251:
151:
126:
co-operative basis. Vernon, however, had for some months been working in the factory as an ordinary "hand", and in that period of time had fallen in love with pretty Delia Dale, an assistant in the perfumery department. He wants her to love him for himself, rather than for his position, and accordingly he arranges for his stockbroker friend, Lord
Bicester, commonly known as "Bingo", to personate him and pose as head of the establishment.
138:, his purpose being to win a Β£50 prize for walking offered by an enterprising newspaper to whomsoever shall accomplish the journey without begging, borrowing or stealing. Floot immediately sees that he has a good thing on, and Bingo has to purchase his silence by making him the general manager of the soap works.
125:
The hero, Vernon
Blundell, has inherited the great "Sunshine" Soap Factory at Port Sunshine, but in the will his uncle inserted a clause that Vernon must not be engaged or married before the expiration of five years; otherwise the whole property will be vested in the various heads of departments on a
356:
commented, "The whole is as good as any other Gaiety piece. The plot goes entirely to waste in the second act. β¦ The great successes of the evening were Miss Ediss's uproariously funny songs about
Brighton and the Durbar and a duet sung by Mr. Payne and Mr. Grossmith (as Lord Bicester) representing
141:
Floot is married to Brenda
Blacker, who was Bingo's travelling companion on his journey home from the ball. She is now engaged as a cook in the household of the Lady Rosabelle and is also carrying on a flirtation with a longshoreman, known as Commodore Parker. At the end, it is declared that no law
70:. The story involves a working girl who falls in love with the heir to the factory. He is in disguise and wants to be loved for himself, not his position, so he gets his friend to pose as the heir, leading to complications for both men.
349:
of the ladies, and not even the turns of the Payne-Grossmith-Barrett trio could hold it together β¦ yet all Mr. Grossmith has to do is to appear now and then in fashionable suitings, just to see, as it were, how things are going."
367:
is an appropriate title: all is brightness and light and geniality in the new Gaiety entertainment. ... The music of Mr. Rubens is deliciously light and tuneful, and there is more than the customary amount of clever dancing.
134:, Lady Rosabelle Meridew, and also by Floot, an ex-cabman, who once drove him from a Covent Garden Fancy Dress Ball after a night of more than ordinary exhilaration. Floot arrives at Port Sunshine on his way from
129:
After some demur, "Bingo" agrees to the proposition and trusts to chance that his identity will not be discovered. Unfortunately, he quickly finds himself in a tangle of complications. He is recognised by his
40:
341:
praised the piece. "We have never known a gayer evening in the gay and absurd world behind the footlights of the Gaiety. β¦ As to the acting and the singing, every one was at their best."
26:
142:
can stop a man from marrying the woman he loves, and so the terms of the will are over-ridden, and Vernon and Delia prepare to "live happily ever after".
385:
536:
393:
135:
401:
531:
243:
No. 2. Marie & Chorus β "There's a little fable: When the cat's away, on the kitchen table, mice begin to play"
94:
359:
246:
No. 3. Delia & Vernon β "There is a fever that few understand β you must take care when it is there!"
183:
Dever, Whitley, Telfridge, Garing, Wears and
Nelgrove (Managers of the various Departments of the Works)
521:
516:
314:
No. 20. Lady
Rosabelle & Chorus of Workgirls β "There lived a little lady just a hundred years ago"
302:
No. 16. Delia & Chorus of County Ladies β "There lived a little lady once, as dull as she could be"
526:
320:
No. 22. Mrs. Blacker & Chorus β "I've had a trip on board of a ship" (known as "I've been to the
240:
No. 1. Chorus β "When you want a cake of soap to finish off your toilet, we're the folks who boil it"
55:
280:
No. 11. Delia & Chorus β "You should always try to look your very best; men will be impressed"
352:
98:
491:
268:
No. 7. Lord
Bicester & Delia β "Ladies, you were born to rule us ever since the world began"
511:
107:
is the real life suburb on which the setting of the musical is based. The show introduced the
78:
59:
321:
299:
No. 15. Marie, Mrs. Blacker, Floot & Lord
Bicester β "When there's a party held upstairs"
160:
82:
29:
259:
No. 4. Lord
Bicester β "Two young chaps may be sent, perhaps, to the same old Public School"
277:
No. 10. Mrs. Blacker & Chorus β "Lots of people nowadays, they go abroad for a holiday"
296:
No. 14. Emmeline & Chorus β "Here's to love and laughter, never mind what comes after"
8:
39:
486:
418:
317:
No. 21. Delia & Lord
Bicester β "Wouldn't it be jolly if we took a little holiday?"
81:
in London, opening on February 24, 1912, and running for 336 performances. It starred
327:
No. 23. Finale β "Little girl, little girl, little girl, little girl, you are a dear!"
397:
311:
No. 19. Lord Bicester & Floot β "We get some funny cases to attend to nowadays"
308:
No. 18. Lord Bicester & Girls β "When a man sees a maid, and a maid sees a man"
271:
No. 8. Marie & Floot β "Man's no longer Lord of all Creation, as he used to be"
171:
Commodore Parker (known as "Nosey," of the Blundell Line of Boats) β George Barrett
262:
No. 5. Mrs. Blacker & Parker β "It was leg-o'-mutton day when I first met you"
74:
67:
250:
150:
505:
496:
108:
104:
63:
17:
274:
No. 9. Octet β "Men of Business" β "Each one of us has a special occupation"
223:
217:
201:
Marie Silvaine (Head of the Packing Department at the Works) β Mabel Sealby
190:
166:
90:
86:
43:
33:
207:
Sybil, May, Lucy, Violet, Lily and Kit (Heads of the various Departments)
337:
283:
No. 12. Finale β "Now, Mister Blundell, we wait for you instructions"
196:
175:
216:
Brenda Blacker (Floot's wife, calling herself by her maiden name) β
16:
For the daily feature in the Sun chain of newspapers in Canada, see
25:
305:
No. 17. Floot β "The art of being lazy is a science in its way"
180:
Stepneyak (Manager of the Foreign Department) β Robert Nainby
288:
Act II β Mr. Blundell's Private House at Port Sunshine.
93:
as Delia Dale. It also had a Broadway run in 1913 at the
293:
No. 13. Chorus β "Every kind of party we have read about"
159:
Lord Bicester (known as "Bingo," a young Stockbroker) β
487:
Song list and links to Midi files, lyrics and cast list
222:
Delia Dale (of the Perfume Department of the Works) β
66:, lyrics and music by Rubens and additional lyrics by
345:
thought the performances finer than the play: "Strip
195:
Lady Rosabelle Merrydew (Lord Bicester's FiancΓ©e) β
416:This synopsis is based primarily on one printed in
503:
265:No. 6. Chorus β "Here comes our new proprietor!"
390:The Complete Book of 1910s Broadway Musicals
145:
497:Information about the Broadway production
383:
357:the adventures of two London policemen."
249:
149:
38:
24:
504:
174:Hodson (Chief Manager of the Works) β
331:
363:gave a uniformly excellent notice: "
204:Emmeline (A Workgirl) β Violet Essex
189:Floot (An ex-four-wheeler driver) β
394:Rowman & Littlefield Publishers
254:Brenda Blacker and Commodore Parker
13:
229:
73:The musical was first produced by
14:
548:
492:Cast, songs and other information
480:
186:Clarence (a Footman) β F. Raynham
464:
451:
438:
425:
410:
377:
1:
213:Hon. Miss Grey β Pattie Wells
154:Basil Foster and Phyllis Dare
97:starring Grossmith's in-law,
470:"Art, Music and the Drama",
210:Miss Molyneux β Gladys Wray
136:Land's End to John o' Groats
7:
472:The Illustrated London News
360:The Illustrated London News
114:
58:in two acts with a book by
10:
553:
235:Act I β Port Sunshine.
15:
537:Musicals set in factories
461:, 27 February 1912, p. 7
435:, 26 February 1912, p. 6
422:, December 1911, pp. 2β3
371:
56:Edwardian musical comedy
532:Musicals set in England
459:The Manchester Guardian
448:, December 1912, p. 152
353:The Manchester Guardian
146:Roles and original cast
122:Port Sunshine, England
474:, 2 March 1912, p. 328
255:
155:
111:to British audiences.
46:
36:
457:"The Sunshine Girl",
444:"Play of the Month",
253:
161:George Grossmith, Jr.
153:
95:Knickerbocker Theatre
83:George Grossmith, Jr.
42:
30:George Grossmith, Jr.
28:
386:"The Sunshine Girl"
431:"Gaiety Theatre",
419:The Play Pictorial
384:Dan Dietz (2021).
343:The English Review
332:Critical reception
256:
165:Vernon Blundell β
156:
85:as Lord Bicester,
47:
37:
522:Original musicals
517:West End musicals
365:The Sunshine Girl
347:The Sunshine Girl
51:The Sunshine Girl
544:
527:British musicals
475:
468:
462:
455:
449:
442:
436:
429:
423:
414:
408:
407:
381:
552:
551:
547:
546:
545:
543:
542:
541:
502:
501:
483:
478:
469:
465:
456:
452:
443:
439:
430:
426:
415:
411:
404:
396:. p. 206.
382:
378:
374:
334:
232:
230:Musical numbers
148:
117:
75:George Edwardes
68:Arthur Wimperis
21:
12:
11:
5:
550:
540:
539:
534:
529:
524:
519:
514:
500:
499:
494:
489:
482:
481:External links
479:
477:
476:
463:
450:
446:English Review
437:
424:
409:
402:
375:
373:
370:
333:
330:
329:
328:
325:
318:
315:
312:
309:
306:
303:
300:
297:
294:
290:
289:
285:
284:
281:
278:
275:
272:
269:
266:
263:
260:
248:
247:
244:
241:
237:
236:
231:
228:
227:
226:
220:
214:
211:
208:
205:
202:
199:
193:
187:
184:
181:
178:
172:
169:
163:
147:
144:
116:
113:
79:Gaiety Theatre
60:Paul A. Rubens
9:
6:
4:
3:
2:
549:
538:
535:
533:
530:
528:
525:
523:
520:
518:
515:
513:
512:1912 musicals
510:
509:
507:
498:
495:
493:
490:
488:
485:
484:
473:
467:
460:
454:
447:
441:
434:
428:
421:
420:
413:
405:
403:9781538150283
399:
395:
391:
387:
380:
376:
369:
366:
362:
361:
355:
354:
348:
344:
340:
339:
326:
323:
319:
316:
313:
310:
307:
304:
301:
298:
295:
292:
291:
287:
286:
282:
279:
276:
273:
270:
267:
264:
261:
258:
257:
252:
245:
242:
239:
238:
234:
233:
225:
221:
219:
215:
212:
209:
206:
203:
200:
198:
194:
192:
188:
185:
182:
179:
177:
173:
170:
168:
164:
162:
158:
157:
152:
143:
139:
137:
133:
127:
123:
121:
112:
110:
106:
105:Port Sunlight
102:
100:
99:Vernon Castle
96:
92:
89:as Floot and
88:
84:
80:
76:
71:
69:
65:
64:Cecil Raleigh
61:
57:
53:
52:
45:
41:
35:
31:
27:
23:
19:
18:Sunshine Girl
471:
466:
458:
453:
445:
440:
432:
427:
417:
412:
389:
379:
364:
358:
351:
346:
342:
336:
335:
224:Phyllis Dare
218:Connie Ediss
191:Edmund Payne
167:Basil Foster
140:
131:
128:
124:
119:
118:
103:
91:Phyllis Dare
87:Edmund Payne
72:
50:
49:
48:
44:Edmund Payne
34:Phyllis Dare
22:
506:Categories
433:The Times
338:The Times
197:Olive May
176:Tom Walls
120:Setting:
115:Synopsis
132:fiancΓ©e
77:at the
400:
322:Durbar
54:is an
372:Notes
109:tango
398:ISBN
62:and
32:and
508::
392:.
388:.
324:")
101:.
406:.
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.