679:(1964). McGown, who suggests that Bondson's role was minimised to avoid legal troubles, regrets that the character amounts to little more than a "cameo joke", pointing out that he does not work alongside Penelope or even meet her face to face. Praising the "playful humour", McGown states that while the episode's foray into spy thriller territory it an unusual story, the change of tone "hardly matters" as the episode is "such great fun". However, he argues that Penelope's apparent lack of an escape plan makes little sense.
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341:, Penelope anonymously contacts Bondson to arrange a meeting. Following him to a forest clearing, and pressing a gun to his back so that he cannot see her face, she probes him for information. Bondson, who considers International Rescue ideally placed to help due to its advanced technology, explains that the papers are plans for a nuclear device that could threaten the safety of the world.
698:"The Man from MI.5" has received praise for its incidental music, which Fox considers to be of the "suave and slinky Sixties spy" variety. A BBC review of the series soundtrack characterises the episode's music as "the spy theme James Bond never had – an urbane jazz fantasia, perfect for a mannequin about town". Making a similar connection to Bond, Hearn argues that the music is "more
463:, incapacitating Carl and his cronies. As the police patrol passes the boathouse without incident, Scott frees Penelope while Gordon retrieves the papers. After Penelope leaves the papers in the clearing for Bondson to collect, Parker reveals that he got carried away in Monte Carlo and gambled away her yacht.
354:, Penelope decides to use herself as bait to draw out the enemy. Posing as a model called Gayle Williams, she has a newspaper print an article about her determination to expose the criminal organisation behind Blacker's murder. She then gives Parker the night off. After the butler goes ashore to hit the
382:
of the situation. Before she can give details, Carl impatiently knocks the compact to the floor, ties
Penelope to a chair, arms the bomb and departs, but with great effort Penelope manages to tip the chair over and verbally relay Carl's plan into the compact's microphone. Jeff immediately dispatches
620:
magazine writes that in
Bondson and other aspects, "The Man from MI.5" is "as obvious in its attempts at homage as it is clunky". However, he adds that it contains "a few enjoyable little moments amongst the strained stereotypes". Sylvia Anderson found the episode dated by the scenes featuring the
325:
agent
Bondson and his associate Tidman prepare to rendezvous with Captain Blacker aboard his yacht to take possession of some mysterious papers. They are unaware these have been stolen by a diver, Carl, who has shot Blacker dead and planted a bomb on the yacht's hull. As Carl swims away, the bomb
690:
recurrent throughout the series. Hearn writes that the episode is among several in which the world comes "perilously close" to nuclear disaster, also stating that this presentation of nuclear issues "betrays the era of its production". According to Cull, both "The Man from MI.5" and other APF
655:, in which Bond tracks down a pair of atomic bombs stolen from a sunken military aircraft, McGown suggests that the episode's underwater action may have been influenced by the plot of the film. He also believes that the dark-haired Bondson was deliberately modelled on Bond actor
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videophone. Mike Jones questions
Bondson's presence on the French Riviera given that MI5's role is domestic counterespionage rather than foreign intelligence. Marcus Hearn and Alistair McGown believe the episode's title to be a play on
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and abducts
Penelope to an empty boathouse. He tells her that he is going to trap her on the boat with another bomb, to be detonated remotely from his gang's hideout: a submarine, parked on the seabed to avoid detection by the
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productions show how "nuclear weapons and wider nuclear fears in general are much part of the world of Gerry
Anderson." He adds that through Bondson, "The Man from MI.5" is one of a number that "unashamedly capitalised on the
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follows the missions of
International Rescue, a secret organisation that uses technologically-advanced rescue vehicles to save human life. The lead characters are ex-astronaut
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Carl's shooting of
Blacker involved a human hand, placed next to the camera, firing a prop gun at a puppet stationed at the back of the set. This was one of several scenes in
371:. He will detonate just as a patrol is due to pass the boathouse, distracting the authorities while the gang start the submarine and get away with the papers.
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is assigned to help
British secret agent Bondson recover stolen plans for a nuclear device. Commentators view the episode as a homage to the
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1094:(August 2006). "Was Captain Black Really Red? The TV Science Fiction of Gerry Anderson in its Cold War Context".
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episode "Star of the East". The prop newspaper from which Carl learns about "Gayle
Williams" was a mock-up of
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casinos, Carl, who has read about "Williams" in the news and intends to kill her, takes a boat out to
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explodes and sinks the yacht. Diving down to the wreck, Bondson finds only Blacker's body.
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as the 17th episode of Series One. It is the 20th episode in the official running order.
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producers ever objected to the episode, whereas they threatened the makers of the
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cult of the secret agent whose skills defend the home from enemies unknown."
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The episode had its first UK-wide network broadcast on 24 January 1992 on
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When Bondson radios International Rescue for help recovering the papers,
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Hearn regards "The Man from MI.5" as an entertaining episode as well as
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to rescue Penelope and stop the gang. Arriving at the scene, Scott uses
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Rogers, Dave; Marriott, John; Drake, Chris; Bassett, Graeme (1993).
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On the pretence of re-applying her makeup, Penelope activates her
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argue that "The Man from MI.5" exemplifies a preoccupation with
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829:(4th ed.). London, UK: Reynolds & Hearn. p. 106.
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265:. In "The Man from MI.5", International Rescue field operative
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527:"The Man from MI.5" was filmed in late 1965. Series composer
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to realistically present live hands and the series' scale (
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The Complete Gerry Anderson: The Authorised Episode Guide
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Fox, Tom (August 2004). Payne, Andrew (ed.). "TV View".
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McGown, Alistair (September 2015). Hearn, Marcus (ed.).
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Brown, Stephen; Jones, Mike (2018). Jones, Mike (ed.).
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Giving the episode three out of five stars, Tom Fox of
378:'s concealed videophone and uses sign language to warn
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to the case. After flying to the south of France with
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Thunderbirds – A Complete Guide to the Classic Series
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669:films with legal action when elements of the
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979:. Cambridge, UK: Signum Books. p. 131.
977:Captain Scarlet and the Mysterons: The Vault
975:Bentley, Chris (2017). Hearn, Marcus (ed.).
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449:s pod, from which Gordon launches
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1879:Television episodes set in France
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732:The Complete Book of Thunderbirds
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1475:Move — and You're Dead
1155:Original Soundtrack Review"
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1192:Thunderbirds: The Vault
1149:Reavley, Morag (2003).
1078:Hearn 2015, p. 84.
1018:Hearn 2015, p. 82.
946:Bentley, Chris (2001).
890:. Tunbridge Wells, UK:
629:The Man from U.N.C.L.E.
590:subjective camera angle
531:recorded the episode's
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301:Thunderbirds: The Comic
139:as Bondson & Ritter
1647:Give or Take a Million
1626:Alias Mr. Hackenbacker
1573:The Duchess Assignment
1496:The Perils of Penelope
1366:Vehicles and locations
1190:Hearn, Marcus (2015).
805:Thunderbirds: Close-Up
544:The Duchess Assignment
344:From aboard her yacht
117:Guest character voices
1633:Lord Parker's 'Oliday
1538:30 Minutes After Noon
647:30 Minutes After Noon
413:and David Graham) in
1566:Danger at Ocean Deep
1468:Operation Crash-Dive
803:Jones, Mike (2015).
785:on 30 December 2012.
645:series, surpassing "
145:as Carl & Tidman
1717:Thunderbirds Are Go
1678:Thunderbirds Are Go
1619:Path of Destruction
1236:"The Man from MI.5"
282:the title character
209:" is an episode of
1790:Thunderbirds / 3AM
1531:Desperate Intruder
1419:Trapped in the Sky
1039:Visual Imagination
594:forced perspective
467:Regular voice cast
280:'s performance as
250:Set in the 2060s,
158:Episode chronology
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1710:Thunderbirds 2086
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1489:Brink of Disaster
1228:Television portal
1205:978-0-753-55635-1
1092:Cull, Nicholas J.
1034:Starburst Special
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901:978-1-84653-212-2
865:978-1-85283-900-0
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778:978-1-85685-011-7
745:978-1-84442-454-2
233:ITC Entertainment
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102:Original air date
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1096:Media History
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1426:Pit of Peril
1393:Tracy Island
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1374:Thunderbirds
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1277:Thunderbirds
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1196:Virgin Books
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1169:. Retrieved
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1153:Thunderbirds
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1099:
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508:Virgil Tracy
495:Gordon Tracy
491:David Graham
461:knockout gas
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389:Shane Rimmer
380:Tracy Island
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369:water police
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245:ATV Midlands
237:Alan Fennell
215:, a British
212:Thunderbirds
210:
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143:David Graham
128:
72:Alan Fennell
35:Thunderbirds
33:
25:
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1811:Fab (brand)
1775:Merchandise
1741:Video games
1184:Works cited
1106:: 198–199.
768:Yes, M'Lady
652:Thunderball
578:France-Soir
517:Scott Tracy
452:Thunderbird
440:Thunderbird
425:Thunderbird
416:Thunderbird
394:Thunderbird
387:(voiced by
356:Monte Carlo
261:Thunderbird
137:Ray Barrett
58:Directed by
1858:Categories
1285:Characters
1171:26 October
1160:BBC Online
931:26 October
710:References
704:John Barry
682:Hearn and
529:Barry Gray
523:Production
486:Jeff Tracy
331:Jeff Tracy
293:Jon Haward
272:James Bond
256:Jeff Tracy
241:David Lane
231:(APF) for
109:1966-01-20
86:Editing by
68:Written by
62:David Lane
53:Episode 20
1440:Sun Probe
1136:142878042
1128:364457089
1120:1368-8804
1104:Routledge
1047:0958-7128
1006:Fanderson
892:Panini UK
809:Fanderson
617:Starburst
610:Reception
540:Mike Trim
130:Fireflash
1842:Category
1804:See also
1640:Ricochet
1604:Series 2
1559:Cry Wolf
1411:Series 1
1403:Episodes
1376:machines
1357:The Hood
1165:Archived
925:Archived
765:(1991).
693:Cold War
666:Carry On
572:Stingray
333:assigns
297:Fleetway
263:machines
229:AP Films
186:Cry Wolf
169:Previous
50:Series 1
43:Episode
1325:Grandma
856:Boxtree
623:compact
601:⁄
376:compact
317:On the
182: →
167:←
133:Hostess
107: (
38:episode
1760:(2004)
1752:(2000)
1387:Zero-X
1352:Parker
1342:Kyrano
1332:Brains
1315:Gordon
1305:Virgil
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499:Parker
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403:Virgil
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339:Parker
1768:Other
1381:FAB 1
1300:Scott
1132:S2CID
1102:(2).
702:than
639:'
567:'
447:'
436:sonar
432:'
391:) in
385:Scott
274:films
221:Gerry
1320:John
1310:Alan
1295:Jeff
1240:IMDb
1200:ISBN
1173:2021
1124:OCLC
1116:ISSN
1043:ISSN
981:ISBN
956:ISBN
933:2021
896:ISBN
860:ISBN
831:ISBN
773:ISBN
740:ISBN
671:Bond
661:Bond
643:Bond
592:and
552:and
497:and
405:and
401:and
313:Plot
289:BBC2
223:and
180:Next
1238:at
1108:doi
706:".
560:FAB
515:as
506:as
493:as
484:as
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360:FAB
347:FAB
323:MI5
299:'s
127:as
45:no.
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