The Monster Ball Tour

935:, which pours out red colored liquid and Gaga explains that it bleeds for anyone. She starts singing "Alejandro" while jumping into the fountain and singing, as blood pours over her. Gaga then returns and sings "Poker Face" on the cat-walk. After the performance, she and her friends find themselves in a dark place, and after some dialogue, Gaga's friends run off, leaving her alone to deal with the Fame Monster, a giant angler fish. Gaga starts singing "Paparazzi" and eventually kills the Fame Monster by shooting sparks from her pyrotechnic bra and underwear. She then leaves for the Monster Ball and after appearing there, meanwhile fans assume the show is not over yet, suddenly Gaga appears on stage and performs the song, "Bad Romance" while standing inside a giant gyroscope. After the song, she says that she can do one more song for an encore to the audience. " 1371:

American leg; it earned an estimated US$ 1.8 million from 15,845 sold seats at a February 28, 2011 performance. The largest crowd, however, came from the Nashville market with 14,925 present at the Bridgestone Arena performance on April 19. The tour continued its presence in the Atlanta market on April 18, 2011, where she performed to 10,864 people at the Arena at Gwinnett Center. The third American leg concluded in Uniondale, New York with a sellout crowd of 13,195 at Nassau Veterans Memorial Coliseum on April 23, 2011. At the conclusion of 2011, The Monster Ball Tour grossed over US$ 70 million from 45 shows. By May 2011, the tour had grossed a total of US$ 227.4 million from the 200 reported shows, drawing an audience of 2.5 million, making it the highest-grossing tour in history by a debut headlining artist.

532:. According to her, the design of the show was innovative and forward in terms of creativeness. Gaga wanted to change the shape of the stage and designed one with Haus of Gaga that was "essentially a frame with forced perspective, and the frame is put inside the stage." The stage had a triangular inset, like a diamond, and everywhere the show took place, the dimensions were measured in such a way that the box fit any stage. "So no matter where I go, my fans get the same experience. So often you go into theaters and there's ambient light flying in from all sorts of places, and the audience is in different spots, and the stage is in different shapes and lengths and widths and depths, so this is a way for me to control all the light and all of the different elements of the show", she added. 715: 397: 706: 406: 804:. Gaga crawled atop her piano during the follow-up songs "The Fame" and "Money Honey", after which she returned to the stage, dressed in black vinyl and nearly nude in a red patent leather bikini, to perform "Boys Boys Boys", backed by a squadron of skinny and shirtless leather boys. During "Poker Face", she wore a bondage inspired black leather dress with guns hanging from it and a hat made of muzzles, and pumped her hands in the air while performing the song. This was followed by Gaga sitting on a dentist's chair and spreading her legs during "Paper Gangsta". Another video interlude followed, displaying arty poses of Gaga in gothic looks. 630:. Hence she was able to put together "something that, in truth, I never would have done if I had a longer amount of time". The revamp of the tour was planned from the arena shows in the United Kingdom from February 2010. "My team thinks I'm completely psychotic. But I don't fucking care what they think. Well, just to give you an idea, the stage is about four times the size of the one we're on now and conceptually, it's completely different. One thing that has been lost over the past 10-15 years, in pop music, is the idea of showbiz. And this is definitely going to bring that back", clarified Gaga. According to James Montgomery of 1402: 595: 1337:

next many months we're trying to play to as many people in as many places as possible", Fogel added. "It's an across the board home run." Demands increased and another additional six dates were added to the announced itinerary. The Monster Ball sold-out shows in Toronto, Vancouver and San Jose who were compelled to add second dates in each city. In Los Angeles, to ensure that concert goers had the best possible access to tickets, a second performance was announced prior to the onsale of the first shows, and both Staples Center concerts were completely sold out.

586: 1132: 60: 496: 975: 1281: 966: 548:. It's going to be a truly artistic experience that is going to take the form of the greatest post-apocalyptic house party that you've ever been to." Although Gaga stated that she was inspired by the things she and West were doing with the Fame Kills tour, she concluded that she did not want to use any of the things that they had designed together. Later, she said that Fame Kills was "the great lost tour", but confirmed that some of the elements of it were incorporated into The Monster Ball. 1393: 487: 1123: 1272: 842: 833: 9767: 905:, and a skeletal hand. The song was performed with the aid of a gilded subway car and a "disco stick" while her next number "Boys Boys Boys" featured muscly male dancers cavorting in spandex shorts. After a costume change, Gaga burst into "Money Honey" with an extended keytar solo after emerging from beneath the stage as the New York scenery disappeared around her. As she walked towards the Glitter way, Gaga recalls when she was in jail and her friend 1171:'s James Montogomery reviewed the first North American performance of the tour in Montreal, Quebec, Canada. He said that the tour was "packed with more wattage than an overheated power plant and more costume changes than a thousand Vegas reviews, it's the kind of show that leaves you with wide eyes, ringing ears, aching limbs and absolutely zero chance of making it to work in the morning." 673:, some of them being re-recorded specifically for the show itself. A new keytar was constructed for the show and was named Emma. The instrument was created by the Haus of Gaga and the singer said, "We have this new instrument that I brought to the Brits tonight, 'Emma', which is what I was playing on the stage. She's a hybrid from all these other instruments." During an interview on 923:. During this song, she tells the audience about her life as a teen in New York, and how she became who she is today. Gaga and her friends then continue down the Glitter Way, and soon they run into an angel, who plays an angelic tune that summons a twister, taking them closer to the Monster Ball, but landing them in a strange place that they did not know. Gaga sings " 1456:: Outstanding Variety, Music or Comedy Special; Outstanding Directing for a Variety, Music or Comedy Special; Outstanding Technical Direction, Camerawork, Video Control for a Miniseries, Movie or a Special; Outstanding Picture Editing for a Special (Single or Multi-Camera); and Outstanding Lighting Design/Lighting Direction for a Variety, Music or Comedy Special. 1025:—who seemingly know no bounds when it comes to pushing the envelope of haute couture and the theatre of the absurd. But what really sets Gaga apart from the middling masses of lip-synching Britney clones and Idol wannabes is her pure, unadulterated musical talent. The Lady can sing." Theatre critic Kelly Nestruck, while writing for 59: 555:"I begin as a cell and I grow and change throughout the show. And it's also done in what now is becoming my aesthetic, which is, you know, it's part pop, part performance art, part fashion installation—so all of those things are present... It's a story, it's me battling all my monsters along the way. I'm playing all the music from 1467:

On April 9, 2020, the Lady Gaga media site GagaFrontRow shared a direct screen recording of the Philadelphia show on September 14, 2010. This is the first full version of the concert ever released to the public since the HBO special and subsequent DVD removed many elements of the show, including half

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and new technology to provide the viewer an optimum experience of watching the live concert. Emphasis was given on the main music and the vocals sung during the concert, while adjusting them against the screaming and the cheering of the crowd. The release was a commercial success, reaching the top of

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In December 2009, Gaga revealed that she planned to cancel the concept of the original shows of The Monster Ball Tour and start afresh. She felt that the revamp of the show was needed as the original tour was constructed in a very short span of time. Gaga recalled that after West and she split up for

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For the performance of "Paparazzi", Gaga had collaborated with her Haus of Gaga creative partner Matthew "Matty Dada" Williams. She had a different vision for it in the beginning. Dada thought that Gaga should wear her hair braided, which Gaga had never done before. Dada's explanation for the concept

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and demons inside human beings; "So we talked about growth, and that led us into this kind of scientific space, and we started talking about evolution and the evolution of humanity and how we begin as one thing, and we become another." This theme of monsters and evolution played a part in the fashion

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Fogel commented on Gaga's lack of experience in a tour and said that it was an opportunity for her. "As an artist with that kind of talent and vision emerges, it creates a lot of excitement, and ticket sales worldwide demonstrate that people are really excited to see the show. Over the course of the

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The third segment begins with Gaga returning on the stage and singing "Monster", inside a forest with black, thorn-like trees. Her dancers conglomerate around her near the end and Gaga reveals herself to be covered with blood. She then states that the thing she hates more than money is the truth and

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said that Gaga "built her monster-sized fame on knowing how to create a spectacle and then having the substance to back it up. For every coat made of Kermit the Frog dolls or headdresses that covered her face in red lace, there was a stomping disco anthem or tender piano ballad to match. That back

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reviewed the first of the revised performances in the United Kingdom. Savage described the concert as a hugely ambitious, terrifyingly loud show, "spread over four acts and held together by a flimsy 'narrative' about Gaga and her dancer friends trying to get to a party." He was also impressed that

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and concluded with an encore. It began with a projected video onto a curtain—which contained images of Gaga doing a 360 degree jump—while a club remix of "Dance in the Dark" played. Surrounded by violet light, her silhouette appeared on the curtain while she performed "Dance in the Dark". Once the

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to announce that Gaga will return to the U.S. in February 2011 for another run of U.S. dates. The 2011 dates for the North American Monster Ball Tour were announced as starting from February 19 in Atlantic City, with ten arena dates confirmed through April 18. Additional shows were announced, and

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As soon as the dates for the show were announced, there was high demand for tickets. As sponsor of the North American Monster Ball Tour, Virgin Mobile customers had access to presale tickets. Bob Stohrer, VP of Marketing for Virgin Mobile USA said "We are excited to take our partnership with Lady

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praised the show saying " only has two albums under her belt but who cares? Every song feels like a hit, and Gaga-as-star is already taking on Madonna-like proportions. After at the Wang Theater, fans could justifiably walk away thinking Lady Gaga is crazy, brilliant or both." Jeremy Adams from

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gave the concert four out of five stars and said that Lady Gaga came across as a "confident, colourful, and campy performer. Gaga's success was evident with slick-looking videos, lights, elaborate costumes, dancers, and yes, a band, even if her stage was sometimes left dark as she left to make

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in Montreal, which collectively earned over US$ 10 million. By amassing an audience of 111,060 from two shows, the performances at the Foro Sol in Mexico City attained the largest audience of the tour. Gaga's show at the United Center in Chicago became the highest-grossing concert of the third

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showed the special in New Zealand on June 2, 2011. The special showed the whole of the Monster Ball Tour, and some backstage footage, which was shown in black-and-white. It ended with another black-and-white backstage scene where Gaga and her backup singers perform "Born This Way" a capella.

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reviewed the opening show of the European leg, and commented that "it takes a certain je ne sais quoi to open your show doing something that looks suspiciously like mime on a rickety metal staircase while wearing an outfit with shoulderpads the size of the deck on a small aircraft carrier."

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also placed The Monster Ball Tour at position four on their Year-end Top 25 Tours of 2010. They reported that the tour had grossed US$ 116 million from 122 shows, with an audience of 1.3 million. By the end of the year, Pollstar announced that the tour had earned a total of US$

749:" as dancers, dressed in white balaclavas and white jumpsuits, moved around her. The video screen, resembling an electric mathematical grid, was eventually lifted during the performance. After the song, Gaga strapped a portable silver jeweled keyboard to herself and began to perform " 811:". Gaga was perched atop a railing and from each of her braids, a dancer was attached on the stage. A backdrop of stars were shown during the performance. The performance ended with the railing taking Gaga high above the stage, where she faked her death. This was followed by " 282:, in November 2009. An updated version of the show was created after only a few months of touring due to the singer's concerns that the original had been rushed-through during its initial stages. The stage for the original show looked like a "frame", similar to a hollowed-out 8697: 8677: 1177:

writer Jim Farber expected that the theatricality of the show might have obscured the songs, but instead felt that Gaga's voice was perfect and the concert actually "pushed Gaga a long way towards her obvious goal – to be the queen of this pop moment." Glenn Gamboa from

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was critical of the show, calling it "scripted, silly, and tired, right down to Gaga's patter." He added that the 15 costumes Gaga wore during the two-hour plus gig were "more successful helping her cement the notion of an erotic and exotic otherworld." Writing in the

753:" while emerging from the inside of a white cube on a platform. This was followed by a brief video intermission and Gaga returned onstage in an off-white costume, that resembled an alien ecto-skeleton, while the dancers wore skeletal headgear. She started performing " 1316:

Gaga and The Monster Ball Tour to another level. We'll also build on our partnership around combating youth homelessness and continue to enhance the tour experience for fans and our customers." Shows in the first leg of the tour were sold-out completely, prompting

1207:, wrote that as a musical theater, the Monster Ball was not that exciting, but "that leaves the music, and when you lay two hours of her songs end-to-end, it's easy to see the vision, the intelligence and a serious songwriting talent at work." Jay N. Miller from 1031:, said "While The Monster Ball has nothing on the great operas or the golden age of musical theatre, Lady Gaga's 'electro-pop opera' is at least twice as entertaining and infinitely fresher than any stage musical written over the last decade." Lauren Carter from 528:, Gaga explained that she wanted to put together an expensive looking, beautiful show which would be affordable for her fans. She asserted that the tour was a "pop-electro opera" because the theatrics and story elements interwoven within it played out like an 687:, Gaga explained that the concert tour was still called The Monster Ball, but it had become more of a musical and less of a concert. It had a New York theme at its core; telling a story where Gaga and her friends travel to The Monster Ball, but get lost. 5393:

Costume Design – Haus of Gaga with Giorgio Armani, Miuccia Prada, Philip Treacy, Charlie le Mindu, Jaiden rVa James, Rachel Barrett, Gary Card, Keko Hainswheeler, Atsuko Kudo, Alex Noble, Zaldy Goco, Alun Davies, Marko Mitanovski, Alexander McQueen, and

259:(2008). The tour visited various arenas and stadiums, performing over 200 shows between November 2009 and May 2011. With the tour separated into three respective North American and European legs, as well as visiting Australia, New Zealand and Japan, 436:

After assuring the public that she would be embarking on her own tour, Gaga officially announced the Monster Ball Tour on October 15, 2009. It was originally planned to debut in London in early 2010, but ended up kicking off on November 27, 2009, in

563:. And the stage that I designed with the Haus is a giant cube that sits. Imagine you were to hollow out a TV and just break the fourth wall on a TV screen. It forces you to look at the center of the TV. It's my way of saying, 'My music is art.'" 885:

curtain was removed and the chorus reached, the New York cityscape and neon lights were revealed. Gaga gyrated on the set dressed in a "futuristic, angular, glitter ball suit". After descending from her fire escape, she poked around in the

819:" which she performed in an '80s-inspired white power suit with exaggerated high shoulders and high-waisted pants. The show ended with a video of Gaga getting a heart-shaped tattoo on her shoulder, with the word "Dad" in the center of it. 1359:

133.6 million from 138 shows, making her the only woman to be placed in their list of the Top 10 Tours of 2010. Yet, for all the success of the tour, the first extension of The Monster Ball Tour almost bankrupted Lady Gaga, she told

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noted that the performance was lacking—adding that the show never reached its peak until the end, when Gaga performed the "real rendition" of "Poker Face" and "Bad Romance." "Better late than never", Dunlevy concluded. Aedan Helmer from

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appreciated the show, exclaiming "hot damn, that was one hell of a show Gaga brought to the Air Canada Centre Sunday night and suddenly it doesn’t seem redundant to add one more voice to the Lady Gaga choir." Mariel Concepción from

572:, the fairy-tale character. He felt that "it's something people deeply understand. And when you're wearing sunglasses on a scaffolding piece with a giant alien dancing behind you, I promised it's not going to look like Rapunzel.'" 301:

Gaga herself had experienced, the main theme of the shows became personal growth and human evolution, while elements of the originally planned tour (with Kanye West) were retained in some parts. From 2010 on, the shows took on a

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After its broadcast, the special received critical acclaim; critics praised Gaga's performance, but doubted her sincerity during her on-stage rambling and in pre-concert scenes. The special was nominated for five honors at the

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staff writer Marian Liu declared that as "one of the most anticipated touring acts of the year, stimulated the crowd's senses on Saturday night in a way few artists can. She brought spectacle and backed it up with soul."

800:" which contains a sample of "Poker Face". This segment was followed by the performance of "Fashion" and "The Fame", during which Gaga wore a gold Egyptian styled crown and matching body suit, compared to the garment of a 1239:

felt that Gaga "may be best known for her gaudy outfits and over-the-top stage shows, but at her hometown headlining debut at Madison Square Garden last night, the pop phenomenon proved she's a regular girl at heart."

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of a dilapidated green Rolls-Royce while performing "Glitter and Grease". Upon checking under the vehicle's bonnet, Gaga revealed a keyboard and began to play the opening notes of "Just Dance". Gaga then performed

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the DVD charts in the United States, France and Italy and the top-ten in other nations. It received double platinum certifications in Australia and France, while in the United Kingdom, it was certified gold.

7351: 815:" as she descended from the top—which signified her rebirth—amidst white lights and mechanical fog. She wore a giant gyroscope around her, akin to "The Orbit" by Haus of Gaga. The last song of the show was " 449:

were confirmed as the supporting acts for the tour, with Cudi supporting Gaga from the beginning of the tour, and Derulo joining from December 28, 2009. The official poster for the tour featured Gaga in

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s annual Women in Music luncheon, where she cited creative differences as the reason for the tour's cancellation. In an interview she stated, " is going to take a break, but the good news is, I am not."

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Touring Awards, Gaga won the Breakthrough Performer Award, as well as the Concert Marketing & Promotion Award, the latter being an acknowledgement of her partnership with Virgin Mobile.

306:" theme, telling a story in which Gaga and her friends are lost in New York City and must find their way to the "Monster Ball". Both versions of the show were divided into five acts, with an 8935: 6659: 913:". A piano is then brought in and Gaga goes into the song "Brown Eyes", after which she performs "Speechless" while the piano starts spitting fire. This segment also saw the performance of " 5632: 6115: 5696: 374:, West declared that he would take a hiatus from his music career. Nevertheless, the complete schedule for Fame Kills was released, with the tour set to begin on November 10, 2009, in 9557: 6893: 1380: 342: 6067: 1109:

said that the tour always provided "something worth a snapshot: a sci-fi tableau, perhaps, or a skimpy, glittery costume. The more her image gets around, the better Lady Gaga does."

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finale. Each section featured Gaga and her dancers in new outfits, performing music relating to the theme of each respective act; acts were separated by video interludes.

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magazine said that "At first blush, it might seem the real driving force behind Gaga's meteoric rise to fame is her hand-picked cadre of costume and set designers—dubbed

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in Boston and said that "Throughout the evening, Gaga aimed for a kind of pop theatricality that might potentially cement her burgeoning status as performance artist."

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reviewed the concert at San Diego and said that " powered through and turned the San Diego Sports Arena into a raucous, delightfully raw discotheque." Writing for the

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was impressed with the show, saying that the music was somewhere between industrial disco and house music with a rock edge, but "always danceable". Philip Borof from

894:" while scaling various pieces of scaffolding and subsequently "The Fame" where she rose from beneath the stage and played her keytar Emma, wearing a giant red cape. 9590: 9043: 6503: 1459:

A video album was released for the special and includes extra footage like a capella performances and photo gallery. The 5.1 surround sound of the release utilized

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How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda

7664: 1350:. Gaga announced on the rescheduled show at Elliott Hall of Music on January 26, 2010, that about US$ 500,000 was collected for the relief. At the 2010 8893: 5655: 1347: 1198:, Craig S. Semon was appreciative of the show, calling it "an out-of-this-world blast and end-of-the-world blow-out that must be seen to be believed." 5912: 5810: 939:" is performed with Gaga singing with a hand microphone and wearing a plastic two-piece ensemble and during the bridge, she performs an organ solo of 7724: 6819: 8925: 6692: 9578: 9317: 7029: 6669: 7440: 7413: 7186: 7156: 7098: 5622: 7876: 5719: 5688: 7823: 7121: 6387: 6147: 6119: 5999: 5885: 5780: 7209: 9571: 9449: 7911: 6885: 4382: 1099:

writer Ann Powers avouched that the tour was "an invigoratingly ambitious show, executed with vigor by its star and her expressive dancers."

468:, who introduced the "Free I.P." program which offered free show tickets to fans who volunteered their time to homeless youth organizations. 367: 267: 193: 7668: 9931: 9841: 6071: 7607: 6273: 5569: 9936: 7933: 7480: 6758: 1748:

List of concerts, showing date, city, country, venue, opening act, tickets sold, number of available tickets and amount of gross revenue

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This score data is combined from the three shows held at the Sydney Entertainment Centre on March 17, March 18, and April 7 respectively

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said that "During her 90-minute performance—not so much a live concert as a meticulously choreographed spectacle—Lady Gaga also evoked

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This set list is representative of the show on November 28, 2009. It does not represent all concerts for the duration of the tour.

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How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States

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Backing vocals – Posh, Charity Davis, Ameera Perkins, Lenesha Randolph, Taneka Samone Duggan, Chevonne Ianuzzi, and Jasmine Morrow

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This set list is representative of the show on August 11, 2010. It does not represent all concerts for the duration of the tour.

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filmed a special of The Monster Ball Tour during Gaga's February 21–22, 2011 shows at Madison Square Garden. The special, titled

6417: 4054: 947:. After the end of the song, she creates a monster paw with her dancers and finally the show is over as the curtain goes down. 321:

ultimately grossed an estimated US$ 227.4 million from 203 reported shows, attended by an audience of 2.5 million. At the 2010

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This score data is combined from the two shows held at the Knight Center on December 31, 2009 and January 2, 2010 respectively

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676 sunglasses and wearing a gyroscope around her called "The Orbit", which she first wore on the October 3, 2009, episode of

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felt that the show would have been better technically if around thirty minutes were lessened from it. James Montogomery from

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This score data is combined from the three shows held at the Rod Laver Arena on March 23, March 24, and April 9 respectively

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Costume Design – Haus of Gaga with Franc Fernandez, Gary Card, Maison Martin Margiela, Miguel Villalobos, Oscar O Lima and

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The tour received positive reviews, with critics praising Gaga's live vocals, musicianship, and the theatrics of the show.

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radio station, Gaga further elaborated on the changes in the show. She said that the show was constructed like a piece of

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Both shows in Paris were originally scheduled for October 22 and 23, 2010, but were rescheduled due to security measures.

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in collaboration with Gaga's own creative production company, Haus of Gaga. The tour's sponsor of the American leg was

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estimated that by the time the tour wraps up in 2011, it would have grossed close to US$ 200 million worldwide.

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During the first performance in Saint Paul, Lady Gaga performed one of her unreleased songs, "Living on the Radio".

9002: 9916: 9881: 9876: 7845: 7698: 6455: 2784: 1594: 812: 745:, Gaga appeared in a bulb-covered futuristic silver jeweled jumpsuit with matching eye makeup and mask and sang " 378:. Shortly afterwards, the tour was officially cancelled without any explanation. Gaga addressed the situation at 7060: 5327:

Dancers – Michael Silas, Ian McKenzie, Asiel Hardison, Graham Breitenstein, Montana Efaw, Sloan Taylor-Rabinor,

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During the performance of "Paper Gangsta" on the original show, Gaga strapped her dancers to a dentist's chair (

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was also a commercial success, with high demand for tickets creating multiple-date extensions to the itinerary.

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The section was followed by a video interlude featuring snarling dogs and brooding ravens. The performance of "

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The original version of the tour received generally positive reviews from critics. Jane Stevenson from

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this tour, she was unsure if she could get a show together in time, but nevertheless wanted to promote

512:) had Gaga coming out from a white cube, while "Boys Boys Boys" was performed in a red leather bikini ( 266:

Described as "the first-ever pop electro opera" by Gaga, the tour was announced in October 2009, after

7178: 253:(2009), the concert was comprised largely of songs from that recording as well as Gaga's debut album, 9501: 8930: 7359: 6857: 5723: 3829: 3761: 3250: 2141: 1897: 1209: 7125: 6391: 6151: 6003: 5889: 5784: 328:, Gaga won the Breakthrough Performer Award as well as the Concert Marketing & Promotion Award. 9685: 9564: 9465: 9381: 7213: 3403: 2185: 1515: 765: 728: 7502: 7239: 9696: 9663: 9413: 9202: 7660: 6730: 6316:"Live Review: Lady Gaga Brings Her Pop Theatricality to Boston in First U.S. 'Monster Ball' Show" 4735: 3844: 3834: 2540: 2315: 2206: 1921: 1717: 1069:

with her interminable between-song monologues highlighted by four-letter squelches and—who else?—

1053: 768:" began with Gaga emerging in a black feathered jacket and performing dance moves reminiscent of 3087: 9296: 7818: 7599: 6624: 6278: 5552: 5532: 5459:

Originally scheduled for January 14, 2010, but was postponed due to exhaustion and dehydration.

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and found it average, calling the crowd decked in various costumes as the "most entertaining".

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The show in Budapest was interrupted with Gaga's acceptance speeches when she accepted her

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of the first song "Dance in the Dark". The full concert is available to watch on YouTube.

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Credits and personnel as per The Monster Ball Tour (original and revised show) booklets.

5129: 4884: 4772: 3647: 2845: 2555: 2532: 2379: 1986: 1460: 1444: 1360: 1173: 456: 1148:), while on the revamped show, she took a bath in a fountain, reminiscent of the one at 1093:' look like county fair carnivals, and made New Year's Eve in Las Vegas anticlimactic." 585: 9770: 9679: 9460: 9444: 9395: 9195: 7907: 7603: 6799: 5946: 5660: 5108: 4934: 4295: 3676: 3600: 3063: 2222: 1892: 1131: 1105: 784:", after which she removed the feathered dress. Gaga then started performing the song " 545: 216: 7997: 7973: 5942: 906: 535:

The show revolved around themes of evolution, as well as her paranoias represented on

495: 9723: 9475: 9075: 7904:"Watch Lady Gaga Perform 'Born This Way' On Her Monster Ball Tour For The First Time" 6988: 6763: 6034: 5113: 5092: 4586: 4163: 4106: 3745: 3373: 2850: 1543: 1494: 1487: 1242: 1095: 974: 789: 750: 746: 544:

for the tour, which according to Gaga was "another level from where we were with the

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trophies via live satellite as the award show was at the same time as the concert.

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as the backdrops featured a black bird's wings. She continued with two songs from

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performs "Teeth", while introducing her band. Gaga and her friends then find the

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She returned to the stage while wearing multiple donned braided extensions for "

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and Lady Gaga initially planned to launch a joint tour in October 2009, known as

6187: 5331:, Molly d'Amour, Mark Kanemura, Jeremy Hudson, Cassidy Noblett, and Victor Rojas 987:). On the revamped show, Gaga was covered in fake blood for the performance of " 965: 917:" in some of the shows; the song was later added to Gaga's second studio album, 723:

In the original show, "Fashion" was performed in a gold, Egyptian-style outfit (

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and forth is the centerpiece of her Monster Ball Tour." Dan Aquilante from the

1062: 886: 714: 283: 7794: 6660:"Lady Gaga's concert at Madison Square Garden is a nod to expressionism, 'Oz'" 4191: 1346:

The ticket money from the final performance at Radio City was donated for the

1144:" on the original show portrayed sexual innuendo between Gaga and her dancer ( 9785: 9729: 9717: 8898: 7746: 6498: 6422: 6354: 5627: 5010: 4929: 4777: 4529: 4132: 4080: 3908: 3429: 3388: 3383: 2742: 2418: 2279: 1952: 1866: 1187: 1085: 1066: 1040: 1033: 678: 524: 427: 244: 8021: 1162:

The revamped concerts were also met with critical acclaim. Mark Savage from

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on May 21, 2011, in the United States and the United Kingdom respectively.

1392: 1330: 1249: 1223: 1027: 797: 540: 461: 446: 236: 1707:"Brown Eyes" was removed from the set list after the show on July 2, 2010. 1122: 486: 28: 9637: 7383:"Lady Gaga's Monster Ball Tour Breaks Record for Debut Headlining Artist" 7235: 6790: 6581: 6234: 5913:"Lady Gaga Fights Madonna, Debuts "Bad Romance" on "Saturday Night Live"" 5855:"Inside The Monster Ball: Lady Gaga Reveals Plans for Ambitious New Tour" 5592:"Lady Gaga's Monster Ball Tour Breaks Record for Debut Headlining Artist" 5219: 5190: 4709: 4127: 3605: 3584: 3034: 3003: 2978: 2580: 2575: 2061: 2025: 1794: 1601: 1411: 1367: 1326: 1317: 1271: 1100: 1003: 816: 5943:"Virgin Mobile USA to present 2009/2010 Monster Ball Starring Lady Gaga" 841: 263:

is the highest-grossing tour for a debut headlining artist in history.

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The top grosser of The Monster Ball Tour were the two concerts at the

611:) decked in a nun's habit, and dancing inside a subway coach. During " 340:

in New York City; interspersed with backstage footage and interviews,

9642: 9218: 7056: 6984:"Review: Lady Gaga proved she's a spectacle with soul in Tacoma show" 5416: 4328: 4258: 3849: 3813: 3697: 3325: 3229: 3174: 2983: 2896: 2721: 2661: 2609: 2434: 2356: 2201: 2010: 1981: 1913: 1423: 303: 240: 180: 50: 7574:"Lady Gaga Presents the Monster Ball Tour: At Madison Square Garden" 7539:"Lady Gaga Presents The Monster Ball Tour: At Madison Square Garden" 7091:"Lady Gaga's 'Monster Ball' to Gross Nearly $ 200 Million Worldwide" 5321:

Promoters – Live Nation Global Touring (Worldwide) and AEG Live (UK)

4232: 4122: 9420: 9266: 7691:"DVD Musicali: Classifica settimanale dal 21/11/2011 al 27/11/2011" 7503:"Lady Gaga Presents the Monster Ball Tour at Madison Square Garden" 7471: 6116:"Lady Gaga Goes The Distance At Montreal Monster Ball Tour Kickoff" 6000:"Lady Gaga Plans To Battle Her 'Monsters' During Monster Ball Tour" 5224: 4353: 4044: 3864: 3642: 2871: 2758: 2716: 2690: 2570: 2491: 1799: 1784: 1501: 1294: 793: 754: 604: 569: 442: 438: 298: 255: 9558: