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634:. For the Calvinist, Faustus represents the worst kind of sinner, having tasted the heavenly gift and rejected it. His damnation is justified and deserved because he was never truly adopted among the elect. According to this view, the play demonstrates Calvin's "three-tiered concept of causation," in which the damnation of Faustus is first willed by God, then by Satan, and finally, by himself.
510:. He stresses the importance of the soliloquies in the play, saying: "the soliloquy, perhaps more than any other dramatic device, involved the audience in an imaginative concern with the happenings on stage". By having Doctor Faustus deliver these soliloquies at the beginning and end of the play, the focus is drawn to his inner thoughts and feelings about succumbing to the devil.
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the Pope. Next, Robin and Rafe (A version) or Dick (B version), having been caught for stealing a goblet, call on
Mephistophilis, who arrives and angrily turns them into animals before returning to attend on Faustus. Faustus has been called to the court of the Holy Roman Emperor, where he and Mephistophilis conjure
566:. In the A version, the emperor asks Faust to relent, and he does; in the B version a longer scene follows in which the knight and his friends attack Faustus; all are given horns. In both versions, Faustus then plays tricks on a horse dealer. Faustus and Mephistophilis then put on a magic show for the
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meant that God, acting of his own free will, elects some people to be saved and others to be damned—thus, the individual has no control over his own ultimate fate. This doctrine was the source of great controversy because it was seen by the so-called anti-Calvinists to limit man's free will in regard
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on 18 December 1592, though the records are confused and appear to indicate a conflict over the rights to the play. A subsequent
Stationers' Register entry, dated 7 January 1601, assigns the play to the bookseller Thomas Bushell (variant written forms: Busshell or Bushnell), the publisher of the 1604
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Mephistophilis is a demon whom
Faustus conjures up while first using magic. Readers initially feel sympathy for the demon when he attempts to explain to Faustus the consequences of abjuring God and Heaven. Mephistophilis gives Faustus a description of Hell and the continuous horrors it possesses; he
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Faustus attempts to conjure a devil, and
Mephistophilis arrives. Faustus believes that he has summoned him, but Mephistophilis says that he came of his own accord, and that he serves Lucifer, and cannot do anything without his leave. Faustus questions Mephistophilis about Lucifer and Hell, and tells
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The 1616 version omits 36 lines but adds 676 new lines, making it roughly one third longer than the 1604 version. Among the lines shared by both versions, there are some small but significant changes in wording; for example, "Never too late, if
Faustus can repent" in the 1604 text becomes "Never too
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Faustus begins to waver and think about God, and is visited again by the Good and Bad Angels. Lucifer arrives to remind him of his contract, and entertains him with a show of the Seven Deadly Sins. Faustus and
Mephistophilis then travel Europe, eventually arriving in Rome, where they play tricks on
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time. While he waits, he is visited by a Good Angel, who tries to dissuade him from this path, and a Bad Angel, who encourages him. Valdes and
Cornelius arrive and declare that if Faustus devotes himself to magic, great things are indeed possible with someone of Faustus's learning and intelligence.
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The soliloquies also have parallel concepts. In the introductory soliloquy, Faustus begins by pondering the fate of his life and what he wants his career to be. He ends his soliloquy with the solution: he will give his soul to the devil. Similarly in the closing soliloquy, Faustus begins pondering,
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The relationship between the texts is uncertain and many modern editions print both. As an
Elizabethan playwright, Marlowe had nothing to do with the publication and had no control over the play in performance, so it was possible for scenes to be dropped or shortened, or for new scenes to be added,
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Mephistophilis returns, and
Faustus signs a contract in his own blood: Mephistophilis will serve him for 24 years, at which point Lucifer will claim him, body and soul. Once the contract is signed, Faustus asks for a wife, but Mephistophilis declines, saying marriage is "but a ceremonial toy"; he
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In the first scene of the play, Faustus expresses his boredom and impatience with the various branches of knowledge and concludes that only magic is worth learning. He asks his servant Wagner to return with the magicians Valdes and
Cornelius, who have been trying to interest him in magic for some
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In the past, it was assumed that the comic scenes were additions by other writers. However, most scholars today consider the comic interludes an integral part of the play, regardless of their author, and so they continue to be included in print. Their tone shows the change in Faustus' ambitions,
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who was tried for heresy by the Inquisition and burnt at the stake in 1600. This reference indicates that Marlowe recognised the cosmic machinery of the Faust story as a reflection of terrestrial power and authority, by which dissidents were tortured and executed in the name of obedience and
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While Faustus is at dinner with the magicians, two scholars notice Faustus's absence and ask Wagner about his whereabouts. When Wagner tells them he is with Valdes and Cornelius, the scholars worry that the magicians have corrupted him and leave to inform the rector of the university.
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for some students, and, when he starts to think of repenting again, renews his pledge to Lucifer and asks Mephistophilis for Helen as his lover. In the final scene, Faustus admits to some scholars that he has bargained away his soul; despite their prayers, the devils come for him.
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Concerning the fate of Faustus, the Calvinist concludes that his damnation was inevitable. His rejection of God and subsequent inability to repent are taken as evidence that he never really belonged to the elect, but rather had been predestined from the very beginning for
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Another difference between texts A and B is the name of the devil summoned by Faustus. Text A states the name is generally "Mephistopheles", while the version of text B commonly states "Mephostophilis". The name of the devil is in each case a reference to
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The 1616 quarto, published by John Wright, enlarged and altered the text and is usually called the B text. This second text was reprinted in 1619, 1620, 1624, 1631, and as late as 1663. Additions and alterations were made by the minor playwright and actor
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has raised much controversy due to its alleged interaction with the demonic realm. Before Marlowe, there were few authors who ventured into this kind of writing. After his play, other authors began to expand on their views of the spiritual world.
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Some scholars argue that Mephistophilis depicts the sorrow that comes with separation from God. Mephistophilis is foreshadowing the pain Faustus would have to endure, should he go through with his plan. In this facet, Faustus can be likened to
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and finally comes to terms with the fate he created for himself. Frey also explains: "The whole pattern of this final soliloquy is thus a grim parody of the opening one, where decision is reached after, not prior to, the survey".
626:. The dispute between these Cambridge intellectuals had quite nearly reached its zenith by the time Marlowe was a student there in the 1580s, and likely would have influenced him deeply, as it did many of his fellow students.
499:(which functions as a narrator), that does not interact with the other characters but rather provides an introduction and conclusion to the play and, at the beginning of some Acts, introduces events that have unfolded.
328:", and thought that the B-text was linked to Marlowe himself. Since then scholarship has swung the other way, most scholars now considering the A-text more authoritative, even if "abbreviated and corrupt", according to
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Blank verse is largely reserved for the main scenes; prose is used in the comic scenes. Modern texts divide the play into five acts; act 5 being the shortest. As in many Elizabethan plays, there is a
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in Germany in 1587, and the fact that the earliest known translation of the latter work into English was in 1592, the play was probably written in 1592 or 1593. It may have been entered into the
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was performed, this doctrine was on the rise in England, and under the direction of Puritan theologians at Cambridge and Oxford had come to be considered the orthodox position of the
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The 1604 version was once believed to be closer to the play as originally performed in Marlowe's lifetime, simply because it was older. By the 1940s, after influential studies by
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doctrine of absolute predestination, which dominated the lectures and writings of many English scholars in the latter half of the sixteenth century. According to Calvin,
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324:, the 1604 version came to be regarded as an abbreviation and the 1616 version as Marlowe's original fuller version. Kirschbaum and Greg considered the A-text a "
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for Thomas Bushell; this is usually called the A text. The title page attributes the play to "Ch. Marl.". A second edition (A2) of first version was printed by
17:
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him to speak to Lucifer and return. The next scene is a comedic reflection in which Wagner calls two devils, with which he scares the Clown into serving him.
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467:. He also emphasised Faustus's intellectual aspirations and curiosity, and minimised the vices in the character, to lend a Renaissance aura to the story.
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as Faustus in an adaptation by Ronald Eyre intended for schools. In 1961, the BBC adapted the play for television as a two-episode production starring
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Along with its history and language style, scholars have critiqued and analysed the structure of the play. Leonard H. Frey wrote a document entitled
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this places the play firmly in the Elizabethan period when the problem of magic ("liberation or damnation?") was a matter of debate, and when
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have been the subject of considerable debate. Among the most complicated points of contention is whether the play supports or challenges the
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239:, "to the great amazement of both the actors and spectators". Some people were allegedly driven mad, "distracted with that fearful sight."
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aimed at a furthering of science. Nicholl, who connects Faustus as a "studious artisan" (1.1.56) to the "hands-on experience" promoted by
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642:"Ravished" by magic (1.1.112), Faustus turns to the dark arts when law, logic, science, and theology fail to satisfy him. According to
404:, which itself may have been influenced by even earlier, equally ill-preserved pamphlets in Latin (such as those that likely inspired
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late, if Faustus will repent" in the 1616 text, a change that offers a very different possibility for Faustus's hope and repentance.
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195:. It was probably written in 1592 or 1593, shortly before Marlowe's death. Two different versions of the play were published in the
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Manoukian, M. (n.d.)."The necessity of tragedy: How what goethe played with is still entirely relevant." Retrieved from
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performed the play 24 times in the three years between October 1594 and October 1597. On 22 November 1602, the diary of
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for such practices. Subsequent commentators have identified this individual as the prototypical Faustus of the legend.
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asks for books of knowledge, and Mephistophilis provides a single book. In the corresponding comedic scene, Robin, a
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1006:. There is no agreement concerning the nature of the text and the date of composition... and the centrality of the
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legend in the history of Western world precludes any definitive agreement on the interpretation of the play...
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The powerful effect of the early productions is indicated by the legends that quickly accrued around them. In
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The Predecessors of Shakespeare: A Survey and Bibliography of Recent Studies in English Renaissance Drama.
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390:. Some scholars believe that Marlowe developed the story from a popular 1592 translation, commonly called
247:, lead actor of The Admiral's Men, devoted his later years to charitable endeavours, like the founding of
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The Predecessors of Shakespeare: A Survey and Bibliography of Recent Studies in English Renaissance Drama
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2056:"Doctor Faustus by Christopher Marlowe (A-Text) | Second Look (Beyond Shakespeare Exploring Session)"
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Frey, Leonard H. (December 1963). "Antithetical Balance in the Opening and Close of Doctor Faustus".
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However, Marlowe also introduced some changes to make it more original. He made four main additions:
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In 2020 the Beyond Shakespeare Company released on line a play-reading and discussion of the A Text.
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The Chorus explains that Faustus was low-born, but quickly achieved a doctorate in theology at the
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The first production on BBC Radio was broadcast on 29 June 1932, directed by Barbara Burnham with
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first edition. Bushell transferred his rights to the play to John Wright on 13 September 1610.
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Pinciss, G. M. (Spring 1993). "Marlowe's Cambridge Years and the Writing of Doctor Faustus".
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wants Faustus to know what he is getting himself into before going through with the bargain:
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When Faustus's 24 years are nearly up, he bequeaths his possessions to Wagner. He conjures
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and William Bird for additions to the play, which suggests a revival soon after that date
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1452:. The Shakespeare Handbooks: Shakespeare's Contemporaries. London: Palgrave. p. 3.
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1866:"The Oxford University Dramatic Society: The Tragical History of Doctor Faustus (1934)"
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The Persecutory Imagination: English Puritanism and the Literature of Religious Despair
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records the tale that actual devils once appeared on the stage during a performance of
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The Tragical History of Doctor Faustus From the Quarto of 1616 by Christopher Marlowe
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The Tragical History of Doctor Faustus From the Quarto of 1604 by Christopher Marlowe
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983:"CLASSIC POETRY for Christopher Marlowe's Deathday: The Survival of "Doctor Faustus""
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Two live performances in London have been videotaped and released on DVD: one at the
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on 13 April 1934 with R. F. Felton as Faustus and P.B.P. Glenville as Mephistopheles.
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Snyder, Susan (July 1966). "Marlowe's 'Doctor Fausus' as an Inverted Saint's Life".
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Whatever the inspiration, the development of Marlowe's play is very faithful to the
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so that the resulting publications may be modified versions of the original script.
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No Elizabethan play outside the Shakespeare canon has raised more controversy than
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Several soothsayers or necromancers of the late fifteenth century adopted the name
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1393:(2004). "The contract from hell". In Heffernan, William C.; Kleinig, John (eds.).
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in 1609. It is merely a direct reprint of the 1604 text. The text is short for an
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showing Faustus conjuring Mephistophilis. The spelling "Histoy" is agreed to be a
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871:(1928–2012) composed music for a Texas Tech University production of Dr. Faustus.
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However, Faustus believes that supernatural powers are worth a lifetime in Hell:
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An adaptation was broadcast on BBC Radio 3 on 23 September 2007, this time with
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The Tragical History of Doctor Faustus: A Critical Edition of the 1604 Version
526:. However, his interest in learning and his pride soon led him to necromancy.
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Religious Controversies of the Elizabethan Age: A Survey of Printed Sources
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The History of the damnable life, and deserved death of Doctor Iohn Faustus
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is based on an older tale; it is believed to be the first dramatisation of
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This article is about the play by Christopher Marlowe. For other uses, see
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Hamlin, William M. (2001). "Casting Doubt in Marlowe's 'Doctor Faustus'".
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The first television adaptation was broadcast in 1947 by the BBC starring
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Marlowe, Christopher (1962). Bevington, David; Rasmussen, Eric (eds.).
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Playing with desire: Christopher Marlowe and the art of tantalization
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as the Good Angel, was broadcast on BBC Radio 3 on 19 September 2012.
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suggesting Marlowe did at least oversee the composition of them. The
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as Mephistopheles. In 1958, another BBC television version starred
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and by William Borne (or Birde), and possibly by Marlowe himself.
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Kirschbaum, Leo (1943). "Marlowe's Faustus: A Reconsideration".
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There have been several adaptations on BBC Radio and elsewhere:
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as Faustus; this production was also meant for use in schools.
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Honderich, Pauline (1973). "John Calvin and Doctor Faustus".
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to faith and salvation, and to present a dilemma in terms of
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The Tragical History of the Life and Death of Doctor Faustus
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The Tragical History of the Life and Death of Doctor Faustus
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1954:"The Sunday Play: The Tragical History of Doctor Faustus"
1795:"For the Schools: The Tragical History of Doctor Faustus"
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The name has many forms: Marlowe writes Mephistophilis...
1000:. Lincoln, NE: University of Nebraska Press. p. 14.
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as Mephistopheles, later releasing it on audio cassette (
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A production, adapted and directed by Emma Harding with
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The name Bruno in the rival Pope scenes recalls that of
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Tromly, Frederic (1998). "Damnation as tantalization".
1245:(A text ed.). United Kingdom: Longman. p. 1.
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Say he (Faustus) surrender up to him (Lucifer) his soul
1564:. Lincoln: University of Nebraska Press. p. 157.
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408:'s treatment of the damnation of the doctor of Paris,
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Exploits and Opinions of Dr. Faustroll, Pataphysician
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Faustus: The Life and Times of a Renaissance Magician
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Cultural depictions of Charles V, Holy Roman Emperor
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Marlowe, Christopher (2007). Keefer, Michael (ed.).
1397:. Lanham, MD: Rowman & Littlefield. p. 98.
191:, based on German stories about the title character
901:broadcast a full radio adaptation of the play with
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492:in thirteen scenes (1604) or twenty scenes (1616).
1040:. John Butcher. Harlow: Longman. pp. x, xix.
996:Logan, Terence P.; Denzell S. Smith, eds. (1973).
694:Having thee (Mephistophilis) ever to attend on me
2231:A Concordance to the Works of Christopher Marlowe
2145:. Manchester: U of Manchester P. pp. 72–73.
791:adaptation was broadcast on 18 October 1949 with
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2135:Lincoln, NE, University of Nebraska Press, 1973.
776:broadcast an adaptation on 11 October 1946 with
463:The substitution of a Pageant of Devils for the
1932:"The Tragical History of Doctor Faustus (1964)"
1910:"The Tragical History of Doctor Faustus (1949)"
1888:"The Tragical History of Doctor Faustus (1946)"
2131:Logan, Terence P., and Denzell S. Smith, eds.
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1844:"Christopher Marlowe's Doctor Faustus (1932)"
886:as Cornelius/Emperor Charles V/Covetousness,
2076:SEL: Studies in English Literature 1500–1900
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1604:SEL: Studies in English Literature 1500–1900
1369:. University of Toronto Press. p. 135.
678:Which strikes a terror to my fainting soul!
668:Think'st thou that I who saw the face of God
394:. There is thought to have been an earlier,
2142:Doctor Faustus, A- and B-texts (1604, 1616)
1289:(trans). London: Forge Press. p. 428.
814:broadcast a production on 1 June 1964 with
690:So he will spare him four and twenty years,
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1313:The English Faust Book, a critical edition
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504:In the Opening and Close of Doctor Faustus
455:, in Act 1, on the vanity of human science
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2128:4 Volumes, Oxford, Clarendon Press, 1923.
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2302:Tamburlaine the Great, Parts One and Two
1978:. BBC Programme Index. 23 September 2007
1773:"The Tragical History of Doctor Faustus"
676:O Faustus, leave these frivolous demands
672:Am not tormented with ten thousand hells
582:The Calvinist/anti-Calvinist controversy
3025:The Black Bonspiel of Wullie MacCrimmon
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1956:. BBC Programme Index. 24 December 1995
1797:. BBC Programme Index. 21 February 1958
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962:Solamen miseris socios habuisse doloris
674:In being deprived of everlasting bliss?
251:, in direct response to this incident.
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2184:The Tragical History of Doctor Faustus
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2000:Shining Princess of the Slender Bamboo
1912:. BBC Programme Index. 18 October 1949
1890:. BBC Programme Index. 11 October 1946
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692:Letting him live in all voluptuousness
231:, his 1632 polemic against the drama,
18:The Tragical History of Doctor Faustus
3658:The Devil's Hands Are Idle Playthings
2902:The Year the Yankees Lost the Pennant
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1518:
1310:
1214:"'Faustus' and the Politics of Magic"
1868:. BBC Programme Index. 13 April 1934
1694:. Oxford: Clarendon Press. pp.
1524:
1173:
878:as both Faustus and Mephistopheles,
670:And tasted the eternal joy of heaven
637:
433:, who was expelled from the town of
2348:The Passionate Shepherd to His Love
2025:"Drama on 3: Doctor Faustus (2012)"
1976:"Drama on 3: Doctor Faustus (2007)"
1846:. BBC Programme Index. 29 June 1932
1775:. BBC Programme Index. 22 June 1947
1340:Bellinger, Martha Fletcher (1927).
1015:
943:
275:
24:
1822:. London: Bloomsbury. p. 69.
1515:
763:Oxford University Dramatic Society
25:
3910:
3521:El extraño caso del doctor Fausto
3363:The Mephistopheles of Los Angeles
2918:The Devil to Pay in the Backlands
2160:
1346:. New York: Holt. pp. 207–13
1283:The History and Practice of Magic
899:Canadian Broadcasting Corporation
657:
174:, commonly referred to simply as
3889:British plays adapted into films
3828:
3827:
3385:The Laboratory of Mephistopheles
3116:Doctor Faustus Lights the Lights
2517:The Life of Edward II of England
2177:
1934:. BBC Programme Index. June 1964
1819:Doctor Faustus: A Critical Guide
1816:Deats, Sara Munson, ed. (2012).
1424:(The History Press, 2009), p. 15
586:The theological implications of
280:Two versions of the play exist:
243:recorded a related legend, that
3879:Plays based on the Faust legend
3198:Grande sonate 'Les quatre âges'
3017:Will Success Spoil Rock Hunter?
2563:Shakespeare authorship question
2103:
2066:
2039:
2017:
1990:
1968:
1946:
1924:
1902:
1880:
1858:
1836:
1809:
1787:
1765:
1738:
1729:
1720:
1681:
1646:
1595:
1586:
1553:
1503:
1466:
1439:
1427:
1411:
1383:
1358:
1333:
1304:
1259:
1234:
1167:
890:as Valdes/Beelzebub/Knight and
357:
3684:When the Devil Calls Your Name
3349:The Devil Went Down to Georgia
3140:Historia von D. Johann Fausten
2974:Johannes Cabal the Necromancer
2726:Historia von D. Johann Fausten
2058:. 31 October 2020 – via
1343:A Short History of the Theatre
1130:
1127:Bevington and Rasmussen 72–73.
1121:
1112:
1087:
1062:
1027:
975:
765:broadcast a production on the
707:
423:Georgius Faustus Helmstetensis
401:Historia von D. Johann Fausten
261:Historia von D. Johann Fausten
202:
13:
1:
3809:Mephistopheles and Margaretta
2116:
1395:Private and public corruption
1140:The Review of English Studies
1034:Marlowe, Christopher (1995).
3869:Plays by Christopher Marlowe
3449:The Devil and Daniel Webster
2871:The Devil and Daniel Webster
2531:Lessons in Love and Violence
2239:Doctor Faustus
2003:. I. E. Clark Publications.
1024:Chambers, Vol. 3, pp. 423–4.
479:
398:German edition of 1587, the
7:
2577:(attributed play, rejected)
2548:English Renaissance theatre
2187:public domain audiobook at
1688:Stachniewski, John (1991).
1265:Bevington and Rasmussen xi.
1185:. Oxford: Clarendon Press.
1099:Stationer's Register Online
1074:Stationer's Register Online
955:
568:Duke and Duchess of Vanholt
517:
27:Play by Christopher Marlowe
10:
3915:
3884:Fiction about invisibility
3676:The Devil and Daniel Mouse
3205:Scenes from Goethe's Faust
2244:Internet Broadway Database
1655:The Modern Language Review
1446:Lohelin, James N. (2016).
1317:Cambridge University Press
1311:Jones, John Henry (1994).
807:as the Emperor of Germany.
378:
29:
3874:English Renaissance plays
3823:
3800:
3749:
3698:
3667:
3642:
3635:
3577:Faust: Love of the Damned
3376:
3305:
3261:
3254:
3174:
3158:
3043:
2992:
2777:
2717:
2654:
2589:
2540:
2494:
2425:
2364:
2339:
2286:
1539:10.1215/00267929-24-4-350
1527:Modern Language Quarterly
1477:. Peterborough, Ontario:
1243:Doctor Faustus the A text
1183:1604-1616: Parallel Texts
1153:10.1093/res/os-XIX.75.225
1118:Chambers, Vol. 3, p. 422.
215:recorded a £4 payment to
159:
149:
141:
133:
125:
79:
69:
46:
41:
2855:The Master and Margarita
2808:The Devil and Tom Walker
1241:Kendell, Monica (2003).
968:
524:University of Wittenberg
302:English Renaissance play
259:Given its source in the
3244:Bagatelle sans tonalité
3148:Faustus, the Last Night
2295:Dido, Queen of Carthage
1560:Milward, Peter (1977).
1449:Marlowe: Doctor Faustus
304:, only 1485 lines long.
254:
3401:The Damnation of Faust
3328:Sympathy for the Devil
3289:Beethoven's Last Night
2457:A Dead Man in Deptford
2126:The Elizabethan Stage.
1997:Ashby, Sylvia (1976).
1219:London Review of Books
860:as the Evil Angel and
837:as Mephistopheles and
767:BBC National Programme
733:adapted for the screen
697:
681:
392:The English Faust Book
56:to a 1620 printing of
3601:Shortcut to Happiness
3593:I Was a Teenage Faust
3481:Marguerite de la nuit
3433:The Student of Prague
3417:The Student of Prague
3183:Gretchen am Spinnrade
3060:La damnation de Faust
2926:That Hell-Bound Train
2524:The Massacre at Paris
2330:The Massacre at Paris
825:On 24 December 1995,
685:
665:
648:Renaissance occultism
199:several years later.
3715:Randy Newman's Faust
3473:Beauty and the Devil
3409:Faust and Marguerite
3393:Faust and Marguerite
3092:Faust and Marguerite
2958:The Devil's Own Work
2934:For a Breath I Tarry
2839:The Sorrows of Satan
2800:Melmoth the Wanderer
2793:Daniel and the Devil
2648:Works based on Faust
2450:Tamburlaine Must Die
1747:Studies in Philology
1592:p. 157-163. Milward.
269:Stationers' Register
145:Early Modern English
3465:The Legend of Faust
3335:Friend of the Devil
3124:The Rake's Progress
3111:(1916–1925, Busoni)
2894:The Devil in Velvet
2689:Theophilus of Adana
2672:Deal with the Devil
2581:The School of Night
2471:Shakespeare in Love
2443:The School of Night
2280:Christopher Marlowe
924:in 2010 and one at
852:as Mephistopheles,
799:as Mephistophilis,
789:BBC Third Programme
774:BBC Third Programme
552:Alexander the Great
459:Good and Bad Angels
189:Christopher Marlowe
163:16th century Europe
74:Christopher Marlowe
62:typographical error
3545:Oh, God! You Devil
3223:(1854–1857, Liszt)
3127:(1951, Stravinsky)
2942:The Damnation Game
2677:in popular culture
2667:Johann Georg Faust
2485:The Marlowe Papers
2194:1616 quarto online
936:as Mephistopheles.
867:American composer
822:as Mephistophilis.
784:as Mephistophilis.
747:as Helen of Troy.
558:and give a knight
425:, calling himself
3841:
3840:
3694:
3693:
3425:Rapsodia satanica
3372:
3371:
3342:Bohemian Rhapsody
3215:(1906–07, Mahler)
2614:
2613:
2223:Project Gutenberg
2208:Project Gutenberg
2010:978-0-88680-266-0
1481:. pp. 67–8.
1404:978-0-7425-3492-6
1376:978-0-8020-4355-9
1326:978-0-521-42087-7
1315:. Cambridge, UK:
1252:978-0-582-81780-7
928:in 2011 starring
926:the Globe Theatre
922:Greenwich Theatre
915:978-0-660-18526-2
869:Mary McCarty Snow
638:Themes and motifs
612:Church of England
465:seven deadly sins
263:, published as a
167:
166:
142:Original language
102:Seven deadly sins
16:(Redirected from
3906:
3831:
3830:
3640:
3639:
3321:Cross Road Blues
3259:
3258:
3228:Mephisto Waltzes
3208:(1853, Schumann)
3186:(1814, Schubert)
3100:Faust up to Date
2878:None but Lucifer
2641:
2634:
2627:
2618:
2617:
2605:Marlowe portrait
2598:Marlowe Memorial
2568:Marlovian theory
2355:Hero and Leander
2309:The Jew of Malta
2273:
2266:
2259:
2250:
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2225:
2210:
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2043:
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1229:
1227:
1222:. pp. 18–19
1212:(8 March 1990).
1210:Nicholl, Charles
1206:
1197:
1196:
1171:
1165:
1164:
1134:
1128:
1125:
1119:
1116:
1110:
1109:
1107:
1105:
1095:"Entry: SRO5778"
1091:
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1084:
1082:
1080:
1070:"Entry: SRO4383"
1066:
1060:
1059:
1031:
1025:
1022:
1013:
1012:
993:
987:
986:
979:
944:Critical history
812:BBC Home Service
745:Elizabeth Taylor
616:William Whitaker
388:the Faust legend
290:Valentine Simmes
276:The two versions
249:Alleyn's College
51:
39:
38:
21:
3914:
3913:
3909:
3908:
3907:
3905:
3904:
3903:
3844:
3843:
3842:
3837:
3819:
3796:
3776:(comics) (1968)
3745:
3690:
3663:
3651:Printer's Devil
3631:
3457:Alias Nick Beal
3368:
3356:Faustian Echoes
3301:
3296:The Black Rider
3250:
3236:Gothic Symphony
3175:Classical music
3170:
3154:
3063:(1846, Berlioz)
3039:
2988:
2773:
2766:Faust, Part Two
2759:Faust, Part One
2729:(1587 chapbook)
2713:
2650:
2645:
2615:
2610:
2585:
2574:Lust's Dominion
2536:
2490:
2421:
2397:Nicholas Skeres
2377:Philip Henslowe
2360:
2335:
2282:
2277:
2215:
2200:
2178:
2173:Standard Ebooks
2163:
2153:
2123:Chambers, E. K.
2119:
2114:
2113:
2108:
2104:
2089:10.2307/1556188
2071:
2067:
2054:
2051:Wayback Machine
2044:
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1479:Broadview Press
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1305:
1285:. Vol. 1.
1279:Christian, Paul
1276:
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1048:
1032:
1028:
1023:
1016:
994:
990:
981:
980:
976:
971:
958:
946:
932:as Faustus and
905:as Faustus and
892:Frances Tomelty
864:as the Emperor.
846:Paterson Joseph
841:as the Old Man.
818:as Faustus and
803:as Lucifer and
780:as Faustus and
716:as Faustus and
714:David King-Wood
710:
696:
693:
691:
689:
680:
677:
675:
673:
671:
669:
660:
644:Charles Nicholl
640:
620:William Perkins
584:
560:cuckold's horns
520:
484:The play is in
482:
406:Jacob Bidermann
381:
367:is seen as the
360:
330:Charles Nicholl
278:
257:
213:Philip Henslowe
205:
134:Place premiered
121:
116:
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108:
104:
100:
96:
92:
87:
65:
35:
28:
23:
22:
15:
12:
11:
5:
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3839:
3838:
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3798:
3797:
3795:
3794:
3786:
3777:
3774:Doctor Faustus
3771:
3762:
3753:
3751:
3747:
3746:
3744:
3743:
3735:
3727:
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3711:
3702:
3700:
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3695:
3692:
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3665:
3664:
3662:
3661:
3654:
3646:
3644:
3637:
3633:
3632:
3630:
3629:
3625:The Last Faust
3621:
3613:
3605:
3597:
3589:
3581:
3573:
3565:
3557:
3549:
3541:
3537:Doctor Faustus
3533:
3525:
3517:
3513:Doctor Faustus
3509:
3501:
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3314:Mephisto Polka
3309:
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3302:
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3292:
3285:
3284:
3283:
3280:The Black Halo
3276:
3265:
3263:
3256:
3252:
3251:
3249:
3248:
3240:
3232:
3224:
3220:Faust Symphony
3216:
3213:Symphony No. 8
3209:
3201:
3195:
3194:(1840, Wagner)
3191:Faust Overture
3187:
3178:
3176:
3172:
3171:
3169:
3168:
3162:
3160:
3156:
3155:
3153:
3152:
3144:
3136:
3132:Reuben, Reuben
3128:
3120:
3112:
3104:
3096:
3088:
3084:Le petit Faust
3080:
3072:
3071:(1859, Gounod)
3064:
3056:
3047:
3045:
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3040:
3038:
3037:
3029:
3021:
3013:
3005:
2996:
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2989:
2987:
2986:
2982:The Last Faust
2978:
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2954:
2946:
2938:
2930:
2922:
2914:
2910:Gimmicks Three
2906:
2898:
2890:
2886:Doktor Faustus
2882:
2874:
2867:
2859:
2851:
2843:
2835:
2831:Chasse-galerie
2827:
2819:
2815:St. John's Eve
2811:
2804:
2796:
2789:
2781:
2779:
2775:
2774:
2772:
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2770:
2769:
2762:
2746:
2738:
2734:Doctor Faustus
2730:
2721:
2719:
2715:
2714:
2712:
2711:
2706:
2704:Pan Twardowski
2701:
2699:Mephistopheles
2696:
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2681:
2680:
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2513:
2506:
2503:Doctor Faustus
2498:
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2464:It Was Marlowe
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2423:
2422:
2420:
2419:
2414:
2409:
2407:George Chapman
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2382:Thomas Heywood
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2168:Doctor Faustus
2162:
2161:External links
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1753:(4): 565–577.
1737:
1728:
1719:
1705:978-0198117810
1704:
1680:
1645:
1616:10.2307/450998
1610:(2): 249–264.
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1571:978-0803209237
1570:
1552:
1533:(4): 350–353.
1514:
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1487:
1465:
1458:
1438:
1436:by P.F., Gent,
1426:
1410:
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1391:Cantor, Paul A
1382:
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1267:
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1198:
1192:978-0198124023
1191:
1181:Doctor Faustus
1166:
1147:(75): 225–41.
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949:Doctor Faustus
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934:Arthur Darvill
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876:John Heffernan
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839:Maurice Denham
823:
816:Stephen Murray
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782:Laidman Browne
770:
759:
741:Nevill Coghill
737:Richard Burton
722:William Squire
709:
706:
686:
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658:Mephistophilis
656:
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608:Doctor Faustus
596:predestination
588:Doctor Faustus
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472:Giordano Bruno
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342:Mephistopheles
318:Leo Kirschbaum
314:
313:
305:
277:
274:
256:
253:
233:William Prynne
204:
201:
177:Doctor Faustus
165:
164:
161:
157:
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151:
147:
146:
143:
139:
138:
135:
131:
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127:
126:Date premiered
123:
122:
114:Duke of Saxony
106:Pope Adrian VI
94:Mephistophilis
81:
77:
76:
71:
67:
66:
58:Doctor Faustus
52:
44:
43:
32:Doctor Faustus
26:
9:
6:
4:
3:
2:
3911:
3900:
3899:Tragedy plays
3897:
3895:
3892:
3890:
3887:
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3882:
3880:
3877:
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3870:
3867:
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3755:
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3752:
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3741:
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3739:Disco Inferno
3736:
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3728:
3725:
3724:
3720:
3717:
3716:
3712:
3709:
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3357:
3353:
3350:
3346:
3343:
3339:
3336:
3332:
3329:
3325:
3322:
3318:
3316:" (1859–1885)
3315:
3311:
3310:
3308:
3304:
3298:
3297:
3293:
3291:
3290:
3286:
3282:
3281:
3277:
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3274:
3270:
3269:
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3260:
3257:
3253:
3246:
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3241:
3238:
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3225:
3222:
3221:
3217:
3214:
3210:
3207:
3206:
3202:
3199:
3196:
3193:
3192:
3188:
3185:
3184:
3180:
3179:
3177:
3173:
3167:
3166:Faust ballets
3164:
3163:
3161:
3157:
3150:
3149:
3145:
3142:
3141:
3137:
3134:
3133:
3129:
3126:
3125:
3121:
3118:
3117:
3113:
3110:
3109:
3105:
3102:
3101:
3097:
3094:
3093:
3089:
3087:(1869, Hervé)
3086:
3085:
3081:
3079:(1868, Boito)
3078:
3077:
3073:
3070:
3069:
3065:
3062:
3061:
3057:
3055:(1816, Spohr)
3054:
3053:
3049:
3048:
3046:
3042:
3035:
3034:
3030:
3027:
3026:
3022:
3019:
3018:
3014:
3011:
3010:
3006:
3003:
3002:
2998:
2997:
2995:
2991:
2984:
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2979:
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2747:
2744:
2743:
2739:
2736:
2735:
2731:
2728:
2727:
2723:
2722:
2720:
2718:Seminal works
2716:
2710:
2707:
2705:
2702:
2700:
2697:
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2690:
2687:
2685:
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2606:
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2600:
2599:
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2592:
2588:
2582:
2579:
2576:
2575:
2571:
2569:
2566:
2564:
2561:
2559:
2558:Admiral's Men
2556:
2554:
2551:
2549:
2546:
2545:
2543:
2541:Miscellaneous
2539:
2533:
2532:
2528:
2526:
2525:
2521:
2519:
2518:
2514:
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2473:
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2468:
2466:
2465:
2461:
2459:
2458:
2454:
2452:
2451:
2447:
2445:
2444:
2440:
2438:
2437:
2433:
2432:
2430:
2428:
2424:
2418:
2415:
2413:
2412:Edward Alleyn
2410:
2408:
2405:
2403:
2400:
2398:
2395:
2393:
2390:
2388:
2387:Ingram Frizer
2385:
2383:
2380:
2378:
2375:
2373:
2370:
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2363:
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2356:
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2299:
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2281:
2274:
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2267:
2262:
2260:
2255:
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2241:
2240:
2236:
2233:
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2227:
2224:
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2219:
2214:
2212:
2209:
2205:
2204:
2199:
2197:
2195:
2192:
2190:
2186:
2185:
2176:
2174:
2170:
2169:
2165:
2164:
2154:
2152:9780719016431
2148:
2144:
2143:
2137:
2134:
2130:
2127:
2124:
2121:
2120:
2106:
2098:
2094:
2090:
2086:
2083:(2): 257–75.
2082:
2078:
2077:
2069:
2061:
2057:
2052:
2048:
2042:
2026:
2020:
2012:
2006:
2002:
2001:
1993:
1977:
1971:
1955:
1949:
1933:
1927:
1911:
1905:
1889:
1883:
1867:
1861:
1845:
1839:
1831:
1829:9781441188571
1825:
1821:
1820:
1812:
1796:
1790:
1774:
1768:
1760:
1756:
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1536:
1532:
1528:
1521:
1519:
1512:
1506:
1498:
1494:
1490:
1488:9781551115146
1484:
1480:
1476:
1469:
1461:
1459:9781137426352
1455:
1451:
1450:
1442:
1435:
1430:
1423:
1419:
1414:
1406:
1400:
1396:
1392:
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1378:
1372:
1368:
1361:
1345:
1344:
1336:
1328:
1322:
1319:. p. 1.
1318:
1314:
1307:
1300:
1296:
1292:
1288:
1287:Nichols, Ross
1284:
1280:
1274:
1272:
1262:
1254:
1248:
1244:
1237:
1221:
1220:
1215:
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1133:
1124:
1115:
1100:
1096:
1090:
1075:
1071:
1065:
1057:
1053:
1049:
1047:0-582-25409-4
1043:
1039:
1038:
1030:
1021:
1019:
1011:
1009:
1005:
999:
992:
984:
978:
974:
963:
960:
959:
953:
950:
938:
935:
931:
927:
923:
919:
916:
912:
908:
907:Eric Peterson
904:
903:Kenneth Welsh
900:
896:
893:
889:
888:Simon Ludders
885:
881:
877:
873:
870:
866:
863:
859:
855:
851:
847:
843:
840:
836:
832:
831:Stephen Moore
828:
824:
821:
817:
813:
809:
806:
802:
801:Rupert Davies
798:
797:Peter Ustinov
794:
793:Robert Harris
790:
786:
783:
779:
778:Alec Guinness
775:
771:
768:
764:
760:
757:
753:
752:
751:
748:
746:
742:
738:
734:
731:The play was
729:
727:
723:
719:
718:Hugh Griffith
715:
705:
703:
695:
684:
679:
664:
655:
653:
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645:
635:
633:
627:
625:
621:
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613:
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604:
602:
597:
593:
589:
579:
576:
575:Helen of Troy
571:
569:
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553:
547:
545:
539:
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531:
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511:
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331:
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323:
319:
311:
310:Samuel Rowley
306:
303:
299:
295:
291:
288:, printed by
287:
283:
282:
281:
273:
270:
266:
262:
252:
250:
246:
245:Edward Alleyn
242:
238:
234:
230:
229:
228:Histriomastix
223:
222:
218:
217:Samuel Rowley
214:
210:
209:Admiral's Men
200:
198:
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190:
186:
183:
179:
178:
173:
172:
162:
158:
155:
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148:
144:
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136:
132:
128:
124:
120:
119:Helen of Troy
117:
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107:
103:
99:
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91:
86:
82:
78:
75:
72:
68:
63:
59:
55:
50:
45:
40:
37:
33:
19:
3807:
3788:
3780:
3765:
3756:
3737:
3729:
3721:
3713:
3707:Damn Yankees
3705:
3682:
3674:
3623:
3615:
3607:
3599:
3591:
3583:
3575:
3567:
3559:
3551:
3543:
3535:
3527:
3519:
3511:
3503:
3495:
3489:Damn Yankees
3487:
3479:
3471:
3463:
3455:
3447:
3439:
3431:
3423:
3415:
3407:
3399:
3391:
3383:
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3271:
3242:
3234:
3226:
3218:
3203:
3189:
3181:
3146:
3138:
3130:
3122:
3114:
3108:Doktor Faust
3106:
3103:(1888, Lutz)
3098:
3095:(1855, Lutz)
3090:
3082:
3074:
3066:
3058:
3050:
3031:
3023:
3015:
3009:Damn Yankees
3007:
2999:
2980:
2972:
2964:
2956:
2948:
2940:
2932:
2924:
2916:
2908:
2900:
2892:
2884:
2876:
2861:
2853:
2845:
2837:
2829:
2821:
2813:
2798:
2764:
2757:
2754:(1808 play)
2750:
2745:(1602, play)
2740:
2733:
2732:
2724:
2603:
2596:
2572:
2529:
2522:
2515:
2508:
2501:
2483:
2476:
2469:
2462:
2455:
2448:
2441:
2434:
2402:Robert Poley
2392:Eleanor Bull
2372:Thomas Nashe
2353:
2346:
2328:
2321:
2315:
2314:
2307:
2300:
2293:
2238:
2229:
2216:
2201:
2183:
2166:
2141:
2132:
2125:
2105:
2080:
2074:
2068:
2047:Ghostarchive
2045:Archived at
2041:
2029:. Retrieved
2019:
1999:
1992:
1980:. Retrieved
1970:
1958:. Retrieved
1948:
1936:. Retrieved
1926:
1914:. Retrieved
1904:
1892:. Retrieved
1882:
1870:. Retrieved
1860:
1848:. Retrieved
1838:
1818:
1811:
1799:. Retrieved
1789:
1777:. Retrieved
1767:
1750:
1746:
1740:
1735:(Marlowe 15)
1731:
1726:(Marlowe 14)
1722:
1690:
1683:
1658:
1654:
1648:
1607:
1603:
1597:
1588:
1561:
1555:
1530:
1526:
1505:
1474:
1468:
1448:
1441:
1433:
1429:
1421:
1418:Leo Ruickbie
1413:
1394:
1385:
1366:
1360:
1348:. Retrieved
1342:
1335:
1312:
1306:
1298:
1282:
1261:
1242:
1236:
1224:. Retrieved
1217:
1182:
1178:
1169:
1144:
1138:
1132:
1123:
1114:
1102:. Retrieved
1098:
1089:
1077:. Retrieved
1073:
1064:
1036:
1029:
1007:
1003:
1001:
997:
991:
977:
948:
947:
884:Tim McMullan
880:Pearl Mackie
862:Anton Lesser
858:Janet McTeer
848:as Faustus,
833:as Faustus,
795:as Faustus,
749:
730:
711:
698:
687:
682:
667:
661:
641:
628:
607:
606:At the time
605:
587:
585:
572:
562:for being a
548:
540:
536:
532:
528:
521:
512:
503:
501:
494:
483:
446:
441:
439:
418:
416:
409:
400:
391:
383:
382:
373:comic relief
361:
358:Comic scenes
352:
345:
338:
334:
315:
279:
258:
236:
226:
224:
220:
206:
197:Jacobean era
176:
175:
170:
169:
168:
88:
57:
54:Frontispiece
36:
3268:Epica Saga
3255:Other music
3211:Part II of
3076:Mefistofele
2858:(1929–1940)
2737:(1592 play)
2709:Stingy Jack
2684:Simon Magus
2655:Folk legend
2553:Blank verse
2495:Adaptations
2478:Kit Marlowe
2228:Louis Ule,
2109:Hamlin 258.
1661:(1): 1–13.
1175:Greg, W. W.
930:Paul Hilton
882:as Wagner,
856:as Wagner,
835:Philip Voss
827:BBC Radio 3
805:Donald Gray
758:as Faustus.
756:Ion Swinley
735:in 1967 by
708:Adaptations
632:reprobation
508:soliloquies
486:blank verse
475:conformity.
431:chiromancer
298:John Wright
241:John Aubrey
203:Performance
182:Elizabethan
3864:1604 plays
3859:1593 plays
3854:1592 plays
3848:Categories
3790:Frau Faust
3636:Television
3609:Goat Story
3585:Fausto 5.0
3553:Crossroads
3033:Temptation
2966:Jack Faust
2427:In fiction
2417:Thomas Kyd
2117:References
1497:2008378689
1350:14 January
1179:Marlowe's
854:Toby Jones
850:Ray Fearon
820:Esme Percy
726:Alan Dobie
652:Paracelsus
624:Peter Baro
451:Faustus's
442:Faust Book
435:Ingolstadt
427:astrologer
326:bad quarto
322:W. W. Greg
294:George Eld
80:Characters
70:Written by
3815:Paintings
3758:Gods' Man
3569:Bedazzled
3505:Bedazzled
2749:Goethe's
2742:Cenodoxus
2510:Edward II
2323:Edward II
1632:0039-3657
1624:1522-9270
1547:0026-7929
1295:560512683
787:A second
592:Calvinist
480:Structure
453:soliloquy
414:(1602)).
411:Cenodoxus
369:archetype
347:Faustbuch
284:The 1604
110:Charles V
3833:Category
3783:(comics)
3723:Success!
3699:Musicals
3660:" (2003)
3653:" (1963)
3643:Episodes
3529:Mephisto
3365:" (2015)
3358:" (2012)
3351:" (1979)
3344:" (1975)
3337:" (1970)
3330:" (1968)
3323:" (1936)
3001:Gretchen
2873:" (1937)
2863:Mephisto
2810:" (1824)
2786:Bearskin
2694:Erdgeist
2189:LibriVox
2049:and the
1714:22345662
1281:(1952).
1177:(1950).
1056:33208121
956:See also
601:theodicy
556:paramour
554:and his
518:Synopsis
265:chapbook
180:, is an
98:Belzebub
3768:(manga)
3247:(Liszt)
3239:(Brian)
3231:(Liszt)
3159:Ballets
2590:Related
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