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The Three Kisses

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221:. Two kisses, according to them, were permitted to Marietta and Andrea, that engaged couple. A third kiss would draw down upon them the most awful curse. As you see, stated baldly, this does not sound very clever. But scenic cleverness differs from the others sorts in being concerned with effects of artificial lights and colours confined to the narrow space of the theatre. How slight is the importance which the authors themselves attach to the story in their work may be gathered from the casual way in which the action drifts along, propelled entirely by the exigencies of the actor. For the fatal third kiss is given, and the curse immediately operates. Vesuvius bursts into flames, and there are alarums and excursions of Neapolitan peasantry in pretty frocks. Yet dire as are the forces of Nature, not even a volcano can triumph over a manager. Doubtless he came to Mr Bantock who, pencil and notebook in hand, was dreaming over the ruins of Naples, and addressed him thus: "It's all very well, my dear sir, to have that volcano on in the first act. He does very well, and I know he's played at the Lane. But I can't have any Forces of Nature interfering with the principals. Now look here; we've got Miss Ethel Irving and Miss 62:
curse. The "other woman" is Teresa, who has loved Andrea since before he met Marietta. Witnessing Pimpinello trying to woo Marietta and kissing her, Teresa goads Andrea into proving Marietta's faithfulness by kissing her. Andrea, stung by jealousy, kisses Marietta, and she now having already been kissed twice the curse immediately operates. Vesuvius bursts into flames and Andrea's boat sinks in the Bay and all the parties in the play devise absurd strategies to stop the curse. On hearing that the talisman is in the possession of an eminent English doctor Andrea sets off there to retrieve it. But the doctor himself, Sir Cuthbert Bellamy, or the "Wizard of Wimpole Street" as he calls himself, is already in the neighbourhood with his friend Mr Gobbins as the guests of the Contessa Di Ravogli, who has also taken Marietta into her care until Andrea returns. However, a string of coral about the neck of Marietta has preserved her from the force of the curse.
248:, nor do any of the other songs or numbers. Yet Miss Irving is a real comedian, at any rate, and when she sees her chance she scores one, just as a crack shot shooting over the ground where there is not much game lets off even less than would have been the case in well-stocked coverts. Nor can Mr Talbot, in his own field, complain of want of appreciation; his songs - "The Oranges" and "The Star of Sorrento" - were well received in the first act, and his treatment of the comic side of things have found hearty recognition in "The Conspirators" quintet. I pass other efforts unmentioned. 71: 255:, for we are informed, before the final fall of the curtain, that a string of corals surrounding the neck of the betrothed young woman had in reality preserved her from the consequences of the third kiss. The pair of them carol and foot it lightly and irresponsibly well throughout the evening, and the fine voice of Miss Kitty Gordon, as the jealous Teresa, linked to her equally fine presence, make an agreeable alternative to their efforts. Mr 334:, again, the handsome but jealous character, sang delightfully, and "Woman's Love" is bound to become a very popular number. There is very little fun in the lyrics of the new play, and possibly Mr. Charles Angelo scored best of all the men with "The Wizard of Wimpole Street." With a little time, however, some of the numbers will get a better effect, and with the comic scenes elaborated by Mr. 213:"signs of having suffered from the silly season. It might have been originally founded on the old legend of the right of the seigneur to one complete kiss before matrimony, and this might have been supposed to melt away in the heat of the summer months. But this year we have had no summer, and it would be in vain to dogmatise on the origin of the legend set forth by Messrs 326:
is not an exception. The best quality in the entertainment is its music, and on that the composer can certainly be congratulated - "The Oranges," "The Home-coming," and "The Star of Sorrento" followed one another almost immediately at the opening of the first act, and if Mr. Talbot, who conducted his
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and based it on a legend, they have not gone for their period to the good old times, but have preferred to take today, and with it the English visitors so useful - for contrast - in musical comedy. The plan suits everybody. It suits the comedians, who must be topical; it suits the actresses, who look
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to provide with business, and the public likes the former in comedy too, so pray look sharp and let us have a bright, amusing scene to open the second act with. Not too much of those curses, you know. Merry and bright's the word." So the thoughts that may have been at the back of Messrs Greenbank and
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got more fun into his little scenes than anyone else. His efforts of a gentle-mannered old man to appear a dashing devil may care conspirator set the house in roars. It was droll, and was done with an ease that is rarely seen in musical comedy. Miss Ethel Irving had little to do, but that little was
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to be ignored in any play where either appears, any more than Mr Angelo, that doctor of laughter. But I find myself running into a longer list of names than is my usual custom in these impressions of the theatre, longer, perhaps, than the play has such merits, yet the fact remains that the amount of
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where a legendary curse is attached to the family of Marietta, a Sorrento orange girl. The lovers of the ladies of this family may kiss them only twice before marriage - so, two kisses only were entitled to the engaged couple Marietta and Andrea - a third kiss would draw upon them the most awful
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is the tale of the curse that comes on the bride who allows her betrothed to kiss her three times before the wedding day. It is an uncomfortable legend for any engaged girl, but in this case there was an antidote if it only could be found, and found, of course, it is.
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in his treatment of amoristic themes. This last behest is carefully - not to say punctiliously - obeyed, and Miss Ethel Irving's "Nelly Came to Naples" in no way encroaches on the province of
509: 290:, the first new musical play of the new season started its career at the Apollo Theatre last night. Although the authors, Messrs. 370: 561: 314:, has provided a score in harmony with the story and its setting. The legend that serves for the main plot of 303:
best in Parisian gowns; and it does not interfere with those who wear the bright costumes of the country.
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and Mr. Albert Le Fre there will be more laughter to carry the "business" through. Last night Mr.
419: 541: 236:, are hastily painted, the volcanic man is told to control his lava until it is wanted, and Mr 49:, despite being "cordially received" by the audience on opening night the piece was a failure. 443: 259:
must not be forgotten where vocal successes are the question, nor is the comic relief of Mr
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own score, had not been insistent each would have been encored at least once.
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Ethel Irving - Contessa Di Ravogli - the English widow of an Italian nobleman
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The hero and heroine of this circular tale are Mr Lionel Mackinder and Miss
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Plot, however, is rarely a serious factor in musical comedy, and
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well done. Miss Caroline Hatchard sang well; so too, did Mr.
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Bantock's heads, thoughts of electrifying the world, like
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for this production is considerably greater than usual.
298:, have placed their story on the sunny slopes of the 124:
Albert le Fre - Mr. Gobbins - friend of Sir Cuthbert
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Biography for Walter Hyde - Opera Scotland database
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The Wizard of Wimpole Street - Sir Cuthbert Bellamy
499:Biography of Walter Hyde - Music web International 25:in two acts which opened on 21 August 1907 at the 528: 310:is certainly picturesque, and the composer, Mr. 406:Austen Hurgon - British Musical Theatre website 103:Lionel Mackinder - Harry Trevor - a honeymooner 188:Nelly Came to Naples - Contessa Di Ravogli 382:Year Book, Green Room Book (1908) pg. 145 415: 413: 69: 439: 437: 366: 364: 529: 41:and lyrics by the latter. Directed by 410: 109:Charles Angelo - Sir Cuthbert Bellamy 434: 361: 13: 263:nor the artful nonchalances of Mr 240:is strictly forbidden to resemble 14: 573: 161: 179:A Neapolitan Boat Song - Andrea 170:The Star of Sorrento - Marietta 115:- Andrea - a Sorrento fisherman 503: 492: 481: 462: 399: 395:- The Guide to Musical Theatre 385: 185:Marietta - Marietta and Andrea 100:- Ethel Trevor - a honeymooner 94:- Teresa - in love with Andrea 1: 355: 88:- Signor Garibaldi Pimpinello 455:, Vol. 62, 28 August 1907 - 7: 286:With the alluring title of 154:Edith Streeter - Phillipina 52: 10: 578: 198: 182:The Conspirators (Quintet) 57:The musical is set in the 282:said of the production: 176:The Home-coming - Andrea 29:in London with music by 23:Edwardian musical comedy 209:thought the plot bore 157:Millie Collier - Zeuone 145:M. Moncrieff - Nicolini 133:William Pringle - Crump 65: 353: 274: 194:Love is a Song- Teresa 148:Alice Hatton - Lisetta 81: 562:Musicals set in Italy 284: 268:talent engaged by Mr 211: 173:Woman's Love - Teresa 73: 431:22 August 1907 pg. 6 306:The environment of 151:Max Hinton - Elvira 136:R. Carr - Roderico 82: 557:West End musicals 547:Original musicals 537:1907 compositions 478:21 September 1907 142:C. Hood - Camillo 128:Caroline Hatchard 569: 552:British musicals 522: 512:The Three Kisses 507: 501: 496: 490: 485: 479: 470:The Three Kisses 466: 460: 446:The Three Kisses 441: 432: 428:Evening Standard 422:The Three Kisses 417: 408: 403: 397: 393:The Three Kisses 389: 383: 373:The Three Kisses 368: 351:was successful. 324:The Three Kisses 316:The Three Kisses 308:The Three Kisses 288:The Three Kisses 276:A review in the 139:I. Lewys - Beppo 79:The Three Kisses 18:The Three Kisses 577: 576: 572: 571: 570: 568: 567: 566: 527: 526: 525: 508: 504: 497: 493: 486: 482: 475:Black and White 467: 463: 442: 435: 418: 411: 404: 400: 390: 386: 369: 362: 358: 336:Walter Passmore 296:Leedham Bantock 292:Percy Greenbank 261:Walter Passmore 203:The critic for 201: 164: 86:Walter Passmore 68: 55: 39:Percy Greenbank 35:Leedham Bantock 12: 11: 5: 575: 565: 564: 559: 554: 549: 544: 539: 524: 523: 521:22 August 1907 502: 491: 480: 461: 433: 409: 398: 384: 359: 357: 354: 349:Coralie Blythe 253:Coralie Blythe 200: 197: 196: 195: 192: 189: 186: 183: 180: 177: 174: 171: 168: 163: 160: 159: 158: 155: 152: 149: 146: 143: 140: 137: 134: 131: 125: 122: 116: 110: 107: 104: 101: 98:Coralie Blythe 95: 89: 67: 64: 54: 51: 33:and a book by 27:Apollo Theatre 9: 6: 4: 3: 2: 574: 563: 560: 558: 555: 553: 550: 548: 545: 543: 542:1907 musicals 540: 538: 535: 534: 532: 520: 519: 514: 513: 506: 500: 495: 489: 484: 477: 476: 471: 465: 458: 454: 453: 448: 447: 440: 438: 430: 429: 424: 423: 416: 414: 407: 402: 396: 394: 388: 381: 380: 375: 374: 367: 365: 360: 352: 350: 346: 341: 337: 333: 328: 325: 320: 317: 313: 312:Howard Talbot 309: 304: 301: 300:Bay of Naples 297: 293: 289: 283: 281: 280: 273: 271: 266: 262: 258: 254: 249: 247: 243: 239: 238:Howard Talbot 235: 234: 230:, with a new 229: 224: 220: 216: 210: 208: 207: 193: 190: 187: 184: 181: 178: 175: 172: 169: 166: 165: 162:Songs include 156: 153: 150: 147: 144: 141: 138: 135: 132: 129: 126: 123: 120: 117: 114: 111: 108: 105: 102: 99: 96: 93: 90: 87: 84: 83: 80: 77:as Teresa in 76: 72: 63: 60: 59:Bay of Naples 50: 48: 44: 43:Austen Hurgon 40: 36: 32: 31:Howard Talbot 28: 24: 20: 19: 516: 511: 505: 494: 483: 473: 469: 464: 457:Google Books 450: 445: 426: 421: 401: 392: 387: 377: 372: 340:Willie Warde 332:Kitty Gordon 329: 323: 321: 315: 307: 305: 287: 285: 277: 275: 270:Frank Curzon 265:Willie Warde 250: 231: 223:Kitty Gordon 212: 204: 202: 119:Willie Warde 92:Kitty Gordon 78: 75:Kitty Gordon 56: 47:Frank Curzon 17: 16: 15: 345:Walter Hyde 257:Walter Hyde 167:The Oranges 113:Walter Hyde 531:Categories 518:Daily Mail 510:Review of 468:Review of 444:Review of 420:Review of 356:References 279:Daily Mail 130:- Marietta 379:The Stage 246:Mme Calvé 215:Greenbank 121:- Ghi-Ghi 371:Cast of 53:Synopsis 459:pg. 501 347:. Miss 228:Mérimée 219:Bantock 199:Reviews 233:Carmen 21:is an 452:Truth 330:Miss 242:Bizet 206:Truth 294:and 217:and 66:Cast 45:for 37:and 533:: 515:- 472:- 449:- 436:^ 425:- 412:^ 376:- 363:^

Index

Edwardian musical comedy
Apollo Theatre
Howard Talbot
Leedham Bantock
Percy Greenbank
Austen Hurgon
Frank Curzon
Bay of Naples

Kitty Gordon
Walter Passmore
Kitty Gordon
Coralie Blythe
Walter Hyde
Willie Warde
Caroline Hatchard
Truth
Greenbank
Bantock
Kitty Gordon
Mérimée
Carmen
Howard Talbot
Bizet
Mme Calvé
Coralie Blythe
Walter Hyde
Walter Passmore
Willie Warde
Frank Curzon

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