 6164: 4864: 4343: 4317: 420:

soon grew weary of Barrett's on-stage antics and, on 26 January 1968, when Waters was driving his bandmates from London to a show at

6537: 6183: 4675: 4120: 1193: 4587: 341:), which saw the first US issue of the two LPs. The album was remastered and reissued in 1993, along with Barrett's other albums, 5488: 2380:

Back in the 60s and 70s, labels were being resistant to letting their stars appear on other rival label releases. In the case of

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Playing acoustic guitar and singing disconnected lyrics as if their meaning were patently obvious, Barrett comes off like

4606:"The Quietus | Features | Baker's Dozen | Wot No Jazz Funk Greats?! Cosey Fanni Tutti's Favourite Records" 4551: 676:

After the first session with new producers Gilmour and Waters, on 12 June, they had remade "Clowns and Jugglers" into "

381:

arranged for Barrett to see a psychiatrist (an appointment he failed to attend), while a stay on the Spanish island of

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in 2010, Gilmour laid down a new bass track to "Here I Go", and remixed "Octopus" and "She Took a Long Cold Look".

680:", from the Soft Machine's overdubbed version; then, they re-recorded "Golden Hair", and recorded "Long Gone" and " 370: 6542: 6522: 6190: 6048: 4588:"The Quietus | Features | Baker's Dozen | Like Choosing A Lover: Viv Albertine's Favourite Albums" 4552:"The Quietus | Features | Baker's Dozen | Self-Confident Weirdos: Kavus Torabi's Favourite Albums" 4661: 2250:

Despite the "Opel" being almost complete and better produced, Gilmour and Waters decided to leave the track off

6390: 6110: 5749: 5320: 1363: 501: 426: 4624:"The Quietus | Features | Baker's Dozen | Remember That, Fucko: Hey Colossus' Favourite Albums" 4623: 4400: 6395: 6342: 6094: 5431: 4570:"The Quietus | Features | Baker's Dozen | Sweet Thirteen: Jennifer Herrema's Favourite Albums" 3860: 3751: 912: 752: 468:), on Abbey Road in northwest London, to record some solo material, only part of which would later appear on 5106:"Pink Floyd news :: Brain Damage – 'An Introduction to Syd Barrett' coming from EMI/Harvest in October" 4919:"Pink Floyd news :: Brain Damage - 'An Introduction to Syd Barrett' coming from EMI/Harvest in October" 3523: 5367: 5360: 5147: 4748: 2699: 1593: 1336:

parentage, Evelyn Rose, better known by the misnomers "Iggy the Eskimo" and "Iggy the Inuit". Photographer

976: 582: 4452: 6527: 6502: 5823: 5481: 4497: 3994: 3444: 456: 4498:"From The Velvet Underground to Syd Barrett: David Bowie listed his top 25 favourite albums of all time" 6507: 5969: 5887: 5630: 5616: 5374: 5175: 5079: 4949: 3075: 1645: 935: 677: 473: 401:", and a 5-minute backing track called "No Title", which Jenner hoped Barrett would finish eventually. 257: 5000: 4794: 4180: 4052: 3915:

on a placid acid trip: pretty, poetic, strange. Although this is an important and rewarding document,

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At Jones' choice, it was backed by the Gilmour–Waters-produced version of "Golden Hair" as the b-side.

504:, Pink Floyd's producer at the time, declined to work on the album, Jones agreed to take on the role. 5894: 5847: 5195: 1381: 413: 6421: 6363: 6118: 5676: 2171: 1354: 1030:

The photograph used on the cover for the album was taken in Barrett's flat in Wetherby Mansions at

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All songs written by Syd Barrett, except "Golden Hair" (music by Barrett, based on a poem by

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Barrett box set, on 26 April 1993. A remastered version was released in 2010. For release on

373:, informing the music press that Barrett was suffering from nervous exhaustion. Band manager 6317: 6310: 5762: 5455: 5418: 5188: 5053: 4479: 3898: 790: 295:(1968 sessions), Malcolm Jones (early-to-mid-1969 sessions), and fellow Pink Floyd members 4868: 4339: 4313: 4267: 8: 6405: 6204: 6197: 6067: 5899: 5830: 5769: 5683: 5623: 5609: 5424: 5280: 3942: 3933: 2210:

The first take, a false start, and the second take of "Octopus" was released on the 1993

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For this session, "Dark Globe" was titled "Wouldn't You Miss Me" on the recording sheet.

6232: 5867: 5520: 1125: 575: 512: 465: 308: 77: 4776: 2430: 228: 6446: 6324: 6239: 5809: 5714: 4980: 4727: 4700: 4247: 4222: 4211: 4156: 4096: 3965: 3921:— also recently reissued — is a more accessible record of his final creative efforts. 3869: 3835: 3831: 3794: 3760: 3722: 3499: 3208: 3055: 2985: 2892: 2827: 2799: 2774: 2749: 2724: 2648: 2620: 2595: 2536: 2511: 2484: 2457: 2446: 1289: 1273: 923: 571: 559: 6137: 5690: 5575: 4340:"The International Echoes Hub – Recordings (RoIO) Database: Olympia Exhibition Hall" 3937: 2922: 664:

that July and helped Barrett finish his album − "in a two-day sprint", according to

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According to Jones, Barrett was "pissed off", with the delay, as was Jones himself.

2167: 1350: 1281: 1228: 953: 802: 493: 102: 92: 3445:"The Harvest Years 1969–1974 – Kevin Ayers : Songs, Reviews, Credits, Awards" 3429: 1399:. (The cover of the double album was also designed by Storm Thorgerson.) In 1993, 442:: "I suppose it was really just a matter of being a little offhand about things". 6400: 6246: 6016: 5917: 5904: 5862: 5816: 5736: 5697: 5602: 5583: 5381: 5346: 5234: 5135: 4433: 3917: 3790: 2687: 2478: 2059: 2051: 2047: 1470: 1395: 1376: 1346: 1313: 1309: 1083: 943: 586: 554: 530: 497: 337: 322: 197: 139: 132: 2290:

Not finishing it in this session, it was attempted and finished at a later date.

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girlfriend Lindsay Corner and then going off on a drive around Britain in his

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Fornication: The Red Hot Chili Peppers Story: The Red Hot Chili Peppers Story

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Many of the songs from the album have been widely covered since its release.

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The session on 25 April was almost cancelled, due to Jones becoming ill from

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11 takes were recorded for both new versions of "Octopus" and "Golden Hair".

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On 6 June 1970, Barrett gave his one and only solo performance, held at the

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Song Man: A Melodic Adventure, or, My Single-Minded Approach to Songwriting

4405: 4365: 4177:"Syd Barrett: Lucy Leave & Other Rarities – All Pink Floyd Fan Network" 2197: 2131: 2122: 2090: 1409: 1297: 1293: 1277: 1146: 1063: 969: 651: 630: 613: 601: 548: 439: 435: 390: 378: 374: 347: 312: 300: 292: 164: 151: 127: 4950:"The Madcap Laughs/Barrett − Syd Barrett: Songs, Reviews, Credits, Awards" 6451: 5437: 5211: 4529: 3912: 2241:

Titled "Silas Lang" on the recording sheet, later retitled to "Swan Lee".

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In the second half of 1967 and through to early 1968, when still part of

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Next, they recorded a song that Barrett had written in a few minutes, "

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and David Gilmour were in the process of completing Pink Floyd's

597: 5466: 5954: 4053:"Syd Barrett – The Madcap Laughs (Vinyl, LP, Album) at Discogs" 3562:

Random Precision: Recording the Music of Syd Barrett, 1965–1974

562:, similar to this one, for recording rhythm guitar on the album 5180: 5054:"Crazy Diamond − Syd Barrett: Songs, Reviews, Credits, Awards" 455:

After Barrett left Pink Floyd in April 1968, Peter Jenner and

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years before then, so it really was the least one could do."

635: 543: 38: 4525:"Psychic Hi-Fi: Genesis Breyer P-Orridge's Favourite Albums" 2773:(1stnderground ed.). London: Rough Guides. p. 45. 972:, under an alternate name, writing how great the album was. 4820: 4795:"Guide du routard floydien " Wetherby Mansions @ Seedfloyd" 2308:

Jones' reaction to this version was that of disappointment.

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as one of their favourite albums of all time: they include

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Weisband, Eric; Marks, Craig, eds. (1995). "Syd Barrett".

3677:(21st Anniversary ed.). Brain Damage. pp. 16–17. 3611:(21st Anniversary ed.). Brain Damage. pp. 11–12. 3335:(21st Anniversary ed.). Brain Damage. pp. 15–16. 2317:

This later version of "Long Gone" became the album master.

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Take 2, recorded 28 May 1968, overdubs added 11 April 1969

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box set. A newly remastered version was released in 2010.

5139: 4646: 4480:"Uncut - 200 greatest albums of all time (februari 2016)" 4457: 3418:(21st Anniversary ed.). Brain Damage. pp. 9–10. 2923:"Octopus − Syd Barrett: Listen, Appearances, Song Review" 2691: 2507:

Turn on Your Mind: Four Decades of Great Psychedelic Rock

1393:, record two being Barrett's second and last solo album, 1207: 619:

Robert Wyatt had said that the musicians would ask "What

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is the debut solo album by the English singer-songwriter

5080:"Syd Barrett – The Madcap Laughs (CD, Album) at Discogs" 5001:"Syd Barrett – The Madcap Laughs (CD, Album) at Discogs" 3995:"Syd Barrett – Octopus / Golden Hair (Vinyl) at Discogs" 3162:(21st Anniversary ed.). Brain Damage. pp. 4–5. 2851:(1st Anniversary ed.). Chronicle Books. p. 93. 2723:(New ed.). London: Helter Skelter. pp. 14–15. 2619:(New ed.). London: Helter Skelter. pp. 91–92. 2195:

This version originally closed the standard edition of

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Christgau's Record Guide: Rock Albums of the Seventies

4041:(21st Anniversary ed.). Brain Damage. p. 13. 3701:(21st Anniversary ed.). Brain Damage. p. 17. 3653:(21st Anniversary ed.). Brain Damage. p. 12. 3596:(21st Anniversary ed.). Brain Damage. p. 11. 3483:(21st Anniversary ed.). Brain Damage. p. 10. 3371:(21st Anniversary ed.). Brain Damage. p. 16. 3207:(1st ed.). London: Rough Guides. pp. 71–72. 2984:(1st ed.). London: Rough Guides. pp. 70–71. 2969:(21st Anniversary ed.). Brain Damage. p. 15. 1654:

Take 11, recorded 12 June 1969, overdubs added 13 June

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Take 3, recorded 11 April 1969, overdubs added 3–4 May

942:

followed on 2 January 1970. The album was released by

4662:"Pete Astor/Weather Prophets top 10 favourite albums" 3315:(21st Anniversary ed.). Brain Damage. p. 9. 3275:(21st Anniversary ed.). Brain Damage. p. 8. 3247:(21st Anniversary ed.). Brain Damage. p. 7. 3192:(21st Anniversary ed.). Brain Damage. p. 6. 3147:(21st Anniversary ed.). Brain Damage. p. 5. 3110:(21st Anniversary ed.). Brain Damage. p. 4. 2869:(21st Anniversary ed.). Brain Damage. p. 3. 2748:(New ed.). London: Helter Skelter. p. 265. 1413:) was reissued both independently and as part of the 5027:"Syd Barrett – Crazy Diamond (CD, Album) at Discogs" 2798:(New ed.). London: Helter Skelter. p. 15. 1548:

Take 5, recorded 17 April 1969, overdubs added 4 May

1525:

Take 4, recorded 11 April 1969, overdubs added 3 May

1479:

Take 1, recorded 11 April 1969, overdubs added 4 May

691: 3045: 3043: 3041: 3039: 3037: 3035: 3033: 3031: 3029: 3027: 3025: 3023: 3021: 2384:, Jones thought this gained it "an air of mystery". 2224:, while a stripped-down version is included on the 303:(mid-1969 sessions). Among the guest musicians are 4979:(1st ed.). London: Rough Guides. p. 17. 4246:(1st ed.). London: Rough Guides. p. 61. 4210: 4095:(1st ed.). London: Rough Guides. p. 72. 3054:(1st ed.). London: Rough Guides. p. 71. 3019: 3017: 3015: 3013: 3011: 3009: 3007: 3005: 3003: 3001: 2891:(1st ed.). London: Rough Guides. p. 27. 2882: 2880: 2878: 2876: 2826:(1st ed.). London: Rough Guides. p. 70. 2445: 2817: 2815: 2533:Lost in the Woods: Syd Barrett and the Pink Floyd 2448:Sonic Cool: The Life & Death of Rock 'n' Roll 2443: 1795:Produced by Pete Jenner, Malcolm Jones (overdubs) 6494: 4892:"EXCLUSIVE: The Strange Tale Of Iggy The Eskimo" 4774: 3779: 2594:(Paperback ed.). Phoenix. pp. 95–105. 2128:Malcolm Jones – producer (tracks 1–4, 6, 12, 13) 1264:Several notable musicians and bands have listed 938:" was released as a single in November 1969 and 5152:: CS1 maint: others in cite AV media (notes) ( 4235: 2998: 2873: 2704:: CS1 maint: others in cite AV media (notes) ( 5409:List of songs about or referencing Syd Barrett 4865:"Mick Rock quoted by Bonita Lee (August 1999)" 3553: 3076:"Syd Barrett – "The Madcap Laughs" on Discogs" 2812: 2712: 2647:(Rev. ed.). London: Plexus. p. 325. 720: 5970: 5482: 5196: 4217:(Paperback ed.). London: Faber. p. 3748: 2608: 2592:Inside Out – A Personal History of Pink Floyd 2555: 2503: 459:, from the band's management, followed suit. 4432:. London: Cassell Illustrated. p. 220. 3932: 3668: 3666: 3664: 3662: 3660: 3326: 3324: 3322: 2849:Inside Out: A Personal History of Pink Floyd 2796:Saucerful of Secrets: The Pink Floyd Odyssey 2746:Saucerful of Secrets: The Pink Floyd Odyssey 2737: 2721:Saucerful of Secrets: The Pink Floyd Odyssey 2617:Saucerful of Secrets: The Pink Floyd Odyssey 2476: 1435:). All track info taken from album booklet. 1071:The 100 Most Influential Alternative Albums 868: 830: 758: 4453:"The 10 Best Albums Recorded at Abbey Road" 3888: 2787: 2678: 2676: 2674: 2672: 2670: 2668: 2666: 2664: 2402:UK EMI Harvest 0777 7 81412 2 8 / SYD BOX 1 2393:UK EMI Harvest 7243 8 28906 2 1 / CDGO 2053 393:in San Francisco, during a performance of " 5977: 5963: 5489: 5475: 5203: 5189: 4883: 4719: 4204: 4202: 4200: 4198: 3827:MusicHound Rock: The Essential Album Guide 3820: 3644: 3642: 3640: 3638: 3362: 2638: 2636: 2580: 1950:Produced by David Gilmour and Roger Waters 1772:Produced by David Gilmour and Roger Waters 1749:Produced by David Gilmour and Roger Waters 1726:Produced by David Gilmour and Roger Waters 1703:Produced by David Gilmour and Roger Waters 1578:Produced by David Gilmour and Roger Waters 1216:The 10 Best Albums Recorded at Abbey Road 227: 29: 6165:Flickering Flame: The Solo Years Volume 1 5124: 4383:"Mojo - 100 greatest singles of all time" 4141: 4086: 4084: 4082: 4080: 4078: 4076: 4074: 4032: 4030: 4028: 4026: 4024: 4022: 4020: 4018: 4016: 3692: 3690: 3688: 3686: 3684: 3657: 3636: 3634: 3632: 3630: 3628: 3626: 3624: 3622: 3620: 3618: 3600: 3587: 3585: 3583: 3581: 3579: 3577: 3575: 3573: 3571: 3474: 3472: 3470: 3468: 3466: 3360: 3358: 3356: 3354: 3352: 3350: 3348: 3346: 3344: 3342: 3319: 3306: 3304: 3302: 2960: 2958: 2956: 2954: 2952: 2950: 2948: 2946: 2944: 2793: 2743: 2718: 2614: 2119:David Gilmour – producer (tracks 5, 7–11) 1858:Produced by Syd Barrett and David Gilmour 1680:Produced by Syd Barrett and David Gilmour 1657:Produced by Syd Barrett and David Gilmour 519: 511:Recording took place at EMI Studios (now 351:(1988), independently and as part of the 286:. It was recorded after Barrett had left 4430:1001 Albums You Must Hear Before You Die 4147:"Syd Barrett: The Madcap Laughs/Barrett" 3407: 3300: 3298: 3296: 3294: 3292: 3290: 3288: 3286: 3284: 3282: 3266: 3264: 3262: 3260: 3258: 3256: 3254: 3238: 3236: 3234: 3232: 3230: 3228: 3226: 3224: 3183: 3181: 3179: 3177: 3175: 3173: 3171: 3169: 3138: 3136: 3134: 3132: 3101: 3099: 3097: 3095: 2860: 2858: 2661: 2645:Syd Barrett & Pink Floyd: Dark Globe 2642: 2530: 2510:. Hal Leonard Corporation. p. 135. 1996: 1194:1001 Albums You Must Hear Before You Die 1025: 553: 506: 450: 5051: 4974: 4968: 4522: 4241: 4208: 4195: 4090: 3493: 3202: 3151: 3049: 2979: 2916: 2914: 2912: 2910: 2908: 2886: 2821: 2768: 2633: 1677:Take 11 (Remake), recorded 12 June 1969 1175:1,000 Recordings to Hear Before You Die 642:David Gilmour and Roger Waters sessions 6495: 5112:from the original on 27 September 2013 5086:from the original on 26 September 2011 4676:"King Buzzo's 5 Favourite Songwriters" 4450: 4427: 4071: 4013: 3854: 3681: 3615: 3568: 3559: 3463: 3339: 2941: 2762: 2020: 1960: 1937: 1914: 1891: 1868: 1845: 1782: 1759: 1736: 1713: 5958: 5470: 5184: 5007:from the original on 12 December 2013 4956:from the original on 17 February 2013 4889: 4746: 4720:Hodgkinson, Will (10 December 2007). 4692: 4036: 3696: 3672: 3648: 3606: 3591: 3478: 3413: 3382: 3380: 3378: 3366: 3330: 3310: 3279: 3270: 3251: 3242: 3221: 3187: 3166: 3157: 3142: 3129: 3105: 3092: 2964: 2864: 2855: 2846: 2586: 1983: 1805: 1690: 1667: 1640: 1588: 1561: 1538: 1515: 1492: 1465: 1389:was re-released in September 1974 as 701: 484:; he ended up in psychiatric care in 6146:Another Brick in the Wall: The Opera 6033:Igor Stravinsky's The Soldier's Tale 4947: 4642:"Graham Coxon - My Music | NME" 4401:"1000 albums to hear before you die" 4294:from the original on 18 October 2011 3442: 3088:from the original on 9 January 2016. 2920: 2905: 2116:Syd Barrett – producer (tracks 7, 8) 1855:Takes 1 and 2, recorded 12 June 1969 1092:Top 50 Eccentric Albums of All Time 982: 18:1970 studio album by Syd Barrett 5033:from the original on 9 January 2016 4929:from the original on 25 August 2017 4821:"The Holy Church of Iggy the Inuit" 4346:from the original on 9 January 2016 4320:from the original on 9 January 2016 4059:from the original on 6 January 2012 3544: 3120: 2549: 2524: 2452:. Hal Leonard Corporation. p. 1438: 1155:1000 Albums to Hear Before You Die 722: 13: 6518:Albums with cover art by Mick Rock 6513:Albums with cover art by Hipgnosis 4213:Syd Barrett: A Very Irregular Head 4179:. Pinkfloydfan.net. Archived from 4135: 3547:Syd Barrett: A Very Irregular Head 3522:. Pinkfloydfan.net. Archived from 3451:from the original on 12 March 2013 3375: 3123:Syd Barrett: A Very Irregular Head 2568:from the original on 14 March 2010 660:album when they got involved with 464:led Barrett into EMI Studios (now 408:, an old friend of Barrett's from 14: 6554: 6219:The Bravery of Being Out of Range 6184:The Pros and Cons of Hitch Hiking 6001:The Pros and Cons of Hitch Hiking 5496: 5163: 4867:. Peter Houweling. Archived from 4841:. Julian Palacios. Archived from 4523:Burnett, Joseph (15 March 2020). 4123:from the original on 28 June 2012 4001:from the original on 10 June 2012 3861:The Encyclopedia of Popular Music 3719:The New Rolling Stone Album Guide 3395:from the original on 19 June 2012 3386: 2929:from the original on 22 June 2012 1941:"She Took a Long Cold Look at Me" 870: 863:The New Rolling Stone Album Guide 832: 760: 692:Release, reception, and aftermath 404:Around Christmas 1967, guitarist 6533:Albums produced by David Gilmour 6477: 6476: 6226:To Kill the Child/Leaving Beirut 6025:Is This the Life We Really Want? 5984: 5939: 5938: 5451: 5450: 5297:Octopus: The Best of Syd Barrett 5108:. Brain Damage. 12 August 2010. 5098: 5072: 5060:from the original on 7 June 2012 5045: 5019: 4993: 4941: 4916: 4910: 4857: 4831: 4813: 4787: 4768: 4747:Mejia, Paula (26 October 2017). 4740: 4713: 4693:Apter, Jeff (15 December 2009). 4686: 4668: 4654: 4634: 4165:– via robertchristgau.com. 3964: 3430:"Robert Waytt about Syd Barrett" 2504:Jim DeRogatis (1 January 2003). 2405: 2396: 2387: 2374: 1426: 1326: 1237:200 Greatest Albums of All Time 1113:The 500 Best Albums of All Time 889: 884: 879: 874: 869: 851: 846: 841: 836: 831: 779: 774: 769: 764: 759: 741: 736: 731: 726: 721: 371:National Jazz and Blues Festival 69:28 May 1968 – 5 August 1969 6538:Albums produced by Roger Waters 6049:The Dark Side of the Moon Redux 5210: 4890:Blake, Mark (21 January 2011). 4801:from the original on 2 May 2012 4616: 4598: 4580: 4562: 4544: 4516: 4490: 4472: 4444: 4421: 4393: 4375: 4358: 4332: 4306: 4288:"RoIO LP: He Whom Laughs First" 4280: 4260: 4169: 4109: 4045: 4039:The Making of The Madcap Laughs 3987: 3958: 3926: 3882: 3848: 3814: 3773: 3742: 3705: 3699:The Making of The Madcap Laughs 3675:The Making of The Madcap Laughs 3651:The Making of The Madcap Laughs 3609:The Making of The Madcap Laughs 3594:The Making of The Madcap Laughs 3564:. Cherry Red Books. p. iv. 3549:. Faber and Faber. p. 173. 3538: 3512: 3487: 3481:The Making of The Madcap Laughs 3436: 3422: 3416:The Making of The Madcap Laughs 3369:The Making of The Madcap Laughs 3333:The Making of The Madcap Laughs 3313:The Making of The Madcap Laughs 3273:The Making of The Madcap Laughs 3245:The Making of The Madcap Laughs 3196: 3190:The Making of The Madcap Laughs 3160:The Making of The Madcap Laughs 3145:The Making of The Madcap Laughs 3125:. Faber and Faber. p. 172. 3114: 3108:The Making of The Madcap Laughs 3068: 2973: 2967:The Making of The Madcap Laughs 2867:The Making of The Madcap Laughs 2840: 2365: 2356: 2347: 2338: 2329: 2320: 2311: 2302: 2293: 2284: 2275: 2266: 2257: 2244: 2235: 2204: 2189: 1818: 648:The Making of the Madcap Laughs 6391:The Dark Side of the Moon Live 5321:An Introduction to Syd Barrett 5171:No Good Trying (1993 Remaster) 4839:"The Mick Rock Photo Sessions" 4797:. Seedfloyd.fr. 27 June 2011. 4366:"Rocklist.net...Neil Strauss." 2556:Economist.com (20 July 2006). 2497: 2470: 2437: 2423: 2005: 1924:Take 3, recorded 11 April 1969 1901:Take 1, recorded 11 April 1969 1878:Take 5, recorded 11 April 1969 1830: 1625: 1602:Take 5, recorded 17 April 1969 1575:Take 1, recorded 5 August 1969 1450: 1421:An Introduction to Syd Barrett 1364:An Introduction to Syd Barrett 427:The Piper at the Gates of Dawn 321:, released in January 1970 on 1: 5432:Singing a Song in the Morning 4977:The Rough Guide to Pink Floyd 4749:"John Maus: Baroque and Roll" 4244:The Rough Guide to Pink Floyd 4093:The Rough Guide to Pink Floyd 3752:Spin Alternative Record Guide 3205:The Rough Guide to Pink Floyd 3052:The Rough Guide to Pink Floyd 2982:The Rough Guide to Pink Floyd 2889:The Rough Guide to Pink Floyd 2824:The Rough Guide to Pink Floyd 2771:The Rough Guide to Pink Floyd 2483:. Rough Guides. p. 231. 2480:The Rough Guide to Pink Floyd 2417: 2071:, 12-string acoustic guitar, 1947:Take 4, recorded 26 July 1969 1769:Take 5, recorded 26 July 1969 1746:Take 1, recorded 26 July 1969 1723:Take 5, recorded 26 July 1969 1700:Take 1, recorded 26 July 1969 913:Spin Alternative Record Guide 753:Encyclopedia of Popular Music 360: 4428:Dimery, Robert, ed. (2005). 3443:Bush, John (23 April 2012). 2794:Schaffner, Nicholas (2005). 2744:Schaffner, Nicholas (2005). 2719:Schaffner, Nicholas (2005). 2615:Schaffner, Nicholas (2005). 2590:(2005) . Philip Dodd (ed.). 2411:UK EMI Harvest 5099991755827 2183: 2037: 1970:Take 5, recorded 8 June 1968 1391:record one of a double album 1242: 1221: 1200: 1181: 1160: 1139: 1118: 1097: 1076: 1057: 1038: 1009: 995: 551:and vocals to "Late Night". 445: 7: 4894:. p. 1. Archived from 4451:Monroe, Jazz (8 May 2015). 4117:"SYD BARRETT | Artist" 2134:– producer (tracks 5, 9–11) 2099:– bass guitar (tracks 2, 3) 1717:"She Took a Long Cold Look" 1370: 1254:designates unordered lists. 10: 6559: 5631:Chicago – Change the World 3786:The Great Rock Discography 3755:(1st ed.). New York: 2444:Joe S. Harrington (2002). 2431:"Pink Floyd official site" 2075:(on "Octopus"), production 1340:says, "When I arrived for 1017: 1015: 1012: 1004: 1001: 998: 803:The Great Rock Discography 612:, all members of the band 263:Released: 14 November 1969 6472: 6414: 6373: 6343:The Wall – Live in Berlin 6334: 6302: 6175: 6156: 6129: 6095:The Wall – Live in Berlin 6086: 6059: 5992: 5934: 5895:Hookend Recording Studios 5840: 5728: 5707: 5661: 5594: 5567: 5504: 5446: 5391: 5331: 5272: 5245: 5218: 4775:Laughing Madcaps (2003). 4736:– via Google Books. 4709:– via Google Books. 3970:"Grade List: syd barrett" 2643:Palacios, Julian (2010). 2531:Palacios, Julian (1997). 2105:– keyboards (tracks 2, 3) 2015: 2012: 2009: 2004: 1927:Produced by Malcolm Jones 1904:Produced by Malcolm Jones 1881:Produced by Malcolm Jones 1840: 1837: 1834: 1829: 1635: 1632: 1629: 1624: 1605:Produced by Malcolm Jones 1551:Produced by Malcolm Jones 1528:Produced by Malcolm Jones 1505:Produced by Malcolm Jones 1482:Produced by Malcolm Jones 1460: 1457: 1454: 1449: 1382:The Dark Side of the Moon 1259: 709: 706: 271: 250: 239: 235: 226: 222: 214: 210: 180: 172: 138: 126: 110: 84: 73: 65: 50: 37: 28: 23: 5677:David Gilmour in Concert 5645:One of These Days (live) 5134:(booklet). Syd Barrett. 4155:. Ticknor & Fields. 3864:(5th concise ed.). 3830:(1st ed.). London: 2686:(booklet). Syd Barrett. 500:. After both Jenner and 307:from Gilmour's old band 54:2 January 1970 6442:The Bleeding Heart Band 6364:Roger Waters: Us + Them 6119:Roger Waters: Us + Them 5750:Brother Where You Bound 5670:David Gilmour Live 1984 4369:www.rocklistmusic.co.uk 4037:Jones, Malcolm (2003). 3697:Jones, Malcolm (2003). 3673:Jones, Malcolm (2003). 3649:Jones, Malcolm (2003). 3607:Jones, Malcolm (2003). 3592:Jones, Malcolm (2003). 3479:Jones, Malcolm (2003). 3414:Jones, Malcolm (2003). 3367:Jones, Malcolm (2003). 3331:Jones, Malcolm (2003). 3311:Jones, Malcolm (2003). 3271:Jones, Malcolm (2003). 3243:Jones, Malcolm (2003). 3188:Jones, Malcolm (2003). 3158:Jones, Malcolm (2003). 3143:Jones, Malcolm (2003). 3106:Jones, Malcolm (2003). 2965:Jones, Malcolm (2003). 2865:Jones, Malcolm (2003). 2558:"Syd Barrett, obituary" 2371:UK EMI Harvest SHVL 765 2353:UK EMI Harvest HAR 5009 2155:Jeff Jarratt – engineer 1973:Produced by Pete Jenner 311:and several members of 6543:Capitol Records albums 6523:Harvest Records albums 6357:Roger Waters: The Wall 6212:What God Wants, Part I 6111:Roger Waters: The Wall 5925:Two Weeks in September 5756:Count Three & Pray 5262:The Radio One Sessions 4975:Manning, Toby (2006). 4923:www.brain-damage.co.uk 4754:Red Bull Music Academy 4242:Manning, Toby (2006). 4091:Manning, Toby (2006). 3560:Parker, David (2001). 3494:Sanders, Rick (1976). 3203:Manning, Toby (2006). 3050:Manning, Toby (2006). 2980:Manning, Toby (2006). 2887:Manning, Toby (2006). 2822:Manning, Toby (2006). 2769:Manning, Toby (2006). 2152:Mike Sheady – engineer 1134:600 Essential Albums 1035: 563: 520:Malcolm Jones sessions 516: 422:Southampton University 395:Interstellar Overdrive 6318:Perfect Sense, Pt. II 6268:Comfortably Numb 2022 6041:The Lockdown Sessions 5790:No More Lonely Nights 5720:Rattle That Lock Tour 5313:Wouldn't You Miss Me? 5246:Radio sessions albums 5052:Unterberger, Richie. 4484:www.muzieklijstjes.nl 4387:www.muzieklijstjes.nl 4209:Chapman, Rob (2010). 3974:Tom Hull - on the Web 3892:(21 September 1990). 2477:Toby Manning (2006). 2158:Tony Clark – engineer 2125:– producer (track 13) 2093:– drums (tracks 2, 3) 2081:– drums (tracks 4, 6) 1997:2015 Japanese reissue 1872:"It's No Good Trying" 1029: 574:, and Willie Wilson, 557: 510: 451:Peter Jenner sessions 6381:K.A.O.S. On the Road 6311:Perfect Sense, Pt. I 5652:Run Like Hell (live) 4664:. 21 September 2012. 4650:. 22 September 2009. 3899:Entertainment Weekly 2847:Mason, Nick (2005). 2110:Production personnel 2087:– bass (tracks 4, 6) 2027:Take 1, instrumental 791:Entertainment Weekly 697:Professional ratings 6406:This Is Not a Drill 6350:In the Flesh – Live 6205:The Tide Is Turning 6103:In the Flesh – Live 6076:When the Wind Blows 6068:Music from The Body 5831:White City: A Novel 5824:The Unknown Soldier 5770:Flowers in the Dirt 5684:Remember That Night 5624:Arnold Layne (live) 5425:Beyond the Wildwood 5148:cite AV media notes 4119:. Official Charts. 3894:"The Madcap Laughs" 2700:cite AV media notes 1826: 1621: 1446: 1320:, and many others. 1032:Earl's Court Square 992: 698: 6528:EMI Records albums 6503:Syd Barrett albums 6233:Hello (I Love You) 5273:Compilation albums 5142:. 2010. p. 6. 4845:on 27 October 2009 4783:. Open publishing. 4726:. Hachette Books. 4504:. 16 February 2020 4409:. 23 November 2007 3498:. London: Futura. 2694:. 2010. p. 1. 1824: 1619: 1444: 1036: 991:chart performance 987: 977:Kensington Olympia 696: 564: 533:" and "Love You". 517: 513:Abbey Road Studios 466:Abbey Road Studios 245:The Madcap Laughs 6508:1970 debut albums 6490: 6489: 6463:The Madcap Laughs 6447:Carolyne Christie 6325:Each Small Candle 6240:We Shall Overcome 5952: 5951: 5911:The Madcap Laughs 5810:The Sensual World 5729:Guest appearances 5715:On an Island Tour 5464: 5463: 5332:Songs and singles 5227:The Madcap Laughs 5132:The Madcap Laughs 4699:. Omnibus Press. 4682:. 19 August 2014. 4342:. Echoeshub.com. 4316:. Echoeshub.com. 4228:978-0-571-23855-2 4143:Christgau, Robert 3875:978-0-85712-595-8 3841:978-0-7876-1037-1 3832:Visible Ink Press 3800:978-0-86241-827-4 2684:The Madcap Laughs 2654:978-0-85965-431-9 2601:978-0-7538-1906-7 2517:978-0-634-05548-5 2490:978-1-84353-575-1 2463:978-0-634-02861-8 2218:The Madcap Laughs 2034: 2033: 1993: 1992: 1815: 1814: 1615: 1614: 1401:The Madcap Laughs 1387:The Madcap Laughs 1342:The Madcap Laughs 1290:Cosey Fanni Tutti 1274:Genesis P-Orridge 1266:The Madcap Laughs 1255: 1247: 1246: 1022: 1021: 989:The Madcap Laughs 983:Chart performance 962:The Madcap Laughs 940:The Madcap Laughs 932: 931: 662:The Madcap Laughs 560:Fender Telecaster 470:The Madcap Laughs 333:The Madcap Laughs 331:(which contained 319:The Madcap Laughs 279:The Madcap Laughs 275: 274: 206: 205: 189:The Madcap Laughs 24:The Madcap Laughs 6550: 6480: 6479: 6415:Related articles 6261:The Last Refugee 5979: 5972: 5965: 5956: 5955: 5942: 5941: 5841:Related articles 5557:Luck and Strange 5549:Rattle That Lock 5537:Metallic Spheres 5491: 5484: 5477: 5468: 5467: 5454: 5453: 5392:Related articles 5254:The Peel Session 5205: 5198: 5191: 5182: 5181: 5172: 5158: 5157: 5151: 5143: 5128: 5122: 5121: 5119: 5117: 5102: 5096: 5095: 5093: 5091: 5076: 5070: 5069: 5067: 5065: 5049: 5043: 5042: 5040: 5038: 5023: 5017: 5016: 5014: 5012: 4997: 4991: 4990: 4972: 4966: 4965: 4963: 4961: 4948:Thompson, Dave. 4945: 4939: 4938: 4936: 4934: 4914: 4908: 4907: 4905: 4903: 4898:on 10 March 2012 4887: 4881: 4880: 4878: 4876: 4871:on 8 August 2007 4861: 4855: 4854: 4852: 4850: 4835: 4829: 4828: 4817: 4811: 4810: 4808: 4806: 4791: 4785: 4784: 4772: 4766: 4765: 4763: 4761: 4744: 4738: 4737: 4717: 4711: 4710: 4690: 4684: 4683: 4672: 4666: 4665: 4658: 4652: 4651: 4638: 4632: 4631: 4620: 4614: 4613: 4602: 4596: 4595: 4584: 4578: 4577: 4566: 4560: 4559: 4548: 4542: 4541: 4539: 4537: 4520: 4514: 4513: 4511: 4509: 4494: 4488: 4487: 4476: 4470: 4469: 4467: 4465: 4448: 4442: 4441: 4425: 4419: 4418: 4416: 4414: 4397: 4391: 4390: 4379: 4373: 4372: 4362: 4356: 4355: 4353: 4351: 4336: 4330: 4329: 4327: 4325: 4310: 4304: 4303: 4301: 4299: 4284: 4278: 4277: 4264: 4258: 4257: 4239: 4233: 4232: 4216: 4206: 4193: 4192: 4190: 4188: 4173: 4167: 4166: 4139: 4133: 4132: 4130: 4128: 4113: 4107: 4106: 4088: 4069: 4068: 4066: 4064: 4049: 4043: 4042: 4034: 4011: 4010: 4008: 4006: 3991: 3985: 3984: 3982: 3980: 3962: 3956: 3955: 3953: 3951: 3934:Claudio Fabretti 3930: 3924: 3923: 3908: 3906: 3886: 3880: 3879: 3852: 3846: 3845: 3818: 3812: 3811: 3809: 3807: 3789:(1st ed.). 3781:Martin C. 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5727: 5721: 5718: 5716: 5713: 5712: 5710: 5708:Concert tours 5706: 5700: 5699: 5695: 5693: 5692: 5688: 5686: 5685: 5681: 5679: 5678: 5674: 5672: 5671: 5667: 5666: 5664: 5660: 5653: 5649: 5646: 5642: 5639: 5635: 5632: 5628: 5625: 5621: 5618: 5614: 5611: 5607: 5604: 5600: 5599: 5597: 5593: 5586: 5585: 5581: 5578: 5577: 5573: 5572: 5570: 5566: 5559: 5558: 5554: 5551: 5550: 5546: 5543: 5539: 5538: 5534: 5531: 5530: 5526: 5523: 5522: 5518: 5515: 5514: 5513:David Gilmour 5510: 5509: 5507: 5505:Studio albums 5503: 5499: 5498:David Gilmour 5492: 5487: 5485: 5480: 5478: 5473: 5472: 5469: 5457: 5449: 5448: 5445: 5439: 5436: 5433: 5429: 5427: 5426: 5422: 5420: 5417: 5415: 5412: 5410: 5407: 5405: 5402: 5400: 5397: 5396: 5394: 5390: 5383: 5379: 5376: 5372: 5369: 5365: 5362: 5358: 5355: 5351: 5348: 5344: 5341: 5340:Baby Lemonade 5337: 5336: 5334: 5330: 5323: 5322: 5318: 5315: 5314: 5310: 5307: 5306: 5305:Crazy Diamond 5302: 5299: 5298: 5294: 5291: 5290: 5286: 5283: 5282: 5278: 5277: 5275: 5271: 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2172:Aubrey Powell 2169: 2166: 2164:– photography 2163: 2160: 2157: 2154: 2151: 2148: 2145: 2143: 2139: 2138:Phil McDonald 2136: 2133: 2130: 2127: 2124: 2121: 2118: 2115: 2114: 2112: 2111: 2104: 2103:Mike Ratledge 2101: 2098: 2095: 2092: 2089: 2086: 2085:Willie Wilson 2083: 2080: 2079:Jerry Shirley 2077: 2074: 2070: 2066: 2065:David Gilmour 2063: 2061: 2057: 2053: 2049: 2045: 2042: 2041: 2029: 2026: 2023: 2019: 2003: 1988: 1985:Total length: 1982: 1978: 1972: 1969: 1968: 1966: 1964:"Golden Hair" 1963: 1959: 1955: 1949: 1946: 1945: 1943: 1940: 1936: 1932: 1926: 1923: 1922: 1920: 1917: 1913: 1909: 1903: 1900: 1899: 1897: 1894: 1890: 1886: 1880: 1877: 1876: 1874: 1871: 1867: 1863: 1857: 1854: 1853: 1851: 1848: 1844: 1828: 1810: 1807:Total length: 1804: 1800: 1794: 1791: 1790: 1788: 1785: 1781: 1777: 1771: 1768: 1767: 1765: 1762: 1758: 1754: 1748: 1745: 1744: 1742: 1739: 1735: 1731: 1725: 1722: 1721: 1719: 1716: 1712: 1708: 1702: 1699: 1698: 1696: 1693: 1689: 1685: 1679: 1676: 1675: 1673: 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Boxtree. 2228:reissue of 2216:reissue of 2097:Hugh Hopper 2069:bass guitar 2044:Syd Barrett 1694:"Long Gone" 1433:James Joyce 1375:As part of 1270:David Bowie 826:Music Story 626:Kevin Ayers 606:Hugh Hopper 576:Jokers Wild 527:Earls Court 457:Andrew King 345:(1970) and 328:Syd Barrett 309:Jokers Wild 284:Syd Barrett 174:Syd Barrett 147:Syd Barrett 44:Syd Barrett 6497:Categories 6437:Pink Floyd 5900:Roy Harper 5853:Pink Floyd 5521:About Face 5414:Pink Floyd 5354:Dark Globe 3822:Gary Graff 2418:References 2149:– engineer 2060:production 2024:"Rhamadan" 1918:"Love You" 1895:"Love You" 1567:Dark Globe 1519:"Love You" 1306:King Buzzo 1302:Pete Astor 682:Dark Globe 666:Pink Floyd 572:Humble Pie 461:Nick Mason 418:Nick Mason 383:Formentera 367:Pink Floyd 361:Background 288:Pink Floyd 176:chronology 58:1970-01-02 5404:Song list 5368:Milky Way 5361:Here I Go 5090:29 August 4902:14 August 4781:HYGIY #18 4438:27874280M 4350:3 October 4324:3 October 4298:3 October 3966:Hull, Tom 2184:Footnotes 2176:Hipgnosis 2162:Mick Rock 2147:Peter Mew 2038:Personnel 1849:"Octopus" 1594:Here I Go 1359:Hipgnosis 1338:Mick Rock 1318:John Maus 1052:Accolade 1039:Accolades 1034:in London 1005:Position 686:Ummagumma 657:Ummagumma 583:Here I Go 494:prog rock 486:Cambridge 446:Recording 410:Cambridge 98:folk rock 6482:Category 5944:Category 5863:Deep End 5456:Category 5382:Terrapin 5110:Archived 5084:Archived 5064:1 August 5058:Archived 5037:9 August 5031:Archived 5011:9 August 5005:Archived 4954:Archived 4933:25 April 4927:Archived 4799:Archived 4760:14 April 4680:Double J 4536:14 April 4508:14 April 4464:14 April 4413:14 April 4344:Archived 4318:Archived 4292:Archived 4187:2 August 4145:(1981). 4121:Archived 4063:9 August 4057:Archived 3999:Archived 3943:OndaRock 3905:14 April 3858:(2011). 3806:14 April 3783:(1998). 3734:14 April 3721:. 2004. 3530:1 August 3449:Archived 3393:Archived 3086:Archived 2933:1 August 2927:Archived 2572:2 August 2566:Archived 2142:engineer 2048:acoustic 1620:Side two 1471:Terrapin 1445:Side one 1371:Reissues 1347:Terrapin 1167:Tom Moon 1110:Germany 1049:Country 924:Tom Hull 901:OndaRock 716:AllMusic 539:overdubs 531:Terrapin 387:Sam Hutt 140:Producer 80:, London 66:Recorded 51:Released 41: by 6293:Breathe 6254:Déjà Vu 6176:Singles 5918:Barrett 5889:Astoria 5873:The Law 5595:Singles 5542:the Orb 5375:Octopus 5235:Barrett 5176:YouTube 5136:Harvest 4960:31 July 4805:22 July 4502:Far Out 4127:30 July 3918:Barrett 3455:11 July 3399:31 July 3081:Discogs 2688:Harvest 1646:Octopus 1405:Barrett 1396:Barrett 1126:Blow Up 1046:Source 952:critic 944:Harvest 936:Octopus 678:Octopus 598:colitis 498:Harvest 496:label, 474:Octopus 343:Barrett 338:Barrett 323:Harvest 258:Octopus 241:Singles 218:reissue 202:(1970) 198:Barrett 193:(1970) 133:Harvest 56: ( 6168:(2002) 6149:(2017) 6141:(2005) 6138:Ça Ira 6130:Operas 6122:(2020) 6114:(2015) 6106:(2000) 6098:(1990) 6079:(1986) 6071:(1970) 6052:(2023) 6044:(2022) 6036:(2018) 6028:(2017) 6020:(1992) 6012:(1987) 6004:(1984) 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