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860:. The Legion felt "that a condemnation is necessary in order to put a very definite halt to the effort by producers to introduce nudity into American films." The Legion of Decency's stance was opposed by some Catholic groups, and the National Council of Churches gave the film an award for best picture of the year.
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Tangee. Meanwhile, Rodriguez and a henchman visit the pawnshop, beating and threatening to kill
Nazerman when he refuses to cooperate in the money laundering. In his suicidal despair, he tells them to kill him. Rodriguez promises him that he will die sometime but not immediately, as Nazerman would prefer.
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survivor, and her husband. Numbed and alienated by his experiences, he has trained himself not to show emotion. He describes himself as beyond bitter, viewing the poor people around him as "scum" and "rejects." He acts uninterested and cynical towards his desperate customers and gives them much less
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called it a "remarkable picture" that was "a dark and haunting drama of a man who has reasonably eschewed a role of involvement and compassion in a brutal and bitter world and has found his life barren and rootless as a consequence. It is further a drama of discovery of the need of man to try to do
688:
Steiger became involved in the project in 1962, a year after the
Wallant novel was published, and was involved in an early reworking of the film's script. He received $ 50,000 for his performance, far lower than his usual rate, because he trusted Lumet, with whom he had worked on television in the
661:
turned down the project. Kubrick said he thought
Steiger was not "all that exciting." Reisz, whose parents were murdered in the Holocaust, said that for "deep, personal" reasons he "could not objectively associate himself with any subject which has a background of concentration camps." Zeffirelli,
427:
During the attempted robbery by Tangee's gang, Nazerman refuses to hand over his money. A member of the gang pulls a gun and, in trying to save
Nazerman, Ortiz is shot. The gang flees and Ortiz drags himself out onto the street. Nazerman stumbles out of his shop and silently sobs while Ortiz dies.
423:
he owns and runs. Nazerman recalls his wife's degradation in the concentration camp and tells
Rodriguez he no longer wants to do business with him. He also tells Ortiz that he means nothing to him. Crushed by the comment, Ortiz arranges for the pawnshop to be robbed by a neighborhood gang led by
855:
fully exposed their breasts. The scene with Oliver, who played a prostitute, was intercut with a flashback to the concentration camp, in which
Nazerman is forced to watch his wife (Geiser) and other women raped by Nazi officers. The nudity resulted in a "C" (condemned) rating from the
31:
332:, and was the first film featuring bare breasts to receive Production Code approval. Although it was publicly announced to be a special exception, the controversy proved to be first of similar major challenges to the Code that ultimately led to its abrogation.
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Ortiz's girlfriend tries to pawn jewelry to help fund his plan to open a shop; she offers her body to
Nazerman to make more money, but he rejects her. When she tells him she works for Rodriguez, he realizes that Rodriguez owes much of his wealth to the
711:
was among the performers who had wanted to play
Nazerman. However, Steiger pleasantly surprised Lumet when he agreed with him during rehearsals on the repression of the character's feelings. Lumet felt that ultimately Steiger "worked out fine."
729:, the painting inspired emotional artistic depth again when, in 1964, Steiger borrowed the silent anguish of the skyward cry of the suffering female subject, seen at the right of the canvas. The scene in the film was in the last minutes of
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granted the film an "exception" conditional on "reduction in the length of the scenes which the
Production Code Administration found unapprovable." The exception to the code was granted as a "special and unique case," and was described by
1288:, author Mark Harris wrote that the MPAA's action was "the first of a series of injuries to the Production Code that would prove fatal within three years." The Code was abolished in 1968 in favor of a voluntary ratings system.
871:. The Association initially rejected the scenes showing bare breasts and a sex scene between Sanchez and Oliver, which it described as "unacceptably sex suggestive and lustful." Despite the rejection, Landau arranged for
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at the time as "an unprecedented move that will not, however, set a precedent." The requested reductions of nudity were minimal, and the outcome was viewed in the media as a victory for the film's producers.
612:
wrote that Sol
Nazerman "is very much a person of today—a survivor of Nazi persecution who has become detached and remote in the modern world—he casts, as it were, the somber shadow of the legendary, ageless
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was fired, initially had misgivings about Steiger being cast in the lead role. He felt that Steiger "was a rather tasteless actor—awfully talented, but completely tasteless in his choices." Lumet preferred
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appraisal and money, the only thing he still values. Ortiz refers to Nazerman as his "teacher" but his attempts at friendship are rebuffed. Nazerman is also pursued by Marilyn Birchfield, a neighborhood
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from the viewpoint of a survivor. It earned international acclaim for Steiger, launching his career as an A-list actor. It was among the first American films to feature a
598:(1959). A recent commentator observed that the film "is uniquely American, with its harsh, unforgiving depiction of New York City, all of it brought to vivid life by
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tells the story of a man whose spiritual "death" in the concentration camps causes him to bury himself in the most dismal location that he can find: a slum in upper
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2012:
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essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010
1557:. Rosenblum, the film's editor, complained to Lumet that Lewis' music was "too cerebral" and suggested Jones instead—a suggestion Lumet accepted.
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something for his fellow human sufferers in the troubled world of today." He praised the performances in the film, including the supporting cast.
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in Harlem, where the pawnbroker shop was set at 1642 Park Avenue, near the intersection of Park Ave. and 116th Street. Scenes were also filmed in
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until it was booked into a London theater where it had an enormously successful run. As a result, Landau arranged a distribution deal with the
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913:: "By a magic more mysterious. . . than his always clever makeup, he manages to convince me at once that he is whoever he pretends to be."
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Its display of nudity, despite Production Code prohibitions on the practice at the time, is also viewed as a landmark in motion pictures.
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who lives with his mother and works for Nazerman as his shop assistant. Ortiz's girlfriend is a prostitute who works for Rodriguez, a
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The film was shot in New York City, mainly on location and with minimal sets, in the fall of 1963. Much of the filming took place on
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The film premiered in June 1964 at the Berlin International Film Festival, and was released in the United States in April 1965.
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The film has become known as the first major American film that even tried to recreate the horrors of the camps of the Jewish
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It has been described as "the first stubbornly 'Jewish' film about the Holocaust", and as the foundation for the miniseries
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in an interview during the filming that, "The irony of the film is that he finds more life here than anywhere. It's outside
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was the first film featuring bare breasts to receive Production Code approval. In his 2008 study of films during that era,
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602:'s black and white cinematography and a dynamic cast highlighted by Rod Steiger's searing portrayal of the title role."
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Finding a major U.S. distributor for the film proved difficult because of its nudity and grim subject matter. Producer
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Some Jewish groups urged a boycott of the film, in the view that its presentation of a Jewish pawnbroker encouraged
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Ortiz's body is taken away by ambulance and Nazerman goes back inside. He impales his hand on a receipt spike (a
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1801:
This figure consists of anticipated rentals accruing distributors in North America. See "Top Grossers of 1965",
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2038:"Cinematic Classics, Legendary Stars, Comedic Legends and Novice Filmmakers Showcase the 2008 Film Registry"
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revealed an inspiration he took from an unlikely source of art. Over a quarter of a century after artist
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was "not the kind of subject would wish to direct, certainly not as his first Anglo-American venture."
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1245:, said that scenes of the camps in the film as shown in the documentary were "surprisingly mild."
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The film, and Steiger's performance in particular, was greeted by widespread critical acclaim.
818:", which was used in a scene at a nightclub. That would later be used as the main theme to the
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his favorite film, "by a long shot," in his last television interview on a 2002 episode of
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The Representation of Trauma and Memory in The Pawnbroker by Peter Wilshire
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1964:
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8:
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1578:, but its fine mix of jazz, bossa nova, soul, and vocals still makes it one of his best.
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suburbs, everywhere we show on the screen—that everything is conformist, sterile, dead."
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1987:
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2600:"Dinner For Five S01E04 - Ron Livingston, Kevin Pollak, Sarah Silverman, Rod Steiger"
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1991:
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and was condemned to roam the world a lonely outcast until Jesus should come again."
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to release the film without the Production Code seal, and New York censors licensed
646:, in order to take advantage of financial incentives then available for filmmakers.
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1979:
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2119:
Herbstman, Mandel (April 16, 1965). "Review of New Film: 'The Pawnbroker'".
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who uses the pawnshop as a front. After hours, Nazerman teaches Ortiz about
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Twenty-five years later, Nazerman is haunted by his memories. He operates a
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The film was the first produced entirely in the United States to deal with
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2207:
Pictures at a Revolution: Five Movies and the Birth of the New Hollywood
2139:"As Crowds Watch, 'The Pawnbroker' Goes Into Business in Spanish Harlem"
1239:
review of a 2005 documentary on Hollywood's treatment of the Holocaust,
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who wants to get to know him better, but he keeps her at arm's length.
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89:
2573:"IFC's chat show 'Dinner for Five' worth booking -- with reservations"
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along with his family. He witnesses his two children die and his wife
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without the cuts demanded by Code administrators. On a 6–3 vote, the
868:
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432:) before wandering away from the shop, presumably for the last time.
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1568:'s Stephen Cook noted "This soundtrack to Sidney Lumet's 1964 film
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of the inner city residents as pimps, prostitutes or drug addicts.
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then a stage director, was anxious to direct a film, but said that
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as being "culturally, historically, or aesthetically significant".
2275:
When the Shooting Stops, the Cutting Begins: A Film Editor's Story
833:
When the Shooting Stops, the Cutting Begins: A Film Editor's Story
30:
3063:
2604:
2065:
Unbecoming Blackness: The Diaspora Cultures of Afro-Cuban America
1572:
might not rate with such other Quincy Jones celluloid efforts as
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considered Brock Peters the first actor to portray a confirmed
643:
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in his feature film debut. The screenplay was an adaptation by
2379:
2231:
Byron, Stuart (August 9, 1967). "Homo Theme 'Breakthrough'".
622:
618:
1653:
Orchestra arranged and conducted by Quincy Jones featuring:
843:
The film was controversial on initial release for depicting
2465:
372:
368:
1965:"Hollywood and the Holocaust: Remembering The Pawnbroker"
1819:"Hollywood and the Holocaust: Remembering The Pawnbroker"
2404:"Rod Steiger, Oscar-Winning Character Actor, Dies at 77"
398:
Nazerman is idolized by Jesus Ortiz, an ambitious young
1541:
The film score was composed, arranged and conducted by
2272:
1095:
Outstanding Directorial Achievement in Motion Pictures
2299:"The 38th Academy Awards (1966) Nominees and Winners"
1582:
is a must for both Jones fans and film music buffs".
642:
The film initially was considered for production in
390:
housing tract with his sister-in-law, who is also a
339:was selected for preservation in the United States
2833:
1865:
1863:
903:magazine praised Steiger's "endless versatility."
582:website, it has some similarities to two films of
814:composed the soundtrack for the film, including "
3430:
2658:Mercury 20000 Series B (61000-61099) discography
1872:"Imaginary Witness: Hollywood and The Holocaust"
1549:label in 1965. Initially, Lumet planned to hire
1860:
1545:, and the soundtrack album was released on the
1334:
3014:King: A Filmed Record... Montgomery to Memphis
2628:The Pawnbroker (Original Motion Picture Score)
2161:
2159:
2132:
2130:
838:
788:
781:(with both interior and exterior shots of the
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831:, and is extensively discussed in his book
3529:United States National Film Registry films
2826:
2812:
2515:"1965 New York Film Critics Circle Awards"
1889:
1347:
29:
2488:"Complete National Film Registry Listing"
2263:
2118:
2013:"Complete National Film Registry Listing"
947:
863:The scenes resulted in conflict with the
2616:
2273:Rosenblum, Ralph; Karen, Robert (1979).
2188:
2165:
1181:
1136:
1072:
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785:apartments which were new at the time).
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673:
1958:
1956:
1954:
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2136:
2094:"A major talent, for heaven and earth"
1952:
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1934:
1112:Best Actor in a Motion Picture – Drama
3469:American International Pictures films
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881:Motion Picture Association of America
865:Motion Picture Association of America
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1962:
1910:
1816:
892:
698:Lumet, who took over the film after
2210:. Penguin Group. pp. 173–176.
2137:Archer, Eugene (November 3, 1963).
1931:
1170:New York Film Critics Circle Awards
1029:FIPRESCI Award – Honorable Mention
632:
395:than their pawned goods are worth.
363:university professor, is sent to a
13:
3335:Hans Brinker and the Silver Skates
3304:Before the Devil Knows You're Dead
2249:"Release Dates for The Pawnbroker"
1913:"The Pawnbroker: Overview Article"
995:Berlin International Film Festival
940:. Black groups felt it encouraged
761:meet with hoodlums at a night club
386:slum while living in an anonymous
14:
3555:
2715:
2646:Soundtrack Collector: album entry
2439:Directors Guild of America Awards
2402:Severo, Richard (July 10, 2002).
1590:All compositions by Quincy Jones
1511:
1090:Directors Guild of America Awards
2461:"The Pawnbroker – Golden Globes"
1585:
1530:
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1153:National Film Preservation Board
715:In a 1999 television interview,
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2608:. July 16, 2012. Archived from
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2426:
2367:
2341:
2324:"Berlinale 1964: Prize Winners"
2316:
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2112:
1200:Writers Guild of America Awards
745:character in an American film.
707:for the role, and the comedian
578:. According to a review on the
537:
375:officers before she is killed.
172:American International Pictures
3514:Films shot in New York (state)
3484:Films directed by Sidney Lumet
3479:Films based on American novels
3459:American black-and-white films
2086:
2055:
2030:
2005:
1870:Gates, Anita (April 5, 2005).
1810:
1795:
1773:List of American films of 1964
1745:The Don Elliott Voices, vocal.
1642:Additional track on CD reissue
1624:"How Come, You People!" − 2:57
1621:(Instrumental Version)" − 4:07
1553:, the musical director of the
1141:Top Male Dramatic Performance
929:One negative review came from
869:Motion Picture Production Code
637:
1:
3499:Films set in New York (state)
2924:Long Day's Journey into Night
2636:. Retrieved January 17, 2018.
2355:(in Danish). October 19, 2015
1788:
563:, office buildings, even the
3544:American LGBTQ-related films
3534:1960s English-language films
3494:Films scored by Quincy Jones
3489:Films produced by Ely Landau
3474:Films about Jews and Judaism
3084:Murder on the Orient Express
3024:Last of the Mobile Hot Shots
2520:New York Film Critics Circle
2375:"BAFTA Awards: Film in 1967"
1647:
1560:
1335:Musical score and soundtrack
1220:
1164:
1121:
1101:
1052:
989:
808:, and it opened in the U.S.
474:- Mrs. Ortiz (Jesus' mother)
7:
3519:Films shot in New York City
2660:, accessed January 17, 2018
1766:
1273:, hosted by actor/director
1205:Best Written American Drama
1058:British Academy Film Awards
839:Production Code controversy
789:Post-production and release
10:
3560:
3504:Films set in New York City
3134:Just Tell Me What You Want
2578:Seattle Post-Intelligencer
2277:. New York: Viking Adult.
1471:Quincy Plays for Pussycats
1291:
858:Catholic Legion of Decency
748:
669:
3509:Films shot in Connecticut
3365:The Count of Monte Cristo
3315:
2864:
2842:
2648:accessed January 17, 2018
2251:. Internet Movie Database
2070:New York University Press
1963:Leff, Leonard J. (1996).
1817:Leff, Leonard J. (1996).
1614:"Ortiz' Night Off" − 5:00
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867:, which administered the
501:Nancy R. Pollock – Bertha
258:, over $ 4 million global
250:
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35:Theatrical release poster
28:
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16:1964 film by Sidney Lumet
3454:1964 LGBTQ-related films
3264:Night Falls on Manhattan
2546:Writers Guild of America
1611:"The Naked Truth" − 4:08
1575:In the Heat of the Night
1286:Pictures at a Revolution
800:had the same problem in
201:April 20, 1965
2062:Lopez, Antonio (2012).
1972:American Jewish History
1919:. Turner Classic Movies
1826:American Jewish History
1778:List of Holocaust films
1679:, alto sax, tenor sax;
827:The film was edited by
617:. That is the mythical
435:
350:
2914:A View from the Bridge
2855:Awards and nominations
2733:National Film Registry
2068:. New York, New York:
1807:, January 5, 1966 p 36
1730:, acoustic double bass
1158:National Film Registry
1046:Best Non-European Film
948:Awards and nominations
762:
685:
341:National Film Registry
307:novel of the same name
2612:on February 26, 2013.
2414:on September 10, 2014
2204:Harris, Mark (2008).
1984:10.1353/ajh.1996.0045
1838:10.1353/ajh.1996.0045
1748:Marc Allen (track 1)
1608:"Harlem Drive" − 1:56
1078:United Nations Award
756:
677:
580:Turner Classic Movies
574:to reveal Nazerman's
3539:1960s American films
3464:American drama films
3395:Sacco-Vanzetti Story
2704:(from Meeker, David
2100:. September 28, 2007
1760:- dialogue (track 7)
1695:, piano, tracks 1-10
1630:"Death Scene" − 5:04
1627:"Rack 'Em Up" − 2:40
1486:Professional ratings
1254:(1978) and the film
450:– Marilyn Birchfield
448:Geraldine Fitzgerald
311:Edward Lewis Wallant
283:Geraldine Fitzgerald
104:Geraldine Fitzgerald
76:Edward Lewis Wallant
3244:A Stranger Among Us
2693:Library of Congress
2675:Library of Congress
2625:Cook, Stephen.
2552:on December 5, 2012
2493:Library of Congress
2042:Library of Congress
2017:Library of Congress
1857:See page 11 of PDF.
1754:(track 11) − vocals
1605:"Main Title" − 3:42
1555:Modern Jazz Quartet
1487:
1263:Rod Steiger called
1107:Golden Globe Awards
847:in which actresses
595:Hiroshima mon Amour
505:Raymond St. Jacques
345:Library of Congress
269:is a 1964 American
3449:1964 controversies
3355:Three by Tennessee
3345:All the King's Men
3144:Prince of the City
3034:The Anderson Tapes
2894:That Kind of Woman
2834:Films directed by
2756:TCM Movie Database
2408:The New York Times
2175:The New York Times
2169:(April 21, 1965).
2143:The New York Times
1876:The New York Times
1783:List of hood films
1633:"End Title" − 3:04
1485:
1063:Best Foreign Actor
942:racial stereotypes
886:The New York Times
763:
757:Thelma Oliver and
686:
552:The New York Times
365:concentration camp
359:, Sol Nazerman, a
3426:
3425:
3405:100 Centre Street
3385:The Iceman Cometh
3325:Beyond This Place
3204:The Morning After
3094:Dog Day Afternoon
2984:Bye Bye Braverman
2974:The Deadly Affair
2904:The Fugitive Kind
2434:"18th DGA Awards"
2284:978-0-670-75991-0
2217:978-1-59420-152-3
2079:978-0-8147-6549-4
1643:
1539:
1538:
1483:
1482:
1479:
1478:
1424:
1423:MG 21011/SR 61011
1380:February 20, 1965
1242:Imaginary Witness
1224:
1223:
893:Critical reaction
806:Rank Organisation
775:Jericho, New York
659:Franco Zeffirelli
519:– Man on Street (
262:
261:
257:
3551:
3444:1964 drama films
3419:
3409:
3399:
3389:
3379:
3369:
3359:
3349:
3339:
3329:
3308:
3298:
3288:
3278:
3268:
3258:
3248:
3238:
3228:
3218:
3214:Running on Empty
3208:
3198:
3188:
3178:
3168:
3158:
3148:
3138:
3128:
3118:
3108:
3098:
3088:
3078:
3068:
3058:
3048:
3038:
3028:
3018:
3008:
2998:
2988:
2978:
2968:
2958:
2948:
2938:
2928:
2918:
2908:
2898:
2888:
2878:
2857:
2850:
2828:
2821:
2814:
2805:
2804:
2798:, pages 611-613
2709:
2703:
2701:
2699:
2689:"The Pawnbroker"
2685:
2679:
2678:
2671:"The Pawnbroker"
2667:
2661:
2655:
2649:
2643:
2637:
2623:
2614:
2613:
2596:
2590:
2589:
2587:
2585:
2571:Levesque, John.
2568:
2562:
2561:
2559:
2557:
2548:. Archived from
2542:"Awards Winners"
2538:
2532:
2531:
2529:
2527:
2511:
2505:
2504:
2502:
2500:
2484:
2478:
2477:
2475:
2473:
2457:
2451:
2450:
2448:
2446:
2430:
2424:
2423:
2421:
2419:
2410:. Archived from
2399:
2393:
2392:
2390:
2388:
2371:
2365:
2364:
2362:
2360:
2345:
2339:
2338:
2336:
2334:
2320:
2314:
2313:
2311:
2309:
2295:
2289:
2288:
2270:
2261:
2260:
2258:
2256:
2245:
2239:
2238:
2228:
2222:
2221:
2201:
2186:
2185:
2183:
2181:
2171:"The Pawnbroker"
2167:Crowther, Bosley
2163:
2154:
2153:
2151:
2149:
2134:
2125:
2124:
2116:
2110:
2109:
2107:
2105:
2090:
2084:
2083:
2059:
2053:
2052:
2050:
2048:
2034:
2028:
2027:
2025:
2023:
2009:
2003:
2002:
2000:
1998:
1969:
1960:
1929:
1928:
1926:
1924:
1911:Stafford, Jeff.
1908:
1887:
1886:
1884:
1882:
1867:
1858:
1856:
1854:
1852:
1823:
1814:
1808:
1799:
1687:Toots Thielemans
1641:
1636:"Theme from the
1535:
1534:
1533:
1529:
1528:
1524:
1523:
1519:
1518:
1514:
1513:
1488:
1484:
1448:
1447:
1422:
1408:
1407:
1403:
1357:Soundtrack album
1351:
1339:
1338:
1329:
1320:
1311:
1302:
1257:Schindler's List
952:
951:
633:Production notes
561:housing projects
478:Marketa Kimbrell
255:
208:
206:
193:
191:
33:
21:
20:
3559:
3558:
3554:
3553:
3552:
3550:
3549:
3548:
3524:Holocaust films
3429:
3428:
3427:
3422:
3412:
3402:
3392:
3382:
3372:
3362:
3352:
3342:
3332:
3322:
3311:
3301:
3291:
3281:
3271:
3261:
3251:
3241:
3231:
3224:Family Business
3221:
3211:
3201:
3191:
3181:
3171:
3161:
3151:
3141:
3131:
3121:
3111:
3101:
3091:
3081:
3071:
3061:
3051:
3041:
3031:
3021:
3011:
3004:The Appointment
3001:
2991:
2981:
2971:
2961:
2951:
2941:
2931:
2921:
2911:
2901:
2891:
2881:
2871:
2860:
2853:
2846:
2838:
2832:
2778:Rotten Tomatoes
2729:Annette Insdorf
2718:
2713:
2712:
2697:
2695:
2687:
2686:
2682:
2669:
2668:
2664:
2656:
2652:
2644:
2640:
2624:
2617:
2598:
2597:
2593:
2583:
2581:
2569:
2565:
2555:
2553:
2540:
2539:
2535:
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2513:
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2508:
2498:
2496:
2486:
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2442:
2432:
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2427:
2417:
2415:
2400:
2396:
2386:
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2372:
2368:
2358:
2356:
2347:
2346:
2342:
2332:
2330:
2322:
2321:
2317:
2307:
2305:
2297:
2296:
2292:
2285:
2271:
2264:
2254:
2252:
2247:
2246:
2242:
2229:
2225:
2218:
2202:
2189:
2179:
2177:
2164:
2157:
2147:
2145:
2135:
2128:
2117:
2113:
2103:
2101:
2092:
2091:
2087:
2080:
2072:. p. 107.
2060:
2056:
2046:
2044:
2036:
2035:
2031:
2021:
2019:
2011:
2010:
2006:
1996:
1994:
1967:
1961:
1932:
1922:
1920:
1909:
1890:
1880:
1878:
1868:
1861:
1850:
1848:
1821:
1815:
1811:
1800:
1796:
1791:
1769:
1722:Tony Williams,
1719:, electric bass
1675:, soprano sax;
1657:Freddie Hubbard
1650:
1588:
1563:
1531:
1526:
1521:
1516:
1474:
1465:
1456:
1453:I/We Had a Ball
1421:
1405:
1401:
1400:
1364:
1337:
1330:
1321:
1312:
1303:
1294:
1270:Dinner for Five
1229:
1073:
950:
923:Bosley Crowther
895:
841:
829:Ralph Rosenblum
816:Soul Bossa Nova
791:
751:
672:
651:Stanley Kubrick
640:
635:
610:Bosley Crowther
540:
511:Charles Dierkop
498:– Ruth Nazerman
490:Juano Hernández
438:
353:
330:Production Code
219:
212:
204:
202:
189:
187:
180:
163:
156:
154:
136:Ralph Rosenblum
114:
110:
106:
102:
88:
86:
73:
57:
36:
17:
12:
11:
5:
3557:
3547:
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3466:
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3424:
3423:
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3390:
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3370:
3360:
3350:
3340:
3330:
3319:
3317:
3313:
3312:
3310:
3309:
3299:
3294:Find Me Guilty
3289:
3279:
3269:
3259:
3249:
3239:
3229:
3219:
3209:
3199:
3189:
3179:
3169:
3159:
3149:
3139:
3129:
3119:
3109:
3099:
3089:
3079:
3069:
3059:
3049:
3039:
3029:
3019:
3009:
2999:
2989:
2979:
2969:
2959:
2949:
2939:
2934:The Pawnbroker
2929:
2919:
2909:
2899:
2889:
2879:
2868:
2866:
2862:
2861:
2859:
2858:
2851:
2843:
2840:
2839:
2831:
2830:
2823:
2816:
2808:
2802:
2801:
2788:The Pawnbroker
2785:
2780:
2773:The Pawnbroker
2769:
2762:The Pawnbroker
2758:
2751:The Pawnbroker
2747:
2740:The Pawnbroker
2736:
2722:The Pawnbroker
2717:
2716:External links
2714:
2711:
2710:
2706:Jazz on Screen
2680:
2662:
2650:
2638:
2615:
2591:
2563:
2533:
2506:
2479:
2452:
2425:
2394:
2366:
2340:
2315:
2290:
2283:
2262:
2240:
2223:
2216:
2187:
2155:
2126:
2121:The Film Daily
2111:
2085:
2078:
2054:
2029:
2004:
1978:(4): 353–376.
1930:
1888:
1859:
1832:(4): 353–376.
1809:
1793:
1792:
1790:
1787:
1786:
1785:
1780:
1775:
1768:
1765:
1764:
1763:
1762:
1761:
1755:
1749:
1746:
1743:
1740:Ed Shaughnessy
1737:
1731:
1720:
1714:
1711:Dennis Budimir
1708:
1702:
1696:
1690:
1684:
1673:Anthony Ortega
1670:
1664:
1649:
1646:
1645:
1644:
1634:
1631:
1628:
1625:
1622:
1619:The Pawnbroker
1615:
1612:
1609:
1606:
1603:
1596:The Pawnbroker
1587:
1584:
1580:The Pawnbroker
1570:The Pawnbroker
1562:
1559:
1537:
1536:
1507:
1501:
1500:
1497:
1493:
1492:
1481:
1480:
1477:
1476:
1467:
1462:The Pawnbroker
1458:
1444:
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1426:
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1410:
1409:
1398:
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1378:
1374:
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1360:
1353:
1352:
1344:
1343:
1342:The Pawnbroker
1336:
1333:
1332:
1331:
1324:
1322:
1315:
1313:
1306:
1304:
1297:
1293:
1290:
1282:The Pawnbroker
1265:The Pawnbroker
1237:New York Times
1228:
1225:
1222:
1221:
1219:
1216:
1214:David Friedkin
1210:Morton S. Fine
1207:
1202:
1196:
1195:
1192:
1189:
1183:
1182:
1180:
1177:
1172:
1166:
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1123:
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1120:
1117:
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1097:
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1082:
1079:
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1060:
1054:
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1051:
1048:
1043:
1037:
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1033:
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1022:
1019:
1013:
1012:
1010:
1007:
1002:
997:
991:
990:
988:
985:
980:
975:
973:Academy Awards
969:
968:
965:
962:
959:
956:
949:
946:
918:New York Times
910:The New Yorker
894:
891:
877:The Pawnbroker
873:Allied Artists
840:
837:
790:
787:
783:Lincoln Towers
779:Lincoln Center
750:
747:
731:The Pawnbroker
683:The Pawnbroker
671:
668:
664:The Pawnbroker
639:
636:
634:
631:
625:on the way to
606:New York Times
570:The film used
543:The Pawnbroker
539:
536:
535:
534:
524:
517:Morgan Freeman
514:
508:
502:
499:
493:
487:
481:
475:
469:
468:– Ortiz's girl
463:
457:
451:
445:
444:– Sol Nazerman
437:
434:
408:precious metal
352:
349:
337:The Pawnbroker
324:character and
303:David Friedkin
299:Morton S. Fine
295:Morgan Freeman
266:The Pawnbroker
260:
259:
254:$ 2.5 million
252:
248:
247:
244:
240:
239:
236:
232:
231:
228:
224:
223:
220:
217:
214:
213:
211:
210:
199:
186:June 1964
183:
181:
178:
175:
174:
169:
168:Distributed by
165:
164:
161:Landau Company
159:
157:
152:
149:
148:
143:
139:
138:
133:
129:
128:
123:
122:Cinematography
119:
118:
97:
93:
92:
85:Philip Langner
83:
79:
78:
70:The Pawnbroker
66:
62:
61:
59:David Friedkin
55:Morton S. Fine
52:
48:
47:
42:
38:
37:
34:
26:
25:
24:The Pawnbroker
15:
9:
6:
4:
3:
2:
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3327:
3326:
3321:
3320:
3318:
3314:
3306:
3305:
3300:
3296:
3295:
3290:
3286:
3285:
3280:
3276:
3275:
3274:Critical Care
3270:
3266:
3265:
3260:
3256:
3255:
3254:Guilty as Sin
3250:
3246:
3245:
3240:
3236:
3235:
3230:
3226:
3225:
3220:
3216:
3215:
3210:
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3185:
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3135:
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3110:
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3075:
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3020:
3016:
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3006:
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3000:
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2905:
2900:
2896:
2895:
2890:
2886:
2885:
2880:
2876:
2875:
2870:
2869:
2867:
2865:Feature films
2863:
2856:
2852:
2849:
2845:
2844:
2841:
2837:
2829:
2824:
2822:
2817:
2815:
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2720:
2719:
2707:
2694:
2690:
2684:
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2659:
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2647:
2642:
2635:
2631:
2629:
2622:
2620:
2611:
2607:
2606:
2601:
2595:
2580:
2579:
2574:
2567:
2551:
2547:
2543:
2537:
2522:
2521:
2516:
2510:
2495:
2494:
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2468:
2467:
2462:
2456:
2441:
2440:
2435:
2429:
2413:
2409:
2405:
2398:
2387:September 16,
2382:
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2304:
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2198:
2196:
2194:
2192:
2176:
2172:
2168:
2162:
2160:
2144:
2140:
2133:
2131:
2122:
2115:
2099:
2098:Baltimore Sun
2095:
2089:
2081:
2075:
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2066:
2058:
2043:
2039:
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2018:
2014:
2008:
1993:
1989:
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1977:
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1966:
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1957:
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1851:September 14,
1847:
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1794:
1784:
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1759:
1756:
1753:
1752:Sarah Vaughan
1750:
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1744:
1741:
1738:
1735:
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1697:
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1682:
1681:Jerry Dodgion
1678:
1677:Oliver Nelson
1674:
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1613:
1610:
1607:
1604:
1601:
1600:Jack Lawrence
1598:" (Lyrics by
1597:
1593:
1592:
1591:
1586:Track listing
1583:
1581:
1577:
1576:
1571:
1567:
1558:
1556:
1552:
1548:
1544:
1508:
1506:
1503:
1502:
1494:
1491:Review scores
1489:
1473:
1472:
1468:
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823:
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721:Pablo Picasso
718:
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696:
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692:You Are There
684:
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615:Wandering Jew
611:
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597:
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589:Night and Fog
585:
584:Alain Resnais
581:
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549:. Lumet told
548:
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464:
462:– Jesus Ortiz
461:
460:Jaime Sánchez
458:
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2874:12 Angry Men
2872:
2836:Sidney Lumet
2787:
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2739:
2721:
2705:
2696:. Retrieved
2692:
2683:
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2665:
2653:
2641:
2627:
2610:the original
2603:
2594:
2582:. Retrieved
2576:
2566:
2554:. Retrieved
2550:the original
2545:
2536:
2524:. Retrieved
2518:
2509:
2499:December 16,
2497:. Retrieved
2491:
2482:
2470:. Retrieved
2464:
2455:
2443:. Retrieved
2437:
2428:
2416:. Retrieved
2412:the original
2407:
2397:
2385:. Retrieved
2378:
2369:
2357:. Retrieved
2352:
2343:
2333:February 20,
2331:. Retrieved
2328:berlinale.de
2327:
2318:
2308:September 4,
2306:. Retrieved
2302:
2293:
2274:
2253:. Retrieved
2243:
2237:. p. 7.
2232:
2226:
2206:
2178:. Retrieved
2174:
2146:. Retrieved
2142:
2120:
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2104:November 29,
2102:. Retrieved
2097:
2088:
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2045:. Retrieved
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2032:
2020:. Retrieved
2016:
2007:
1995:. Retrieved
1975:
1971:
1921:. Retrieved
1916:
1879:. Retrieved
1875:
1849:. Retrieved
1829:
1825:
1812:
1802:
1797:
1742:, percussion
1724:Bob Cranshaw
1701:, vibraphone
1667:J.J. Johnson
1637:
1618:
1617:"Theme from
1595:
1594:"Theme from
1589:
1579:
1573:
1569:
1564:
1543:Quincy Jones
1540:
1469:
1461:
1460:
1451:
1440:Quincy Jones
1434:Quincy Jones
1362:Quincy Jones
1285:
1281:
1279:
1268:
1264:
1262:
1255:
1249:
1247:
1240:
1236:
1230:
1191:Rod Steiger
1144:Rod Steiger
1116:Rod Steiger
1067:Rod Steiger
1041:Bodil Awards
1021:Rod Steiger
1005:Sidney Lumet
935:
931:Pauline Kael
928:
916:
915:
908:
905:Brendan Gill
898:
896:
885:
876:
862:
849:Linda Geiser
842:
832:
826:
819:
812:Quincy Jones
810:
795:
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764:
736:
735:
730:
724:
714:
709:Groucho Marx
697:
690:
687:
682:
663:
648:
641:
621:who taunted
605:
604:
593:
587:
569:
550:
542:
541:
538:Major themes
530:
520:
496:Linda Geiser
484:Baruch Lumet
454:Brock Peters
426:
417:
400:Puerto Rican
397:
377:
357:Nazi Germany
354:
336:
334:
315:
287:Brock Peters
275:Sidney Lumet
273:directed by
265:
264:
263:
256:(US rentals)
218:Running time
146:Quincy Jones
108:Brock Peters
68:
45:Sidney Lumet
18:
3184:Garbo Talks
3164:The Verdict
3054:The Offence
2848:Filmography
2353:Bodilprisen
1758:Rod Steiger
1734:Elvin Jones
1705:Dave Grusin
1699:Don Elliott
1693:Bobby Scott
1689:, harmonica
1275:Jon Favreau
1000:Golden Bear
983:Rod Steiger
961:Nominee(s)
845:nude scenes
771:Connecticut
767:Park Avenue
717:Rod Steiger
705:James Mason
679:Rod Steiger
655:Karel Reisz
638:Development
592:(1955) and
565:Long Island
492:– Mr. Smith
456:– Rodriguez
442:Rod Steiger
388:Long Island
384:East Harlem
328:during the
279:Rod Steiger
277:, starring
222:116 minutes
209: (U.S.)
100:Rod Steiger
87:Roger Lewis
82:Produced by
41:Directed by
3439:1964 films
3433:Categories
3375:The Dybbuk
3316:Television
2796:0826429777
2698:August 23,
2303:oscars.org
1789:References
1717:Carol Kaye
1683:, alto sax
1669:, trombone
1663:, trumpets
1661:Bill Berry
1638:Pawnbroker
1551:John Lewis
1442:chronology
1391:Film score
1194:Nominated
1187:Best Actor
1179:Nominated
1147:Nominated
1134:4th Place
1131:Top Drama
1119:Nominated
1099:Nominated
1084:Nominated
1017:Best Actor
1009:Nominated
987:Nominated
978:Best Actor
798:Ely Landau
743:homosexual
649:Directors
572:flashbacks
531:uncredited
521:uncredited
513:– Robinson
322:homosexual
271:drama film
251:Box office
205:1965-04-20
153:Production
90:Ely Landau
51:Written by
3408:(2001–02)
3234:Q & A
3154:Deathtrap
2964:The Group
2944:Fail Safe
2418:March 10,
2180:March 10,
2148:March 10,
1992:161454898
1881:March 10,
1846:161454898
1728:Art Davis
1648:Personnel
1640:" − 2:38
1561:Reception
1372:June 1965
1251:Holocaust
1233:Holocaust
1175:Best Film
1162:Inducted
958:Category
907:wrote in
576:backstory
547:Manhattan
404:racketeer
392:Holocaust
335:In 2008,
305:from the
246:$ 930,000
196:Berlin FF
132:Edited by
2954:The Hill
2767:AllMovie
2634:AllMusic
2630:– Review
2584:June 25,
2359:June 29,
2255:March 8,
1997:March 9,
1923:March 9,
1767:See also
1713:, guitar
1602:) − 3:07
1566:Allmusic
1505:Allmusic
1430:Producer
1377:Recorded
1369:Released
1359: by
1260:(1993).
726:Guernica
723:'s 1937
507:– Tangee
486:– Mendel
480:– Tessie
421:brothels
380:pawnshop
235:Language
142:Music by
96:Starring
65:Based on
3124:The Wiz
3104:Network
3064:Serpico
2927:(1962)
2754:at the
2735:website
2731:on the
2605:YouTube
2556:June 6,
2526:July 5,
2472:July 5,
2445:July 5,
2234:Variety
1917:TCM.com
1804:Variety
1736:, drums
1707:, piano
1547:Mercury
1475:(1965)
1466:(1965)
1457:(1965)
1419:Mercury
1292:Gallery
964:Result
921:critic
802:England
749:Filming
738:Variety
689:series
670:Casting
627:Calvary
608:critic
529:– Cop (
430:spindle
343:by the
238:English
227:Country
203: (
190:1964-06
188: (
155:company
3418:(2004)
3398:(1960)
3388:(1960)
3378:(1960)
3368:(1958)
3358:(1958)
3348:(1958)
3338:(1958)
3328:(1957)
3307:(2007)
3297:(2006)
3287:(1999)
3284:Gloria
3277:(1997)
3267:(1996)
3257:(1993)
3247:(1992)
3237:(1990)
3227:(1989)
3217:(1988)
3207:(1986)
3197:(1986)
3187:(1984)
3177:(1983)
3174:Daniel
3167:(1982)
3157:(1982)
3147:(1981)
3137:(1980)
3127:(1978)
3117:(1977)
3107:(1976)
3097:(1975)
3087:(1974)
3077:(1974)
3067:(1973)
3057:(1973)
3047:(1972)
3037:(1971)
3027:(1970)
3017:(1970)
3007:(1969)
2997:(1968)
2987:(1968)
2977:(1966)
2967:(1966)
2957:(1965)
2947:(1964)
2937:(1964)
2917:(1962)
2907:(1960)
2897:(1959)
2887:(1958)
2877:(1957)
2794:
2724:essay
2383:. 1966
2349:"1966"
2281:
2214:
2076:
2047:May 7,
2022:May 7,
1990:
1844:
1499:Rating
1496:Source
1397:Length
1227:Legacy
955:Award
777:, and
644:London
619:Judean
557:Harlem
382:in an
326:nudity
243:Budget
194: (
3194:Power
3114:Equus
2380:BAFTA
1988:S2CID
1968:(PDF)
1842:S2CID
1822:(PDF)
1414:Label
1386:Genre
967:Ref.
623:Jesus
559:, in
369:raped
2792:ISBN
2745:IMDb
2700:2018
2586:2018
2558:2010
2528:2021
2501:2015
2474:2021
2466:HFPA
2447:2021
2420:2009
2389:2016
2361:2021
2335:2010
2310:2011
2279:ISBN
2257:2009
2212:ISBN
2182:2009
2150:2009
2123:: 3.
2106:2023
2074:ISBN
2049:2020
2024:2020
1999:2009
1925:2009
1883:2009
1853:2018
1235:. A
1218:Won
1212:and
1070:Won
1050:Won
1035:Won
1024:Won
900:Life
851:and
657:and
436:Cast
373:Nazi
351:Plot
301:and
293:and
2776:at
2765:at
2743:at
2727:by
2632:at
1980:doi
1834:doi
681:in
371:by
355:In
309:by
74:by
3435::
2691:.
2673:.
2618:^
2602:.
2575:.
2544:.
2517:.
2490:.
2463:.
2436:.
2406:.
2377:.
2351:.
2326:.
2301:.
2265:^
2190:^
2173:.
2158:^
2141:.
2129:^
2096:.
2040:.
2015:.
1986:.
1976:84
1974:.
1970:.
1933:^
1915:.
1891:^
1874:.
1862:^
1840:.
1830:84
1828:.
1824:.
1726:,
1659:,
1406:45
1402:35
1277:.
835:.
773:,
733:.
695:.
653:,
586::
313:.
289:,
285:,
281:,
2827:e
2820:t
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2708:)
2702:.
2677:.
2588:.
2560:.
2530:.
2503:.
2476:.
2449:.
2422:.
2391:.
2363:.
2337:.
2312:.
2287:.
2259:.
2220:.
2184:.
2152:.
2108:.
2082:.
2051:.
2026:.
2001:.
1982::
1927:.
1885:.
1855:.
1836::
1404::
533:)
523:)
207:)
198:)
192:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
