234:"At the Theatre Royal George Darrell's " Sunny South" is cramming the popular seats. Darrell has managed in technical phrase to "knock the gallery." In other words, he writes down to the level of gallery intelligence . . . and the person who is content to stoop so low fills his pockets. Nothing is more easy. Claptrap and pistol shots are always sufficient to capture the mob . . . any person with some knowledge of the stage, able to write penny-a-liner paragraphs, and not gifted with an artistic conscience or artistic ideas, can do it. Then, too, there being no creation of character, anything beyond an ordinary memory and the ability to fire a revolver is perfectly unnecessary . . . Indeed, the last act depends entirely on revolvers for its very existence, while the villain scowls round with a revolver always handy . . . Curiously enough, not a single apparition in the entire hotch-poth is distinctively Australian . . . Darrell's so-called "gentlemen" are cads of the wretchedest description . . . Any variations from
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Matt Morley is swindled out of his inheritance and leaves for
Australia. He finds a gold nugget which he takes to the bank for safe storage. The bank is held up by a gang of bushrangers led by Dick Duggan, but is cleverly foiled. Duggan is brought to justice but escapes. Morley's adopted daughter
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on
Saturday, 31 March 1883. It was claimed to be the first Australian production where each actor was specially selected to suit the part. The company was engaged by the directors, Darrell and Holloway, and included
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are copper-plated
Yankeeisms such as may be acquired by a short sojourn among the lower classes of New York. The whole pitiable business means theatrical retrogression of the worst possible kind. As
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Darrell took his play to London, and according to reports was doing good business when he was injured by an actor, not named, who bungled the scene where the hero was freed from his bonds with a
32:. Claimed as the first all-Australian play, its first production in 1883 was a resounding success and was taken to London the following year. It was made into a silent film
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lately put it — "The success of a worthless play benefits none — except the manager and author." Nothing in the shape of a play was ever more worthless than
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Babs
Berkley is abducted then bravely rescued. They marry and the English estate is returned to him.
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397:. Vol. XXXIV, no. 10499. South Australia. 11 June 1892. p. 5
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565:. Vol. XLI, no. 2216. South Australia. 22 March 1884. p. 25
537:. Vol. XXVII, no. 8256. South Australia. 4 April 1885. p. 4
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453:. No. 13, 884. New South Wales, Australia. 7 June 1924. p. 13
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with music by
Terence Clarke. It was the first production at the STC.
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Scenery (as much a drawcard in those days as the leading actors) by
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481:. Vol. XXVIII. Victoria, Australia. 17 March 1883. p. 4
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509:. Vol. XXXVII. Victoria, Australia. 20 June 1885. p. 2
145:, Clarice Chester, his daughter, an English country gentlewoman
79:, Bertha "Babs" Berkley, his adopted daughter; they are in love
369:. No. 8771. Victoria, Australia. 29 March 1883. p. 8
151:, Ivo Carew an English gentleman, in love with Clarice Chester
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in 1915, now considered lost. The play was published in 1975.
425:. No. 4569. Victoria, Australia. 7 April 1883. p. 2
338:. Vol. XXIX. Victoria, Australia. 8 May 1883. p. 3
91:, amiable bank teller Johnny Jinks, another comic part
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William H. Wilde; Joy Hooton; Barry
Andrews (1994).
283:, the only actor showing no enthusiasm for his part.
172:, Narrow Creek Joe, a "tintinnabulist" (bellringer?)
109:, Ben Brewer, Morley's rough and ready digger mate
597:
24:is an Australian drama in five acts and eight
182:Most of these were also in the London cast of
306:The Oxford Companion to Australian Literature
85:as Rebecca Hann, waiting maid, a comic part
573:– via National Library of Australia.
545:– via National Library of Australia.
517:– via National Library of Australia.
489:– via National Library of Australia.
461:– via National Library of Australia.
433:– via National Library of Australia.
405:– via National Library of Australia.
377:– via National Library of Australia.
346:– via National Library of Australia.
157:, Perfidy Pounce, lawyer working for Grup
133:, Plantagenet Smiffer, a pompous footman
61:Its first public performance was at the
35:The Sunny South or The Whirlwind of Fate
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557:"Entertainments, Dramatic and Musical"
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255:The play was revived in 1980 by the
606:Australian plays adapted into films
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73:as Matthew "Mat" Morley, the hero
16:Australian play by George Darrell
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450:The Daily Telegraph (Sydney)
259:in a production directed by
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279:Played on opening night by
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389:"A Young Australian Actor"
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97:as Dick Duggan, bushranger
394:The Advertiser (Adelaide)
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178:as police sergeant Swoop
139:as squire Worthy Chester
50:For fuller details, see
584:1980 production details
616:1880s Australian plays
422:The Herald (Melbourne)
257:Sydney Theatre Company
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121:as Eli Grup, financier
562:The Adelaide Observer
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63:Melbourne Opera House
473:""The Sunny South.""
445:"Actors of the Past"
127:as True, bank teller
501:"Mr George Darrell"
417:"Colonial Actors"
225:on 4 April 1885.
83:Constance Deorwyn
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361:"Advertising"
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281:Edwin Palmer
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176:Alfred Rolfe
165:blacktracker
161:Neil O'Brien
131:Henry Leston
119:Olly Deering
89:Lance Lenton
77:Essie Jenyns
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52:Plot of film
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42:Plot outline
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236:Houndsditch
219:bowie knife
207:A. C. Habbe
184:Sunny South
611:1883 plays
600:Categories
529:"Shipping"
291:References
196:K. Herbert
192:Maria Hill
188:Kate Arden
163:as Jim, a
569:13 August
541:14 August
513:14 August
485:13 August
457:13 August
429:13 August
401:13 August
373:14 August
342:13 August
170:J. Wisdom
588:AusStage
26:tableaux
366:The Age
308:. OUP.
251:Revival
223:Garonne
312:
213:London
198:, and
267:Notes
571:2021
543:2021
515:2021
487:2021
459:2021
431:2021
403:2021
375:2021
344:2021
310:ISBN
586:at
28:by
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363:.
352:^
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246:."
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.