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simplified the triangular mass of the hill and sharpened its outline and counterbalanced this with the strong verticals of the trees and the horizontal streak of green grass in the lower centre. Lambert painted with tight controlled brush strokes, so that the image seems still, but lifelike, with the
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When the “Squatter’s
Daughter” was first shown, to the best of my knowledge, only three Australian artists proclaimed its originality and truth. Such a break with suave sentiment and surface drawing met with a protective opposition – here was almost an attack upon established income. It was
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pronounced hard, untrue, unsympathetic. To-day we know this landscape to possess the largest local truth, supreme draughtsmanship and design, and to exhale the very spirit of
Australia.
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remarked that the painting was "different from anything else painted in
Australia" and later that it was "an object lesson for the young landscape painters of Australia".
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In this painting
Lambert set out to take a more formal approach to the Australian landscape, looking to reduce the landscape to definite forms.
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Lambert described his portrayal of Ryrie as "like a figure on a Greek vase" passing "gracefully across the foreground".
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was critical of the painting claiming that it lacked emotion. Another critic commented: "The
Lambert landscape,
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The painting depicts
Gwendoline ‘Dee’ Ryrie, the "squatter's daughter" wearing a white shirt and
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61.4 cm × 90.2 cm (24.2 in × 35.5 in)
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during World War I in
Palestine while working as an official
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trees and grass delineated by a sharp, scintillating light
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standing by her horse in her family's farming property at
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292:"The squatter's daughter 1923-24"
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298:. National Gallery of Australia
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260:George W Lambert Retrospective
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108:painting by Australian artist
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187:and the people of Australia.
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423: 1916
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148:Composition
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383:The Sonnet
231:References
171:Provenance
142:war artist
66:Dimensions
367:Paintings
191:Reception
134:Michelago
302:15 April
266:14 April
221:Streeton
200:—
160:—
130:jodhpurs
118:Canberra
82:Canberra
74:Location
489:Related
124:Subject
88:Website
481:(1927)
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58:Medium
38:Artist
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106:1924
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48:Year
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