373:"I must say I don't like Dave. He gets a pretty dubious character sometimes. He just plays a good role in the band that's all, but we often fight, and I mean physically. I usually win because he's a bit of a wimp... not that I'm a fighting person though. Dave is just one of the most extreme characters I've ever met. Sometimes he gets me so knotted up inside .. but then again that's good because it keeps me pushing; you know, right there…I usually do the interviews because I’m the only one with anything to say really. Like Alan just spends most of his time thinking, and Gary never says anything. I can usually speak for them better. Dave would just start pissing you off ... it sounds like a really horrible band, doesn't it?"
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sessions and locked Cope and Dwyer out of the studios for much of the time. Rarely able (or inclined) to add their own contributions, Cope and Dwyer worked off their frustration playing risky, stoned cross-country games with speeding jeeps. The situation culminated in a notorious (though disputed) event in which an irate Dwyer chased Balfe over the
Monmouthshire hillsides with a loaded shotgun. Hating Balfe's instrumentals, Cope walked out of the sessions with only part of the singing done and the album incomplete.
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just wasn't bothered about pushing at all. I thought what's more important, the friendship or the band? And when it came down to it I realised the band was the most important." Finkler's sacking earned the band a fair amount of ire from the closely linked and competitive
Liverpool scene (and from Ian McCulloch in particular) as well as establishing Cope's reputation as something of a tyrant.
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Jeff Hammer and bass player Alfie Agius (the latter freeing Cope to concentrate on vocals and rhythm guitar). Despite the internal turmoil, by 1981 The
Teardrop Explodes were at the height of their popularity. In March, the band played their first American dates (a time also notable for Cope's meeting with Dorian Beslity, who would later become his second wife).
202:-group sound (sometimes described as "bubblegum trance") and later exploring more experimental areas. In addition to their musical reputation, the band (and Cope in particular) had a reputation for eccentric pronouncements and behaviour, sometimes verging on the self-destructive, resulting in the band's breakup in 1982.
354:. The B-side was a version of the Cope/McCulloch song "Read It in Books", which Echo & the Bunnnymen had already released as the b-side to their debut single, "The Pictures on My Wall". Both bands recorded different versions of "Read It in Books" in the future, and Cope also re-recorded the track as a solo artist.
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In
November 1980, Alan Gill left The Teardrop Explodes, claiming not to enjoy the touring lifestyle. Cope later praised him for his strong creative impact on both the band and its perspective, but also suggested that with the band's growing success Gill had found himself "afraid to compete." Gill was
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The
Teardrop Explodes released their first single, "Sleeping Gas", in February 1979. Simpson's stage presence was now such that he rivalled Cope as the band's onstage focus, and by mutual agreement the two decided that the group wasn't big enough for both of them. Simpson left the band in the spring:
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With Cope taking on the roles of singer and bass guitarist, The
Teardrop Explodes was completed by recruiting Simpson and Finkler from the wreck of A Shallow Madness and proved a more hardy gigging proposition than its predecessors, soon establishing itself as a live act. The band were soon signed as
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in
Monmouthshire. The sessions were interrupted by touring requirements, and also by internal dissension. This peaked when Cope and Balfe opted to fire Mick Finkler as guitarist. Cope subsequently claimed that "Mick, to me, had got really complacent. There was no fire in what he wanted to do. Mick
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Interest in The
Teardrop Explodes continued long after the band's demise. Cope, however, has always resisted pressure to reform the band. When asked in 2000 if the Teardrop Explodes would ever get back together, he said: "Would you ever return to having your mother wipe your asshole?" In the course
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In
September 1982, the band reconvened at Rockfield Studios to record their third album around the nucleus of Cope, Dwyer and Balfe. Creative tensions were high, as Cope wanted to write ballads and quirky pop songs, while Balfe was more interested in recording synth-based music. Balfe took over the
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was more the work of Cope (who took sole songwriting credit on every track on the album) and was a bleaker, more sombre work than its predecessor cataloguing the breakup of Cope's first marriage and the mental chaos surrounding Cope and the band. The album was also a break from the solid beat-group
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appearance (in which Cope performed wearing a ripped pillowcase he had made into a T-shirt, later claiming to have been tripping on LSD throughout the performance). Subsequently, both Agius and Hammer were sacked. Having sufficiently mended his relationship with Cope and Dwyer, David Balfe returned
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line-up of the band) which reached No. 18 in the UK Singles Chart. Another single, "When I Dream", received airplay on progressive radio in the U.S., introducing the band to new fans. In June 1981, the band embarked on another
American tour. The tour proved to be a chaotic affair: neither Agius nor
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To Cope's disgust, the band were already committed to a UK tour playing as a guitarless three-piece, with the instrumentation covered mainly by synthesizer and backing tapes. Cope found the tour "disastrous and demeaning": he performed most of it in a self-destructive sulk, raging at his audience,
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and quit the group immediately afterwards. In February 1983, Mercury Records released a delayed (and now post-breakup) Teardrop Explodes EP, "You Disappear From View", which included songs salvaged from the aborted third album. The EP received average reviews and peaked at No. 41 in the UK chart.
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The band relocated to London to take advantage of their growing success, although by now Cope was retreating into a drugged lifestyle and beginning "a period of unrestrained megalomania." In order to keep the band on the road as a touring concern, two London musicians were hired – keyboard player
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reached number 24 on the UK Albums Chart and the band toured to support it. One further single from the album, released almost a year later, in September 1981, was "Ha-Ha I'm Drowning" backed by "Poppies in the Field"; early pressings were packaged with a bonus reissue of the "Bouncing Babies"
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drummer Budgie) which lasted for one gig before Cope reunited with McCulloch in the similarly short-lived Uh! (which also featured drummer Dave Pickett). Cope and McCulloch went on to form a fourth group, A Shallow Madness, retaining Pickett as drummer but recruiting organ player
335:, who played on the Teardrops' subsequent British tour. However, co-manager David Balfe had also been lobbying for full Teardrops membership: by July 1979, he had succeeded in ousting Quinn and taking his place as keyboard player. (Quinn then rejoined Simpson in The Wild Swans.)
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now added on bass guitar) the band took up a lengthy residence at the Pyramid Club in Liverpool, where they set up "Club Zoo", playing twice a day as a five-piece. The band then undertook an extensive tour of Europe, the US and Australia, hiring trumpeter Ted Emmett
557:"The band was never built to last... It was like building a house on scaffolding, on top of a tank moving at three miles an hour. The higher you build it, the further removed you are from the reality that it’s actually moving and going to fall."
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Hammer fitted into the group socially and Cope was retreating further into an LSD-fuelled isolation, retaining only Dwyer as trusted companion. The tour finally came adrift on the East Coast in a mess of bad business arrangements and infighting.
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Along with other contemporary Liverpudlian groups, The Teardrop Explodes played a role in returning psychedelic elements to mainstream British rock and pop, initially favouring a modernised version of lightly psychedelic late 1960s-influenced
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I'm doing all this stuff to keep myself invigorated every day, hanging out with people I believe are culture heroes, and you think I'm doing all this because it hasn't yet occurred to me to reform The Teardrop Explodes?"
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presented The Teardrop Explodes with their Inspiration Award. The magazine called the band "the great ambassadors of psychedelia in the '80s when the genre was all but dead", and noted their influence on artists such as
576:) for the live band. By March 1982, the Teardrops' internal situation was as fraught as ever following assorted disagreements and individual meltdowns. The increasingly alienated Cope retreated to his hometown of
308:"I think we're very poppy. To me pop is something you hum. What I'm trying to do is strike a balance between triteness and greatness. People nowadays seem too embarrassed to show emotion, which is what I want."
275:(No. 77). Dwyer's initial response was a laconic "that’s a weird one you’ve got there, Jules." Dwyer did, however, take the idea seriously enough to learn how to play drums in order to take it further.
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As well as broadening the band's sound and outlook, Alan Gill had brought in an all-but-complete new song before his departure, which he and Cope had reworked. This was released as the band's next single,
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Having arrived in Merseyside in 1976 (as a student attending City of Liverpool College of Higher Education), Julian Cope became involved in Liverpool's emerging post-punk scene. His first band was
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Following the band's dissolution, Julian Cope began a career as a solo artist, writer and cultural commentator which continues to this day. Gary Dwyer played drums on Cope's 1984 debut solo album
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singles. Cope’s response to these albums was mixed, though press reception was highly positive. In August 1992, Cope was able to work on a retrospective under his own terms with the release of
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in 1986 and Balcony Dogs in the late 1980s, but subsequently left music for a variety of jobs including fork-lift driver. David Balfe moved into artist management and subsequently set up
587:– the uncharacteristically sombre "Tiny Children" – was released in June 1982 and narrowly missed the top 40 (No. 41 UK) despite being championed by high-profile BBC Radio One DJ,
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but by now Cope and Balfe's abrasive relationship had worsened to the point that Balfe was ousted as group keyboard player, although he continued to be involved with management.
652:, which had been compiled by Balfe from the abortive third album sessions and the "You Disappear From View" EP tracks. In November of the same year Teardrop Explodes manager
267:. Cope, meanwhile, had befriended Liverpool scenester Gary "Rocky" Dwyer and had suggested a new band name to him – The Teardrop Explodes, taken from a panel caption in the
513:'s sister, further increasing the friction between Cope and his former bandmate). Released as a single, it reached No. 25 in the UK chart and gained the group another
591:. By now, Balfe had also developed an interest in writing songs and lobbied to join Cope as band songwriter, with Cope retained predominantly as singer and frontman.
295:. Another act on the label was Echo and the Bunnymen, who maintained a love/hate relationship and continuing rivalry with the Teardrops throughout their existence.
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On their return to the UK, the five-piece Teardrop Explodes recorded the song "Passionate Friend" (which was allegedly about Cope's brief recent relationship with
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and part-time guitarist Michael "Mick" Finkler. Cope and McCulloch's ongoing ego clashes led to the latter leaving the band during rehearsals, ultimately to form
535:, which was recorded in London during November 1981 with a nucleus of Cope, Dwyer, Tate and Balfe. Unlike the first album, which was more of a band effort,
174:", the group originated as a key band in the emerging Liverpool post-punk scene of the late 1970s. The group also launched the career of group frontman
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sessions and re-recorded approximately half of Finkler's guitar parts. Gill was also instrumental in introducing the previously drug-free Cope to both
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had been. The next single, "Colours Fly Away" stalled at No. 57 in the UK chart, signaling the end of the Teardrops as a popular singles band.
342:, an ode to the difficulty of obtaining a copy of the song. In February 1980 the band released their third and final single on Zoo Records, "
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The band's next single, "Bouncing Babies", inspired a tribute song of its own: "I Can't Get Bouncing Babies by the Teardrop Explodes" by
630:: he quit the music business in 1999. Former guitarist Troy Tate released two solo albums and worked as a producer (including work with
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723:. David Balfe, Gary Dwyer and Alan Gill all showed up to accept the award; Julian Cope ultimately refused to attend the ceremony.
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580:. At this point the band decided to strip down to a three-piece, losing Tate, Francois and Emmett.
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779:"The Teardrop Explodes – Music Biography, Streaming Radio and Discography – AllMusic"
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Don't you think you'd be more successful if you re-formed The Teardrop Explodes?
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In the summer of 1980, The Teardrop Explodes began recording their debut album,
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label acts and management clients to the up-and-coming Liverpool indie label
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1002:– feature on Julian Cope by Andrew Perry in The Daily Telegraph, 1 July 2010
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Punk Diary: The Ultimate Trainspotter's Guide to Underground Rock, 1970–1982
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of a 2008 interview he commented: "Supposedly intelligent people say to me:
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and the pseudo-intellectual side of me thought it would be quite charming."
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1016:(1st ed.). London: Reed International Books Ltd. p. 372. CN 5585.
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Cope and Wylie briefly teamed up in The Nova Mob (along with future
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Floored Genius: The Best of Julian Cope and The Teardrop Explodes
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Floored Genius: The Best of Julian Cope and The Teardrop Explodes
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were reissued as multi-disc deluxe editions with bonus tracks.
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944:"Embrace The Contradictions: The Strange World Of... The KLF"
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Julian Cope on the strains within The Teardrop Explodes, 1980
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In 1989, various Teardrop Explodes promos were included on
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821:, Melody Maker, 18 October 1980 (reproduced interview)
287:& Big in Japan bass player David Balfe and future
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Expectations were high for the band's second album,
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170:in 1978. Best known for their Top Ten UK single "
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819:Ian Pye talks to Teardrop Explodes’ Julian Cope
346:", which was recorded in London with producers
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439:". In January 1981, the song hit No. 6 on the
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888:(biography on Head Heritage homepage)
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488:Problems playing this file? See
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383:Finkler was replaced by Balfe's
186:). Other members included early
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410:When released later that year,
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331:. His initial replacement was
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759:(1990) - recorded 1982
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231:(who went on to form
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25:The Teardrop Explodes
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217:Crucial Three
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36:The Teardrops
35:
32:Also known as
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1211:
1205:Compilations
1193:
1186:
1179:
1124:Paul Simpson
1122:
1117:
1113:Mick Finkler
1112:
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1054:the original
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840:The Observer
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624:Food Records
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348:Clive Langer
340:The Freshies
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271:comic strip
261:Paul Simpson
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184:Food Records
155:
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120:Paul Simpson
115:Mick Finkler
107:Past members
79:Years active
18:
1181:Kilimanjaro
1149:Jeff Hammer
1146:Alfie Agius
1137:David Balfe
1107:Julian Cope
949:The Quietus
781:. AllMusic.
740:Kilimanjaro
727:Discography
675:Kilimanjaro
662:Zoo Records
644:Copeulation
562:Julian Cope
550:Kilimanjaro
542:Kilimanjaro
503:Kilimanjaro
412:Kilimanjaro
393:Kilimanjaro
360:Kilimanjaro
325:Ian Broudie
301:Kilimanjaro
281:Zoo Records
249:Julian Cope
180:David Balfe
176:Julian Cope
137:Jeff Hammer
135:Alfie Agius
128:David Balfe
112:Julian Cope
92:Zoo Records
1247:Categories
1165:Andy Radek
1162:Ted Emmett
1118:Gary Dwyer
764:References
721:Alex James
632:The Smiths
608:Post-split
490:media help
387:colleague
229:Pete Wylie
223:(later of
149:Andy Radek
147:Ted Emmett
117:Gary Dwyer
1153:Troy Tate
1142:Alan Gill
1132:Ged Quinn
717:Morrissey
685:Influence
589:Mike Read
574:64 Spoons
540:sound of
429:Troy Tate
389:Alan Gill
333:Ged Quinn
273:Daredevil
192:Troy Tate
190:producer
168:Liverpool
160:post-punk
140:Troy Tate
132:Alan Gill
124:Ged Quinn
83:1978–1982
64:post-punk
47:, England
45:Liverpool
973:(2005).
955:10 March
638:Reissues
578:Tamworth
415:single.
397:cannabis
327:to form
256:Banshees
69:new wave
1223:Singles
920:Head On
344:Treason
211:Origins
96:Fontana
1231:Reward
1188:Wilder
983:
751:(1981)
748:Wilder
743:(1980)
679:Wilder
585:Wilder
537:Wilder
532:Wilder
523:Wilder
437:Reward
420:Reward
269:Marvel
227:) and
206:Career
188:Smiths
172:Reward
88:Labels
52:Genres
41:Origin
697:'
693:'
658:Piano
548:, as
363:, at
1050:MOJO
981:ISBN
957:2020
715:and
713:Blur
707:Mojo
677:and
628:Blur
572:(ex-
399:and
350:and
329:Care
291:man
233:Wah!
200:beat
634:).
546:BPI
401:LSD
289:KLF
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