894:, and echoes of his distinctive, disjointed, avant-blues music can be heard in their songs, especially their early output. "Boon's kind of noise was all treble, and punishingly loud. He played very few chords, sticking to scratchy, aggressive picking and a constant weirdo barrage of notes, and essentially skipped distortion entirely. Watt's answer was complex, mashing together skronky funk with thunderous chords and countermelodies. Hurley attacked his toms and lurched from rhythm to rhythm. They were always separate, but always together." "he Minutemen... the music into brief bonsai songs packed with complex sound and lyrics. Any given Minutemen song is bursting at the seams with riffs and words all arranged in tight, precise patterns. There is a rigid, implosive order, as though the Minutemen are trying to develop a microchip music in which each song is freighted with more and more information in an ever diminishing space."
294:, when Boon, playing a game of "army" with other boys, fell out of a tree right next to him and found that his friends, one named Eskimo, must have ditched him. Both boys shared a passion for music; Boon's mother taught D. to play the guitar and suggested Watt learn to play bass. At first, Watt did not know the difference between bass and standard guitars. The pair eventually started playing music together, mostly covering songs from artists they admired. In the summer of 1973 Watt and Boon formed the Bright Orange Band, with Boon's brother Joe on drums. In 1976 they discovered punk; Boon's mother died, and the Bright Orange Band disbanded shortly thereafter. The next year, the two joined a short-lived band called Starstruck. Following Starstruck's disbandment, Boon and Watt met drummer
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887:" to Gang of Four. In a 1984 Trouser Press article, John Leland wrote, "he Minutemen make anti-fusion music. They use particles of jazz, noise and especially funk to split apart the sluggish nucleus of rock. The songs are necessarily fragmented, but quality musicianship creates an overall unity. The band rearranges fragments so adroitly and thoughtfully that even 30-second songs are fully satisfying compositions."
806:'s parts; instead the songs are arranged for bass and drums. They insist that they not be billed as Minutemen for these shows or referred to as a Minutemen reunion, as they do not want to cheapen or "vampire" the Minutemen name. Instead, they insist on being billed under their real names and that the advertisements state that they will be "playing Minutemen songs as a duet." They were chosen by
1026:, playing Minutemen songs as a duo with no guitarist. At some of these gigs, Watt would set up one of Boon's old guitars and amps on the side of the stage where Boon used to stand. These performances, at Watt's insistence, are to be billed strictly as "George Hurley and Mike Watt". They are also now involved in an improvisational music group,
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Boon and Watt split songwriting fairly evenly (and Hurley made many contributions as well), though Watt rarely sang and Hurley even less so. Boon's songs were typically more direct and progressively political in nature, while Watt's were often abstract, self-referential "spiels". Lyrics and themes
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for inexpensive, short for "economical") as possible—the group would book studio time after midnight at cut rates, tech their own shows, practice the songs before going into the studio, record on less-expensive used tape, and record the songs in the order they intended to have them on the record
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Minutemen's legacy is ethical as much as it is musical, for a couple of reasons. On one hand, the idea behind jamming econo remains a foundational tenet of DIY. On the other, no band could hope to sound like
Minutemen. You just have to accept that they were a one-off: a bassist who couldn't sit
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on drums. The group had originally wanted George Hurley to join, but he had joined a hardcore punk band called Hey Taxi! with
Michael Ely and Spider Taylor after the Reactionaries disbanded. Tonche quit the group, citing a dislike of the audience the band initially drew, and Hurley took over as
1250:. The CD version included 33 tracks by artists covering Minutemen songs, plus a track with a Boon interview and a live version of the Minutemen song "Badges". The LP version had 23 tracks, including the interview and Minutemen items. Tribute songs have been written by several acts, including
532:(1983), gained attention from the alternative and underground press. They continued touring extensively, which included a double bill with Black Flag in Europe. This tour strengthened their place as one of the most well-known acts in the hardcore scene. In 1983, they released their third LP,
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On rare occasions since 2001, and usually in the Los
Angeles area (two December 2004 performances in England being a notable exception), George Hurley and Mike Watt, who have remained friends since Firehose's disbanding in 1994, reunite to play a set list of all Minutemen songs as a duet.
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Through most of their career they ignored standard verse-chorus-verse song structures in favor of experimenting with musical dynamics, rhythm, and noise. Later in their career they blended in more traditional song elements they had initially avoided. They also played
859:, and nearly all of their early songs had unusual structures and were less than a minute long—even later, when Minutemen's music became slightly more conventional, their songs rarely passed the three-minute mark. Though Minutemen were members of the
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rather than waste time editing the master tape during the sequencing phase. In fact, contrary to standard practice even in indie rock, Minutemen sometimes saw records as a way to promote their tours, not the other way around.
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After the
Reactionaries disbanded, Boon and Watt formed Minutemen in January 1980. Watt has said their name had nothing at all to do with the brevity of their songs; rather, it was derived partly from the fabled
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still, a drummer who wouldn't sit still, and a guitarist with a tone designed to slice clean through the front two rows. J. Mascis once said they were the most punishing live band he ever saw.
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in the
Minutemen's hometown of San Pedro in February 2005. The film was released on DVD in June 2006. In the spring of 2007 the documentary went into a heavy rotation cycle on various
934:". While many contemporaries rarely displayed a sense of humor, Minutemen were generally more light-hearted and whimsical. One example of this can be found in the title of their album
507:(1980), which solidified their eclectic style. Like most punk bands at the time, the band sold the EP at their shows and at a few local record stores. It became a minor hit within the
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Minutemen toured frequently, but usually for only a few weeks at a time—they all held down day jobs. Their "econo" practices helped ensure that their tours were generally profitable.
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community and were somewhat influenced by the speed, brevity, and intensity of hardcore punk, they were known for hybridizing punk rock and hardcore with various forms of music (like
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365:), meaning very small. After a month with no drummer, during which Boon and Watt wrote their first songs, the band rehearsed and played a couple of early gigs with local welder
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due largely to the negative reaction to such a commercial album from within the underground community. They continued touring, and by the time of their final album,
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Joe Baiza, D. Boon, Jack Brewer, Chuck
Dukowski, George Hurley & Mike Watt (composers), The Unknown instructors (artist), "Punk Is Whatever We Make It To Be",
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community for a philosophy of "jamming econo"—a sense of thriftiness reflected in their touring and short, tight songs, and for their eclectic style, drawing on
768:. Hurley and Watt have also continued to make music together both live and in the studio since Firehose's splitting in 1994, starting with a track, along with
1199:. On the final track from the same album titled "Thanx", all three Minutemen are mentioned. Watt repaid this salute by appearing in Sublime's video for "
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Watt has dedicated all of
Firehose's releases and his solo albums to the memory of Boon. "Disciples of the 3-Way" on Firehose's final studio album
1203:" in 1996. Sublime also sampled George Hurley's drum intro from "It's Expected I'm Gone" for their "Get Out! (remix)" on their posthumous release
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in 2003. He founded his own label, Clenchedwrench, in 2011, to release many of his own projects, including his fourth solo album
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to use the Boon instrumental "Love Dance" in a car ad. Boon's royalties were paid to his father, who was suffering from
626:. A year later, however, Watt and Hurley compiled various live recordings, based on the ballots, which were released as
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Following Boon's death, Watt and Hurley originally intended to quit music altogether. But encouraged by
Minutemen fan
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had sent Watt lyrics for ten songs for an album on which he was going to collaborate. This project, eventually titled
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Since 2001 Watt and Hurley have done occasional gigs, mainly in the L.A. area except for two
December 2004 shows in
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before Boon's death in an automobile accident in 1985; the band broke up shortly thereafter. They were noted in the
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imagined "as a sort of punk rock musical following the adventures of Didi and
Michael—named after the Minutemen's
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Boon's death put an end to the band's plans to record a half studio/half live triple album with the working title
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946:" by implying that the Minutemen preferred to take risks with their music rather than behind the wheel of a car.
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520:(1981), and toured constantly around America promoting the album. Their third EP and fourth overall release was
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On December 22, 1985, Boon was killed in a van accident, putting an end to Minutemen. Watt fell into a deep
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has been cited as one of the more innovative and enduring albums of the 1980s American rock underground. On
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also died prematurely) sampled Boon saying "Punk rock changed our lives" on "History Lesson Part II" from
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2136:"Mike Watt On… Brother Mike Shares Words of Wisdom About Punk, The Minutemen, The Stooges and much more…"
1983:
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drummer in June 1980. (Early rehearsal recordings with Tonche on drums later became the
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2002:
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Our Band Could Be Your Life : Scenes from the American Indie Underground 1981-1991
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called Minutemen "one of the finest combos to ever step on to a beer soaked stage".
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Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991
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Our Band Could Be Your Life: Scenes From the American Indie Underground 1981–1991
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Watt has created four acclaimed solo albums, recorded four with now-former-wife
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2701:"Various - Our Band Could Be Your Life - A Tribute To D Boon And The Minutemen"
2412:"Joe Stummer: The word on punk past and present from the former Clash frontman"
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charts the band's history through interviews with Watt, Hurley, Henry Rollins,
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In 2000 Watt, as administrator of the band's publishing, allowed the automaker
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that had been used in all of Minutemen's album artwork. The book, released by
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Wrote Propaganda Songs" and "One Reporter's Opinion", to the frustrations of
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In 1994, Little Brother Records released the Minutemen tribute CD and LP
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They refuse to have a substitute guitarist play late Minutemen guitarist
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1165:(which parallels the stories of Minutemen, Watt's father, and the novel
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2053:"All Tomorrow's Parties - Minutemen Duet (Mike Watt and George Hurley)"
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587:, they decided to take a small break. They played their last tour with
577:. Though the album sounded more mainstream, it sold poorly compared to
522:
418: in this section. Unsourced material may be challenged and removed.
372:
162:
66:
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is about Minutemen, and "The Boilerman" from Watt's second solo album
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in 1986 and have both formed solo projects since Minutemen disbanded.
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after his friend's death, but was convinced to continue performing by
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In the early 2000s, the instrumental portions of the Minutemen song "
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met at age 13. Watt was walking through a park in their hometown of
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project was conceived in an effort to get Watt making music again.
571:. In 1985, they released their most commercial-sounding recording,
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eclecticism was perhaps best exemplified on the 1984 double album,
85:
3110:
Our Band Could Be Your Life: A Tribute to D Boon and the Minutemen
2820:(Watt-approved fan page featuring rare and out-of-print downloads)
3972:
Rise Above: 24 Black Flag Songs to Benefit the West Memphis Three
2872:
2814:(contains Minutemen information as well as Watt's other projects)
2757:
2673:
Nels Cline, interview segment from the bonus features of the DVD
1952:
1790:"Black Flag, Husker Du and the Replacements Lead Punk's New Wave"
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track "Punk Is Whatever We Make It To Be" from their first album
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A Tribure to "We Jam Econo" – an original moment in time, man!
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listed Minutemen as one of the ultimate punk bands along with
48:
Minutemen posing in 1982; left to right: Watt, Boon and Hurley
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minimalists". They were influenced heavily by bands such as
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2235:"The Genius Of… What Makes a Man Start Fires? by Minutemen"
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266:
262:
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Mike Watt, interviewed by Jay Babcock (August 23, 2000).
1987:(First Back Bay paperback ed.). Boston. p. 94.
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999:
559:, they co-wrote some songs with other musicians, notably
551:. Though still somewhat obscure to mainstream audiences,
328:, Watt also states that the name was a play on "minute" (
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Several Minutemen album sleeves and covers, such as the
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as part of their song "Waiting For My Ruca" from 1992's
732:
and "In the Kingdom No. 19" and "Bubblegum" off
514:
They settled on their music style on their first LP,
376:
EP.) Their first live gig was as an opening band for
358:
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of colonial times and partly to lampoon a right-wing
349:
340:
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1893:
1408:The group's early recordings (up until their 1985
1087:In 2003 Watt released his own book on Minutemen,
985:According to Huw Baines, writing for guitar.com:
922:would thus often veer from surreal humor, as in "
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2779:(4th ed.). Collier Books. pp. 431–432.
2185:. Vol. 11, no. 2. New York. p. 12
2129:
2127:
1334:. Their song, "It's a Game", is about the band.
3979:Gimmie Gimmie Gimmie: Reinterpreting Black Flag
2520:"Spiels d'un minuteman / Spiels of a minuteman"
2461:
2162:Totally Wired Postpunk Interviews and Overviews
2357:
793:
3457:
3154:
2845:
2770:
2726:Simon, Paul; Rogers, Jude (August 17, 2009).
2337:'Enthal, Andrea (April 1986). "Underground".
2228:
2226:
2124:
1681:– full-length Minutemen documentary from 2005
1041:The group's career is chronicled in the book
756:. George Hurley has produced work with Vida,
746:in 2000 and 2001, and became the bassist for
2728:"The hidden gems that have pop stars hooked"
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2045:
1860:
1858:
1055:. The title is taken from the lyrics to the
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2455:
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1809:
1376:. Unsourced material may be challenged and
954:Many of the band's peers credit Minutemen.
249:, Minutemen recorded four albums and eight
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2133:
2104:Allen, Mike (January 8 – March 26, 2011).
2007:: CS1 maint: location missing publisher (
1920:
1838:
1832:
818:festival that he curated in March 2012 in
237:, in 1980. Composed of guitarist/vocalist
2498:"Minutemen Remembered In New Documentary"
2042:
1855:
1757:
1755:
1753:
1751:
1749:
1747:
1396:Learn how and when to remove this message
790:below for further Hurley/Watt projects.)
478:Learn how and when to remove this message
2972:Buzz or Howl Under the Influence of Heat
2675:We Jam Econo: The Story of the Minutemen
2409:
2159:
1787:
1562:Buzz or Howl Under the Influence of Heat
1145:to discuss the legacy of the Minutemen.
1051:rock groups by veteran music journalist
930:life in California, as in the enduring "
620:3 Dudes, 6 Sides, Half Studio, Half Live
535:Buzz or Howl Under the Influence of Heat
4001:Alternative rock groups from California
3965:Black on Black: A Tribute to Black Flag
2468:. Hachette Digital, Inc. pp. 13–.
2428:
2351:
2310:
2284:
1977:
1949:"Down The Highway: Mike Watt Interview"
1891:
1869:. Mike Watt's Hoot Page. Archived from
1815:
1781:
1337:
1095:tour with Black Flag, essays by former
688:, recorded three others as part of the
14:
3993:
2771:Leland, John; Robbins, Ira A. (1991).
2633:
2631:
2437:"A Conversation with Mike Watt, Pt. 2"
2203:
2174:
1959:from the original on December 21, 2021
1744:
1148:
4021:Musical groups disestablished in 1985
3445:
3142:
2833:
2380:
2311:Metcalf, Stephen (November 4, 2005).
2258:
2103:
814:to perform one of these shows at the
4006:Hardcore punk groups from California
2462:Michael Azerrad (December 1, 2012).
1374:adding citations to reliable sources
1341:
1235:contains interpolations by vocalist
1171:) is about Boon; Watt had guitarist
835:described the group as "provocative
416:adding citations to reliable sources
387:
3930:The Decline of Western Civilization
3098:Don't Look Now (It Ain't You or Me)
2628:
2615:
2602:
2589:
2576:
2563:
2439:. Project X Webzine. Archived from
2285:Masters, Marc (November 13, 2016).
1914:
1788:Goldberg, Michael (July 18, 1985).
1764:"An Econo History Of The Minutemen"
1761:
1455:, feature drawings by noted artist
1047:, a study of 13 important American
722:), contributed on "Providence" off
650:
24:
4016:Musical groups established in 1980
2741:
2232:
2204:McCall, Tris (December 17, 2010).
2134:Manchester, Guy (April 22, 2014).
1417:) were recorded as "econo" (Pedro
1282:have all covered Minutemen songs.
1059:track "History Lesson – Part II."
598:
25:
4067:
4051:1980 establishments in California
2805:
1921:Fred Mills (September 10, 2005).
1530:
998:" was the main theme song of the
2496:Greg Prato (February 16, 2005).
2386:"fIREHOSE - Song for Dave Alvin"
2021:
1601:Minutemen/Saccharine Trust Split
1491:
1346:
1115:lyricist and longtime Watt hero
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738:, toured briefly as a member of
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330:
42:
4041:American post-punk music groups
4011:Musical groups from Los Angeles
2719:
2693:
2667:
2537:
2512:
2435:CJ Marsicano (August 7, 2001).
2403:
2374:
2358:Sound Opinions (May 25, 2011).
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2278:
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2197:
2168:
2153:
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2075:
2015:
1925:. Harp Magazine. Archived from
1865:Mike Watt & Kira Roessler.
1712:Double Nickels On The Dime – 33
1607:
853:Richard Hell & The Voidoids
403:needs additional citations for
3471:
2777:The Trouser Press Record Guide
2259:Davis, Duane (July 25, 1984).
2206:"Captain Beefheart dies at 69"
1971:
1941:
1885:
1480:
1477:, featured paintings by Boon.
497:produced Minutemen's first 7"
13:
1:
4036:Musical trios from California
3292:The Crew of the Flying Saucer
3192:Contemplating the Engine Room
3168:
2919:What Makes a Man Start Fires?
2859:
2826:by poet Charles Plymell, 2008
2360:"Sound Opinions May 25, 2011"
2106:"FH QUESTIONS with MIKE WATT"
1685:
1507:What Makes a Man Start Fires?
1442:What Makes a Man Start Fires?
1162:Contemplating The Engine Room
1139:. In June 2015, Watt went on
529:What Makes a Man Start Fires?
383:
4026:New Alliance Records artists
3677:Live at the On Broadway 1982
3199:The Secondman's Middle Stand
2775:. In Robbins, Ira A. (ed.).
2287:"Double Nickels on the Dime"
2083:"ATP curated by Jeff Mangum"
1923:"The Minutemen: Men At Work"
1428:
908:Creedence Clearwater Revival
277:
7:
3251:Mike Watt and the Secondmen
2410:Weisbard, Eric (May 2001).
2175:Leland, John (April 1984).
2112:. Vol. 123, no. 1
1896:Our Band Could Be Your Life
1700:(USA: Little Brown, 2001).
1670:
1276:Yonder Mountain String Band
1248:Our Band Could Be Your Life
1084:cable television channels.
1044:Our Band Could Be Your Life
794:George Hurley and Mike Watt
787:
591:Their final concert was in
173:Mike Watt and the Secondmen
10:
4072:
3755:The Process of Weeding Out
3256:Mike Watt + The Missingmen
2926:Double Nickels on the Dime
2690:, Smog Veil Records, 2005.
2637:Mike Watt, liner notes of
2621:Mike Watt, liner notes of
2608:Mike Watt, liner notes of
2595:Mike Watt, liner notes of
2582:Mike Watt, liner notes of
2569:Mike Watt, liner notes of
1515:Double Nickels on the Dime
1484:
1452:Double Nickels on the Dime
1241:Double Nickels on the Dime
936:Double Nickels on the Dime
654:
548:Double Nickels on the Dime
272:
4056:American punk rock groups
3907:
3899:The Chuck Dukowski Sextet
3821:
3803:
3785:
3718:
3686:
3654:
3594:
3479:
3401:
3355:
3284:
3233:
3215:
3176:
3084:
3059:
3034:
3025:Introducing the Minutemen
2995:
2942:
2903:
2867:
2753:Rock and the Pop Narcotic
2545:"Episode 610 - Mike Watt"
1892:Azerrad, Michael (2001).
1818:"Contemplating Mike Watt"
1734:Guardian, August 17, 2009
1663:Introducing the Minutemen
949:
593:Charlotte, North Carolina
526:(1982). Their second LP,
200:
196:
186:
155:
129:
119:
109:
73:
58:
53:
41:
34:
3075:History Lesson – Part II
2641:, Columbia Records, 1993
2625:, Columbia Records, 1992
2612:, Columbia Records, 1991
2160:Reynolds, Simon (2010).
1738:
976:Television Personalities
2655:. Mike Watt's Hoot Page
1843:. Mike Watt's Hoot Page
1239:of several lyrics from
1175:play one of Boon's old
1119:, and illustrations by
906:songs by bands such as
890:Minutemen were fans of
883:compared their "nimble
27:American punk rock band
4046:San Pedro, Los Angeles
3940:Total Access Recording
3307:The Jom and Terry Show
2639:Mr. Machinery Operator
1293:collaboration between
1179:guitars on the track.
1156:Mr. Machinery Operator
992:
816:All Tomorrow's Parties
595:on December 13, 1985.
320:that went by that name
54:Background information
3695:Everything Went Black
3409:Minutemen discography
3337:Jumpstarted Plowhards
3276:Il Sogno del Marinaio
3224:"Ring Spiel" Tour '95
2812:Mike Watt's Hoot Page
2788:Spiels of a Minuteman
2028:Mike Watt's Hoot Page
1873:on September 24, 2005
1710:Michael T. Fournier,
1487:Minutemen discography
1280:Red Hot Chili Peppers
1214:–based indie rockers
1089:Spiels of a Minuteman
1074:Red Hot Chili Peppers
1062:The documentary film
987:
938:, which poked fun at
427:"Minutemen" band
322:. In the documentary
292:San Pedro, California
282:Minutemen began when
269:, and other sources.
235:San Pedro, California
114:Minutemen discography
3769:Annihilate This Week
3702:The First Four Years
3419:New Alliance Records
3322:The Hand to Man Band
3185:Ball-Hog or Tugboat?
3104:New Alliance Records
3004:The Politics of Time
2933:3-Way Tie (For Last)
1615:The Politics of Time
1523:3-Way Tie (For Last)
1474:3-Way Tie (For Last)
1370:improve this section
1338:Economical practices
1313:), inspired by both
1305:(founding member of
1078:Warner Grand Theatre
932:This Ain't No Picnic
744:J Mascis and the Fog
584:3-Way Tie (For Last)
412:improve this article
18:The Minutemen (band)
4031:SST Records artists
3271:Unknown Instructors
3050:D. Boon and Friends
2688:The Way Things Work
2653:"Talkin' The Opera"
2599:, SST Records, 1989
2586:, SST Records, 1987
2573:, SST Records, 1986
2549:WTF with Marc Maron
1232:The Way Things Work
1227:Unknown Instructors
1185:(whose lead singer
1149:Covers and tributes
1142:WTF with Marc Maron
1028:Unknown Instructors
1002:reality stunt show
665:Unknown Instructors
318:group of the 1960s
241:, bassist/vocalist
178:Unknown Instructors
3687:Compilation albums
3670:Who's Got the 10½?
3373:J Mascis + The Fog
3332:Big Walnuts Yonder
3302:The Pair of Pliers
3121:Martin Tamburovich
2996:Compilation albums
2707:. October 16, 1994
2623:Live Totem Pole EP
2610:Flyin' The Flannel
2384:(April 29, 2014).
1955:. April 12, 2015.
1655:Post-Mersh, Vol. 3
1647:Post-Mersh, Vol. 2
1639:Post-Mersh, Vol. 1
1297:(lead vocalist of
1285:In 2015, the band
1223:eponymous debut LP
1131:, is published in
1030:, with members of
812:Neutral Milk Hotel
716:Money Mark Nishita
493:of Black Flag and
304:Martin Tamburovich
3988:
3987:
3727:Nervous Breakdown
3439:
3438:
3414:The Reactionaries
3363:The Reactionaries
3136:
3135:
3116:The Reactionaries
2790:(Quebec, Canada:
2677:, Plexifilm, 2006
2475:978-0-316-24718-4
2085:. Atpfestival.com
1929:on April 19, 2007
1900:. Little, Brown.
1445:LP and the inner
1406:
1405:
1398:
1260:Hot Club de Paris
1258:. Bargain Music,
1206:Second Hand Smoke
1196:40 Oz. to Freedom
1177:Fender Telecaster
1127:-based publisher
892:Captain Beefheart
541:Minutemen's anti-
488:
487:
480:
462:
312:minutemen militia
300:The Reactionaries
229:were an American
224:
223:
191:The Reactionaries
16:(Redirected from
4063:
3908:Related articles
3573:Anthony Martinez
3515:Raymond Pettibon
3466:
3459:
3452:
3443:
3442:
3402:Related articles
3163:
3156:
3149:
3140:
3139:
3092:Full Discography
3085:Related articles
2854:
2847:
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2450:
2448:
2443:on April 4, 2005
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2068:
2063:on July 17, 2014
2059:. Archived from
2049:
2040:
2039:
2037:
2035:
2019:
2013:
2012:
2006:
1998:
1981:(July 2, 2002).
1979:Azerrad, Michael
1975:
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1457:Raymond Pettibon
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1381:
1350:
1342:
1168:The Sand Pebbles
1121:Raymond Pettibon
1113:Blue Öyster Cult
1032:Saccharine Trust
944:I Can't Drive 55
916:Blue Öyster Cult
704:Jane's Addiction
651:After disbanding
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3388:Porno for Pyros
3351:
3317:Floored by Four
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2808:
2792:L'Oie De Cravan
2744:
2742:Further reading
2739:
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2552:
2551:. June 11, 2015
2543:
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2538:
2528:
2526:
2524:oiedecravan.com
2518:
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2513:
2503:
2501:
2500:. Billboard.com
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2331:
2321:
2319:
2313:"The Rock Snob"
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2142:
2140:Louder Than War
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2098:
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2076:
2066:
2064:
2057:Dusted Magazine
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1823:
1821:
1820:. Ear Pollution
1814:
1810:
1800:
1798:
1786:
1782:
1772:
1770:
1762:Calvert, John.
1760:
1745:
1741:
1718:
1714:
1713:
1692:Michael Azerrad
1688:
1673:
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1533:
1494:
1489:
1483:
1431:
1402:
1391:
1385:
1382:
1367:
1351:
1340:
1254:, The Fad, and
1151:
1129:L'Oie de Cravan
1117:Richard Meltzer
1053:Michael Azerrad
952:
828:
796:
774:Stephen Perkins
740:Porno for Pyros
729:Daydream Nation
700:Stephen Perkins
667:
653:
637:Richard Meltzer
611:. In fact, the
601:
599:D. Boon's death
484:
473:
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255:California punk
233:band formed in
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3975:
3968:
3961:
3958:Get in the Van
3954:
3949:
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3932:
3927:
3922:
3920:Songs recorded
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3905:
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3891:
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3839:State of Alert
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3566:Bill Stevenson
3563:
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3556:Chuck Biscuits
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3525:Chuck Dukowski
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3424:clenchedwrench
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3324:
3319:
3314:
3312:The Real Oh My
3309:
3304:
3299:
3297:The Black Gang
3294:
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3206:Hyphenated-man
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3035:Other releases
3032:
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3029:
3028:
3021:
3014:
3011:My First Bells
3007:
2999:
2997:
2993:
2992:
2990:
2989:
2986:Project: Mersh
2982:
2975:
2968:
2961:
2954:
2946:
2944:
2943:Extended plays
2940:
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2922:
2915:
2912:The Punch Line
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2806:External links
2804:
2803:
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2781:
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2756:(Los Angeles:
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2692:
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2571:Ragin' Full-On
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2261:"Speed Demons"
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1578:Project: Mersh
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1499:The Punch Line
1493:
1490:
1485:Main article:
1482:
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1468:Project: Mersh
1462:The Punch Line
1430:
1427:
1414:Project: Mersh
1404:
1403:
1354:
1352:
1345:
1339:
1336:
1295:Matt Berninger
1289:, an American
1191:Double Nickels
1187:Bradley Nowell
1150:
1147:
1109:Thurston Moore
1057:Double Nickels
951:
948:
900:cover versions
881:Simon Reynolds
827:
824:
795:
792:
786:in 1998. (See
783:Hempilation II
780:benefit album
766:Double Nickels
753:Hyphenated-man
673:, they formed
652:
649:
645:clenchedwrench
600:
597:
579:Double Nickels
574:Project: Mersh
565:Chuck Dukowski
557:Double Nickels
553:Double Nickels
517:The Punch Line
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3820:
3814:
3813:
3809:
3808:
3806:
3802:
3795:
3791:
3790:
3788:
3784:
3778:
3777:
3776:I Can See You
3773:
3771:
3770:
3766:
3764:
3763:
3759:
3757:
3756:
3752:
3750:
3749:
3745:
3743:
3742:
3738:
3736:
3735:
3734:Jealous Again
3731:
3729:
3728:
3724:
3723:
3721:
3717:
3711:
3710:
3706:
3704:
3703:
3699:
3697:
3696:
3692:
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3689:
3685:
3679:
3678:
3674:
3672:
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3664:
3660:
3659:
3657:
3653:
3647:
3646:
3642:
3640:
3639:
3635:
3633:
3632:
3628:
3626:
3625:
3621:
3619:
3618:
3614:
3612:
3611:
3607:
3605:
3604:
3600:
3599:
3597:
3595:Studio albums
3593:
3586:
3583:
3580:
3578:
3575:
3572:
3569:
3567:
3564:
3562:
3561:Kira Roessler
3559:
3557:
3554:
3551:
3549:
3548:Henry Rollins
3546:
3544:
3541:
3539:
3536:
3534:
3531:
3528:
3526:
3523:
3521:
3518:
3516:
3513:
3511:
3508:
3507:
3504:
3503:Charles Wiley
3501:
3499:
3498:Harley Duggan
3496:
3494:
3493:
3489:
3487:
3486:
3482:
3481:
3478:
3474:
3467:
3462:
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3432:
3431:
3427:
3425:
3422:
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3412:
3410:
3407:
3406:
3404:
3400:
3394:
3391:
3389:
3386:
3384:
3381:
3379:
3378:Ciccone Youth
3376:
3374:
3371:
3369:
3368:Bootstrappers
3366:
3364:
3361:
3360:
3358:
3354:
3348:
3345:
3343:
3340:
3338:
3335:
3333:
3330:
3328:
3325:
3323:
3320:
3318:
3315:
3313:
3310:
3308:
3305:
3303:
3300:
3298:
3295:
3293:
3290:
3289:
3287:
3285:Project bands
3283:
3277:
3274:
3272:
3269:
3267:
3264:
3262:
3259:
3257:
3254:
3252:
3249:
3247:
3244:
3242:
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3238:
3236:
3232:
3226:
3225:
3221:
3220:
3218:
3214:
3208:
3207:
3203:
3201:
3200:
3196:
3194:
3193:
3189:
3187:
3186:
3182:
3181:
3179:
3177:Studio albums
3175:
3171:
3164:
3159:
3157:
3152:
3150:
3145:
3144:
3141:
3129:
3128:
3124:
3122:
3119:
3117:
3114:
3112:
3111:
3107:
3105:
3102:
3099:
3095:
3093:
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3089:
3087:
3083:
3076:
3072:
3069:
3065:
3064:
3062:
3058:
3052:
3051:
3047:
3045:
3044:
3040:
3039:
3037:
3033:
3027:
3026:
3022:
3020:
3019:
3018:Ballot Result
3015:
3013:
3012:
3008:
3006:
3005:
3001:
3000:
2998:
2994:
2988:
2987:
2983:
2981:
2980:
2976:
2974:
2973:
2969:
2967:
2966:
2962:
2960:
2959:
2955:
2953:
2952:
2951:Paranoid Time
2948:
2947:
2945:
2941:
2935:
2934:
2930:
2928:
2927:
2923:
2921:
2920:
2916:
2914:
2913:
2909:
2908:
2906:
2904:Studio albums
2902:
2896:
2895:
2891:
2889:
2888:
2887:George Hurley
2884:
2882:
2881:
2877:
2875:
2874:
2870:
2869:
2866:
2862:
2855:
2850:
2848:
2843:
2841:
2836:
2835:
2832:
2825:
2822:
2819:
2816:
2813:
2810:
2809:
2801:
2800:2-922399-20-6
2797:
2793:
2789:
2785:
2782:
2778:
2774:
2769:
2767:
2766:0-9627612-1-4
2763:
2759:
2755:
2754:
2749:
2746:
2745:
2733:
2729:
2722:
2706:
2702:
2696:
2689:
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2676:
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2640:
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2618:
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2605:
2598:
2592:
2585:
2579:
2572:
2566:
2550:
2546:
2540:
2525:
2521:
2515:
2499:
2492:
2477:
2471:
2467:
2466:
2458:
2442:
2438:
2431:
2423:
2419:
2418:
2413:
2406:
2391:
2387:
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2377:
2361:
2354:
2346:
2342:
2341:
2333:
2318:
2314:
2307:
2292:
2288:
2281:
2266:
2262:
2255:
2240:
2236:
2233:Baines, Huw.
2229:
2227:
2211:
2207:
2200:
2184:
2183:
2182:Trouser Press
2178:
2171:
2164:. Soft Skull.
2163:
2156:
2141:
2137:
2130:
2128:
2111:
2107:
2100:
2089:September 15,
2084:
2078:
2062:
2058:
2054:
2048:
2046:
2029:
2025:
2024:"spielgusher"
2018:
2010:
2004:
1996:
1994:9780316787536
1990:
1986:
1985:
1980:
1974:
1958:
1954:
1950:
1944:
1928:
1924:
1917:
1909:
1907:9780316063791
1903:
1898:
1897:
1888:
1872:
1868:
1861:
1859:
1842:
1835:
1819:
1816:Craig Young.
1812:
1797:
1796:
1795:Rolling Stone
1791:
1784:
1769:
1765:
1758:
1756:
1754:
1752:
1750:
1748:
1743:
1733:
1731:
1730:0-8264-2787-1
1727:
1723:
1709:
1707:
1706:0-316-78753-1
1703:
1699:
1698:
1693:
1690:
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1680:
1679:
1675:
1674:
1665:
1664:
1660:
1657:
1656:
1652:
1649:
1648:
1644:
1641:
1640:
1636:
1633:
1632:
1631:Ballot Result
1628:
1625:
1624:
1620:
1617:
1616:
1612:
1611:
1602:
1599:
1596:
1595:
1591:
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1579:
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1572:
1571:
1567:
1564:
1563:
1559:
1556:
1555:
1551:
1548:
1547:
1543:
1540:
1539:
1538:Paranoid Time
1535:
1534:
1525:
1524:
1520:
1517:
1516:
1512:
1509:
1508:
1504:
1501:
1500:
1496:
1495:
1492:Studio albums
1488:
1478:
1476:
1475:
1470:
1469:
1464:
1463:
1458:
1454:
1453:
1448:
1444:
1443:
1438:
1437:
1436:Paranoid Time
1426:
1423:
1420:
1416:
1415:
1411:
1400:
1397:
1389:
1386:December 2010
1379:
1375:
1371:
1365:
1364:
1360:
1355:This section
1353:
1349:
1344:
1343:
1335:
1333:
1329:
1325:
1323:
1318:
1317:
1312:
1308:
1304:
1300:
1296:
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1283:
1281:
1277:
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1269:
1265:
1261:
1257:
1253:
1249:
1244:
1242:
1238:
1234:
1233:
1228:
1224:
1220:
1217:
1213:
1209:
1207:
1202:
1198:
1197:
1192:
1188:
1184:
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1178:
1174:
1170:
1169:
1164:
1163:
1158:
1157:
1146:
1144:
1143:
1138:
1134:
1130:
1126:
1122:
1118:
1114:
1110:
1106:
1102:
1098:
1094:
1090:
1085:
1083:
1079:
1075:
1071:
1067:
1066:
1060:
1058:
1054:
1050:
1046:
1045:
1039:
1037:
1033:
1029:
1025:
1020:
1018:
1014:
1009:
1007:
1006:
1001:
997:
991:
986:
983:
981:
977:
973:
969:
965:
961:
957:
947:
945:
941:
937:
933:
929:
925:
919:
917:
913:
909:
905:
901:
895:
893:
888:
886:
882:
878:
874:
870:
866:
862:
861:hardcore punk
858:
854:
850:
849:The Pop Group
846:
842:
838:
834:
833:
826:Musical style
823:
821:
817:
813:
809:
805:
800:
791:
789:
785:
784:
779:
775:
771:
767:
763:
759:
758:Mayo Thompson
755:
754:
749:
745:
741:
737:
736:
731:
730:
725:
721:
717:
713:
709:
705:
701:
697:
694:
691:
687:
683:
682:Kira Roessler
678:
676:
672:
666:
662:
658:
657:George Hurley
648:
646:
642:
638:
635:In addition,
633:
631:
630:
629:Ballot Result
625:
621:
616:
614:
613:Ciccone Youth
610:
606:
596:
594:
590:
586:
585:
580:
576:
575:
570:
566:
562:
561:Henry Rollins
558:
554:
550:
549:
544:
539:
537:
536:
531:
530:
525:
524:
519:
518:
512:
510:
506:
505:
504:Paranoid Time
500:
496:
492:
482:
479:
471:
468:February 2024
460:
457:
453:
450:
446:
443:
439:
436:
432:
429: –
428:
424:
423:Find sources:
417:
413:
407:
406:
401:This section
399:
395:
390:
389:
381:
379:
375:
374:
368:
364:
363:
354:
327:
326:
321:
317:
313:
307:
305:
301:
297:
296:George Hurley
293:
289:
285:
270:
268:
264:
260:
259:hardcore punk
256:
252:
248:
247:George Hurley
244:
240:
236:
232:
228:
220:
216:
215:George Hurley
212:
208:
205:
199:
195:
192:
189:
185:
179:
176:
174:
171:
169:
166:
164:
161:
160:
158:
154:
148:
145:
143:
140:
138:
135:
134:
132:
128:
124:
118:
115:
112:
108:
102:
99:
97:
94:
92:
89:
87:
84:
82:
81:Hardcore punk
79:
78:
76:
72:
68:
64:
61:
57:
52:
45:
40:
33:
30:
19:
3977:
3970:
3963:
3956:
3944:
3925:Band members
3878:
3874:Rollins Band
3834:Circle Jerks
3810:
3774:
3767:
3760:
3753:
3746:
3739:
3732:
3725:
3709:Wasted…Again
3707:
3700:
3693:
3675:
3668:
3661:
3643:
3636:
3629:
3622:
3615:
3608:
3601:
3587:Joseph Noval
3570:Cel Revuelta
3552:Emil Johnson
3529:Bryan Migdol
3510:Keith Morris
3502:
3497:
3492:Mike Vallely
3490:
3483:
3430:We Jam Econo
3428:
3240:
3222:
3204:
3197:
3190:
3183:
3127:We Jam Econo
3125:
3108:
3048:
3041:
3023:
3016:
3009:
3002:
2984:
2977:
2970:
2963:
2956:
2949:
2931:
2924:
2917:
2910:
2894:Frank Tonche
2892:
2885:
2878:
2871:
2860:
2818:Corndogs.org
2787:
2776:
2751:
2748:Joe Carducci
2732:The Guardian
2731:
2721:
2709:. Retrieved
2704:
2695:
2687:
2682:
2674:
2669:
2657:. Retrieved
2646:
2638:
2622:
2617:
2609:
2604:
2596:
2591:
2583:
2578:
2570:
2565:
2553:. Retrieved
2539:
2527:. Retrieved
2523:
2514:
2502:. Retrieved
2491:
2479:. Retrieved
2464:
2457:
2445:. Retrieved
2441:the original
2430:
2421:
2415:
2405:
2393:. Retrieved
2376:
2366:September 1,
2364:. Retrieved
2353:
2344:
2338:
2332:
2320:. Retrieved
2306:
2294:. Retrieved
2280:
2268:. Retrieved
2264:
2254:
2242:. Retrieved
2238:
2213:. Retrieved
2199:
2189:December 18,
2187:. Retrieved
2180:
2170:
2161:
2155:
2143:. Retrieved
2114:. Retrieved
2109:
2099:
2087:. Retrieved
2077:
2065:. Retrieved
2061:the original
2056:
2032:. Retrieved
2027:
2022:Watt, Mike.
2017:
1982:
1973:
1961:. Retrieved
1943:
1931:. Retrieved
1927:the original
1916:
1895:
1887:
1875:. Retrieved
1871:the original
1845:. Retrieved
1834:
1822:. Retrieved
1811:
1799:. Retrieved
1793:
1783:
1771:. Retrieved
1767:
1711:
1695:
1678:We Jam Econo
1676:
1661:
1653:
1645:
1637:
1629:
1621:
1613:
1608:Compilations
1600:
1592:
1584:
1576:
1568:
1560:
1552:
1544:
1536:
1521:
1513:
1505:
1497:
1472:
1466:
1460:
1450:
1440:
1434:
1432:
1424:
1412:
1407:
1392:
1383:
1368:Please help
1356:
1322:We Jam Econo
1320:
1314:
1307:Ramona Falls
1299:the National
1284:
1268:Brutal Truth
1256:Uncle Tupelo
1247:
1245:
1240:
1230:
1218:
1204:
1194:
1190:
1181:
1166:
1160:
1154:
1152:
1140:
1101:Joe Carducci
1088:
1086:
1065:We Jam Econo
1063:
1061:
1056:
1042:
1040:
1021:
1010:
1003:
993:
988:
984:
964:Joe Strummer
960:The Blasters
953:
935:
920:
904:classic rock
896:
889:
845:Gang Of Four
830:
829:
801:
797:
781:
765:
751:
742:in 1996 and
733:
727:
720:Beastie Boys
679:
668:
640:
634:
627:
619:
617:
602:
582:
578:
572:
556:
552:
546:
540:
533:
527:
521:
515:
513:
502:
489:
474:
465:
455:
448:
441:
434:
422:
410:Please help
405:verification
402:
371:
367:Frank Tonche
325:We Jam Econo
323:
308:
281:
226:
225:
219:Frank Tonche
202:Past members
142:New Alliance
121:Years active
29:
3935:SST Records
3915:Discography
3844:Descendents
3794:Louie Louie
3655:Live albums
3645:What The...
3581:Tyler Smith
3393:The Stooges
3356:Other bands
3216:Live albums
2773:"Minutemen"
2481:January 22,
2382:Alvin, Dave
2177:"Minutemen"
2034:February 3,
2030:. Mike Watt
1801:December 3,
1768:The Quietus
1481:Discography
1449:jacket for
1303:Brent Knopf
1272:Jeff Mangum
1237:Dan McGuire
1105:Sonic Youth
1049:underground
940:Sammy Hagar
928:blue collar
857:The Urinals
822:, England.
808:Jeff Mangum
770:Petra Haden
762:Red Crayola
748:The Stooges
724:Sonic Youth
684:as the duo
671:Ed Crawford
641:Spielgusher
624:bootlegging
609:Sonic Youth
495:SST Records
316:reactionary
298:and formed
110:Discography
101:avant-garde
3995:Categories
3946:Rise Above
3829:Redd Kross
3812:1982 Demos
3804:Demo album
3762:Minuteflag
3638:In My Head
3624:Slip It In
3617:Family Man
3584:Isaias Gil
3577:Dave Klein
3543:Dez Cadena
3473:Black Flag
3234:Main bands
3043:Minuteflag
2979:Tour-Spiel
2965:Bean-Spill
2529:August 31,
2239:guitar.com
2067:August 31,
1841:"Watt Bio"
1773:August 30,
1686:References
1594:Georgeless
1586:Minuteflag
1570:Tour-Spiel
1554:Bean-Spill
1291:indie rock
1173:Nels Cline
956:Dave Alvin
912:Steely Dan
776:, for the
708:Nels Cline
655:See also:
605:depression
523:Bean-Spill
438:newspapers
384:Early days
378:Black Flag
373:georgeless
187:Spinoff of
67:California
3879:Minutemen
3631:Loose Nut
3538:Ron Reyes
3485:Greg Ginn
3241:Minutemen
3170:Mike Watt
2880:Mike Watt
2861:Minutemen
2784:Mike Watt
2760:, 1993).
2734:. London.
2395:March 28,
2322:March 18,
2296:March 18,
2291:Pitchfork
2265:Westworld
2215:March 18,
2145:March 18,
2110:Billboard
2003:cite book
1963:March 28,
1867:"Dos Bio"
1429:Album art
1357:does not
1332:Mike Watt
1252:The Ergs!
1212:San Diego
1201:Wrong Way
1099:co-owner
1017:emphysema
980:Buzzcocks
968:The Clash
924:Bob Dylan
885:punk-funk
873:acid rock
832:Billboard
726:'s album
690:punk jazz
661:Mike Watt
569:Joe Baiza
491:Greg Ginn
288:Mike Watt
278:Formation
243:Mike Watt
231:punk rock
227:Minutemen
211:Mike Watt
125:1980–1985
96:post-punk
91:punk rock
63:San Pedro
36:Minutemen
3952:Joe Cole
3748:TV Party
3741:Six Pack
3663:Live '84
3383:Hellride
3246:Firehose
2794:, 2003)
2659:June 11,
2597:fROMOHIO
2555:June 12,
2504:June 11,
2447:June 11,
2424:(5): 90.
2390:Facebook
2347:(1): 47.
2244:March 5,
1957:Archived
1933:June 11,
1877:June 11,
1847:June 11,
1824:June 11,
1671:See also
1447:gatefold
1311:Menomena
1221:n their
1093:European
1082:Sundance
1036:Pere Ubu
837:art-punk
820:Minehead
693:jam band
675:Firehose
632:(1985).
509:hardcore
168:Firehose
156:Spinoffs
86:art punk
3884:Misfits
3786:Singles
3603:Damaged
2873:D. Boon
2758:2.13.61
2711:May 30,
2705:Discogs
2270:May 18,
2116:May 22,
1953:YouTube
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