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within the poem is similar to the prophetic narrative. The prophetic image is also embodied within the work by Los, who, when he submits to the system created by Urizen, loses his prophetic ability. In addition to the prophetic aspects, the work deals with religion as a whole. The first section describes the origin of priestcraft and the origins of religion, which is established through a bardic form of poetry.
118:, and the work was occasionally bound together with the other two works. Only six copies of the work survived, and the work was not listed along with Blake's other works that he sold in either 1818 or 1827. There were no mentions of the work by either Blake's contemporaries or his early biographer Alexander Gilchrist.
212:
The work begins with a title page image of an empty, dead world with an old man looking at the title of the work. The story of the work begins in Africa with Los singing of Adam, Noah, and Moses and how they were granted laws by Urizen. This involve abstractions being granted to
Pythagoras, Socrates,
300:
The work closely follows the idea of biblical prophecy in that it is brief and concentrated. The first section condenses the history of religion, but does so in a non-chronological manner. His history relies on Urizen to establish the various historical moments as incidents, and the type of order
279:
in that it describes Africa and Asia, which operate as a sort of frame to the other works. As such, the three works are united by the same historical and social themes. The "Africa" section of the poem summarizes Blake's historical cycles, which describes a three-part tyrannous power of Egypt,
54:. The poem consists of two sections, "Africa" and "Asia". In the first section Blake catalogues the decline of morality in Europe, which he blames on both the African slave trade and enlightenment philosophers. The book provides a historical context for
94:
in 1795. Like the others under the title, all aspects of the work, including the composition of the designs, the printing of them, the colouring of them, and the selling of them, happened at his home. Early sketches for
288:
and describes a worldwide revolution in an apocalyptic state. There are many similarities between the way Orc is described within the poem, a pillar of fire that burns oppression away, and how Fingal of
Macpherson's
1386:
297:
work, is a good character that defends the oppressed against the Norse and the Romans. As Fingal fights imperialism, Orc fights against Urizen's rationality, and they both seek to free their people.
1329:
1539:
1395:
90:
During autumn 1790, Blake moved to
Lambeth, Surrey. He had a studio at the new house that he used while writing what were later called his "Lambeth Books", which included
213:
and Plato, gospel being given to Jesus, a bible for
Mahomet, and a book on war given to Odin. These caused the world to fail, as they were chains that bound the mind:
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1401:
1335:
390:
280:
Babylon and Rome. Of this summary, the line "The
Guardian Prince of Albion burns in his nightly tent" appears, which is also the first line of
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In the second half of the work, Asia, Orc creates fire in the mind that causes kings to be startled and an apocalypse of sorts to start:
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The pages of the work and images were 23 cm × 17 cm (9.1 in × 6.7 in) in size, the size of
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printing", one of his colour printed works with the coloured ink being placed on the copperplate before printed.
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Jon Mee claims that "Nowhere is Blake's interest in comparative religion more obvious than in
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391:"Index of " The Song of Los, copy E, 1795 (Henry E. Huntington Library and Art Gallery)""
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were included in a notebook that contained images were created between 1790 until 1793.
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The Four and Twenty Elders
Casting their Crowns before the Divine Throne
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Urizen wept & gave it into the hands of Newton & Locke
34:
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The Wood of the Self-Murderers: The
Harpies and the Suicides
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Themes from
William Blake's The Marriage of Heaven and Hell
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1469:
The Works of
William Blake: Poetic, Symbolic and Critical
220:
Laws & Religions to the sons of Har binding them more
78:, "Europe" and "America". The second section consists of
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Morris Eaves; Robert N. Essick; Joseph
Viscomi (eds.).
218:
Thus the terrible race of Los & Enitharmon gave
103:was one of the few works that Blake describes as "
509:. Hanover: University Press of New England, 1988.
1609:
523:. Princeton: Princeton University Press, 1990.
514:The Complete Poetry and Prose of William Blake
224:Till a Philosophy of Five Senses was complete
565:
244:Her hollow womb, & clasps the solid stem:
1037:Jerusalem: The Emanation of the Giant Albion
284:. The section "Asia" follows the actions in
242:The Grave shrieks with delight, & shakes
72:, and also ties those more obscure works to
222:And more to Earth: closing and restraining:
133:Henry E. Huntington Library and Art Gallery
572:
558:
1444:Scholarship, in popular culture, and more
502:. New Haven: Yale University Press, 2003.
248:And mild & blood & glandous wine
20:
250:In rivers rush & shout & dance,
37:presiding over the decline of morality.
1610:
1286:Europe Supported by Africa and America
1442:
1244:
1104:
591:
553:
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1508:Serenade for Tenor, Horn and Strings
304:
1524:Songs and Proverbs of William Blake
1389:On the Morning of Christ's Nativity
13:
995:Visions of the Daughters of Albion
592:
246:Her bosom swells with wild desire:
14:
1644:
579:
541:Scans of 5 of the 6 extant copies
534:
512:Erdman, David and Bloom, Harold.
1558:William Blake in popular culture
1403:Illustrations of the Book of Job
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149:
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1272:Original Stories from Real Life
981:The Marriage of Heaven and Hell
516:. New York: Random House, 1988.
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1345:A Vision of the Last Judgement
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1483:Blake: Prophet Against Empire
1293:The Night of Enitharmon's Joy
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892:The Voice of the Ancient Bard
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293:is described. Fingal, in the
252:On mountain, dale and plain.
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632:There is No Natural Religion
7:
1085:Never pain to tell thy love
10:
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530:. Oxford: Clarendon, 2002.
500:The Stranger From Paradise
75:The Continental Prophecies
16:Epic poem by William Blake
1628:William Blake's mythology
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1490:Witness Against the Beast
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545:The William Blake Archive
477:Mee 2002 pp. 104, 122–123
263:
46:(written 1795) is one of
1051:The Pickering Manuscript
414:Bentley 2003 pp. 154–155
316:
50:'s epic poems, known as
1618:Poetry by William Blake
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899:(found only in Copy BB)
777:The Clod and the Pebble
343:Bentley 2003 pp.122–124
121:
1584:Catherine Blake (wife)
261:
235:
131:currently held at the
38:
1563:William Blake Archive
1462:Life of William Blake
1352:Descriptive Catalogue
1059:Auguries of Innocence
988:The French Revolution
792:The Little Girl Found
625:All Religions are One
618:An Island in the Moon
498:Bentley, G. E. (Jr).
450:Frye 1990 pp. 215–216
432:Erdman 1988 pp. 69-70
395:William Blake Archive
271:is connected to both
239:
215:
24:
1623:Art by William Blake
1359:The Great Red Dragon
1066:The Mental Traveller
787:The Little Girl Lost
699:The Little Boy Found
679:The Little Black Boy
528:Dangerous Enthusiasm
361:Bentley 2003 pp. 149
258:Plate 7, lines 35-40
232:Plate 4, lines 13-17
1381:Agony in the Garden
1374:The Ghost of a Flea
1279:The Ancient of Days
1078:Rossetti Manuscript
847:The Little Vagabond
827:My Pretty Rose Tree
797:The Chimney Sweeper
759:Songs of Experience
749:On Another's Sorrow
694:The Little Boy Lost
689:The Chimney Sweeper
441:Bentley 2003 p. 154
379:Bentley 2003 p. 156
370:Bentley 2003 p. 154
352:Bentley 2003 p. 142
127:Scans of Copy E of
82:urging revolution.
1313:Illustrations for
1009:The Book of Ahania
1002:The Book of Urizen
935:America a Prophecy
877:A Little Girl Lost
857:The Human Abstract
842:The Garden of Love
669:The Ecchoing Green
656:Songs of Innocence
644:Songs of Innocence
507:A Blake Dictionary
505:Damon, S. Foster.
468:Mee 2002 pp. 24–25
459:Mee 2002 pp. 83–84
286:America a Prophecy
282:America a Prophecy
112:America a Prophecy
63:The Book of Ahania
57:The Book of Urizen
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942:Europe a Prophecy
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872:A Little Boy Lost
646:and of Experience
611:Poetical Sketches
423:Erdman 1988 p. 68
305:Critical response
116:Europe a Prophecy
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1572:(1983 monologue)
1476:Fearful Symmetry
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714:The Divine Image
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52:prophetic books
43:The Song of Los
31:The Song of Los
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333:. p. 905.
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802:Nurse's Song
767:Introduction
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734:Nurse's Song
664:The Shepherd
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27:frontispiece
18:
1580:(1989 play)
924:continental
684:The Blossom
105:illuminated
1633:1795 poems
1612:Categories
1577:In Lambeth
1258:and prints
1188:Palamabron
1153:Golgonooza
1143:Enitharmon
926:prophecies
739:Infant Joy
526:Mee, Jon.
493:References
400:27 January
86:Background
33:, showing
1361:paintings
1323:The Grave
1256:Paintings
1107:Mythology
912:Prophetic
882:To Tirzah
837:The Lilly
822:The Tyger
817:The Angel
1589:Ancients
1532:The Lamb
1413:Sketches
674:The Lamb
331:footnote
256:—
230:—
25:Blake's
1551:Related
1500:Musical
1218:Urthona
1203:Thiriel
1198:Tharmas
1193:Spectre
1133:Bromion
812:The Fly
744:A Dream
273:America
1543:(1998)
1535:(1982)
1527:(1965)
1519:(1958)
1511:(1943)
1300:Newton
1213:Urizen
1208:Tiriel
1168:Leutha
1158:Grodna
1128:Beulah
1123:Albion
1118:Ahania
1030:Milton
967:Tiriel
852:London
729:Spring
295:Ossian
291:Fingal
277:Europe
264:Themes
66:, and
35:Urizen
1569:Blake
1178:Luvah
1148:Fuzon
1138:Enion
959:Other
914:books
724:Night
317:Notes
1367:Pity
1228:Vala
1223:Utha
1076:The
922:The
402:2013
275:and
122:Poem
114:and
1246:Art
1183:Orc
1173:Los
1163:Har
313:".
80:Los
29:to
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393:.
60:,
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573:e
566:t
559:v
404:.
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