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The Return of the Texas Chainsaw Massacre

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830:(1993). McConaughey initially auditioned for a minor role in the film before deciding to re-audition for the role of Vilmer. Henkel's production casting secretary read lines with McConaughey during his audition, and was so frightened by him that Henkel felt compelled to cast him. "I ran to the kitchen...  grabbed a big tablespoon, came back in and just pinned her in a corner and acted like it was a weapon,” McConaughey recounted. "I did it until she cried. And Kim was like, ‘That was good,’ and she was like, ‘Yeah, that was really good. You really scared me.'" Henkel recalled having a "visceral sense of danger in the room" during McConaughey's audition. 741:
a bunch of people about financing. At that point I'd raised some money, but not nearly enough to make the film, and we looked at the possibilities of making a deal with a distributor. But I knew there wasn't any hope of us making one we could live with. There never is. Kim would say, 'Hey, so-and-so is interested, and it might be a deal we can live with.' So we'd talk to 'em and I'd ask three or four hard questions, and I'd just kind of look over at Kim and he'd say 'Yeah.' Then I'd go back and start trying to raise some more money. I just started going to everybody I knew and I got it in bits and pieces, wherever I could.
785: 762:. Henkel also deliberately wrote themes of female empowerment into the script, specifically in the Jenny character: "It's her story. It's about her transformation, her refusal to shut up, to be silenced, to be victimized. And by extension her refusal to be oppressed. Even by culture... Bringing Jenny into a world in which the culture was grotesquely exaggerated was a way of bringing her to see her own world more clearly – that is to say, my intent was to present a nightmarish version of Jenny's world in the form of the Chainsaw family in order to enlarge her view of her own world." 1011:(CAA). In the lawsuit, the plaintiffs alleged that McConaughey and CAA had interfered with Columbia TriStar's distribution agreement by pressuring the studio to limit its release. In a 1996 interview, McConaughey denied that he ever wished to conceal his work in the film, commenting, "I'm not embarrassed by it at all. It was fun and honest work at a time when I was trying to figure out how feature films are made and how different directors deal constructively with actors. It was back when we were working 15 hours a day for $ 300 a week, and I wouldn't trade for the experience." 3510: 3494: 3467: 3451: 3433: 3031: 1041: 776: 3729: 579:. Commenting on the film's ominous Rothman character, Henkel stated that "e comes off more like the leader of some harum-scarum cult that makes a practice of bringing victims to experience horror on the pretext that it produces some sort of transcendent experience. Of course, it does produce a transcendent experience. Death is like that. But no good comes of it. You're tortured and tormented, and get the crap scared out of you, and then you die." 31: 1031:
exploiting Matthew because of their relationship with CAA, which is the strongest single force in Hollywood these days. You get on the wrong side of them, you're in trouble. So I understand their problem, but at the same time, they should have either given the film back to us or they should have done the best release they could have done. And they haven't done that.
456:. However, Leatherface and Vilmer run them off the road, resulting in the RV falling on its side. Jenny emerges from the vehicle unscathed and continues running, with Leatherface and Vilmer in hot pursuit. A plane swoops down on Vilmer, killing him when one of the wheels grazes his skull. Leatherface screams in anguish, while Jenny looks on. A 420:, who promises to call her boyfriend, a tow truck driver named Vilmer. They leave the office and begin heading back towards the wreck, only for Heather and Barry to become separated from Jenny in the darkness. Vilmer soon shows up at the scene of the wreck, killing the motorist, before chasing Sean in his truck and backing over him repeatedly. 655:
of the most effective and horrifying scenes ever committed to film, goes so far off the rails it climaxes with Jenny turning the tables on her captors and scolding Leatherface into sitting down and shutting up. The ineffectiveness of it all of this is intentional, and we know this because a man in a limo pulls up and openly acknowledges it."
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shop, the latter of which donated leftover bones from animal carcasses that could be used to adorn the residence. Pastor was also able to acquire an original prop chair crafted with bones that had been used in the original 1974 film; like in the original, the chair was used during the dinner sequence
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I wanted to go back to the original, and did, too. We agreed on that right off. And the first major thing was getting him to write the script. I raised the money to get it written, and for us to start trying to put this thing together. Then we went out to the American Film Market in LA and talked to
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on the porch swing and subsequently forced into a meat locker. One of Vilmer and Leatherface’s family members, W. E., finds Barry and holds him at gunpoint before forcing him inside. Barry tricks W. E. and locks him out but while using the bathroom, Barry discovers a corpse in the bathtub. He is then
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reported that the release had to be delayed due to the proposed artwork, which had originally featured stars Zellweger and McConaughey, whose images were to be removed due to licensing issues. The Blu-ray was ultimately released on December 11, 2018. It features both the 1997 theatrical cut, as well
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According to Henkel, he wrote the character as one who assumes the persona of the person whose face he wears: "The confused sexuality of the Leatherface character is complex and horrifying at the same time," he said in a 1996 interview. Film scholar Scott Von Doviak also took note of this, likening
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Leatherface, once efficient, methodical and near-silent, now struggles to competently capture or kill his victims, all the while screaming like a petulant child. The family, no longer backwater cannibals, dines on pizza instead of the fresh meat of their victims. The dinner sequence, originally one
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Jenny returns to the scene of the wreck, where she is met by Vilmer, who offers her a ride. She accepts, only for Vilmer to threaten her, before showing her the bodies of Sean and the motorist. Jenny jumps out of the truck and runs into the woods. She is soon attacked by Leatherface, resulting in a
1233:(2011) that the film's dark humor "works" and that its conspiracy angle "breathes new life into a familiar story, and the performances, especially by McConaughey and Zellweger, are strong. Additionally, the movie evidences a sharp wit, and there's even a sense of homage too, to franchise history." 435:
After leaping through an upstairs window, Jenny manages to flee the property. She seeks refuge with Darla, who reveals herself to be in league with the killers when W. E. shows up and beats her with a cattle prod. The two put Jenny in Darla’s trunk and she leaves to pick up some pizzas for dinner.
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Well, we definitely feel that Columbia/TriStar has not done what they agreed to do in terms of trying to market this film in the best possible fashion. They have not tried to exploit this film to monetarily benefit us as they should have. They've just low-keyed it. They don't want to be guilty of
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also remarked the film's muddled narrative, writing: "The script, such as it is, establishes a new benchmark for incoherence. Something about some teens who wander away on prom night and run up against a family of psycho-cannibal-thrill-killers...  Of course, there is no point to any of it,
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awarded it two-and-a-half out of four stars, noting: "Things don't always make sense, and important things go unexplained, but that's part of the nightmarish ambience in this crazed movie with crazy humor." He went on to declare that director Henkel "has probably come as close as anyone could to
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that the producer of the film—it belonged to him, it was his personal camper. So, you know, makeup was in the front seats and there was a table in the middle for hair, and there was a tiny little curtain by the bathroom. That was where you put your prom dress and your flower on...  It was
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acquired home video distribution rights to the film at a cost of $ 1.3 million. As part of their acquisition, the studio also agreed to distribute the film theatrically, with no less than $ 500,000 invested in prints and advertising. The studio proceeded to change the film's title to
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wrote that the film "manages the difficult feat of being genuinely scary and sharply self-satirical all at once...  it is adept at keeping its audience in a constant state of jumpiness." He also lauded Zellweger's performance, calling her "the most formidable scream queen since
1101:, first appeared with the unknown actors Matthew McConaughey and Renee Zellweger in starring roles. But even in a film whose principal props include litter, old pizza slices and a black plastic trash bag, it's clear that these two were going places." Rob Patterson of the 409:. When Heather discovers Barry cheating on her with another girl, she storms out of the dance, followed closely by Barry, who tries to explain himself as they drive away in his car. Their argument is interrupted by Jenny and Sean, who are hiding in the backseat, smoking 837:. Tyler Cone was cast in the role of Barry at the recommendation of special effects designer J.M. Logan, of whom Cone was a close friend. The majority of the supporting cast and crew were locals from the Austin area, aside from James Gale, a stage actor hired out of 436:
After being tormented by Vilmer, Jenny momentarily escapes, attempting to drive off in Darla’s car. She is stopped by Vilmer, who knocks her unconscious. She soon awakens at a dinner table, surrounded by the family, who reveal they are employed by a
2642:"Charles O. Grigson, As Trustee for "the Texas Chainsaw Massacre"; River City Films, Inc.; Ultra Muchos, Inc., Plaintiffs-appellants, v. Creative Artists Agency, L.l.c.; Matthew David Mcconaughey, Defendants-appellees, 210 F.3d 524 (5th Cir. 2000)" 587:. Critic Russell Smith noted in discussion of this plot point, "Could the unexplained "them" be an allusion to the insatiable horror audience that always makes these gorefests a good investment, or is it a cabal of governmental powermongers...?" 413:. Heather takes a detour off the freeway, and while distracted, collides with another motorist, who passes out in the ensuing confusion. Jenny, Heather, and Barry leave Sean to look after the unconscious motorist, while they search for help. 987:
in twenty U.S. cities on August 29, 1997. It earned $ 53,111 on 23 screens between August 29 and September 1, 1997. It would go on to gross a total of $ 185,898 between its 1995 and 1997 releases, making it the poorest-performing
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Other references to the Illuminati are made in the film's dialogue, specifically in the scene in which Darla tells Jenny about the thousands-years-old secret society in control of the U.S. government, and makes reference to the
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in such an understated and clever way that it sabotaged itself during its initial release. 27 years later, it holds up as a cult classic, offering insightful commentary on the horror genre and the film industry as a whole."
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In a 1996-released documentary on the making of the film, Henkel stated that he wrote the characters as exaggerated "cartoonish" caricatures of quintessential American youth. Henkel cited the murder cases of serial killers
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Vilmer and Leatherface prepare to kill Jenny, who breaks free and, using a remote control to manipulate Vilmer’s leg, escapes. Jenny reaches a dirt road, where she is rescued by an elderly couple in an
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has the fortune of starring early-career Matthew McConaughey and Renée Zellweger, but it services neither headliner well in a convoluted and cheap-looking slasher that doesn't live up to the
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commented on the film's treatment of the character, writing that the film "turns Leatherface (here played by Robbie Jacks, an Austin songwriter who used to host a smacked-up radio show with
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and piercings on his torso and licking Jenny’s face. After Rothman leaves, Vilmer flies into a rage, slashing himself with a razor and killing Heather by crushing her skull under his
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ridiculous. How we pulled that off, I have no idea. I'm sure none of it was legal. Anything we did was a little bit dangerous. But what an experience. It was kamikaze filmmaking."
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to terrorize people that may cross their path. A sophisticated man named Rothman arrives unexpectedly, reprimanding Vilmer for his methods, before revealing an array of bizarre
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Upon the film's 1997 re-release, many of the critical reviews focused on the lead performances of Zellweger and McConaughey, who had garnered significant fame in the interim.
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referred to the film as a "shameless rehash" of the original, adding: "Henkel's idea of an imaginative stroke is to put in red lipstick and black widow drag. No thanks,
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for the film's production companies Ultra Muchos and River City Films. Grigson alleged that Columbia TriStar had failed to fulfill their promise of giving the film a
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either the humor or the creepy (though relatively bloodless) mayhem—except maybe the permanent embarrassment of poor Matthew and RenĂ©e ." Dann Gire of the
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for the Grandpa character. The majority of filming took place at night, and was described by makeup artist J. M. Logan as "very, very rough for everyone."
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and received mixed reviews from critics, with some lauding its dark humor and nightmarish tone, while others criticized the coherence of its screenplay.
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and Vilmer had to be stopped. He offers to take her to a police station or a hospital, dropping her off at a hospital, where she speaks to an officer.
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awarded the film three out of four stars and praised the performances, noting: "Everyone here certainly pushes at the ceiling of near-absurdity, yet
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in that it opens with an intertitle referring to two "minor, yet apparently related incidents", a joking acknowledgment of the previous two sequels,
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Meanwhile, Heather and Barry become separated from Jenny and discover an old farmhouse in the woods. As Barry looks around, Heather is attacked by
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Producer Robert Kuhn stated that Columbia TriStar had also delayed the film's theatrical re-release to await the release of Zellweger's new film,
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championed the film upon its South by Southwest screening, referring to it as "a flick so terrifying and brilliant that it makes the other two
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summarized it as "a slightly above-average slasher film that's only partially redeemed by small but endearingly loopy shreds of black humor."
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The cut of the film that premiered at South by Southwest in March 1995 had a running time of 102 minutes, per a press release and review for
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described the film as "The kind of cinematic endeavor where you suspect both cast and crew were obligated to bring their own beer," while
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covering the premiere indicated that the cut screened at South by Southwest ran 102 minutes in length. The film screened again at the
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pulls up and Jenny jumps in the backseat, where she is met by Rothman, who apologizes, explaining her experience was supposed to be
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magazine. In September 1995, the film was given a limited theatrical release in a cut that ran approximately 95 minutes. After
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The film's soundtrack featured many local Texan bands, but never received a release. However, star Robert Jacks, a friend of
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release following on July 13, 1999. The Columbia Tristar DVD release was reissued with new cover artwork in 2003. In 2001,
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Around the time of its theatrical re-release, a lawsuit was filed against Columbia TriStar by plaintiff Charles Grigson, a
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as the 94-minute director's cut with optional commentary by writer-director Henkel, and several other special features.
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subplot involving Leatherface and his family members. In the years since its release, the film has gone on to develop a
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Renée Zellweger reflected on the film in a 2016 interview, saying, "It was very low-budget, so we all shared a tiny
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the film holds a score of 50 out of 100, based on reviews from 11 critics, indicating "mixed or average reviews".
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interprets the film as a cynical reimagining of the original film, with Henkel parodying his own work. He cites
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similarly championed the lead performances of Zellweger and McConaughey, but expressed disappointment in the "
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before giving it a limited theatrical re-release on August 29, 1997. Between its two releases, the film was a
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and this effort shows that he still has a felicitous grasp of the things that cause us to shudder in dread."
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killed by Leatherface with a sledgehammer. After killing Barry, Leatherface impales Heather on a meat hook.
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acquired the film, it was re-titled, re-edited, and re-released in its most widely-circulated version as
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lengthy chase through the farmhouse, where she finds several preserved corpses in an upstairs bedroom.
351: 2529: 355: 164: 2813: 2808: 2692: 2687: 2469: 2333: 2328: 2157:"Matthew McConaughey Landed 'Texas Chainsaw Massacre' by Terrifying a Casting Secretary With a Spoon" 1971: 1550: 1545: 1449: 1121:" subplot and that writer-director Henkel "turns poor Leatherface into a whimpering drag queen." The 1103: 972: 826: 359: 169: 2368: 1599: 2666: 1206:
s Dave Hunter similarly noted the film as being "blackly comic and extreme," while Nathan Rabin of
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and re-edit it, excising a total of seven minutes from the previously-released 94-minute version.
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subplot driving Leatherface's family to terrorize civilians in order to provoke them to a level of
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Both contemporary and modern critics and film scholars have noted the film's prominent elements of
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also gave the film a favorable review, stating: "Writer-director Kim Henkel penned the original
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At the time of the film's initial release in 1995, it was noted among critics as a "sharp self-
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Reviewing the film after its screening at the Boston Film Festival in 1995, Betsy Sherman of
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is a giddy mix of gruesome horror and campy humor. What we get is less massacre than mess."
3707: 3199:"Scream Factory's 'Texas Chainsaw Massacre: Next Generation' Blu-ray Pushed Back One Month" 3057: 2975: 2879: 2524: 2186: 1214: 1142: 1071: 1022: 938: 910: 453: 8: 3755: 3062: 2950: 2833: 2491: 2470:"Texas Chainsaw Massacre: The Next Generation (1995): Grigson v. Creative Artists Agency" 1123: 888: 817: 794: 490: 333: 295: 87: 3509: 3493: 3466: 3450: 3432: 3030: 2030: 856:, appears as a patient on a gurney in the film's final sequence, though she receives an 784: 2859: 2828: 2792: 2764: 2671: 1758: 1576: 1444: 1188: 1175: 1113: 1093: 1004: 956: 933: 928: 869: 751: 673: 661: 529: 505: 347: 319: 196: 1300:, slated for a September 25, 2018 release. On July 10, 2018, the horror media website 806: 798: 484: 291: 82: 3607: 3478: 3438: 3401: 3382: 3374: 3360: 3323: 3304: 3285: 3233: 3203: 3178: 3153: 2592: 2224: 1995: 1814: 1237: 1226: 1127:
also noted that "Zellweger impresses in her strenuous, scream-driven turn as Jenny."
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that it "recapitulates the absurdist tabloid-redneck comedy of the great, original
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Another element noted by both critics and film scholars is the Leatherface's overt
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confirmed that the basis of the subplot was influenced by theories surrounding the
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Wooley, John (September 1994). "Return of the Texas Chainsaw Massacre Cuts Deep".
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on March 12, 1995, and received "glowing reviews" at the time. A press review for
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Many of these subplot questions are answered in Kim Henkel's 2012 follow-up film
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wrote: "It was way back in 1995 that this schlocky horror farce, then known as
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Chainsaws, Slackers, and Spy Kids: Thirty Years of Filmmaking in Austin, Texas
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On May 22, 1994, four teenagers—Barry, Heather, Jenny, and Sean—attend their
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In late 1995, the film saw its first home video release in the form of a
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acquired distribution rights for both theatrical engagements as well as
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In the 1997 re-release cut, the date has been changed to May 22, 1996.
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Robert Jacks, a local radio host and singer, was cast in the role of
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movie in name, may indeed be the next chapter in the story. Henkel's
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Reviewing the film during its 1995 limited release, Dave Jewett of
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The film marked the first major screen roles of Texas-born actors
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and his murderous family in backwoods Texas on the night of their
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suggested "a massacre might be less painful." John Anderson of
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Slasher Films: An International Filmography, 1960 Through 2001
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Leatherface's presentation in the film to that of a "tortured
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Armstrong, Richard B.; Armstrong, Mary Willems, eds. (2015).
3123:"Review: Texas Chainsaw Massacre: The Next Generation (1994)" 3066:. September 11, 1998. p. 76 – via Newspapers.com. 2397:. September 28, 1995. p. 18 – via Newspapers.com. 2377:. September 17, 1995. p. L5 – via Newspapers.com. 1684:"Awfully Good: Texas Chainsaw Massacre: The Next Generation" 1546:"Henkel won't let 'Chainsaw Massacre' legacy rest in pieces" 2357:. September 3, 1995. p. B8 – via Newspapers.com. 406: 366:. The studio proceeded to re-edit the film and re-title it 303: 3340:
The Return of the Texas Chainsaw Massacre: The Documentary
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They stop at an office trailer, where they meet Darla, an
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As of July 2024, the film holds a 16% approval rating on
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without a hint of its primal terror." Margaret McGurk of
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Legacy of Blood: A Comprehensive Guide to Slasher Movies
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has now rendered virtually defunct... What we want from
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on September 22, 1995 in 27 U.S. theaters, including in
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In developing the film, producer Robert Kuhn stated:
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never quite goes over the top." Terry Lawson of the
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took place on location at an abandoned farmhouse in
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from three actors who starred in the original film:
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The film has been noted for its implementation of a
2897: 2561: 2235: 2118: 2116: 2114: 2112: 2110: 448:, before knocking W. E. unconscious with a hammer. 3298: 2579: 1600:"Leatherface is back—and he's got a new chain saw" 2207: 2205: 2203: 2201: 3747: 3398:Hick Flicks: The Rise and Fall of Redneck Cinema 3301:Encyclopedia of Film Themes, Settings and Series 2872: 2788:"'Chainsaw' remake stars McConaughey, Zellweger" 2513: 2511: 2509: 2507: 2301: 2107: 2018: 966: 3545: 2593:"Texas Chainsaw Massacre - The Next Generation" 2542: 2268: 1281:in the United States in September 1998, with a 3120: 2971:"Texas Chainsaw Massacre: The Next Generation" 2875:"Texas Chainsaw Massacre: The Next Generation" 2520:"Texas Chainsaw Massacre: The Next Generation" 2198: 1857: 1712:"Texas Chainsaw Massacre: The Next Generation" 1620:"Texas Chainsaw Massacre: The Next Generation" 1509:"Texas Chainsaw Massacre: The Next Generation" 478:List of The Texas Chainsaw Massacre characters 3886:The Texas Chainsaw Massacre (franchise) films 3531: 3226: 3146: 2987: 2754: 2504: 1781: 876:, plays a police officer interviewing Jenny. 3579:Leatherface: The Texas Chainsaw Massacre III 3359:. Austin, Texas: University of Texas Press. 2850:"Future stars mostly escape dull 'Chainsaw'" 2326: 2072: 1832: 1454:Texas Chainsaw Massacre: The Next Generation 1296:announced a forthcoming Collector's Edition 1181:Texas Chainsaw Massacre: The Next Generation 985:Texas Chainsaw Massacre: The Next Generation 978:Texas Chainsaw Massacre: The Next Generation 929:South by Southwest Film and Media Conference 639:Leatherface: The Texas Chainsaw Massacre III 613: 368:Texas Chainsaw Massacre: The Next Generation 269:Texas Chainsaw Massacre: The Next Generation 2847: 2415:"'Chainsaw Massacre' is back on the screen" 2014: 2012: 2010: 1883: 1807: 1593: 1591: 1572:"The Return of the Texas Chainsaw Massacre" 1361:"Blue Moon At Dawn" by The Coffee Sergeants 685: 3601:The Texas Chainsaw Massacre: The Beginning 3538: 3524: 3508: 3492: 3465: 3449: 3431: 3395: 3029: 2055: 1984: 1982: 1777: 1775: 1773: 1747: 1745: 1743: 29: 3586:The Return of the Texas Chainsaw Massacre 3501:The Return of the Texas Chainsaw Massacre 3485:The Return of the Texas Chainsaw Massacre 3474:The Return of the Texas Chainsaw Massacre 3458:The Return of the Texas Chainsaw Massacre 3440:The Return of the Texas Chainsaw Massacre 3424:The Return of the Texas Chainsaw Massacre 3279: 3022:The Return of the Texas Chainsaw Massacre 2969:Baumgarten, Marjorie (October 17, 1997). 2806: 2781: 2779: 2750: 2748: 2741:. p. 114 – via Newspapers.com. 2696:. p. 133 – via Newspapers.com. 2685: 2679: 2423:. p. D16 – via Newspapers.com. 2408: 2406: 2404: 2256: 2173: 2122: 1937: 1935: 1933: 1909: 1903: 1860:"Texas Chainsaw Massacre 5: Butcher Boys" 756:The Return of the Texas Chainsaw Massacre 754:as influences on his involvement in both 558: 385:, as well its unique implementation of a 354:in the United States on September 22, by 344:The Return of the Texas Chainsaw Massacre 328:took place on location in rural areas in 263:The Return of the Texas Chainsaw Massacre 24:The Return of the Texas Chainsaw Massacre 3841:Films about road accidents and incidents 3400:. Jefferson, North Carolina: McFarland. 3381:. Jefferson, North Carolina: McFarland. 3346:. Huberman/Wolf Productions – via 3336: 3303:. Jefferson, North Carolina: McFarland. 3284:. Jefferson, North Carolina: McFarland. 3222: 3220: 3218: 2958:. p. 42 – via Newspapers.com. 2943: 2933:. p. 27 – via Newspapers.com. 2817:. p. 62 – via Newspapers.com. 2796:. p. 71 – via Newspapers.com. 2733:"'Return of Chainsaw' is sharper sequel" 2717:. p. 32 – via Newspapers.com. 2675:. p. 25 – via Newspapers.com. 2480:from the original on September 27, 2022. 2464: 2462: 2460: 2458: 2456: 2454: 2337:. p. 51 – via Newspapers.com. 2327:MacCambridge, Michael (March 15, 1995). 2182:"Short Cuts: Austin mourns Robbie Jacks" 2101: 2089: 2043: 2007: 1975:. p. E8 – via Newspapers.com. 1705: 1703: 1608:. p. 14 – via Newspapers.com. 1588: 1565: 1563: 1561: 1554:. p. 66 – via Newspapers.com. 1349:"Two-Headed Dog (Red Temple Prayer)" by 1039: 3264:from the original on September 1, 2023. 3251: 3196: 3171: 3110:from the original on September 1, 2023. 2898:McGurk, Margaret A. (August 30, 1997). 2887:from the original on December 13, 2019. 2772:from the original on September 1, 2023. 2706: 2654:from the original on September 2, 2023. 2427: 2316:from the original on September 1, 2023. 2194:from the original on September 2, 2023. 2169:from the original on September 2, 2023. 2068: 2066: 2064: 1988: 1979: 1801: 1770: 1766:from the original on September 2, 2023. 1751: 1740: 1724:from the original on September 4, 2023. 1696:from the original on September 4, 2023. 1632:from the original on September 1, 2023. 1416:Beau Jocque & the Zydeco Hi-Rollers 1169:wrote that the film was the kind that " 927:The film had its world premiere at the 719:while painting his lips red in a scene 3748: 3317: 3252:Hartman, Matthew (December 14, 2018). 3190: 3165: 3140: 2983:from the original on October 19, 2021. 2912:from the original on October 20, 2006. 2900:"'Chainsaw' comes back to haunt stars" 2873:Gleiberman, Owen (September 5, 1997). 2785: 2776: 2745: 2727: 2634: 2517: 2492:"'Texas Chainsaw' sequel being buried" 2412: 2401: 2179: 2154: 1941: 1930: 1669: 1597: 1569: 1539: 1537: 1535: 397:was released on compact disc in 1997. 279:written, co-produced, and directed by 3519: 3354: 3215: 2707:Sherman, Betsy (September 18, 1995). 2664: 2567: 2536: 2451: 2302:Gallagher, Brian (October 30, 2016). 2269:Mullins, Travis (November 23, 2017). 2262: 2150: 2148: 2146: 1964: 1910:Bernstein, Ellen (January 14, 1996). 1709: 1700: 1681: 1641: 1639: 1558: 1543: 1503: 1501: 1499: 1269:Return of the Texas Chainsaw Massacre 1267:released in Japan under its original 1099:Return of the Texas Chainsaw Massacre 922: 868:, appears as a hospital orderly; and 604:was initially written as a sequel to 3896:English-language comedy horror films 3881:Films with screenplays by Kim Henkel 3373: 3227:Squires, John (September 25, 2018). 3161:from the original on April 23, 2023. 2944:Anderson, John (December 12, 1997). 2922: 2543:Mullins, Travis (October 27, 2017). 2329:"SXSW repeats major fest screenings" 2244: 2123:Bernstein, Ellen (August 24, 1996). 2061: 2019:Wilonsky, Robert (August 29, 1997). 1989:Yandell, Justin (November 1, 2017). 1734: 1625:British Board of Film Classification 1598:Murray, Steve (September 22, 1995). 1584:from the original on March 11, 2015. 1321:, produced a song with Harry titled 1035: 511:Joe Stevens as Walter Edward "W. E." 3211:from the original on July 19, 2018. 3186:from the original on July 19, 2018. 2807:Patterson, Rob (October 17, 1997). 2686:Patterson, Rob (October 16, 1977). 2665:Price, Michael H. (July 26, 1996). 2413:Jewett, Dave (September 29, 1995). 2003:from the original on July 19, 2018. 1942:Hunter, David (September 5, 1997). 1822:from the original on July 19, 2018. 1808:Vander Kaay, Chris (May 17, 2017). 1752:Burnett, Brandon (March 27, 2022). 1612: 1532: 13: 3121:Gallman, Brett (January 3, 2013). 2709:"This 'Chainsaw' needs sharpening" 2585: 2143: 1636: 1496: 1395:"Bodcaw" by Blind Willie's Johnson 1392:"Tornado Warning" by Erik Hokkanen 596:, which, although not an official 350:on March 12, 1995, and received a 322:, all stars of the original film. 283:. It is the fourth installment in 14: 3912: 3416: 2786:Lawson, Terry (August 29, 1997). 2518:Savlov, Marc (October 20, 1997). 1965:Smith, Russell (March 11, 1995). 1544:Smith, Russell (March 12, 1995). 1421:"Voodoo Kiss" by The Naughty Ones 1410:"Milky Way Jive" by Erik Hokkanen 1048:was a vocal proponent of the film 548:(Credited as "Anonymous" in film) 3816:Cross-dressing in American films 3728: 3727: 2946:"Latest 'Chainsaw' lacks horror" 2667:"Actor tries to change his pace" 2180:Savlov, Marc (August 10, 2001). 2155:Parker, Ryan (August 18, 2021). 1858:McKelvey, John (March 4, 2015). 1710:Rabin, Nathan (March 29, 2002). 1682:Adams, Jason (October 9, 2013). 1389:"Mumbo Jumbo" by The Tail Gators 783: 774: 571:. In a retrospective interview, 3337:Huberman, Brian (dir.) (1996). 3245: 3197:Squires, John (July 10, 2018). 3172:Squires, John (June 13, 2018). 3114: 3090: 3070: 3050: 3036: 3014: 2962: 2937: 2916: 2891: 2866: 2848:Clark, Mike (August 30, 1997). 2841: 2821: 2800: 2721: 2700: 2658: 2610: 2484: 2381: 2361: 2341: 2320: 2295: 1958: 1884:Outlaw Vern (October 2, 2020). 1877: 1851: 1826: 1782:Squires, John (July 22, 2014). 1468: 1459: 1401:"Love to Turn You On" by Pariah 3280:Armstrong, Kent Byron (2003). 3147:Squires, John (June 4, 2018). 2923:Gire, Dann (August 29, 1997). 2580:Armstrong & Armstrong 2015 1833:Snider, Eric (March 4, 2010). 1675: 1570:Leydon, Joe (March 20, 1995). 1436: 1084:putting a nightmare on film." 731: 1: 3856:Films set in abandoned houses 3572:The Texas Chainsaw Massacre 2 1489: 1424:"Penitentes" by Russ C. Smith 1308: 1258: 967:Re-release and legal disputes 726: 633:The Texas Chainsaw Massacre 2 3901:English-language crime films 3851:Films produced by Kim Henkel 3821:1990s English-language films 3786:American comedy horror films 3650:The Texas Chain Saw Massacre 3564:The Texas Chain Saw Massacre 3446:AFI Catalog of Feature Films 2829:"The Buzz that Wouldn't Die" 2528:. Film Vault. Archived from 1514:AFI Catalog of Feature Films 1377:"Aphrodite" by Cecilia Saint 760:The Texas Chain Saw Massacre 624:The Texas Chain Saw Massacre 607:The Texas Chain Saw Massacre 202:September 22, 1995 7: 3876:Films shot in Austin, Texas 3642:The Texas Chainsaw Massacre 3593:The Texas Chainsaw Massacre 3548:The Texas Chainsaw Massacre 3322:. London: Critical Vision. 2139:– via Newspapers.com. 2130:Corpus Christi Caller-Times 1954:– via Newspapers.com. 1926:– via Newspapers.com. 1917:Corpus Christi Caller-Times 1474:Several critics, including 1343:Songs featured in the film: 1275:Columbia Tristar Home Video 990:The Texas Chainsaw Massacre 598:The Texas Chainsaw Massacre 553: 286:The Texas Chainsaw Massacre 10: 3917: 3831:Films about the Illuminati 3826:Fictional secret societies 3806:American teen horror films 3791:American independent films 3396:Von Doviak, Scott (2012). 3272: 983:Columbia TriStar released 949:limited theatrical release 917: 879: 765: 668:Wes Craven's New Nightmare 642:(1990). Justin Yandell of 475: 3766:1990s serial killer films 3723: 3688: 3660: 3633: 3555: 3379:Horror Films of the 1990s 3078:"Coming Soon: New on DVD" 2814:Austin American-Statesman 2693:Austin American-Statesman 2334:Austin American-Statesman 1972:Austin American-Statesman 1912:"A new chainsaw to grind" 1551:Austin American-Statesman 1450:Columbia TriStar Pictures 1386:"Torn and Tied" by Pariah 1231:Horror Films of the 1990s 1104:Austin American-Statesman 973:Columbia TriStar Pictures 614:Parody and self-reference 360:Columbia TriStar Pictures 251: 243: 235: 227: 217: 178: 170:Columbia TriStar Pictures 157: 134: 117: 107: 99: 75: 58: 50: 40: 35:Theatrical release poster 28: 23: 3776:1995 comedy horror films 2553:. Part 1. Archived from 2374:The Atlanta Constitution 2279:. Part 2. Archived from 2104:, event occurs at 17:00. 2046:, event occurs at 25:41. 1605:The Atlanta Constitution 1429: 1398:"Ruby" by Loose Diamonds 686:Depiction of Leatherface 677:, this film exemplifies 187:March 12, 1995 3811:Columbia Pictures films 3623:Texas Chainsaw Massacre 3355:Macor, Allison (2010). 3083:The Des Moines Register 2905:The Cincinnati Enquirer 2394:Wisconsin State Journal 2092:, event occurs at 9:04. 1519:American Film Institute 1364:"The Wolf at Night" by 1249:Texas Chainsaw Massacre 1153:The Cincinnati Enquirer 1009:Creative Artists Agency 945:CinĂ©pix Film Properties 941:on September 18, 1995. 502:Tonie Perensky as Darla 471: 400: 356:CinĂ©pix Film Properties 165:CinĂ©pix Film Properties 16:1995 film by Kim Henkel 3801:American slasher films 3697:Chain Saw Confidential 2389:"Thursday Movie Guide" 2162:The Hollywood Reporter 1952:The Hollywood Reporter 1478:, Terry Lawson of the 1414:“Brown Skin Woman" by 1370:"Der Einziger Weg" by 1200:The Hollywood Reporter 1049: 1033: 743: 657: 559:Secret society subplot 358:. The following year, 340:-based cast and crew. 272:) is a 1995 American 3846:Films about self-harm 3796:American sequel films 3046:. LaserDisc Database. 2557:on November 24, 2017. 2476:. February 25, 2020. 2447:on September 8, 2015. 2033:on February 18, 2020. 1847:on September 1, 2023. 1456:, running 87 minutes. 1277:released the film on 1072:After-School Specials 1043: 1028: 885:Principal photography 738: 652: 585:Kennedy assassination 526:as Cop in Bud's Pizza 520:James Gale as Rothman 514:John Harrison as Sean 326:Principal photography 3891:1990s American films 3708:Texas Chainsaw House 3318:Harper, Jim (2004). 3241:on October 17, 2018. 2976:The Austin Chronicle 2880:Entertainment Weekly 2738:The Orlando Sentinel 2688:"The Director's Cut" 2532:on October 19, 2021. 2525:The Austin Chronicle 2219:documentary short). 2187:The Austin Chronicle 2125:"Time for a Killing" 1659:on December 5, 2013. 1215:The Austin Chronicle 1143:Entertainment Weekly 1023:The Austin Chronicle 939:Boston Film Festival 210: (United States) 3871:Films shot in Texas 3771:1990s slasher films 3106:. October 7, 2003. 3063:New York Daily News 2951:The Courier-Journal 2834:New York Daily News 2758:(August 29, 1997). 2349:"Festival Schedule" 2283:on December 8, 2017 2213:If Looks Could Kill 1737:, pp. 351–352. 1404:"Careless Soul" by 1355:"I Got It Made" by 1245:The Next Generation 1124:New York Daily News 1109:The Next Generation 1070:sequels seem like ' 889:Pflugerville, Texas 818:Matthew McConaughey 795:Matthew McConaughey 723:would appreciate." 538:as Hospital Orderly 517:Tyler Cone as Barry 491:Matthew McConaughey 334:Pflugerville, Texas 296:Matthew McConaughey 88:Matthew McConaughey 3866:Films set on farms 3861:Films set in Texas 3506:TCM Movie Database 3375:Muir, John Kenneth 3344:(Documentary film) 2862:on April 23, 1999. 2793:Detroit Free Press 2765:The New York Times 2672:The Salina Journal 2650:. April 24, 2000. 2630:on March 17, 2016. 1480:Detroit Free Press 1114:Detroit Free Press 1094:The New York Times 1050: 1026:, Kuhn commented: 1005:arbitration clause 957:Madison, Wisconsin 923:Initial screenings 844:The film features 827:Dazed and Confused 752:Elmer Wayne Henley 622:" of the original 532:as Cop at Hospital 506:Lisa Marie Newmyer 348:South by Southwest 3836:Films about proms 3781:Films set in 1994 3761:1995 horror films 3743: 3742: 3608:Texas Chainsaw 3D 3407:978-0-786-48212-2 3388:978-0-786-48480-5 3366:978-0-292-72243-9 3329:978-1-900-48639-2 3310:978-1-476-61230-0 3291:978-0-786-41462-8 3234:Bloody Disgusting 3204:Bloody Disgusting 3179:Bloody Disgusting 3154:Bloody Disgusting 1996:Bloody Disgusting 1948:Asbury Park Press 1815:Bloody Disgusting 1302:Bloody Disgusting 1238:review aggregator 1227:John Kenneth Muir 1036:Critical response 971:In October 1995, 866:Franklin Hardesty 846:cameo appearances 822:Richard Linklater 809:, a then-unknown 758:and the original 644:Bloody Disgusting 546:Patient on Gurney 336:, with a largely 310:appearances from 290:. The film stars 277:black comedy film 259: 258: 3908: 3731: 3730: 3540: 3533: 3526: 3517: 3516: 3512: 3496: 3469: 3453: 3435: 3411: 3392: 3370: 3351: 3345: 3333: 3314: 3295: 3266: 3265: 3249: 3243: 3242: 3237:. Archived from 3224: 3213: 3212: 3194: 3188: 3187: 3169: 3163: 3162: 3144: 3138: 3137: 3135: 3133: 3118: 3112: 3111: 3094: 3088: 3087: 3074: 3068: 3067: 3054: 3048: 3047: 3040: 3034: 3033: 3018: 3012: 3011: 3009: 3007: 2991: 2985: 2984: 2966: 2960: 2959: 2941: 2935: 2934: 2920: 2914: 2913: 2895: 2889: 2888: 2870: 2864: 2863: 2858:. Archived from 2845: 2839: 2838: 2825: 2819: 2818: 2804: 2798: 2797: 2783: 2774: 2773: 2752: 2743: 2742: 2731:(May 19, 1995). 2725: 2719: 2718: 2714:The Boston Globe 2704: 2698: 2697: 2683: 2677: 2676: 2662: 2656: 2655: 2638: 2632: 2631: 2626:. Archived from 2614: 2608: 2607: 2605: 2603: 2597:Movie-Censorship 2589: 2583: 2577: 2571: 2565: 2559: 2558: 2540: 2534: 2533: 2515: 2502: 2501: 2488: 2482: 2481: 2466: 2449: 2448: 2443:. Archived from 2431: 2425: 2424: 2410: 2399: 2398: 2385: 2379: 2378: 2365: 2359: 2358: 2354:The Boston Globe 2345: 2339: 2338: 2324: 2318: 2317: 2299: 2293: 2292: 2290: 2288: 2266: 2260: 2254: 2248: 2242: 2233: 2232: 2209: 2196: 2195: 2177: 2171: 2170: 2152: 2141: 2140: 2138: 2120: 2105: 2099: 2093: 2087: 2081: 2080: 2070: 2059: 2053: 2047: 2041: 2035: 2034: 2029:. Archived from 2016: 2005: 2004: 1986: 1977: 1976: 1962: 1956: 1955: 1939: 1928: 1927: 1925: 1907: 1901: 1900: 1898: 1896: 1881: 1875: 1874: 1872: 1870: 1855: 1849: 1848: 1843:. Archived from 1830: 1824: 1823: 1805: 1799: 1798: 1796: 1794: 1779: 1768: 1767: 1749: 1738: 1732: 1726: 1725: 1707: 1698: 1697: 1679: 1673: 1667: 1661: 1660: 1655:. Archived from 1643: 1634: 1633: 1616: 1610: 1609: 1595: 1586: 1585: 1567: 1556: 1555: 1541: 1530: 1529: 1527: 1525: 1505: 1483: 1472: 1466: 1463: 1457: 1440: 1374:and Robert Jacks 1323:Der Einziger Weg 1225:Literary critic 1205: 1195:Jamie Lee Curtis 1055:The Boston Globe 961:Portland, Oregon 953:Atlanta, Georgia 947:gave the film a 872:, who portrayed 864:, who portrayed 852:, who portrayed 787: 778: 717:Marlene Dietrich 496:Robert Jacks as 209: 207: 194: 192: 149:River City Films 33: 21: 20: 3916: 3915: 3911: 3910: 3909: 3907: 3906: 3905: 3746: 3745: 3744: 3739: 3719: 3714:Chain Reactions 3684: 3656: 3629: 3551: 3544: 3490:Rotten Tomatoes 3463:Box Office Mojo 3419: 3414: 3408: 3389: 3367: 3343: 3330: 3311: 3292: 3275: 3270: 3269: 3258:High-Def Digest 3250: 3246: 3225: 3216: 3195: 3191: 3170: 3166: 3145: 3141: 3131: 3129: 3127:Oh, the Horror! 3119: 3115: 3096: 3095: 3091: 3076: 3075: 3071: 3056: 3055: 3051: 3042: 3041: 3037: 3019: 3015: 3005: 3003: 3000:Rotten Tomatoes 2993: 2992: 2988: 2967: 2963: 2942: 2938: 2921: 2917: 2896: 2892: 2871: 2867: 2846: 2842: 2827: 2826: 2822: 2805: 2801: 2784: 2777: 2753: 2746: 2729:Briggs, Joe Bob 2726: 2722: 2705: 2701: 2684: 2680: 2663: 2659: 2640: 2639: 2635: 2623:Box Office Mojo 2616: 2615: 2611: 2601: 2599: 2591: 2590: 2586: 2578: 2574: 2566: 2562: 2541: 2537: 2516: 2505: 2490: 2489: 2485: 2468: 2467: 2452: 2440:Box Office Mojo 2433: 2432: 2428: 2411: 2402: 2387: 2386: 2382: 2367: 2366: 2362: 2347: 2346: 2342: 2325: 2321: 2300: 2296: 2286: 2284: 2267: 2263: 2255: 2251: 2243: 2236: 2211: 2210: 2199: 2178: 2174: 2153: 2144: 2134: 2133:. pp. E7, 2121: 2108: 2100: 2096: 2088: 2084: 2071: 2062: 2056:Von Doviak 2012 2054: 2050: 2042: 2038: 2017: 2008: 1987: 1980: 1963: 1959: 1940: 1931: 1921: 1920:. pp. J1, 1908: 1904: 1894: 1892: 1882: 1878: 1868: 1866: 1856: 1852: 1831: 1827: 1806: 1802: 1792: 1790: 1780: 1771: 1750: 1741: 1733: 1729: 1708: 1701: 1680: 1676: 1668: 1664: 1652:Box Office Mojo 1645: 1644: 1637: 1618: 1617: 1613: 1596: 1589: 1568: 1559: 1542: 1533: 1523: 1521: 1507: 1506: 1497: 1492: 1487: 1486: 1473: 1469: 1464: 1460: 1441: 1437: 1432: 1427: 1406:Daniel Johnston 1311: 1261: 1241:Rotten Tomatoes 1203: 1138:Owen Gleiberman 1038: 969: 925: 920: 882: 862:Paul A. Partain 807:RenĂ©e Zellweger 804: 803: 802: 801: 799:RenĂ©e Zellweger 790: 789: 788: 780: 779: 768: 734: 729: 702:Butthole Surfer 688: 616: 561: 556: 551: 536:Paul A. Partain 485:RenĂ©e Zellweger 480: 474: 418:insurance agent 403: 372:box-office flop 352:limited release 316:Paul A. Partain 292:RenĂ©e Zellweger 266:(also known as 220: 213: 205: 203: 190: 188: 181: 174: 153: 152: 139: 137: 130: 95: 83:RenĂ©e Zellweger 71: 36: 17: 12: 11: 5: 3914: 3904: 3903: 3898: 3893: 3888: 3883: 3878: 3873: 3868: 3863: 3858: 3853: 3848: 3843: 3838: 3833: 3828: 3823: 3818: 3813: 3808: 3803: 3798: 3793: 3788: 3783: 3778: 3773: 3768: 3763: 3758: 3741: 3740: 3738: 3737: 3724: 3721: 3720: 3718: 3717: 3710: 3705: 3700: 3692: 3690: 3686: 3685: 3683: 3682: 3677: 3675:Sally Hardesty 3672: 3666: 3664: 3658: 3657: 3655: 3654: 3646: 3637: 3635: 3631: 3630: 3628: 3627: 3619: 3611: 3604: 3597: 3589: 3582: 3575: 3568: 3559: 3557: 3553: 3552: 3543: 3542: 3535: 3528: 3520: 3514: 3513: 3497: 3481: 3470: 3454: 3448: 3436: 3418: 3417:External links 3415: 3413: 3412: 3406: 3393: 3387: 3371: 3365: 3352: 3334: 3328: 3315: 3309: 3296: 3290: 3276: 3274: 3271: 3268: 3267: 3244: 3214: 3189: 3164: 3139: 3113: 3089: 3069: 3049: 3035: 3013: 2986: 2961: 2936: 2915: 2890: 2865: 2840: 2820: 2799: 2775: 2744: 2720: 2699: 2678: 2657: 2633: 2609: 2584: 2582:, p. 203. 2572: 2560: 2535: 2503: 2483: 2450: 2426: 2400: 2380: 2360: 2340: 2319: 2294: 2261: 2259:, p. 322. 2257:Armstrong 2003 2249: 2247:, p. 352. 2234: 2221:Scream Factory 2197: 2172: 2142: 2106: 2094: 2082: 2060: 2058:, p. 174. 2048: 2036: 2021:"Time to Kill" 2006: 1978: 1957: 1944:"Sadist Alert" 1929: 1902: 1890:Vern's Reviews 1886:"Butcher Boys" 1876: 1850: 1825: 1800: 1788:Halloween Love 1769: 1739: 1727: 1699: 1674: 1672:, p. 145. 1662: 1635: 1611: 1587: 1557: 1531: 1494: 1493: 1491: 1488: 1485: 1484: 1467: 1458: 1434: 1433: 1431: 1428: 1426: 1425: 1422: 1412: 1411: 1408: 1402: 1399: 1396: 1393: 1390: 1387: 1384: 1378: 1375: 1368: 1362: 1359: 1353: 1346: 1310: 1307: 1294:Scream Factory 1292:In June 2018, 1260: 1257: 1186:Joe Leydon of 1130:Mike Clark of 1064:Joe Bob Briggs 1046:Joe Bob Briggs 1037: 1034: 968: 965: 924: 921: 919: 916: 898:Flesh and Bone 881: 878: 854:Sally Hardesty 792: 791: 782: 781: 773: 772: 771: 770: 769: 767: 764: 733: 730: 728: 725: 692:cross-dressing 687: 684: 626:. The film is 615: 612: 565:secret society 560: 557: 555: 552: 550: 549: 539: 533: 527: 524:Debra Marshall 521: 518: 515: 512: 509: 503: 500: 494: 488: 481: 476:Main article: 473: 470: 466:Sally Hardesty 446:cybernetic leg 442:scarifications 438:secret society 402: 399: 391:cult following 387:secret society 306:. It features 257: 256: 253: 249: 248: 245: 241: 240: 237: 233: 232: 229: 225: 224: 221: 218: 215: 214: 212: 211: 200: 184: 182: 179: 176: 175: 173: 172: 167: 161: 159: 158:Distributed by 155: 154: 151: 150: 147: 143: 142: 140: 135: 132: 131: 129: 128: 125: 121: 119: 115: 114: 109: 105: 104: 101: 100:Cinematography 97: 96: 94: 93: 90: 85: 79: 77: 73: 72: 70: 69: 66: 62: 60: 56: 55: 52: 48: 47: 42: 38: 37: 34: 26: 25: 15: 9: 6: 4: 3: 2: 3913: 3902: 3899: 3897: 3894: 3892: 3889: 3887: 3884: 3882: 3879: 3877: 3874: 3872: 3869: 3867: 3864: 3862: 3859: 3857: 3854: 3852: 3849: 3847: 3844: 3842: 3839: 3837: 3834: 3832: 3829: 3827: 3824: 3822: 3819: 3817: 3814: 3812: 3809: 3807: 3804: 3802: 3799: 3797: 3794: 3792: 3789: 3787: 3784: 3782: 3779: 3777: 3774: 3772: 3769: 3767: 3764: 3762: 3759: 3757: 3754: 3753: 3751: 3736: 3735: 3726: 3725: 3722: 3716: 3715: 3711: 3709: 3706: 3704: 3701: 3699: 3698: 3694: 3693: 3691: 3687: 3681: 3678: 3676: 3673: 3671: 3668: 3667: 3665: 3663: 3659: 3652: 3651: 3647: 3644: 3643: 3639: 3638: 3636: 3632: 3625: 3624: 3620: 3617: 3616: 3612: 3610: 3609: 3605: 3603: 3602: 3598: 3595: 3594: 3590: 3588: 3587: 3583: 3581: 3580: 3576: 3574: 3573: 3569: 3566: 3565: 3561: 3560: 3558: 3554: 3550: 3549: 3541: 3536: 3534: 3529: 3527: 3522: 3521: 3518: 3511: 3507: 3503: 3502: 3498: 3495: 3491: 3487: 3486: 3482: 3480: 3476: 3475: 3471: 3468: 3464: 3460: 3459: 3455: 3452: 3447: 3444: 3442: 3441: 3437: 3434: 3430: 3426: 3425: 3421: 3420: 3409: 3403: 3399: 3394: 3390: 3384: 3380: 3376: 3372: 3368: 3362: 3358: 3353: 3349: 3342: 3341: 3335: 3331: 3325: 3321: 3316: 3312: 3306: 3302: 3297: 3293: 3287: 3283: 3278: 3277: 3263: 3259: 3255: 3248: 3240: 3236: 3235: 3230: 3223: 3221: 3219: 3210: 3206: 3205: 3200: 3193: 3185: 3181: 3180: 3175: 3168: 3160: 3156: 3155: 3150: 3143: 3128: 3124: 3117: 3109: 3105: 3104: 3099: 3093: 3085: 3084: 3079: 3073: 3065: 3064: 3059: 3058:"Mondo Video" 3053: 3045: 3039: 3032: 3028: 3024: 3023: 3017: 3002: 3001: 2996: 2990: 2982: 2978: 2977: 2972: 2965: 2957: 2953: 2952: 2947: 2940: 2932: 2931: 2926: 2919: 2911: 2907: 2906: 2901: 2894: 2886: 2882: 2881: 2876: 2869: 2861: 2857: 2856: 2851: 2844: 2836: 2835: 2830: 2824: 2816: 2815: 2810: 2803: 2795: 2794: 2789: 2782: 2780: 2771: 2767: 2766: 2761: 2757: 2756:Maslin, Janet 2751: 2749: 2740: 2739: 2734: 2730: 2724: 2716: 2715: 2710: 2703: 2695: 2694: 2689: 2682: 2674: 2673: 2668: 2661: 2653: 2649: 2648: 2643: 2637: 2629: 2625: 2624: 2619: 2613: 2598: 2594: 2588: 2581: 2576: 2570:, p. 47. 2569: 2564: 2556: 2552: 2551: 2550:Dread Central 2546: 2539: 2531: 2527: 2526: 2521: 2514: 2512: 2510: 2508: 2499: 2498: 2493: 2487: 2479: 2475: 2471: 2465: 2463: 2461: 2459: 2457: 2455: 2446: 2442: 2441: 2436: 2430: 2422: 2421: 2420:The Columbian 2416: 2409: 2407: 2405: 2396: 2395: 2390: 2384: 2376: 2375: 2370: 2364: 2356: 2355: 2350: 2344: 2336: 2335: 2330: 2323: 2315: 2311: 2310: 2305: 2298: 2282: 2278: 2277: 2276:Dread Central 2272: 2265: 2258: 2253: 2246: 2241: 2239: 2230: 2226: 2222: 2218: 2214: 2208: 2206: 2204: 2202: 2193: 2189: 2188: 2183: 2176: 2168: 2164: 2163: 2158: 2151: 2149: 2147: 2137: 2132: 2131: 2126: 2119: 2117: 2115: 2113: 2111: 2103: 2102:Huberman 1996 2098: 2091: 2090:Huberman 1996 2086: 2078: 2077: 2069: 2067: 2065: 2057: 2052: 2045: 2044:Huberman 1996 2040: 2032: 2028: 2027: 2026:Houston Press 2022: 2015: 2013: 2011: 2002: 1998: 1997: 1992: 1985: 1983: 1974: 1973: 1968: 1961: 1953: 1949: 1945: 1938: 1936: 1934: 1924: 1919: 1918: 1913: 1906: 1891: 1887: 1880: 1865: 1861: 1854: 1846: 1842: 1841: 1836: 1829: 1821: 1817: 1816: 1811: 1804: 1789: 1785: 1778: 1776: 1774: 1765: 1761: 1760: 1755: 1748: 1746: 1744: 1736: 1731: 1723: 1719: 1718: 1717:The A.V. Club 1713: 1706: 1704: 1695: 1691: 1690: 1685: 1678: 1671: 1666: 1658: 1654: 1653: 1648: 1642: 1640: 1631: 1627: 1626: 1621: 1615: 1607: 1606: 1601: 1594: 1592: 1583: 1579: 1578: 1573: 1566: 1564: 1562: 1553: 1552: 1547: 1540: 1538: 1536: 1520: 1516: 1515: 1510: 1504: 1502: 1500: 1495: 1481: 1477: 1471: 1462: 1455: 1451: 1447: 1446: 1439: 1435: 1423: 1420: 1419: 1418: 1417: 1409: 1407: 1403: 1400: 1397: 1394: 1391: 1388: 1385: 1383: 1379: 1376: 1373: 1369: 1367: 1366:Erik Hokkanen 1363: 1360: 1358: 1354: 1352: 1351:Roky Erickson 1348: 1347: 1345: 1344: 1340: 1338: 1334: 1330: 1329: 1324: 1320: 1316: 1306: 1303: 1299: 1295: 1290: 1288: 1284: 1280: 1276: 1272: 1270: 1266: 1256: 1254: 1250: 1246: 1242: 1239: 1234: 1232: 1228: 1223: 1221: 1217: 1216: 1211: 1210: 1209:The A.V. Club 1202: 1201: 1197:went legit." 1196: 1191: 1190: 1184: 1182: 1178: 1177: 1172: 1168: 1167: 1162: 1161: 1155: 1154: 1149: 1145: 1144: 1139: 1135: 1134: 1128: 1126: 1125: 1120: 1116: 1115: 1110: 1106: 1105: 1100: 1096: 1095: 1090: 1085: 1082: 1081: 1080:The Columbian 1075: 1073: 1069: 1065: 1061: 1057: 1056: 1047: 1042: 1032: 1027: 1025: 1024: 1019: 1018: 1017:Jerry Maguire 1012: 1010: 1006: 1002: 998: 993: 991: 986: 981: 979: 974: 964: 962: 958: 954: 950: 946: 942: 940: 936: 935: 930: 915: 912: 907: 904: 900: 899: 894: 891:, and nearby 890: 886: 877: 875: 871: 867: 863: 859: 855: 851: 850:Marilyn Burns 847: 842: 840: 836: 831: 829: 828: 823: 819: 814: 812: 808: 800: 796: 786: 777: 763: 761: 757: 753: 749: 742: 737: 724: 722: 718: 714: 708: 706: 703: 699: 698: 697:Houston Press 693: 683: 680: 676: 675: 670: 669: 664: 663: 656: 651: 649: 645: 641: 640: 635: 634: 629: 625: 621: 611: 609: 608: 603: 599: 595: 594: 588: 586: 580: 578: 574: 570: 569:transcendence 566: 547: 543: 542:Marilyn Burns 540: 537: 534: 531: 528: 525: 522: 519: 516: 513: 510: 507: 504: 501: 499: 495: 492: 489: 486: 483: 482: 479: 469: 467: 463: 459: 455: 449: 447: 443: 439: 433: 429: 426: 421: 419: 414: 412: 408: 407:school’s prom 398: 396: 392: 388: 384: 383:recursiveness 380: 375: 373: 369: 365: 361: 357: 353: 349: 346:premiered at 345: 341: 339: 335: 331: 327: 323: 321: 317: 313: 312:Marilyn Burns 309: 305: 301: 297: 293: 289: 287: 282: 278: 275: 271: 270: 265: 264: 254: 250: 246: 242: 238: 234: 231:United States 230: 226: 222: 216: 201: 198: 186: 185: 183: 180:Release dates 177: 171: 168: 166: 163: 162: 160: 156: 148: 145: 144: 141: 133: 126: 123: 122: 120: 116: 113: 110: 106: 103:Levie Isaacks 102: 98: 91: 89: 86: 84: 81: 80: 78: 74: 67: 64: 63: 61: 57: 53: 49: 46: 43: 39: 32: 27: 22: 19: 3732: 3712: 3695: 3648: 3640: 3621: 3613: 3606: 3599: 3591: 3585: 3584: 3577: 3570: 3562: 3546: 3500: 3484: 3473: 3457: 3439: 3423: 3397: 3378: 3356: 3339: 3319: 3300: 3281: 3257: 3247: 3239:the original 3232: 3202: 3192: 3177: 3167: 3152: 3142: 3132:December 26, 3130:. Retrieved 3126: 3116: 3101: 3092: 3081: 3072: 3061: 3052: 3038: 3020: 3016: 3006:December 29, 3004:. Retrieved 2998: 2989: 2974: 2964: 2949: 2939: 2930:Daily Herald 2928: 2918: 2903: 2893: 2878: 2868: 2860:the original 2853: 2843: 2832: 2823: 2812: 2802: 2791: 2763: 2736: 2723: 2712: 2702: 2691: 2681: 2670: 2660: 2645: 2636: 2628:the original 2621: 2612: 2602:December 26, 2600:. Retrieved 2596: 2587: 2575: 2563: 2555:the original 2548: 2538: 2530:the original 2523: 2497:The Dispatch 2495: 2486: 2473: 2445:the original 2438: 2429: 2418: 2392: 2383: 2372: 2363: 2352: 2343: 2332: 2322: 2307: 2297: 2287:December 22, 2285:. Retrieved 2281:the original 2274: 2264: 2252: 2212: 2185: 2175: 2160: 2128: 2097: 2085: 2074: 2051: 2039: 2031:the original 2024: 1994: 1970: 1960: 1947: 1915: 1905: 1893:. Retrieved 1889: 1879: 1867:. Retrieved 1863: 1853: 1845:the original 1838: 1828: 1813: 1803: 1793:December 28, 1791:. 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On 1248: 1244: 1235: 1230: 1224: 1219: 1213: 1207: 1198: 1187: 1185: 1180: 1174: 1164: 1160:Daily Herald 1158: 1151: 1147: 1141: 1131: 1129: 1122: 1119:Men in black 1112: 1108: 1102: 1098: 1092: 1089:Janet Maslin 1086: 1078: 1076: 1067: 1060:Julie Newmar 1053: 1051: 1029: 1021: 1015: 1013: 1001:wide release 994: 989: 984: 982: 977: 970: 943: 932: 926: 908: 896: 883: 843: 832: 825: 816:Henkel cast 815: 805: 759: 755: 744: 739: 735: 709: 705:Gibby Haynes 695: 689: 672: 666: 660: 659:Writing for 658: 653: 637: 631: 623: 617: 605: 602:Butcher Boys 601: 597: 593:Butcher Boys 591: 589: 581: 562: 450: 434: 430: 422: 415: 404: 395:Debbie Harry 376: 367: 343: 342: 324: 285: 268: 267: 262: 261: 260: 219:Running time 146:Ultra Muchos 127:Robert Jacks 112:Sandra Adair 92:Robert Jacks 18: 3670:Leatherface 3634:Video games 3615:Leatherface 2474:Movie Suits 1864:DVD Exotica 1670:Harper 2004 1524:October 15, 1331:; English: 835:Leatherface 732:Development 679:meta-horror 648:Leatherface 636:(1986) and 498:Leatherface 425:Leatherface 300:Leatherface 288:film series 65:Robert Kuhn 59:Produced by 41:Directed by 3756:1995 films 3750:Categories 3662:Characters 3027:Metacritic 2568:Macor 2010 2229:1059473535 1490:References 1382:Pushmonkey 1309:Soundtrack 1259:Home media 1253:Metacritic 1229:writes in 1171:Wes Craven 1062:." Critic 870:John Dugan 727:Production 721:Fassbinder 713:drag queen 577:Illuminati 573:Kim Henkel 530:John Dugan 508:as Heather 364:home media 320:John Dugan 281:Kim Henkel 252:Box office 223:95 minutes 206:1995-09-22 191:1995-03-12 136:Production 124:Wayne Bell 68:Kim Henkel 54:Kim Henkel 51:Written by 45:Kim Henkel 2855:USA Today 2245:Muir 2011 1735:Muir 2011 1689:Joblo.com 1357:Skatenigs 1287:Lionsgate 1265:LaserDisc 1140:wrote in 1133:USA Today 911:Winnebago 903:taxidermy 858:anonymous 628:recursive 493:as Vilmer 462:spiritual 458:limousine 411:marijuana 255:$ 185,898 247:$ 600,000 138:companies 108:Edited by 3734:Category 3680:Chop Top 3429:AllMovie 3377:(2011). 3262:Archived 3209:Archived 3184:Archived 3159:Archived 3108:Archived 3103:DVD Talk 2981:Archived 2910:Archived 2885:Archived 2770:Archived 2652:Archived 2478:Archived 2314:Archived 2309:MovieWeb 2223:. 2018. 2192:Archived 2167:Archived 2076:Fangoria 2001:Archived 1820:Archived 1764:Archived 1759:Collider 1722:Archived 1694:Archived 1630:Archived 1582:Archived 1220:Chainsaw 1148:Chainsaw 1068:Chainsaw 860:credit; 824:'s film 662:Collider 554:Analysis 487:as Jenny 236:Language 118:Music by 76:Starring 3689:Related 3504:at the 3443:at the 3348:YouTube 3273:Sources 2956:Newsday 2217:Blu-ray 1577:Variety 1445:Variety 1315:Blondie 1298:Blu-ray 1271:title. 1189:Variety 1166:Newsday 1044:Critic 997:trustee 934:Variety 918:Release 893:Bastrop 880:Filming 874:Grandpa 839:Houston 766:Casting 748:Ed Gein 330:Bastrop 274:slasher 239:English 228:Country 204: ( 189: ( 3703:Comics 3653:(2023) 3645:(1983) 3626:(2022) 3618:(2017) 3596:(2003) 3567:(1974) 3404:  3385:  3363:  3326:  3307:  3288:  2647:Justia 2227:  2079:(136). 1895:May 1, 1869:May 1, 1176:Scream 992:film. 959:; and 811:Austin 674:Scream 620:parody 379:parody 338:Austin 318:, and 244:Budget 195: ( 3556:Films 1430:Notes 1204:' 308:cameo 3479:IMDb 3402:ISBN 3383:ISBN 3361:ISBN 3324:ISBN 3305:ISBN 3286:ISBN 3134:2016 3008:2020 2604:2016 2289:2017 2225:OCLC 1897:2021 1871:2021 1795:2016 1526:2017 1074:.'" 797:and 750:and 671:and 472:Cast 401:Plot 381:and 332:and 304:prom 197:SXSW 3488:at 3477:at 3461:at 3427:at 3025:at 2136:E10 1840:MTV 1328:sic 1317:'s 1283:DVD 1279:VHS 1173:'s 1091:of 544:as 3752:: 3260:. 3256:. 3231:. 3217:^ 3207:. 3201:. 3182:. 3176:. 3157:. 3151:. 3125:. 3100:. 3080:. 3060:. 2997:. 2979:. 2973:. 2954:. 2948:. 2927:. 2908:. 2902:. 2883:. 2877:. 2852:. 2831:. 2811:. 2790:. 2778:^ 2768:. 2762:. 2747:^ 2735:. 2711:. 2690:. 2669:. 2644:. 2620:. 2595:. 2547:. 2522:. 2506:^ 2494:. 2472:. 2453:^ 2437:. 2417:. 2403:^ 2391:. 2371:. 2351:. 2331:. 2312:. 2306:. 2273:. 2237:^ 2200:^ 2190:. 2184:. 2165:. 2159:. 2145:^ 2127:. 2109:^ 2063:^ 2023:. 2009:^ 1999:. 1993:. 1981:^ 1969:. 1950:. 1946:. 1932:^ 1923:J4 1914:. 1888:. 1862:. 1837:. 1818:. 1812:. 1786:. 1772:^ 1762:. 1756:. 1742:^ 1720:. 1714:. 1702:^ 1692:. 1686:. 1649:. 1638:^ 1628:. 1622:. 1602:. 1590:^ 1580:. 1574:. 1560:^ 1548:. 1534:^ 1517:. 1511:. 1498:^ 955:; 841:. 610:. 454:RV 314:, 294:, 3539:e 3532:t 3525:v 3410:. 3391:. 3369:. 3350:. 3332:. 3313:. 3294:. 3136:. 3010:. 2606:. 2291:. 2231:. 2215:( 1899:. 1873:. 1797:. 1528:. 1325:( 208:) 199:) 193:)

Index


Kim Henkel
Renée Zellweger
Matthew McConaughey
Sandra Adair
Cinépix Film Properties
Columbia TriStar Pictures
SXSW
slasher
black comedy film
Kim Henkel
The Texas Chainsaw Massacre film series
Renée Zellweger
Matthew McConaughey
Leatherface
prom
cameo
Marilyn Burns
Paul A. Partain
John Dugan
Principal photography
Bastrop
Pflugerville, Texas
Austin
South by Southwest
limited release
Cinépix Film Properties
Columbia TriStar Pictures
home media
box-office flop

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