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Mars and Levine. One day, Mars and
Lawrence were sitting in a car with no money; they decided to try producing for themselves and enlisted the help of Levine, who contributed his equipment and expertise in drum programming, sampling and other electronic sounds. In 2009, The Smeezingtons settled in Hollywood and Levine joined the team. They worked over 10 hours every day for two years.
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laundromat and a medical marijuana dispensary on a seedy
Hollywood side street". In the beginning, and according to Lawrence, they "worked long and hard in this little shack, hoping just to pay rent and have someone listen to our songs". The latter also said; "we always find that we still do our best work in our little shack of a studio ... That's where we find our magic."
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three share completed his idea: "It's about finding ways to mix the classic we all love with modern songs. That's why people connect to the music on multiple levels: It's familiar-sounding but new-classic songwriting and instrumentation with a little twist". He added, "We're that weird middle ground, where there's live instruments but it's still rhythmic and pop".
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studio session. Plus, I was leery ... because everyone in LA says they have the next big thing. He said, "Whatever it costs you to get out here, I'll reimburse you." So I said, "Just give me five dollars back for the bus." I get to the studio, and it was Bruno, and that session was the first time either of us had written and recorded an entire song.
327:", which was written for Mars. At first Mars and Lawrence did not want to give up the song so Creed offered them $ 20,000 for it. Mars and Lawrence were so surprised they said; "You can have that one and whatever else you need!"; the call allowed them to stay in L.A. longer. In late 2008, Aaron-Bay Schuck (A&R), Lawrence and Mars helped write
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guys", and stated, "That's kind of our main focus, to have really good, memorable melodies". They can also start their songs' production with a "Levine beat, a Mars guitar melody, or a lyric snippet from
Lawrence. They reject each other's bad ideas and encourage the good ones in "a melting pot of trial and error", according to Lawrence.
309:, he moved to L.A. and found he could only pay rent by DJing. Before they met each other, "a lot of time was wasted working with random producers bouncing around from studio to studio but never getting anything done". Lawrence was initially reluctant to meet Mars but their collaboration worked from the start. According to Lawrence:
1007: ... my favourites are the McDSP FilterBank for my EQ, the Waves Rvox and Renaissance Compressor as my compressors, the L2, and my favourite reverb is D‑Verb. I also use Echo Farm, Sound Toys Echoboy, and, well that's pretty much it. I have many plug-ins, but I don't really use them." He said "I've tried
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Mars says the trust that he, Levine and
Lawrence have built in seven years of working together is essential. He added "We all know when we're onto something ... We also know when something's not jelling. And that's the thing you pray you will always have." Levine said the musical influences the
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The team explained their songwriting process by saying every song should be like a "three-minute movie" that needs to have a conflict to make it interesting. Mars criticized "hit songwriters" by saying, "I liked hearing that from these hit songwriters because it seems like many times songwriters are
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In their usual production style, The
Smeezingtons start writing their songs as cathartic, freestyle jams. Lawrence said, "We'll go into the studio, and start playing the piano and I'll start freestyling or vice versa. We're heavily influenced by the '80s ." Lawrence sees himself and Mars as "melody
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In 2007, Mars was a struggling singer-songwriter and Ari Levine was a producer looking to work with new songwriters. Lawrence was the first guest at Levine's studio Levcon
Studios; they had previously worked together after being introduced by a mutual friend. Lawrence was responsible for connecting
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The
Smeezingtons composed songs and played the instruments on those songs. Levine recorded and engineered Mars's debut EP and his first two albums, and mixed the track "Somewhere in Brooklyn". He also engineered, recorded, and mixed "Nothin' on You". Levine engineered and mixed "Billionaire" and
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I got a call from , a producer we were both working within late 2006, and he said, "I got this kid who's phenomenally talented ... but he needs a writer to help get his ideas out." At the time I was flat broke with ... no car, and it was going to cost me everything I had to get to that
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Levcon
Studios was located in Los Angeles and was co-owned by Levine and his brother and manager Josh Levine. The studios were used by The Smeezingtons and were described as a "tiny Hollywood studio" with a "whiteboard hanging on the wall". The studio is "set in a ramshackle cottage between a
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We used to always say in the studio, "Yo, this is going to be a smash!" And then it turned into, "This is a smeeze!" Then, "This is a
Smeezington." We were just like, "We should just base our whole situation upon this word. How great would it be if record labels were like, 'We have to get The
866:. Mars has stated, "Ari turned out to be the secret ingredient to what me and Phil were doing", and "I'm used to live stuff. So you give me a studio with a bunch of live instruments, I can do it. But radio's not playing that stuff." The three songwriters also share a love for producers
1065:, criticized the production team by saying; "If The Smeezingtons want to keep synthesizing yesterday's favorites into today's hits ... I could find it within myself to stomach Mars on more than one night of the year", referring to "their work on Cee-Lo Green's song "Fuck You".
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extensively despite it being incorporated in Pro Tools. According to Levine, "We're not making dance songs, so we don't need the synths to do all kinds of crazy stuff. And I fairly quickly render MIDI tracks to audio in Pro Tools". In 2011, Levine was thinking about purchasing a
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Mars and
Lawrence started writing songs together for Mars to perform but they received rejections from labels. The duo considered moving back to their home cities but that week, they got a call from Mars's former manager Brandon Creed, who was A&Ring a reunited
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The Smeezingtons said they hoped to eventually move from for-hire work to development of new artists. Their recording suite Levcon Studios was open to musicians of all genres. "I don't think you can name an artist that we don't want to work with," Mars said.
784:. Their interest in music started at a very young age; Lawrence started to perform when he was four years old, and Mars started to perform when he was three years old and regularly performed with his family band by the age of four. In an article by
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wrote The Smeezingtons " making some of the most cohesive yet expansive pop music today ... incredibly well-versed in the language of American music and the ways in which it can still be stretched and molded". Before Mars played at the
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said, "One of their great talents is that they have this fun, light vibe in the studio" that enables anyone "to be free so that you can let that primal emotion come out without being embarrassed. Then they polish afterward."
222:; the trio primarily served as the producers for the singles and albums of Mars, with additional work for diverse range of artists. Eventually, the trio split, and Mars and Lawrence formed a successor production trio with
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musicians of their youths who influenced them in their throwback sounds. The three said their musical influences also come from The Beatles, Police, Motown, Earth Wind & Fire, Michael Jackson, and
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594:, which was released in October 2010. The Smeezingtons produced and co-wrote the album, funneling lessons learned through label meetings and early hits into Mars's solo work. The album's singles "
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in Florida for seven years after finishing college. He moved to Los Angeles and was "holding down these random telemarketing jobs to keep the lights on". After Mars graduated in
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charts. It brought the Smeezingtons attention from the music industry with their production and writing services increasing in demand. Levine joined them, forming a trio.
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The Smeezingtons ventured into the U.S. market, mostly writing songs for R&B-pop performers. They were given the chance of working with less-successful acts such as
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739:(2016), which led some writers to believe the trio had split. The Smeezingtons were replaced with Shampoo Press & Curl, which was composed of Mars, Lawrence, and
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for "Billionaire," "Just the Way You Are", and "Nothin' On You". The team also earned the ASCAP Rhythm & Soul Music Awards for Top Rap Song for "Nothin' on You".
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Lipshutz, Jason (October 2, 2010). "After Dominating the Pop Charts as part of the Writing/Producing team The Smeezingtons, Bruno Mars Strikes out on his own".
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reviewer Jon Caramanica wrote The Smeezingtons "ve got a firm grip on the full spectrum of black pop, and white pop as well". Randall Roberts of
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for their work on "Fuck You", "Just The Way You Are", "Nothin' on You", and others. Their work on "Nothin' on You" earned them a nomination for
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729:, The Smeezingtons' work received three nominations. "Locked out of Heaven" was nominated for Record of the Year and Song of the Year, while
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Hot 100 and at number two in New Zealand, and entered the top 20s of charts in other countries. The team received six nominations for the
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In 2014, Mars said he was not interested in composing songs for other artists because he had to pay rent. Nevertheless, they produced "
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Lawrence and Mars came from musical families. Lawrence grew up listening to "everything" and Mars was exposed to a diverse mix of
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used the album's track "Wavin' Flag" with a composition re-arranged by themselves as the theme for television coverage of the
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featuring Mars. It peaked at number four in the US, number three in the UK and topped the Dutch Top 40. In the same year, "
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2938:"Sean "Diddy" Combs, Dr. Dre, Drake, Mary Mary and Other Top Names in Music Attend ASCAP's Rhythm & Soul Music Awards"
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Before Mars' mainstream breakthrough as a performer, the Smeezingtons first gained recognition after producing the song "
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number-one single, and the first of numerous successful productions for Mars's career—which resulted in two consecutive
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became another success for The Smeezingtons, reaching number one in the UK and the Netherlands, and number two on the
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category for "Just The Way You Are". With the team's contributions, Levine received a Songwriters' award at the
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2913:"ASCAP Celebrates the Songwriters Behind Pop Music's Biggest Hits at Annual Awards Ceremony in Hollywood"
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2648:"Who is Bruno Mars' mystery producer Shampoo Press & Curl? and what happened to the Smeezingtons?"
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more interested in just finishing a song than really taking the time to make a good song a hit song".
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won Best Pop Vocal Album. In 2016, The Smeezingtons were not composers of Mars's third studio album,
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Hot 100 number-one singles in 2010 and 2013. In August 2010, they produced and co-wrote the single "
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3432:"Grammy Awards: Bruno Mars celebrates his seven nominations at the Smeezingtons party at Bardot"
538:. The single peaked at number seven in the US, number two in New Zealand, and number six on the
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704:. In the same year, The Smeezingtons also co-produced and co-wrote Mars's second studio album,
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450:
3051:"The mysterious production team Shampoo Press & Curl earns nods for Bruno Mars' 24K Magic"
956:, Storm Drum or Addictive Drums software. In August 2012, the team purchased a Korg keyboard.
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3303:"Bruno Mars follows his summer of hits with a big debut album 'Doo-Wops & Hooligans'"
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as his biggest influences and inspirations. He was raised listening to acts including
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567:, The Smeezingtons received the Grammy for Album of the Year for their work on
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842:. Later, in high school, Mars began listening to classic rock groups such as
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979:". Levine runs most of the keyboards and the MPC through the 02R and uses a
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510:, featuring Mars's vocals. It peaked at number four in the U.S. and on the
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1059:", calling them "a crew of talented fellas". Erik Adams, music critic, of
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featuring Mars. Their work on "Grenade" earned the team a nomination for
618:, and peaked in the top ten of other countries. The three were among the
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610:, the UK Singles Chart, and singles charts in other countries. In 2011, "
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385:
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335:". Lawrence and Mars decided to call their partnership The Smeezingtons.
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223:
215:
34:
3813:
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3609:
2104:"B.o.B's 'Nothin' On You' Was Slated For Lupe Fiasco, Producer Reveals"
1944:"Interview: Philip Lawrence – talks new Album, Smeezingtons, Hooligans"
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2940:. American Society of Composers, Authors and Publishers. June 24, 2011
2222:"B.o.B's 'Nothin' On You' Came Together 'Magically,' Smeezingtons Say"
214:, and Ari Levine formed in 2009. The Smeezingtons were established in
206:
were an American songwriting and record production team consisting of
2755:"Bruno Mars Heads Back To Grammys With Production Team, Smeezingtons"
2035:"Bruno Mars Heads Back To Grammys With Production Team, Smeezingtons"
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653:, while "Fuck You" was nominated on the aforementioned category and
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396:
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3221:"Bruno Mars on Songwriting, Singing as a Tot, Working with Ne-Yo"
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3459:"Super Bowl 2014: 5 Songs You Didn't Know Bruno Mars Was Behind"
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1706:
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672:, The Smeezingtons were nominated in five categories, including
3252:"Bruno Mars on Damian Marley Track, Hip-Hop Influences, B.o.B."
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1999:"Producer Crosstalk: Philip Lawrence (Lil Wayne, Cee Lo Green)"
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967:, a Manley Langevin Dual Vocal Combo as pre/compressor/EQ, a
822:. As a child, Mars was influenced by R&B artists such as
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975:, adding; "the acoustic guitar that we use is a $ 150 cheap
722:", which also entered top ten of charts in other countries.
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2013:
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critic Kathy Iandoli praised The Smeezingtons' work on the
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In the same year, The Smeezingtons composed Mars's single "
3373:"Bruno Mars gladly loses his cool on 'Unorthodox Jukebox'"
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as an interface. He often uses Pro Tools. He does not use
403:, released in August 2009. It peaked at number two in the
3119:"Ari Levine & The Smeezingtons: Producing Bruno Mars"
3022:"Grammys 2014: The complete list of nominees and winners"
2380:
743:. Eventually, Lawrence left the team and they disbanded.
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346:—Mars, explaining how they came up with the team's name.
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2742:(inlay cover). Atlantic Records, Elektra Records. 2010.
1971:"Songwriters turned pop stars: the Bruno Mars strategy"
1721:"Philip Lawrence: Bruno Mars' Right Hand Man Goes Solo"
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3487:"Bruno Mars should sound less like himself more often"
3341:"Bruno Mars: Billboard Artist of the Year Cover Story"
2824:
The Twilight Saga: Breaking Dawn – Part 1 (soundtrack)
2586:
952:'s to produce music. Ari Levine stated he rarely uses
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theme. The Smeezingtons also collaborated with artist
2794:
International Federation of the Phonographic Industry
2539:"Grammys 2013: Complete list of nominees and winners"
1798:"ASCAP Loves The Smeezingtons, Just the Way They Are"
3276:"Bruno Mars Interview – JustBrunoMars.com Exclusive"
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In May 2010, The Smeezingtons composed Mars's debut
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614:", another success for the team, topped the UK and
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479:. In 2010, The Smeezingtons were responsible for "
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850:. His influences include Billy Joel, Elton John,
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2902:
2567:"Before Super Bowl, Bruno Mars heads to Grammys"
2392:"Sound Selectors: The Top 10 Producers in Music"
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2200:Smirke, Richard (July 23, 2011). "Pop Matters".
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1825:"Bruno Mars and Manager Brandon Creed Part Ways"
2963:"Grammy Awards 2012: Winners and nominees list"
2859:National Academy of Recording Arts and Sciences
2619:"Grammy Awards 2017: See the Full Winners List"
2616:
2465:: CS1 maint: others in cite AV media (notes) (
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1011:, but they don't really work. They sound cheap.
395:One of their first successful productions was "
16:American songwriting and record production team
2927:
2509:Mac & Devin Go to High School (soundtrack)
376:. They also wrote songs for better-known acts
3594:
2796:. January 23, 2012. p. 7. Archived from
2564:
2511:(liner notes) (standard ed.). Atlantic,
2481:"Bruno Mars Chart History (Canadian Hot 100)"
2347:
2059:
546:, "Young, Wild & Free" was nominated for
2846:"Final Nominations List: 53rd Grammy Awards"
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323:, who needed songs. Creed liked their song "
241:as the theme for television coverage of the
3078:B.o.B Presents: The Adventures of Bobby Ray
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3541:"Bruno Mars named best songwriter of 2010"
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3145:"New band of the day: Bruno Mars (No 865)"
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2071:"Bruno Mars Calls on B.o.B, Cee-Lo for EP"
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575:Productions for Bruno Mars and recognition
571:; it was their last production as a team.
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637:. The song peaked at number three on the
635:The Twilight Saga: Breaking Dawn – Part 1
3792:Bruno Mars: 24K Magic Live at the Apollo
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2701:"Bruno Mars: The Billboard Cover Story"
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1075:The Smeezingtons production discography
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893:After working with The Smeezingtons on
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460:In late 2009, The Smeezingtons landed "
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3769:An Evening with Silk Sonic at Park MGM
3538:
3429:Roberts, Randall (February 13, 2011).
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3048:Roberts, Randall (November 28, 2017).
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1733:from the original on December 23, 2015
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530:", which features Mars, for the movie
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2884:"Grammy awards 2011: list of winners"
2645:
2617:Billboard Staff (February 12, 2017).
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710:. They were also responsible for the
3754:Bruno Mars at The Chelsea, Las Vegas
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3339:Mitchell, Gail (December 13, 2013).
3249:
3218:
2390:Billboard Staff (October 21, 2013).
2294:"Bruno Mars Chart History (Hot 100)"
1900:
1878:"THR Names Music's 35 Top Hitmakers"
1760:
1745:
1450:Producer of the Year, Non-Classical
1131:ASCAP's Rhythm and Soul Music Awards
502:In 2011, The Smeezingtons composed "
3771:(with Anderson .Paak as Silk Sonic)
3717:It's Better If You Don't Understand
3539:Copsey, Robert (January 18, 2011).
3457:Iandoli, Kathy (January 31, 2014).
3399:Caramanica, Jon (October 5, 2010).
3143:Lester, Paul (September 13, 2010).
2873:
2827:(liner notes) (standard ed.).
2678:It's Better If You Don't Understand
2636:
1969:Cragg, Michael (October 21, 2010).
1842:
1665:
1313:Producer of the Year, Non-Classical
674:Producer of the Year, Non-Classical
657:. Mars won his first Grammy on the
647:Producer of the Year, Non-Classical
585:It's Better If You Don't Understand
226:called "Shampoo Press & Curl".
13:
3890:Musical groups established in 2009
3370:Wood, Mikael (December 26, 2012).
2753:Pearson, Ryan (February 2, 2012).
2646:Mench, Chris (November 18, 2016).
2599:(Booklet). London, England, U.K.:
2069:Cline, Georgette (March 3, 2010).
2033:Pearson, Ryan (February 2, 2012).
1916:"Bruno Mars' astronomical success"
1823:Halperin, Shirley (May 10, 2016).
1719:LeDonne, Rob (September 4, 2013).
1019:sounded substantially better than
14:
3921:
3870:American hip hop record producers
3865:2009 establishments in California
3734:The Doo-Wops & Hooligans Tour
3563:
3191:Moniz, Melissa (April 14, 2010).
2699:Smirke, Richard (July 15, 2011).
2255:. Blue & Soul. Archived from
2220:Jayson Rodriguez (May 17, 2010).
2102:Rodriguez, Jayson (May 6, 2010).
1674:"Hot producers who (heart) beats"
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1203:
1152:
1106:
908:said the key is Mars's charisma.
746:
557:" for Adele's third studio album
532:Mac & Devin Go to High School
468:'s featuring Mars; it topped the
355:
3837:
3836:
3485:Adams, Erik (January 22, 2014).
3250:Hope, Clover (October 4, 2010).
3219:Hope, Clover (October 4, 2010).
3170:"Bruno Mars and Philip Lawrence"
2253:"Bruno Mars: Out of this world!"
1942:Jackson, Isaiah (July 1, 2013).
1914:Diehl, Matt (February 6, 2011).
1876:Colin Stutz (February 6, 2013).
1672:Levine, Josh (January 9, 2010).
1600:Biggest Songwriters of the Year
1256:
1045:Super Bowl halftime show in 2014
995:Levine said he does not use any
676:for their involvement on Mars's
475:, the UK Singles chart, and the
276:and peaked at number two on the
3819:Super Bowl XLVIII halftime show
3532:
3506:
3478:
3450:
3422:
3392:
3363:
3301:Farber, Jim (October 3, 2010).
3212:
3162:
3041:
2779:
2692:
2558:
2473:
2417:"Cee Lo Green – Charts History"
2409:
2193:
2171:
2151:
2126:
2095:
1990:
1962:
1298:Best Male Pop Vocal Performance
659:Best Male Pop Vocal Performance
534:. The song was included on the
3608:
2603:. pp. 12–13. 88875176782.
2330:"Bruno Mars – Chart Positions"
1816:
1068:
790:, Lawrence cites acts such as
1:
2204:. Vol. 123, no. 23.
1858:. Vol. 122, no. 39.
1796:Expo Staff (April 21, 2012).
1761:Wete, Brad (April 13, 2010).
1659:
1563:
959:While recording, they used a
2447:. Santa Monica, California:
2251:Lewis, Pete (October 2010).
1997:Putnam, Rob (May 29, 2013).
1946:. Next2Shine. Archived from
1179:
620:best selling digital singles
288:
7:
3905:Songwriters from California
3824:Super Bowl 50 halftime show
3739:Hooligans in Wondaland Tour
2787:"Digital Music Report 2012"
1332:Best Rap/Sung Collaboration
514:, as well as number two in
427:on his fourth studio album
237:in 2009, which was used by
10:
3926:
3910:American songwriting teams
3775:Bruno Mars: Live in Brazil
3690:An Evening with Silk Sonic
3117:Tingen, Paul (June 2011).
1517:Best Pop Solo Performance
1216:Top 10 Producers in Music
1072:
756:"Young, Wild & Free".
714:Hot 100 number-one songs "
645:; they were nominated for
3895:Musicians from California
3875:American pop music groups
3832:
3801:
3783:
3749:The Moonshine Jungle Tour
3726:
3708:
3681:
3649:
3616:
3402:"Bruno Mars in Ascension"
2419:. Official Charts Company
2134:"Sugababes Chart History"
1763:"Q&A with Bruno Mars"
1641:
1631:
1628:
1625:
1622:
1593:
1583:
1580:
1577:
1574:
1539:
1497:
1484:
1457:
1419:
1411:Best Pop Solo Performance
1397:
1387:
1372:
1360:
1350:
1323:
1319:
1274:
1271:
1268:
1265:
1234:
1228:
1199:
1196:
1193:
1190:
1158:
1148:
1145:
1142:
1139:
1112:
1102:
1099:
1096:
1093:
920:The Smeezingtons used an
301:worked in theater and at
283:
175:
171:
163:
137:
127:
92:
71:
45:
30:
23:
3658:Doo-Wops & Hooligans
2739:Doo-Wops & Hooligans
2366:"Discography Bruno Mars"
1422:Doo-Wops & Hooligans
698:Doo-Wops & Hooligans
678:Doo-Wops & Hooligans
591:Doo-Wops & Hooligans
518:. They also worked with
341:Smeezingtons involved?'
167:Shampoo Press & Curl
3900:Record production trios
3172:. ASCAP. March 18, 2010
2915:. Ascap. April 27, 2011
2455:. 2011. pp. 13–19.
2334:Official Charts Company
2138:Official Charts Company
1800:. ASCAP. Archived from
741:Christopher Brody Brown
224:Christopher Brody Brown
3759:Bruno Mars at Park MGM
3631:Awards and nominations
2593:Adkins, Adele (2015).
2565:Mesfin Fekadu (2014).
1882:The Hollywood Reporter
1613:The Hollywood Reporter
1465:Young, Wild & Free
1085:ASCAP Pop Music Awards
1080:Awards and nominations
1013:
663:ASCAP Pop Music Awards
528:Young, Wild & Free
451:Official German Charts
343:
316:
268:" for American singer
233:" for Canadian singer
3727:Tours and residencies
3514:"Hot 100 Songwriters"
3193:"Starring Bruno Mars"
1532:Best Pop Vocal Album
1005:
932:, a regular V‑Synth,
491:" by American singer
483:" by American rapper
464:" by American rapper
407:. It was followed by
338:
311:
253:. It was their first
249:" by American rapper
3885:Grammy Award winners
3764:24K Magic World Tour
3682:Collaborative albums
3351:on December 14, 2013
3087:Grand Hustle Records
2975:on February 16, 2012
2713:on November 30, 2015
2232:on November 12, 2012
2179:"Discography K'naan"
1888:on February 14, 2013
1487:Locked Out of Heaven
1438:Best Pop Vocal Album
1292:Just The Way You Are
1229:Hot 100 Songwriters
916:Production equipment
846:, Led Zeppelin, and
764:Influences and style
716:Locked Out of Heaven
596:Just the Way You Are
421:2010 Winter Olympics
2890:. February 14, 2011
2803:on December 5, 2016
2680:(Digital booklet).
2546:. February 10, 2013
2461:cite AV media notes
2443:(Digital booklet).
2259:on October 12, 2013
2114:on January 29, 2011
1726:American Songwriter
1619:
1571:
1512:When I Was Your Man
1492:Record of the Year
1402:Record of the Year
1262:
1187:
1136:
1090:
1015:He also stated the
1009:convolution reverbs
834:, as well as 1950s
787:American Songwriter
720:When I Was Your Man
680:, "Lighters", and "
439:2010 FIFA World Cup
272:, which topped the
243:2010 FIFA World Cup
3665:Unorthodox Jukebox
3408:The New York Times
3315:on October 6, 2010
3029:. January 26, 2014
3000:Unorthodox Jukebox
2572:New Haven Register
2453:Interscope Records
2001:. Music Connection
1618:
1570:
1552:Album of the Year
1527:Unorthodox Jukebox
1352:Record of the Year
1261:
1186:
1135:
1089:
1033:The New York Times
1027:Critical reception
942:Novation Ultranova
896:Unorthodox Jukebox
731:Unorthodox Jukebox
727:2014 Grammy Awards
707:Unorthodox Jukebox
700:was nominated for
690:Record of the Year
670:2012 Grammy Awards
651:Record of the Year
643:2011 Grammy Awards
565:2017 Grammy Awards
544:2013 Grammy Awards
3852:
3851:
3520:. January 2, 2013
3437:Los Angeles Times
3378:Los Angeles Times
3093:. 2010. 2-518903.
3056:Los Angeles Times
3027:Los Angeles Times
2967:Los Angeles Times
2831:, Atlantic. 2011.
2829:Chop Shop Records
2544:Los Angeles Times
2083:on March 14, 2016
1950:on August 6, 2013
1921:Los Angeles Times
1804:on March 13, 2017
1657:
1656:
1645:The Smeezingtons
1609:
1608:
1597:The Smeezingtons
1561:
1560:
1502:Song of the Year
1447:The Smeezingtons
1428:Album of the Year
1309:The Smeezingtons
1254:
1253:
1213:The Smeezingtons
1177:
1176:
1165:
1162:"Nothin' On You"
1128:
1127:
1039:Los Angeles Times
926:Roland Fantom S88
702:Album of the Year
608:Australian charts
447:Ă–3 Austria Top 40
303:Walt Disney World
201:
200:
3917:
3840:
3839:
3809:The Smeezingtons
3802:Related articles
3603:
3596:
3589:
3580:
3579:
3570:The Smeezingtons
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3347:. Archived from
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3311:. Archived from
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3278:. Archived from
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2996:
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2969:. Archived from
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2772:
2767:on March 4, 2016
2763:. Archived from
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2743:
2734:
2723:
2722:
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2718:
2709:. Archived from
2696:
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2682:Atlantic Records
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2440:Hell: The Sequel
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2088:
2079:. Archived from
2066:
2057:
2056:
2054:
2052:
2047:on March 4, 2016
2043:. Archived from
2030:
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1374:Song of the Year
1280:
1263:
1260:
1239:Philip Lawrence
1205:
1188:
1185:
1163:
1154:
1137:
1134:
1108:
1091:
1088:
999:and rarely uses
946:Dave Smith Mopho
694:Song of the Year
655:Song of the Year
512:Canadian Hot 100
455:Scottish Singles
399:", performed by
347:
274:UK Singles Chart
204:The Smeezingtons
178:
130:
79:Record producers
25:The Smeezingtons
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3607:
3572:discography at
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2768:
2760:Huffington Post
2751:
2747:
2736:
2735:
2726:
2716:
2714:
2697:
2693:
2686:Elektra Records
2676:
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2591:
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2563:
2559:
2549:
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2521:Fontana Records
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2163:(liner notes).
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2040:Huffington Post
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1626:Nominee / work
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1269:Nominee / work
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1194:Nominee / work
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1143:Nominee / work
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1097:Nominee / work
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1077:
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1017:Avid Reverb One
981:Mackie Big Knob
950:Access Virus TI
918:
856:Michael Jackson
766:
749:
577:
563:(2015). At the
358:
349:
345:
299:Philip Lawrence
293:Before meeting
291:
286:
212:Philip Lawrence
197:
190:Philip Lawrence
176:
159:
128:
123:
108:electric guitar
105:acoustic guitar
88:
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3564:External links
3562:
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3326:
3293:
3282:on May 4, 2011
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3123:Sound on Sound
3096:
3089:, Rebel Rock,
3081:(CD booklet).
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860:Little Richard
854:, The Police,
804:Isley Brothers
765:
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748:
747:Other ventures
745:
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508:Bad Meets Evil
462:Nothin' on You
405:United Kingdom
366:Cobra Starship
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2368:. Hung Medien
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1342:Best Rap Song
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1257:Grammy Awards
1249:
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1168:Top Rap Song
1167:
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1062:The A.V. Club
1058:
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836:rock 'n' roll
833:
829:
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816:Stevie Wonder
813:
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616:Danish charts
613:
612:The Lazy Song
609:
606:Hot 100, the
605:
602:" topped the
601:
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548:Best Rap Song
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3808:
3790:
3715:
3688:
3670:
3663:
3656:
3550:. Retrieved
3544:
3534:
3524:December 31,
3522:. Retrieved
3517:
3508:
3496:. Retrieved
3490:
3480:
3468:. Retrieved
3462:
3452:
3440:. Retrieved
3436:
3424:
3412:. Retrieved
3406:
3394:
3382:. Retrieved
3377:
3365:
3355:December 20,
3353:. Retrieved
3349:the original
3344:
3319:December 26,
3317:. Retrieved
3313:the original
3306:
3296:
3286:November 11,
3284:. Retrieved
3280:the original
3270:
3258:. Retrieved
3254:
3230:. Retrieved
3224:
3214:
3202:. Retrieved
3196:
3186:
3174:. Retrieved
3164:
3152:. Retrieved
3149:The Guardian
3148:
3138:
3126:. Retrieved
3077:
3071:
3059:. Retrieved
3055:
3043:
3031:. Retrieved
3026:
3002:(CD liner).
2999:
2977:. Retrieved
2972:the original
2966:
2942:. Retrieved
2917:. Retrieved
2892:. Retrieved
2888:The Guardian
2887:
2863:. Retrieved
2852:
2822:
2817:
2805:. Retrieved
2798:the original
2781:
2769:. Retrieved
2765:the original
2758:
2748:
2737:
2715:. Retrieved
2711:the original
2704:
2694:
2677:
2657:November 30,
2655:. Retrieved
2651:
2628:February 15,
2626:. Retrieved
2622:
2595:
2588:
2576:. Retrieved
2570:
2560:
2548:. Retrieved
2543:
2508:
2490:December 20,
2488:. Retrieved
2484:
2475:
2439:
2433:
2421:. Retrieved
2411:
2399:. Retrieved
2395:
2370:. Retrieved
2337:. Retrieved
2301:. Retrieved
2297:
2261:. Retrieved
2257:the original
2246:
2236:September 8,
2234:. Retrieved
2230:the original
2201:
2195:
2183:. Retrieved
2173:
2158:
2153:
2141:. Retrieved
2128:
2116:. Retrieved
2112:the original
2107:
2097:
2085:. Retrieved
2081:the original
2074:
2049:. Retrieved
2045:the original
2038:
2003:. Retrieved
1992:
1980:. Retrieved
1976:The Guardian
1974:
1964:
1952:. Retrieved
1948:the original
1937:
1925:. Retrieved
1919:
1890:. Retrieved
1886:the original
1881:
1855:
1832:. Retrieved
1828:
1818:
1806:. Retrieved
1802:the original
1772:. Retrieved
1766:
1735:. Retrieved
1724:
1683:. Retrieved
1677:
1667:
1612:
1564:
1545:
1525:
1420:
1180:
1164:(with B.o.B)
1060:
1037:
1031:
1030:
1014:
1006:
994:
969:Neumann U 87
965:Pro Tools HD
958:
922:Akai MPC4000
919:
910:
901:Jeff Bhasker
894:
892:
888:
884:
868:The Neptunes
812:Led Zeppelin
785:
767:
758:
754:
750:
734:
730:
724:
711:
705:
697:
677:
667:
638:
627:It Will Rain
624:
603:
589:
583:
578:
568:
558:
552:
501:
496:
493:Cee-Lo Green
485:Travie McCoy
477:Dutch Top 40
470:
459:
428:
394:
390:Cee-Lo Green
359:
350:
344:
339:
317:
312:
292:
277:
261:
255:
228:
203:
202:
177:Past members
129:Years active
18:
3626:Videography
3621:Discography
3552:October 22,
3546:Digital Spy
3380:. p. 2
3260:February 1,
3061:February 1,
3006:. 533064-2.
2919:October 12,
2865:December 2,
2807:February 1,
2771:October 17,
2578:February 8,
2423:December 7,
2401:October 22,
2372:February 1,
2339:October 13,
2303:October 12,
2263:October 11,
2185:February 1,
2143:October 11,
2118:October 10,
2087:October 11,
2051:October 17,
1808:October 10,
1774:October 12,
1737:December 7,
1247:Ari Levine
1226:Bruno Mars
1119:Songwriter
1116:Ari Levine
1069:Discography
1003:. He said:
906:Mark Ronson
880:disco music
848:The Beatles
824:Keith Sweat
524:Wiz Khalifa
516:New Zealand
481:Billionaire
443:Wavin' Flag
386:Wiz Khalifa
374:Lupe Fiasco
362:Mike Posner
333:Right Round
331:'s single "
270:CeeLo Green
231:Wavin' Flag
216:Los Angeles
111:bass guitar
93:Instruments
84:songwriters
72:Occupations
35:Los Angeles
3880:Bruno Mars
3859:Categories
3814:Silk Sonic
3784:Television
3699:Silk Sonic
3610:Bruno Mars
3414:October 7,
3308:Daily News
2517:Doggystyle
2160:Troubadour
1660:References
1565:Music Week
1520:Nominated
1505:Nominated
1495:Nominated
1473:Nominated
1453:Nominated
1442:Nominated
1432:Nominated
1415:Nominated
1405:Nominated
1395:Nominated
1378:Nominated
1368:Nominated
1356:Nominated
1346:Nominated
1336:Nominated
1317:Nominated
961:Yamaha 02R
948:, and two
930:V‑Synth GT
874:, and the
864:Bob Marley
844:The Police
820:Billy Joel
796:Elton John
792:Billy Joel
631:soundtrack
629:" for the
536:soundtrack
520:Snoop Dogg
430:Troubadour
295:Bruno Mars
220:California
208:Bruno Mars
194:Ari Levine
185:Bruno Mars
155:Roc Nation
39:California
3672:24K Magic
3518:Billboard
3498:March 10,
3442:March 10,
3345:Billboard
2706:Billboard
2623:Billboard
2485:Billboard
2396:Billboard
2298:Billboard
2202:Billboard
1856:Billboard
1829:Billboard
1679:USA Today
1181:Billboard
1053:Sugababes
938:MicroKorg
872:Timbaland
736:24K Magic
712:Billboard
686:Lil Wayne
639:Billboard
622:of 2011.
604:Billboard
555:All I Ask
542:. At the
499:Hot 100.
497:Billboard
471:Billboard
435:Coca-Cola
409:Matisyahu
401:Sugababes
382:Lil Wayne
370:Chad Hugo
289:Formation
280:Hot 100.
278:Billboard
262:Billboard
256:Billboard
239:Coca-Cola
133:2009–2015
3843:Category
3470:March 8,
3464:Idolator
3384:June 26,
3232:March 7,
3128:July 27,
3091:Atlantic
3033:June 30,
2979:June 30,
2226:MTV News
2108:MTV News
1927:June 18,
1731:Archived
1363:Fuck You
1057:Get Sexy
1055:single "
1049:Idolator
1023:to him.
1021:Altiverb
997:hardware
990:Minimoog
924:, three
832:R. Kelly
504:Lighters
489:Fuck You
453:and the
397:Get Sexy
378:Flo Rida
329:Flo Rida
266:Fuck You
164:Spinoffs
145:Atlantic
3574:Discogs
3198:MidWeek
2688:. 2010.
2550:May 26,
2523:. 2011.
2513:Rostrum
2167:. 2009.
2005:July 5,
1982:July 5,
1954:July 5,
1892:July 5,
1834:May 10,
1685:July 4,
1632:Result
1584:Result
1390:Grenade
1275:Result
1200:Result
1149:Result
1103:Result
1001:plugins
973:DI unit
934:Korg R3
876:hip-hop
782:R&B
778:hip hop
725:At the
718:" and "
668:At the
600:Grenade
598:" and "
473:Hot 100
413:One Day
258:Hot 100
150:Elektra
63:hip hop
58:R&B
3741:(with
3693:(with
3083:Canada
2894:May 5,
2861:. 2010
2652:Genius
2076:Rap-Up
1629:Award
1581:Award
1272:Award
1197:Award
1146:Award
1100:Award
977:Fender
862:, and
852:Prince
840:Motown
830:, and
828:Jodeci
818:, and
808:Eagles
798:, and
780:, and
770:reggae
682:Mirror
506:" for
449:, the
425:K'naan
372:, and
321:Menudo
307:Hawaii
284:Career
235:K'naan
138:Labels
99:Vocals
46:Genres
31:Origin
2854:Naras
2849:(PDF)
2801:(PDF)
2790:(PDF)
1642:2013
1623:Year
1594:2010
1575:Year
1266:Year
1210:2013
1191:Year
1159:2011
1140:Year
1113:2011
1094:Year
684:" by
466:B.o.B
251:B.o.B
120:organ
114:piano
102:drums
3554:2013
3526:2013
3500:2014
3472:2014
3444:2014
3416:2010
3386:2016
3357:2013
3321:2010
3288:2011
3262:2011
3255:Vibe
3234:2011
3226:Vibe
3206:2010
3178:2010
3156:2010
3130:2013
3063:2018
3035:2016
2981:2013
2946:2013
2921:2013
2896:2013
2867:2010
2809:2012
2773:2013
2719:2012
2659:2016
2630:2017
2580:2014
2552:2017
2492:2016
2467:link
2425:2013
2403:2013
2374:2018
2341:2013
2305:2013
2265:2013
2238:2013
2187:2018
2145:2013
2120:2013
2089:2013
2053:2013
2007:2013
1984:2013
1956:2013
1929:2022
1894:2013
1836:2016
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