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rejects his suggestion to return to the mainland. She manages to convince him to rekindle their friendship which puts a strain on his relationship with
Annalee, who is jealous of the amount of attention that Jim is giving Mamie. In the meantime, she persuades Jim to manage her money and write a check to her father on her behalf. Seeing a response from the father addressed to Mrs. Jim Blair upsets Jim, but he reluctantly agrees to go along. He defends Mamie when Harry beats her up for going out with him.
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soon renting them to the U.S. military. While on leave, Jim convinces Mamie to leave the dance hall. Returning to the club to announce her resignation, Mamie finds out that Harry has been fired for encounters with the military police. Bertha, fearing the loss of the club's biggest attraction, promises to let Mamie jump to a 50% commission at the now booming club, as well as a respectable mailing address to deceive Jim when writing him at his overseas postings. By the time of the 1942
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hostesses working at the club. Mamie gets hired and learns Bertha's four rules: She must live on the premises (so Bertha can keep an eye on her employee), have no boyfriend, do not visit
Waikiki Beach or the fancy hotels, and have no bank account in order to avoid attracting the attention of the tax people. The hostesses can keep 30% of the revenue they generate selling tickets for dancing, private visits, and overpriced bottles of watered-down liquor.
36:
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wrote in 1965: "Very good...fascinating, ambiguously told story of a tough, flamboyant prostitute, her expulsion from San
Francisco, her affair with a 'respectable' writer, her rise to wealth on the war in Hawaii. Very cleverly written and played to avoid the censors, but clear in its meanings and in
644:
wrote a scathing review and made reference to the film's ad campaign which asked "Why Did Mamie Leave San
Francisco?" His opening line of the review: "If you must know why Mamie Stover had to leave San Francisco, you'll have to ask someone other than this reviewer, who did not get the answer from the
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is an unconventional film, typical of Walsh’s last period, when he had even less patience with red tape and was more explicit in his speech, more focused on his filming, as well as the dismantling of the internal mechanisms of the more typical and standardised
Hollywood filmmaking, and so of his own
681:
Italian film historian
Ermanno Comuzio wrote in 1982 "The story of this 'rebellious woman' is 'explosive.' Jane Russell perfectly incarnates an unusual female character with her fighter’s broad shoulders. She is the female equivalent of the implacable and conquering hero who wants to take the world
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causes Jim to abandon
Annalee and to frantically search for Mamie. He enlists and asks Mamie to marry him once the war ends. The war builds Mamie's personal fortune. She spends many thousands of dollars purchasing multiple commercial properties cheaply from owners wanting to return to the mainland,
348:
with the troops. He is wounded and returns to Hawaii on convalescent leave, where he confronts Mamie. After a subdued argument, Jim concludes that their lives are too different and leaves her for good. A heartbroken Mamie leaves Hawaii. She disembarks in San
Francisco, met by a police officer who
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As they part, Jim lends Mamie $ 100 ($ 2,100 today) to help her get settled. She visits an old friend, Jackie Davis, who introduces her to Bertha
Parchman, the mean-spirited owner of a dance hall and bar. Even more cold-hearted is Bertha's vicious manager Harry Adkins, who beats any rule-breaking
328:
Mamie soon becomes the main attraction of the club, acquiring the nickname
Flaming Mamie (after dying her hair red). She quickly builds a $ 2,200 ($ 45,600 today) bankroll—enough money to pay back her debt to Jim, so she invites him to the club. She is disappointed by Jim's disapproval and
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In 1941, prostitute Mamie Stover is pressured to leave San Francisco by the police. On a freighter bound for Honolulu, she meets Jim Blair, a successful writer and the only other passenger. Initially hostile, Mamie softens a bit when he starts using her life story for material for his writing. A
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Mamie’s lack of regeneration. Perfectly cast with Jane Russell, Richard Egan, directed with typical Walshian vigor and spirit; an amusing and devastating character study, with Russell staring at camera in the beginning (as opposed to the end as in Bergman’s
522:
believed audiences would be thrown if Russell, one of the more famous brunettes in Hollywood, went blonde so he had Jane become a redhead. Russell wore a long red wig, but dyed her short natural black hair red along with her eyebrows.
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in its review gave it three out of four stars and wrote "Jane Russell does a spirited job in a story that has both corny and realistic aspects" concluding, "A couple of gay songs enliven the unsavory proceedings."
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reminds her she is still banned from the city. She tells him that she made a fortune and gave it away. He doesn't believe her, but offers a ride to the airport to catch a flight to her hometown in Mississippi.
1970:
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released a single of the film's two songs "Keep Your Eyes on the Hands" by Tony Tordaro and Mary Johnston and "If You Wanna See Mamie Tonight" with Jane Russell performing the vocals backed by the
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shipboard romance develops; Jim offers to help Mamie make something of herself, but within limits. When they dock in Honolulu, Mamie sees why when Jim is welcomed ashore by his sweetheart Annalee.
526:
Filming took place partially on location in Honolulu. The remainder of the scenes were shot on the lot of Fox. The film was Joan Leslie's final film appearance before retiring from the screen.
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has adult themes, female empowerment, war and romance. It offers an impressive, tough girl, performance from Russell. I love the film's exotic look, extravagant costumes and mixed genres."
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An expository opening scene was filmed but deleted for censorship reasons: On a street corner in San Francisco, Mamie is picked up by Howard Sloan, a middle-aged man portrayed by
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231:$ 2 million (US rentals). $ 2 million (European)
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was released in movie theaters in May 1956. It wasn't until July 17, 2018, that the film received its first U.S. home video release. The boutique video company
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released in 1961. Apparently Adler wasn't able to secure a deal with Hughes for Russell's services. Jane wouldn't appear in a Fox film until 1964's
465:, but Marilyn was on "strike" with Fox over contact negotiations and was turning down many roles offered to her. The role eventually was offered to
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who can be seen briefly in the finished film at the beginning before the credits roll and at the very end when Mamie returns to San Francisco.
1965:
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at #44 for the year in box office rentals earning $ 2 million, most assuredly earning more in ticket sales. The June 18, 1956 issue of
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has signed Raoul Walsh to three more pictures at 20th Century Fox, and is trying to buy one of Jane Russell's commitments from
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The paperback version sold 3,000,000 copies but there will have to be 3,000 censorship cuts if Mamie ever reaches the screen."
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received mostly poor reviews. Criticism focused on the film's sanitizing of the novel's original content. The headline of the
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reported the film at #3 as one of "the most popular and successful movies in the U.S. last month, according to the tradesheet
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341:, Mamie is earning $ 4,000 ($ 74,600 today) monthly on her property rentals, and Bertha has boosted her to a 70% commission.
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888:"Simenon to Earn $ 3,000 Daily Wage; Prolific Novelist Is Planning 15-Day Task of Adapting 'Hitch Hikers' for Film",
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released a limited-edition (3,000 units) blu-ray disc of a 4k restoration, which has renewed interested in the film.
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Contemporary critics reappraised the film as a whole, its director and as well as Jane Russell's performance.
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so he can star Jane in a romantic musical." Raoul Walsh's next three pictures for 20th Century Fox were
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wrote: "Mamie Stover enjoyed good box office and afterward built a large international following."
469:, whose confirmation was reported in November 1955. However, in the September 16, 1955 edition of
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855:"McCambridge in 'Giant;' Harvey, Conte Deals Set; 'Bride of India' Bought" by Edwin Schallert,
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Misleading Jim does not work, though, as a promotional poster of Mamie has become a popular
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Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series)
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Gary Tooze writing a review of the Blu-ray release of the film for DVDBeaver website "
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reported "Jane Russell has a date at Fox to discuss the possibility of starring in
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This adaptation downplays the novel's critique of Hollywood and the film industry.
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review on the May 7, 1956 stated: "Mamie Stover's Revolt Suppressed by Censors".
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793:, another 20th Century Fox film also from 1956. This CD is no longer in print.
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tried to soften the critical blows with a blurb in his syndicated column: "
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In the novel, Mamie Stover was described as a blonde, resembling actress
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wrote in her May 17, 1956 column: "Since the success of 'Mamie Stover,'
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Raoul Walsh: The True Adventures of Hollywood's Legendary Director
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recording of the film's song "If You Wanna See Mamie Tonight" by
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Crisis: The Japanese Attack on Pearl Harbor and Southeast Asia
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but an extended vacation prohibited her from taking the part.
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had bought the rights to Huie's novel of the same name.
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The role of Mamie Stover originally was intended for
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In its list of the 100 top box-office hits of 1956,
19:This article is about the film. For the novel, see
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613:, and her role was a cameo appearing as herself.
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492:as contenders for the role of Mamie as well as
2447:Films about prostitution in the United States
1931:
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903:"Jane Russell to Be Redhead in Next Movie",
825:. Lanham, Maryland: Scarecrow Press, 1989.
1938:
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775:, an independent label, released a CD of
616:Marilyn Ann Moss in her biography titled
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1945:
909:, December 6, 1955. p. 4 (section two).
873:, "Jane Russell Gets Marilyn's Role,"
668:are the other reasons it romps along."
601:(1960). He made one more film for Fox,
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2517:English-language romantic drama films
1919:
996:
699:), defying the viewer to judge her."
500:was assigned to co-star in December.
439:John Halloran as Henry - Club Bouncer
2269:The War at Sea from Hawaii to Malaya
1211:Lost and Found on a South Sea Island
623:
2396:Advance-knowledge conspiracy theory
842:'The Top Box-Office Hits of 1956',
13:
454:In May 1955, it was reported that
14:
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940:
749:". The song peaked at #89 on the
747:It Only Hurts for a Little While
565:The Man in the Gray Flannel Suit
2462:Films scored by Hugo Friedhofer
538:(January 2, 1957 issue) ranked
2452:Films based on American novels
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803:List of American films of 1956
1:
2507:American romantic drama films
2457:Films directed by Raoul Walsh
2391:Vulnerability of Pearl Harbor
1577:They Died with Their Boots On
808:
724:
709:
529:
473:, Hollywood gossip columnist
449:
2432:1950s English-language films
1860:The Sheriff of Fractured Jaw
965:AFI Catalog of Feature Films
586:The Sheriff of Fractured Jaw
7:
2502:American World War II films
796:
571:Hollywood gossip columnist
479:The Revolt of Mamie Stover.
10:
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2472:Films set in San Francisco
2317:The Revolt of Mamie Stover
1828:The Revolt of Mamie Stover
1724:Captain Horatio Hornblower
1641:The Horn Blows at Midnight
983:The Revolt of Mamie Stover
972:The Revolt of Mamie Stover
959:The Revolt of Mamie Stover
948:The Revolt of Mamie Stover
781:The Revolt of Mamie Stover
715:The Revolt of Mamie Stover
704:The Revolt of Mamie Stover
684:The Revolt of Mamie Stover
654:The Revolt of Mamie Stover
630:The Revolt of Mamie Stover
628:Upon its initial release,
540:The Revolt of Mamie Stover
301:and the cinematography by
239:The Revolt of Mamie Stover
71:The Revolt of Mamie Stover
29:The Revolt of Mamie Stover
21:The Revolt of Mamie Stover
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1168:Should a Husband Forgive?
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894:, December 2, 1955. p. 32
879:, November 5, 1955. p. 14
559:The Man Who Knew Too Much
484:Other articles mentioned
305:, with costume design by
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1788:A Lion Is in the Streets
471:The Southeast Missourian
16:1956 film by Raoul Walsh
2157:U.K. declaration of war
2152:U.S. declaration of war
729:In May 1956 RCA-Victor
660:is a refreshing actor.
352:
334:bombing of Pearl Harbor
315:
2487:Films shot in Honolulu
2482:Films set in the 1940s
2437:20th Century Fox films
2325:Storm Over the Pacific
2167:Pearl Harbor Committee
1852:The Naked and the Dead
1732:Along the Great Divide
768:
424:Kathy Marlowe as Zelda
267:novel of the same name
179:May 11, 1956
2309:From Here to Eternity
2261:Secret Agent of Japan
2202:Survivors Association
1961:Prelude to the attack
1764:Blackbeard the Pirate
1756:The World in His Arms
1561:The Strawberry Blonde
1350:The Man Who Came Back
1259:The Lady of the Harem
1112:The Pride of New York
767:
445:as Dance Hall Hostess
271:William Bradford Huie
166:Twentieth Century-Fox
156:Twentieth Century-Fox
79:William Bradford Huie
2512:1950s American films
2147:Day of Infamy speech
2142:Sleeping giant quote
1689:One Sunday Afternoon
1601:Background to Danger
1518:The Roaring Twenties
1438:Every Night at Eight
1430:Baby Face Harrington
1358:Women of All Nations
861:, May 18, 1955. p. 7
739:Paul Francis Webster
518:. However, producer
397:as Capt. Eldon Sumac
293:, and was filmed in
273:. The picture stars
265:, based on the 1951
40:Original film poster
2467:Films set in Hawaii
2357:The Final Countdown
2207:Commemorative Medal
2162:Roberts Commissions
1947:Pearl Harbor attack
1887:Esther and the King
1545:They Drive by Night
1315:The Cock-Eyed World
1283:The Loves of Carmen
1219:The Thief of Bagdad
1203:Kindred of the Dust
1120:The Innocent Sinner
753:. Also in May 1956
598:Esther and the King
552:" coming in behind
297:. The music was by
247:romantic drama film
242:is a 1956 American
2492:Pearl Harbor films
2401:In popular culture
2063:salvaged artifacts
1868:A Private's Affair
1697:Colorado Territory
1478:Hitting a New High
1470:Artists and Models
1144:Every Mother's Son
1064:Blue Blood and Red
1023:Films directed by
953:TCM Movie Database
891:The New York Times
876:Milwaukee Sentinel
787:'s soundtrack for
769:
745:as the b-side to "
610:Fate Is the Hunter
592:A Private's Affair
379:as Bertha Parchman
373:as Annalee Johnson
2497:War romance films
2477:Films set in 1941
2442:CinemaScope films
2409:
2408:
2341:Tora! Tora! Tora!
1913:
1912:
1903:A Distant Trumpet
1895:Marines, Let's Go
1772:The Lawless Breed
1625:Objective, Burma!
1585:Desperate Journey
1366:The Yellow Ticket
1267:What Price Glory?
858:Los Angeles Times
846:, January 2, 1957
831:978-0-8108-4244-1
821:Solomon, Aubrey.
779:'s soundtrack of
692:Peter Bogdanovich
648:Gossip columnist
634:Los Angeles Times
624:Critical response
604:Marines, Let's Go
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131:Louis R. Loeffler
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2285:This Is the Army
1971:Present US ships
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1609:Northern Pursuit
1275:The Monkey Talks
1136:The Prussian Cur
1080:The Honor System
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456:20th Century Fox
403:as Capt. Gorecki
339:Battle of Midway
253:and produced by
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921:, June 18, 1956
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650:Walter Winchell
638:Bosley Crowther
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475:Erskine Johnson
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407:Eddie Firestone
391:as Harry Adkins
385:as Jackie Davis
383:Jorja Curtright
377:Agnes Moorehead
361:as Mamie Stover
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299:Hugo Friedhofer
287:Agnes Moorehead
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733:released The
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2365:Pearl Harbor
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2293:December 7th
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2137:Consequences
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2014:
2007:
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1820:The Tall Men
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1804:Saskatchewan
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1673:Silver River
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1537:Dark Command
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1307:Me, Gangster
1305:
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1243:The Wanderer
1241:
1235:The Spaniard
1233:
1227:East of Suez
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1040:Regeneration
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785:David Raksin
780:
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662:Jane Russell
658:Richard Egan
653:
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573:Hedda Hopper
570:
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483:
478:
470:
467:Jane Russell
460:
453:
436:as Bartender
389:Michael Pate
367:as Jim Blair
365:Richard Egan
359:Jane Russell
343:
331:
327:
323:
319:
311:
291:Michael Pate
279:Richard Egan
275:Jane Russell
263:Sydney Boehm
249:directed by
244:DeLuxe Color
238:
237:
236:
195:Running time
172:Release date
103:Richard Egan
99:Jane Russell
69:
60:Sydney Boehm
2241:Pacific War
2181:Remembrance
1748:Glory Alley
1553:High Sierra
1462:Spendthrift
1152:I'll Say So
1128:On the Jump
1072:The Serpent
1025:Raoul Walsh
790:Hilda Crane
783:along with
761:Orchestra.
731:RCA Records
595:(1959) and
577:Buddy Adler
520:Buddy Adler
505:Stubby Kaye
498:Joan Leslie
494:Lana Turner
434:Jack Mather
428:Margia Dean
419:Leon Lontoc
413:Jean Willes
371:Joan Leslie
295:CinemaScope
283:Joan Leslie
255:Buddy Adler
251:Raoul Walsh
223:$ 2 million
107:Joan Leslie
89:Buddy Adler
85:Produced by
50:Raoul Walsh
46:Directed by
2422:1956 films
2416:Categories
2301:Task Force
2071:California
2049:ships sunk
1812:Battle Cry
1780:Sea Devils
1705:White Heat
1406:The Bowery
1160:Evangeline
906:TimesDaily
809:References
743:Sammy Fain
725:Soundtrack
710:Home media
690:Filmmaker
530:Box office
450:Production
443:Sally Todd
430:as Peaches
259:screenplay
228:Box office
199:92 minutes
183:1956-05-11
148:Production
75:1951 novel
2277:Air Force
2245:(2007–08)
2236:(2004–05)
2130:Aftermath
1374:Wild Girl
1048:Peer Gynt
931:Photoplay
687:cinema."
671:Photoplay
645:film..."
415:as Gladys
409:as Tarzan
401:Alan Reed
303:Leo Tover
127:Edited by
121:Leo Tover
2197:Memorial
2099:Sotoyomo
2085:Oklahoma
1994:involved
1992:carriers
1990:Japanese
1796:Gun Fury
1665:Cheyenne
1569:Manpower
1486:O.H.M.S.
1195:The Oath
1096:Betrayed
988:AllMovie
797:See also
589:(1958);
307:Travilla
212:Language
137:Music by
95:Starring
66:Based on
2195:Arizona
2057:Arizona
2037:Zuikaku
2030:ShĹŤkaku
1657:Pursued
962:at the
951:at the
640:of the
550:Variety
281:, with
257:from a
215:English
204:Country
181: (
150:company
2376:(2019)
2373:Midway
2368:(2001)
2360:(1980)
2352:(1979)
2344:(1970)
2336:(1965)
2328:(1960)
2320:(1956)
2312:(1953)
2304:(1949)
2296:(1943)
2288:(1943)
2280:(1943)
2272:(1942)
2264:(1942)
2243:series
2234:series
2227:(1992)
2078:Oglala
1954:Attack
1906:(1964)
1898:(1961)
1890:(1960)
1871:(1959)
1863:(1958)
1855:(1958)
1847:(1957)
1839:(1956)
1831:(1956)
1823:(1955)
1815:(1955)
1807:(1954)
1799:(1953)
1791:(1953)
1783:(1953)
1775:(1953)
1767:(1952)
1759:(1952)
1751:(1952)
1743:(1951)
1735:(1951)
1727:(1951)
1708:(1949)
1700:(1949)
1692:(1948)
1684:(1948)
1676:(1948)
1668:(1947)
1660:(1947)
1652:(1947)
1644:(1945)
1636:(1945)
1628:(1945)
1620:(1944)
1612:(1943)
1604:(1943)
1596:(1942)
1588:(1942)
1580:(1941)
1572:(1941)
1564:(1941)
1556:(1941)
1548:(1940)
1540:(1940)
1521:(1939)
1513:(1939)
1505:(1938)
1497:(1937)
1489:(1937)
1481:(1937)
1473:(1937)
1465:(1936)
1457:(1936)
1449:(1936)
1441:(1935)
1433:(1935)
1425:(1935)
1417:(1933)
1409:(1933)
1401:(1933)
1393:(1933)
1385:(1932)
1377:(1932)
1369:(1931)
1361:(1931)
1353:(1931)
1345:(1930)
1326:(1929)
1318:(1929)
1310:(1928)
1302:(1928)
1294:(1928)
1286:(1927)
1278:(1927)
1270:(1926)
1262:(1926)
1254:(1926)
1246:(1925)
1238:(1925)
1230:(1925)
1222:(1924)
1214:(1923)
1206:(1922)
1198:(1921)
1190:(1920)
1171:(1919)
1163:(1919)
1155:(1918)
1147:(1918)
1139:(1918)
1131:(1918)
1123:(1917)
1115:(1917)
1107:(1917)
1099:(1917)
1091:(1917)
1083:(1917)
1075:(1916)
1067:(1916)
1059:(1915)
1056:Carmen
1051:(1915)
1043:(1915)
833:. p250
829:
697:Monika
488:&
421:as Aki
346:pin-up
289:, and
220:Budget
2384:Other
2253:Films
2216:Books
2120:YFD-2
2023:Hiryū
2016:Sōryū
2002:Akagi
1879:1960s
1716:1950s
1529:1940s
1334:1930s
1179:1920s
1032:1910s
2349:1941
2193:USS
2106:Utah
2092:Shaw
2009:Kaga
977:IMDb
919:Time
827:ISBN
741:and
664:and
562:and
545:Time
353:Cast
332:The
316:Plot
277:and
986:at
975:at
556:'s
269:by
261:by
77:by
2418::
568:.
309:.
285:,
1939:e
1932:t
1925:v
1016:e
1009:t
1002:v
185:)
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
