820:
840:
552:. Noureddin, unable to forget Niriti, confesses that he loves another and must refuse the Princess Damayanti's hand. The Princess then faints into the arms of her attendants and the enraged King draws his sword; his guards follows suit. At that moment Noureddin's guards place themselves in a posture defense to protect him. A terrible struggle is imminent when flames rise from the earth and separate the antagonists. Vayou has devised this to save Noureddin so that he may return Niriti her talisman.
318:
500:
she calls to Vayou for help. Suddenly Vayou appears and seizes Niriti while brandishing the golden mace. There is a violent gust of wind and Niriti and Vayou disappear. During the escape, the talisman falls from Niriti's head. Noureddin searches vainly for Niriti and discovers the talisman. Convinced that he has met his true love, he swears to find the beautiful girl.
601:
communicative and confides that his slave is really the
Goddess Amravati's daughter, and so long as Noureddin possesses the talisman, Niriti must remain on earth. To emphasize his word his Vayou strikes the table with his golden mace, which snaps in two. He continues to drink until he falls to the ground (
484:
Towards the conclusion of their dances a handsome youth appears - Noureddin, the young
Maharajah of Lahore. He has lost his way while hunting and asks for shelter for the night. Kadoor welcomes the visitor and places refreshments before him. Noureddin begs the young people to continue their dancing,
301:
and me to Petipa's 'The
Talisman'. In fact we had been so delighted with it at the première that our noisy approval had attracted the attention, and seemed to shock, the then rather popular St. Petersburg General Governor Grösser ... he turned round (from his permanent seat in the front row stalls),
626:
Noureddin refuses because he wishes for her to remain on earth and be his wife and queen, but Niriti refuses. Noureddin pleads on his knees, but again she refuses. He then reminds her that she is in his power and has no choice but to cede to his wishes. Niriti then plucks a dagger from
Noureddin's
536:
Moonlight filters into the garden. As
Noureddin begins to leave to attend the feast a rose-bush springs from the ground and bars his way. Other bushes appear and from each emerges a rose in human form. From the center rose-bush comes Niriti in the guise of the Goddess of the Flowers, and from each
499:
Noureddin comes out of his room, rubbing his eyes, having been disturbed by a strange noise. He catches sight of the sleeping Niriti, and is amazed by her beauty. Niriti awakens. Frightened by the stranger she attempts to flee, but
Noureddin holds her firm and demands a kiss. Struggling violently,
637:
The
Goddess Amravati awaits Niriti's return. Niriti, clasping her talisman, is about to ascend when she resolves to bid Noureddin farewell. Seeing his eyes filled with tears she is overcome with sadness herself. She begins to wonder whether celestial delights can equal the earthly happiness which
476:
Enter Kadoor, accompanied by his friends and relatives. The lovers are embarrassed. The weaver tells them that they have nothing to be ashamed of, for they are to be married on the following day. He reminds them of their friends who have come to wish them happiness. The young people begin dancing
503:
Enter King Akdar and his daughter, the
Princess Damayanti, attended by a magnificent retinue. The King expresses his delight at seeing Noureddin, as his daughter, to whom Noureddin is betrothed, had been troubled by his disappearance. The company now departs, and the King requests that Noureddin
517:
Servants are completing the preparations for the feast which will prelude the wedding of the
Princess Damayanti and Noureddin. Enter King Akdar and his daughter, who seat themselves upon the throne. They are attended by rajahs, bayadères, eunuchs and the Princess's attendants. Noureddin enters,
472:
Nal is working busily at his loom so that he may meet
Nirilya, his betrothed. He is then distracted by a sun-beam which dazzles his eyes so that he decides to cover the window with his cloak. As he goes toward it his beloved Nirilya appears. He begs her to enter, but she refuses. Nal, annoyed,
565:
It is market-day and the bazaar is crowded with types of the numerous races of India. Noureddin enters with his troops on his way back to Lahore. He calls a halt and lies down to rest. The talisman can be seen glittering from his breast. At a sign from one of the slave-dealers dancing begins
600:
Niriti and Vayou return. Noureddin goes to them and asks the Brahmin to taste a new European drink: perhaps it may help them come to an understanding. Vayou drinks and, finding the drink greatly to his taste, continually asks for his glass to be refilled. Thus, Vayou becomes increasingly
302:
affecting a severe expression, and shook his finger at us. My enthusiasm was so great, however, that I could not stop applauding and even felt compelled to exclaim "Mais puisque, Excellence, c'est un chef d'Ĺ“uvre!" - upon which his Excellency deigned to bestow on me a fatherly smile."
618:
Niriti is brought in by the bodyguard Djemil and placed before Noureddin, who orders his men to keep strict watch. Niriti then beseeches Noureddin to restore her talisman. He replies that he cannot, for if he does she shall return to heaven, and he loves her too much to allow it
596:
Noureddin is now suspicious that the talisman should be preferred to the wealth he could have offered and feels that there is some mystery connected to it. He wonders if the slave-owner's tongue might be loosened with wine and, calling his bodyguard Djemil, whispers his orders.
819:
627:
belt and threatens to stab herself. He quickly wrests the weapon from her and, furious that she should hold his love for her so lightly, snatches the talisman from his breast and throws it at her feet. There is a deafening clap of thunder.
537:
side appear the spirits of the earth. With bewitching glances they ask him to give up the talisman, but when Noureddin refuses they vanish. Niriti and her retinue of flowers perform dances to entice Noureddin into giving up the talisman (
581:). Recognising Noureddin, they decide to steal the talisman, but Noureddin recognises Niriti, who tries to hide among the crowd. Noureddin pursues her but is stopped by Vayou, who reproaches him for annoying his slave.
839:
489:), who gives Nirilya a necklace and Nal a purse of gold. Then, feeling tired, Noureddin asks to be shown to his room. The guests leave and darkness falls. There is distant thunder and lightning.
200:
Revival by Nikolai Legat (based on Petipa's original choreography) for the Imperial Ballet, with Drigo revising and reorchestrating his original score. First presented on December 12 [
533:). At the end the chief eunuch announces that the feast is ready in the great hall of the palace. Noureddin lingers behind. He cannot forget the beautiful girl he encountered in Kadoor's hut.
275:
This ballet took place in ancient India, and was a rather mediocre success upon its première. The principal attraction of the balletomanes and critics was Drigo's score. The artist
239:
608:
Noureddin orders the bodyguard Djemil to seize Niriti, who desperately calls for Vayou to help her. He awakes but, stupefied with wine, is helpless. Niriti is led away.
438:
Queen Amravati hands Vayou her golden mace, which makes him ruler of the spirits and of all the elements. She then takes a star from her crown and gives it to Niriti.
243:
1549:
496:). Niriti enquires where they are. Vayou asks her to remain while he goes to explore. Feeling tired from their travels, Niriti lies down and falls asleep.
391:"It is today, in accordance with my immortal husband's wishes, that my daughter, the goddess Niriti, must descend to earth, and perhaps may never return."
1554:
262:
875:
258:
292:
965:
208:
77:
149:
1291:
231:
1008:
529:), with Noureddin and the Princess Damayanti performing a dance together in which the young Maharajah is haunted by visions of Niriti (
638:
Noureddin offers, and which she is about to sacrifice. She wavers, then drops the talisman and throws herself into Noureddin's arms.
577:
Enter Vayou and Niriti, who are disguised as a Brahim and his slave. Vayou presents Niriti to the crowd wrapped in a long veil (
868:
339:
648:
The talisman ascends to heaven. Seated on her throne, the Goddess Amravati is surrounded by gods and other heavenly spirits.
555:
Niriti appears in the fountain and, unseen, wafts him a passionate kiss. Her heart has been melted by his indomitable love.
1428:
283:) of his extreme delight with Drigo's score, which he said inspired a "short infatuation" in him as a young student at the
941:
193:
Revival by Marius Petipa for the Imperial Ballet, with Drigo revising his score. First presented on November 4 [
1544:
1534:
1243:
861:
365:
284:
347:
1152:
507:
Niriti and Vayou reappear, followed by spirits of the earth. They search anxiously for the talisman, but in vain.
458:"a talisman lost by a maiden of the air must be freely returned to her by whatever mortal may come to possess it."
1064:
1539:
1088:
343:
1267:
1219:
1340:
957:
201:
194:
34:
1404:
1356:
399:). She runs to embrace her mother, and is then informed that the time has come for her to visit the earth.
33:. Libretto by Konstantin Augustovich Tarnovsky and Marius Petipa. It was premièred on February 6 [
632:
Act III, tableau III — At the top of the stage is seen the heavens, at the bottom, the ancient ruins
1136:
909:
1491:
1348:
992:
853:
38:
623:). She admits that he speaks the truth, but implores him to help her return to heaven and her mother.
1505:
1168:
1000:
1056:
984:
917:
328:
1307:
332:
135:
1120:
1235:
1024:
933:
42:
1275:
1380:
1299:
1412:
1483:
1128:
1112:
1072:
1048:
1016:
8:
477:
while the old weaver and some of his guests decorate the hut with flowers and garlands (
1450:
1203:
87:
1442:
1176:
1420:
1160:
1104:
1032:
473:
returns to his work. Nirilya creeps behind him and covers his eyes with her hands.
276:
235:
120:
115:
1283:
1080:
485:
so Nirilya and Nal perform a joyous dance to the delight of the young Maharajah (
385:
The gods and spirits descend to meet the Goddess Amravati, Queen of the heavens (
125:
82:
1396:
1184:
1040:
30:
1144:
1528:
1096:
885:
296:
105:
26:
1227:
462:
Amravati bids her daughter farewell. Niriti and Vayou descend to the earth.
289:"It was Drigo's simple and charming music that had attracted both Valetchka
444:"However, should she lose it, you shall never return to the heavens again."
254:
163:
440:"This talisman shall protect you against all danger which may befall you."
424:
Vayou, the god of the wind, flies overhead, bringing a storm in his wake (
1388:
949:
97:
1364:
1251:
883:
430:"A group of mortals dared to attempt to learn the secrets of the poles,"
1372:
1324:
512:
Act II — The gardens of King Akdar's magnificent palace in Dehli
242:(a.k.a. the Arena Ballet). First presented on March 14, 1997, at the
560:
Act III, tableau 1 — A bazaar on the banks of the river Ganges
317:
1458:
1316:
212:
409:"and should you fail, you will forfeit your right to immortality."
1259:
1211:
925:
901:
845:
Vaslav Nijinsky as Vayou in Nikolai Legat's revival of Petipa's
451:"surely the mace shall force the talisman to be returned to me."
22:
405:"To test your heart against the temptations of earthly love,"
247:
224:
220:
204:
November 29] 1909 at the Imperial Mariinsky Theatre.
518:
followed by his bodyguard Djemil and several of his guards.
197:
October 22] 1895 at the Imperial Mariinsky Theatre.
428:). He bows to the Queen and begs pardon for his tardiness;
550:"the priests are waiting to perform the wedding ceremony."
593:
Noureddin refuses. Vayou and the supposed slave depart.
613:
Act III, tableau II — Some ancient ruins at night
541:), but to no avail. Niriti and her retinue disappear.
389:). She is in despair, and is asked why. She replies
825:Mathilde Kschessinskaya costumed as Niriti for the
1429:The Little Humpbacked Horse (as "The Tsar Maiden")
49:, which is today danced by many ballet companies.
829:of Act II in Nikolai Legat's revival of Petipa's
1526:
591:"in exchange for the talisman on your breast."
467:Act I — The hut of the old weaver Kadoor
869:
521:The festival begins with various diversions (
434:"for which I was forced to sink their ships."
74:Niriti, daughter of the Queen of the Heavens
25:in 4 Acts and 7 Scenes, with choreography by
1513:The Romance of the Rosebud and the Butterfly
1550:Ballets by Konstantin Augustovich Tarnovsky
346:. Unsourced material may be challenged and
1555:Ballets premiered at the Mariinsky Theatre
1268:Le Diable Ă Quatre (as "The Willful Wife")
876:
862:
750:Grand ballabile — La Rose de Bengale
544:Fanfares announcing King Akdar are heard.
539:Grand ballabile — La Rose de Bengale
52:
1121:Ondine (as "The Naiad and the Fisherman")
603:Scène dansante — L’ivresse de Vayou
420:"I have chosen a fine companion for you."
366:Learn how and when to remove this message
1477:Les Ruses d'Amour or The Trial of Damis
942:The Rose, the Violet, and the Butterfly
45:This ballet gave rise to the so-called
1527:
395:Music heralds the entrance of Niriti (
187:
857:
344:adding citations to reliable sources
311:
953:(*1858, *1863, *1868, *1885, *1899)
910:Le Diable amoureux (as "Satanella")
801:Scène dansante — L’ivresse de Vayou
786:Danse des montagnards de l’Himalaya
651:
568:Danse des montagnards de l’Himalaya
132:Amravati, the Queen of the Heavens
13:
14:
1566:
401:"But why must I visit the earth?"
285:Saint Petersburg State University
37:January 25] 1889 at the
838:
818:
689:Danse des amis de Nirilya et Nal
479:Danse des amis de Nirilya et Nal
316:
1220:La Vivandière (as "Markitenka")
240:Balletto del Teatro Filarmonico
219:. First presented at La Scala,
583:"Will you sell me your slave?"
380:Prologue — In the clouds
261:(as Vayou, the Wind God), and
1:
958:A Marriage During the Regency
884:The ballets and *revivals of
929:(*1850, *1884, *1899, *1903)
279:told in his memoirs (titled
7:
1349:The Caprices of a Butterfly
307:
56:
10:
1571:
811:
39:Imperial Mariinsky Theatre
1545:Ballets by Riccardo Drigo
1469:
1195:
1169:The Daughter of the Snows
976:
893:
94:Noureddin, the Maharajah
1535:Ballets by Marius Petipa
1499:The Heart of the Marquis
1137:The Adventures of Peleus
918:Leda, the Swiss Milkmaid
492:Enter Niriti and Vayou (
269:
1308:The Sacrifices to Cupid
160:Nirilya, Nal's fiancée
53:Roles and original cast
1413:The Awakening of Flora
1001:The Pharaoh's Daughter
849:, St. Petersburg, 1910
833:, St. Petersburg, 1910
244:Teatro Verdi di Padova
146:Nal, the weaver's son
43:St. Petersburg, Russia
1540:1889 ballet premieres
1236:The Night and the Day
1049:The Benevolent Cupid
1009:The Beauty of Lebanon
718:Danse de l’hindoustan
589:replies the Brahmin,
527:Danse de l’hindoustan
418:replies the goddess;
1341:The Enchanted Forest
1295:(1886, *1887, *1900)
1068:(1868, *1891, *1903)
1017:The Traveling Dancer
1004:(1862, *1885, *1898)
827:Grand Pas des Fleurs
699:Premières sensations
494:Premières sensations
340:improve this section
112:Vayou, the Wind God
47:Talisman Pas de Deux
1357:The Sleeping Beauty
1276:La Fille Mal Gardée
1263:(*1884, 1899, 1903)
966:The Parisian Market
934:The Star of Granada
796:Danse sous le voile
579:Danse sous le voile
252:Principal Dancers -
188:Revivals/restagings
69:St Petersburg 1909
66:St Petersburg 1895
63:St Petersburg 1889
1292:The King's Command
1204:La Fille du Danube
806:La danse à l’amour
723:Grand pas d’action
621:La danse à l’amour
531:Grand pas d’action
456:replies Amravati,
442:The Goddess adds,
412:"Must I go alone?"
407:replies Amravati,
211:for the ballet of
88:Olga Preobrajenska
1522:
1521:
1515:(never presented)
1177:Frizak the Barber
665:Valse des esprits
449:enquires Niriti,
387:Valse des esprits
376:
375:
368:
263:Stephane Fournial
185:
184:
1562:
1506:The Magic Mirror
1436:The Cavalry Halt
878:
871:
864:
855:
854:
842:
822:
760:Valse des bijoux
675:Le vent de Vayou
670:Entrée de Niriti
652:Résumé of dances
585:asks Noureddin.
548:cries the King,
426:Le vent de Vayou
397:Entrée de Niriti
371:
364:
360:
357:
351:
320:
312:
277:Alexander Benois
259:Alessandro Molin
236:Ileana Citaristi
227:on 18 July 1908.
217:Le Porte-bonheur
215:under the title
121:Alexander Gorsky
116:Enrico Cecchetti
57:
1570:
1569:
1565:
1564:
1563:
1561:
1560:
1559:
1525:
1524:
1523:
1518:
1465:
1284:The Magic Pills
1191:
1065:Le Roi Candaule
985:The Blue Dahlia
972:
889:
882:
850:
843:
834:
823:
814:
694:Danse orientale
654:
487:Danse orientale
372:
361:
355:
352:
337:
321:
310:
293:Walter Nouvelle
272:
265:(as Nouriddin).
190:
126:Vaslav Nijinsky
83:Pierina Legnani
55:
29:, and music by
12:
11:
5:
1568:
1558:
1557:
1552:
1547:
1542:
1537:
1520:
1519:
1517:
1516:
1510:
1502:
1496:
1488:
1480:
1473:
1471:
1467:
1466:
1464:
1463:
1455:
1447:
1439:
1433:
1425:
1417:
1409:
1401:
1397:The Nutcracker
1393:
1385:
1377:
1369:
1361:
1353:
1345:
1337:
1329:
1321:
1312:
1304:
1303:(*1886, *1899)
1296:
1288:
1280:
1272:
1264:
1256:
1248:
1240:
1232:
1224:
1216:
1208:
1199:
1197:
1193:
1192:
1190:
1189:
1181:
1173:
1165:
1157:
1149:
1141:
1133:
1125:
1124:(*1874, *1892)
1117:
1109:
1101:
1093:
1085:
1077:
1069:
1061:
1053:
1045:
1037:
1029:
1021:
1013:
1005:
997:
989:
980:
978:
974:
973:
971:
970:
962:
954:
946:
938:
930:
922:
914:
906:
905:(*1847, *1881)
897:
895:
891:
890:
881:
880:
873:
866:
858:
852:
851:
844:
837:
835:
824:
817:
813:
810:
809:
808:
803:
798:
793:
788:
775:
774:
773:
772:
767:
762:
757:
747:
746:
745:
740:
735:
730:
720:
715:
702:
701:
696:
691:
678:
677:
672:
667:
653:
650:
374:
373:
324:
322:
315:
309:
306:
305:
304:
271:
268:
267:
266:
228:
209:Luigi Tornelli
205:
198:
189:
186:
183:
182:
179:
177:
175:
171:
170:
168:
166:
161:
157:
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147:
143:
142:
140:
138:
136:Anna Johansson
133:
129:
128:
123:
118:
113:
109:
108:
103:
100:
95:
91:
90:
85:
80:
78:Elena Cornalba
75:
71:
70:
67:
64:
61:
54:
51:
31:Riccardo Drigo
9:
6:
4:
3:
2:
1567:
1556:
1553:
1551:
1548:
1546:
1543:
1541:
1538:
1536:
1533:
1532:
1530:
1514:
1511:
1508:
1507:
1503:
1500:
1497:
1494:
1493:
1489:
1486:
1485:
1481:
1478:
1475:
1474:
1472:
1468:
1461:
1460:
1456:
1453:
1452:
1448:
1445:
1444:
1440:
1437:
1434:
1431:
1430:
1426:
1423:
1422:
1418:
1415:
1414:
1410:
1407:
1406:
1402:
1399:
1398:
1394:
1391:
1390:
1386:
1383:
1382:
1378:
1375:
1374:
1370:
1367:
1366:
1362:
1359:
1358:
1354:
1352:(1889, *1895)
1351:
1350:
1346:
1343:
1342:
1338:
1336:(1889, *1895)
1335:
1334:
1330:
1327:
1326:
1322:
1319:
1318:
1313:
1310:
1309:
1305:
1302:
1301:
1297:
1294:
1293:
1289:
1286:
1285:
1281:
1278:
1277:
1273:
1270:
1269:
1265:
1262:
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1257:
1254:
1253:
1249:
1246:
1245:
1241:
1238:
1237:
1233:
1230:
1229:
1225:
1222:
1221:
1217:
1214:
1213:
1209:
1206:
1205:
1201:
1200:
1198:
1194:
1188:(1879, *1896)
1187:
1186:
1182:
1179:
1178:
1174:
1171:
1170:
1166:
1163:
1162:
1158:
1155:
1154:
1150:
1148:(1877, *1900)
1147:
1146:
1142:
1140:(1876, *1897)
1139:
1138:
1134:
1131:
1130:
1126:
1123:
1122:
1118:
1115:
1114:
1110:
1107:
1106:
1102:
1099:
1098:
1097:The Two Stars
1094:
1091:
1090:
1086:
1083:
1082:
1078:
1076:(1869, *1871)
1075:
1074:
1070:
1067:
1066:
1062:
1059:
1058:
1054:
1051:
1050:
1046:
1043:
1042:
1038:
1035:
1034:
1030:
1027:
1026:
1022:
1019:
1018:
1014:
1011:
1010:
1006:
1003:
1002:
998:
995:
994:
990:
988:(1860, *1875)
987:
986:
982:
981:
979:
975:
969:(1859, *1861)
968:
967:
963:
960:
959:
955:
952:
951:
947:
944:
943:
939:
936:
935:
931:
928:
927:
923:
920:
919:
915:
912:
911:
907:
904:
903:
899:
898:
896:
892:
887:
886:Marius Petipa
879:
874:
872:
867:
865:
860:
859:
856:
848:
841:
836:
832:
828:
821:
816:
815:
807:
804:
802:
799:
797:
794:
792:
789:
787:
784:
783:
782:
781:
780:
771:
768:
766:
763:
761:
758:
756:
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403:Niriti asks.
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356:December 2008
349:
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325:This section
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298:
297:Mir iskusstva
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257:(as Niriti),
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150:Alfred Bekefi
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106:Nikolai Legat
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28:
27:Marius Petipa
24:
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1504:
1498:
1492:Harlequinade
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1482:
1476:
1457:
1449:
1441:
1435:
1427:
1419:
1411:
1403:
1395:
1387:
1381:A Fairy Tale
1379:
1371:
1363:
1355:
1347:
1339:
1333:The Talisman
1332:
1331:
1323:
1315:
1306:
1300:La Esmeralda
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847:The Talisman
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831:The Talisman
830:
826:
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795:
791:Pas Katchack
790:
785:
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754:
749:
742:
738:Variation II
737:
732:
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713:Danse nautch
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703:
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572:Pas Katchack
571:
567:
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559:
558:
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549:
545:
543:
538:
535:
530:
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523:Danse nautch
522:
520:
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353:
338:Please help
326:
300:
295:- member of
288:
280:
255:Carla Fracci
251:
232:Paul Chalmer
216:
181:Pavel Gerdt
164:Marie Petipa
102:Pavel Gerdt
46:
17:
16:
15:
1484:The Seasons
1389:La Sylphide
1145:La Bayadère
1129:The Bandits
1113:Le Papillon
1073:Don Quixote
993:Terpsichore
950:Le Corsaire
733:Variation I
230:Revival by
207:Revival by
174:King Akdar
98:Pavel Gerdt
18:Le Talisman
1529:Categories
1405:Cinderella
1373:Kalkabrino
1325:The Vestal
1228:Pâquerette
770:Grand coda
643:Apotheosis
1451:Bluebeard
1443:The Pearl
1421:Swan Lake
1244:Pygmalion
1057:The Slave
888:in Russia
765:Pizzicato
432:he says,
327:does not
250:, Italy.
1459:Raymonda
1365:NĂ©nuphar
1317:Fiametta
1252:Coppélia
1089:Catarina
658:Prologue
308:Libretto
238:for the
213:La Scala
1470:1900–03
1432:(*1895)
1424:(*1895)
1392:(*1892)
1344:(*1889)
1279:(*1885)
1271:(*1885)
1260:Giselle
1255:(*1884)
1231:(*1882)
1223:(*1881)
1212:Zoraiya
1207:(*1880)
1196:1880–99
1161:Ariadne
1116:(*1874)
1105:Camargo
1092:(*1870)
1044:(*1867)
1033:Titania
1025:Florida
977:1860–79
926:Giselle
913:(*1848)
902:Paquita
894:1847–59
812:Gallery
779:Act III
728:Andante
546:"Come!"
348:removed
333:sources
281:MĂ©moirs
1509:(1903)
1501:(1902)
1495:(1900)
1487:(1900)
1479:(1900)
1462:(1898)
1454:(1896)
1446:(1896)
1438:(1896)
1416:(1894)
1408:(1893)
1400:(1892)
1384:(1891)
1376:(1891)
1368:(1890)
1360:(1890)
1328:(1888)
1320:(1887)
1311:(1886)
1287:(1886)
1247:(1883)
1239:(1883)
1215:(1881)
1180:(1879)
1172:(1879)
1164:(1878)
1156:(1878)
1153:Roxana
1132:(1875)
1108:(1872)
1100:(1871)
1084:(1870)
1081:Trilby
1060:(1868)
1052:(1868)
1036:(1866)
1028:(1866)
1020:(1864)
1012:(1863)
996:(1861)
961:(1858)
945:(1857)
937:(1855)
921:(1849)
706:Act II
587:"Yes,"
447:"But,"
23:ballet
1185:Mlada
1041:Faust
755:Adage
682:Act I
454:"No,"
416:"No,"
270:Notes
248:Padua
225:Italy
221:Milan
60:Role
21:is a
743:Coda
331:any
329:cite
234:and
202:O.S.
195:O.S.
35:O.S.
605:).
574:).
481:).
342:by
246:in
41:in
1531::
1314:*
570:,
525:,
287:-
223:,
877:e
870:t
863:v
619:(
566:(
369:)
363:(
358:)
354:(
350:.
336:.
299:)
291:(
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