31:
169:. These “painted sculptures” of Adam and Eve cast shadows to their proper left and the front panel is painted to appear to reflect a candle that would be placed on the altar in front of this altarpiece. The pedestals in which the “sculptures” stand protrude toward the viewer, appearing three-dimensional and including the viewer in their realm.
202:. The columns in the center image also host portrayals of figures painted as if sculpture on the capitals: on the left a man with a sword raised to decapitate a character and another man above the capital on the right column a character who has just decapitated the head of a character. These images are depicting sacrifice:
180:
Although the design is continuous, the characters depicted on the inner left and right-hand panels are not quite in the same picture space as the central group, though they share the architectural setting. This is because, most unusually, the side-panels are unframed, and there is a frame around the
206:
being stopped by an angel before sacrificing his only son Jacob on the left and on the right, Jephthah (“the fool”) who sacrificed his daughter because of a promise to sacrifice the first person he saw when he returned to his city, despite being saddened to be greeted by his own daughter upon that
176:
and the Christ child and angels, central figures of the
Christian religion. Connecting the three scenes of the inner view are not only the floor tiles, blue sky and continuous landscape but also the repetition of the architectural arch motif and the balustrade with tracery at the top of the image.
189:
When the triptych panels are closed Adam and Eve, subjects of “The
Original Sin” are portrayed on the outer left hand (Adam) and right hand (Eve) panels of the triptych. When the triptych panels are opened images immediately recognizable to anyone viewing this in the 16th century showing the
798:
91:
there is yet another triptych believed to have been painted by this master with the Virgin with the Child and Angels, and with St John the
Baptist and St john the Evangelist in the side panels.
247:
157:
in another altarpiece - such borrowings being very common in Early
Netherlandish art. The external panels are decorated with paintings intended to appear as sculpture depicting
344:
244:
75:, c. 1504, probably the side-wing of another triptych. It is dateable by the stage of progress reached in the construction of the new tower of
788:
118:
or three-paneled form, by the master and probably painted around 1500 A.D. The work is named after an earlier owner, the
British collector
707:
615:
337:
778:
869:
773:
362:
330:
17:
620:
275:
30:
605:
303:
Robinson, Nancy; Toledo Museum of Art docent class of 2007 detail captured from lecture Larry
Nichols, Curator from The
650:
610:
600:
818:
712:
595:
99:
houses a small panel painting with an
Adoration of the Shepherds (ABM s355) that is attributed to the master.
697:
625:
88:
630:
783:
635:
353:
224:
874:
662:
645:
72:
190:
enthroned Virgin Mary accompanied with the Christ child and two angels. On the inner left-hand panel
130:, United States. The painting is not to be confused with a modern work of the same name celebrating
848:
803:
92:
80:
317:
172:
The panels open to reveal a landscape in the background and in the central panel an image of the
47:
682:
540:
843:
550:
545:
460:
67:
813:
808:
530:
322:
304:
153:, with the addition of the lute-playing angel. The new composition, in turn, was copied by
123:
8:
838:
793:
425:
195:
207:
return. “Sacrifice and
Salvation” are portrayed by the open prospect of the triptych.
823:
590:
490:
485:
381:
828:
702:
585:
580:
575:
535:
410:
76:
692:
677:
555:
475:
405:
395:
191:
390:
570:
560:
520:
495:
480:
465:
440:
435:
415:
251:
119:
279:
833:
505:
154:
863:
515:
500:
445:
430:
375:
166:
565:
525:
510:
470:
455:
450:
420:
400:
150:
131:
127:
79:
in the background, a typical exhibition of civic pride. A triptych in the
59:
668:
173:
141:
The work loosely repeats the composition of an earlier triptych, now in
111:
757:
687:
135:
742:
263:
115:
83:(NG 1085) has been suggested as another work by the artist. In
752:
732:
203:
199:
96:
51:
737:
194:
with his attribute of a lamb and on the inner right-hand panel
142:
84:
747:
352:
158:
162:
861:
254:, though the attribution is not mentioned here.
338:
708:Master of the Amsterdam Death of the Virgin
616:Master of the Legend of St. Ursula (Bruges)
62:, United States, which is described below.
345:
331:
102:
29:
14:
862:
54:around 1500-1510. He is named for the
326:
789:Arts in the court of Philip the Good
779:Works by Early Netherlandish masters
621:Master of the Legend of the Magdalen
606:Master of the Legend of St. Barbara
24:
799:Members of the Guild of Saint Luke
611:Master of the Legend of Saint Lucy
25:
886:
601:Master of the Embroidered Foliage
311:
65:The same master is attributed an
651:Master of the View of Ste-Gudule
46:is the name given to an unknown
713:Master of the Figdor Deposition
641:Master of the Morrison Triptych
596:Master of the Antwerp Adoration
44:Master of the Morrison Triptych
268:
257:
238:
217:
184:
13:
1:
698:Jacob Cornelisz van Oostsanen
626:Master of the Lille Adoration
89:Museu Nacional de Arte Antiga
870:Early Netherlandish painters
774:Early Netherlandish painting
636:Master of the Mansi Magdalen
71:with donor portrait, in the
7:
278:. Codart.nl. Archived from
27:Early Netherlandish painter
10:
891:
646:Master of the Prodigal Son
631:Master of the LĂĽbeck Bible
297:
73:Philadelphia Museum of Art
819:Netherlandish Renaissance
766:
725:
659:
372:
361:
849:Nativity of Jesus in art
210:
93:Museum Catharijneconvent
81:National Gallery, London
354:Early Netherlandish art
683:Geertgen tot Sint Jans
541:Vrancke van der Stockt
165:, characters from the
39:
38:, Toledo Museum of Art
844:Adoration of the Magi
551:Rogier van der Weyden
546:Goswin van der Weyden
108:The Morrison Triptych
103:The Morrison Triptych
68:Adoration of the Magi
33:
18:The Morrison Triptych
814:Northern Renaissance
809:International Gothic
688:Jan Joest van Calcar
663:Northern Netherlands
660:Active mainly in the
531:Aert van den Bossche
376:Southern Netherlands
373:Active mainly in the
305:Toledo Museum of Art
124:Toledo Museum of Art
122:, and is now in the
839:Ghent-Bruges school
794:Guild of Saint Luke
666:(mostly present-day
426:Melchior Broederlam
379:(mostly present-day
363:Early Netherlandish
196:John the Evangelist
48:Early Netherlandish
824:Northern Mannerism
784:Flemish Primitives
591:Master of Affligem
491:Cornelis Liefrinck
486:Adriaen Isenbrandt
250:2011-06-10 at the
147:St John Altarpiece
50:painter active in
40:
875:Anonymous artists
857:
856:
829:Antwerp Mannerism
804:Netherlandish art
721:
720:
703:Master of Alkmaar
586:Jacob van Utrecht
581:Bernard van Orley
576:Lieven van Lathem
536:Hugo van der Goes
411:Lancelot Blondeel
227:. Philamuseum.org
77:Antwerp Cathedral
56:Morrison Triptych
36:Morrison Triptych
16:(Redirected from
882:
693:Lucas van Leyden
678:Hieronymus Bosch
556:Jan van Dornicke
476:Gerard Horenbout
406:Ambrosius Benson
396:Alexander Bening
370:
369:
356:(c. 1420s–1530s)
347:
340:
333:
324:
323:
291:
290:
288:
287:
272:
266:
261:
255:
245:National Gallery
242:
236:
235:
233:
232:
221:
192:John the Baptist
21:
890:
889:
885:
884:
883:
881:
880:
879:
860:
859:
858:
853:
762:
717:
667:
665:
661:
655:
571:Justus van Gent
561:Hubert van Eyck
521:Joachim Patinir
496:Lambert Lombard
481:Lucas Horenbout
466:Colijn de Coter
441:Pierre Coustain
436:Petrus Christus
380:
378:
374:
364:
357:
351:
314:
300:
295:
294:
285:
283:
274:
273:
269:
262:
258:
252:Wayback Machine
243:
239:
230:
228:
223:
222:
218:
213:
187:
181:central panel.
120:Alfred Morrison
105:
28:
23:
22:
15:
12:
11:
5:
888:
878:
877:
872:
855:
854:
852:
851:
846:
841:
836:
834:Antwerp school
831:
826:
821:
816:
811:
806:
801:
796:
791:
786:
781:
776:
770:
768:
764:
763:
761:
760:
755:
750:
745:
740:
735:
729:
727:
723:
722:
719:
718:
716:
715:
710:
705:
700:
695:
690:
685:
680:
674:
672:
657:
656:
654:
653:
648:
643:
638:
633:
628:
623:
618:
613:
608:
603:
598:
593:
588:
583:
578:
573:
568:
563:
558:
553:
548:
543:
538:
533:
528:
523:
518:
513:
508:
506:Quentin Matsys
503:
498:
493:
488:
483:
478:
473:
468:
463:
458:
453:
448:
443:
438:
433:
428:
423:
418:
413:
408:
403:
398:
393:
387:
385:
367:
359:
358:
350:
349:
342:
335:
327:
321:
320:
313:
312:External links
310:
309:
308:
307:- January 2008
299:
296:
293:
292:
267:
256:
237:
225:"Philadelphia"
215:
214:
212:
209:
198:with his of a
186:
183:
155:Joos van Cleve
104:
101:
26:
9:
6:
4:
3:
2:
887:
876:
873:
871:
868:
867:
865:
850:
847:
845:
842:
840:
837:
835:
832:
830:
827:
825:
822:
820:
817:
815:
812:
810:
807:
805:
802:
800:
797:
795:
792:
790:
787:
785:
782:
780:
777:
775:
772:
771:
769:
765:
759:
756:
754:
751:
749:
746:
744:
741:
739:
736:
734:
731:
730:
728:
724:
714:
711:
709:
706:
704:
701:
699:
696:
694:
691:
689:
686:
684:
681:
679:
676:
675:
673:
670:
664:
658:
652:
649:
647:
644:
642:
639:
637:
634:
632:
629:
627:
624:
622:
619:
617:
614:
612:
609:
607:
604:
602:
599:
597:
594:
592:
589:
587:
584:
582:
579:
577:
574:
572:
569:
567:
564:
562:
559:
557:
554:
552:
549:
547:
544:
542:
539:
537:
534:
532:
529:
527:
524:
522:
519:
517:
516:Jan de Molder
514:
512:
509:
507:
504:
502:
501:Simon Marmion
499:
497:
494:
492:
489:
487:
484:
482:
479:
477:
474:
472:
469:
467:
464:
462:
459:
457:
454:
452:
449:
447:
446:Jacques Daret
444:
442:
439:
437:
434:
432:
431:Robert Campin
429:
427:
424:
422:
419:
417:
416:Aelbert Bouts
414:
412:
409:
407:
404:
402:
399:
397:
394:
392:
391:LuĂs Alimbrot
389:
388:
386:
383:
377:
371:
368:
366:
360:
355:
348:
343:
341:
336:
334:
329:
328:
325:
319:
316:
315:
306:
302:
301:
282:on 2016-03-03
281:
277:
271:
265:
260:
253:
249:
246:
241:
226:
220:
216:
208:
205:
201:
197:
193:
182:
178:
175:
170:
168:
167:Old Testament
164:
160:
156:
152:
148:
144:
139:
137:
133:
129:
125:
121:
117:
113:
109:
100:
98:
94:
90:
86:
82:
78:
74:
70:
69:
63:
61:
57:
53:
49:
45:
37:
32:
19:
726:Main centres
640:
566:Jan van Eyck
526:Jan Provoost
511:Hans Memling
471:Jan Gossaert
456:Jean Delemer
451:Gerard David
421:Dieric Bouts
401:Simon Bening
284:. Retrieved
280:the original
270:
259:
240:
229:. Retrieved
219:
188:
179:
171:
151:Hans Memling
146:
140:
132:Jim Morrison
128:Toledo, Ohio
107:
106:
66:
64:
60:Toledo, Ohio
55:
43:
41:
35:
669:Netherlands
461:Jan de Beer
318:Large image
185:Iconography
174:Virgin Mary
864:Categories
286:2012-12-18
231:2012-12-18
112:altarpiece
758:The Hague
743:Brussels
136:The Doors
58:, now in
276:"CODART"
248:Archived
116:triptych
767:General
753:Tournai
733:Antwerp
382:Belgium
365:artists
298:Sources
204:Abraham
200:chalice
97:Utrecht
52:Antwerp
738:Bruges
149:), by
143:Vienna
110:is an
85:Lisbon
748:Ghent
264:JSTOR
211:Notes
145:(the
161:and
159:Adam
42:The
34:The
163:Eve
134:of
126:in
114:in
95:in
87:'s
866::
138:.
671:)
384:)
346:e
339:t
332:v
289:.
234:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
