660:, a friend of Welles's, claimed that Welles confided in him, saying that he knew Perkins was gay "and used that quality in Perkins to suggest another texture in Joseph K, a fear of exposure. The whole homosexuality thing—using Perkins that way—was incredible for that time. It was intentional on Orson's part: He had these three gorgeous women (Jeanne Moreau, Romy Schneider, Elsa Martinelli) trying to seduce this guy, who was completely repressed and incapable of responding." Jaglom went on to say, "The closetedness of Perkins' homosexuality... he thought that brought a whole wonderful subtext. I remember him saying that they never talked about it, but he felt that Perkins definitely knew what he was doing." Film critic Roger Ebert theorized that this "could be interpreted as a nightmare in which women make demands K is uninterested in meeting." This has led some to believe that
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and this order is not definitive. Welles also modernized several aspects of the story, introducing computer technology and changing Miss BĂĽrstner's profession from a typist to a cabaret performer. Welles also opened the film with a fable from the book about a man who is permanently detained from seeking access to the Law by a guard. To illustrate this allegory, he used the
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the heart, and as he dies Josef K. says "like a dog." In the film, whilst the executioners still offer him the knife, Josef K. refuses to take it, and goads the executioners by yelling "You'll have to do it!" The film ends with the smoke of the fatal dynamite blast forming a mushroom cloud in the air while Welles reads the closing credits on the soundtrack.
808:) who uses her technology to predict his fate. Welles explained the last-minute cut by noting: "I only saw the film as a whole once. We were still in the process of doing the mixing, and then the premiere fell on us... should have been the best in the film and it wasn't. Something went wrong, I don't know why, but it didn't succeed."
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enter and tell Josef he is under open arrest. In another room Josef K. sees three co-workers from his place of employment; they are there to provide evidence regarding some unstated crime. The police refuse to inform Josef K. of his misdeeds, or if he is even being charged with a crime, and they do not take him into custody.
735:, where he stated: "Everything was improvised at the last moment, because the whole physical concept of my film was quite different. It was based on the absence of sets. And the gigantic nature of the sets, which people have objected to, is partly due to the fact that the only setting I had was that old abandoned station."
29:
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Welles took six months to write the screenplay. In adapting the work, he rearranged the order of Kafka's chapters. In this version, the chapter line-up read 1, 4, 2, 5, 6, 3, 8, 7, 9, 10. However, the order of Kafka's chapters was arranged by his literary executor, Max Brod, after the writer's death,
404:
Josef returns to his office and discovers the two police officers who first visited him being whipped in a small room. Josef's uncle Max suggests that Josef consult with
Hastler, a law advocate. After brief encounters with the wife of a courtroom guard and a roomful of condemned men awaiting trial,
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Welles also changed the manner of Josef K.'s death. Kafka originally had the executioners pass the knife over the head of Josef K., thus giving him the opportunity to take the weapon and kill himself, in a more dignified manner—Josef K. does not; instead he is fatally stabbed by his executioners in
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After the detectives leave, Josef converses with his landlady, Mrs. Grubach, and neighbor, Miss BĂĽrstner, about the strange visit. Later he goes to his office, where his supervisor thinks he has been having improper relations with his teenaged female cousin. That evening, Josef attends the opera,
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Another notable change is that of Josef's relationships with the numerous women in the film. Although Josef seems to be interested in Miss BĂĽrstner, his later interactions with Hilda and Leni are dispassionate and awkward. In the film, Josef shows little romantic attention to Leni, and she often
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On the evening before his thirty-first birthday, Josef is apprehended by two executioners and taken to a quarry pit, where he is ordered to remove some of his clothing. The executioners pass a knife back and forth, apparently deliberating on who will do the deed, before handing the knife to the
396:
Josef K. is sleeping in his bedroom, in an apartment he shares with other lodgers. He is awakened when a man in a suit opens his bedroom door. Josef assumes the glib man is a policeman, but the intruder does not identify himself and ignores Josef's demand to produce police ID. Several detectives
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was an important book and that he, Welles, should re-read it.) Salkind promised that Welles would have total artistic freedom and he would not interfere with Welles' creation. They later discovered that the book was not yet in the public domain and that they needed to obtain the rights to the
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Hastler's mistress suggests that Josef seek the advice of the artist
Titorelli, but this also proves unhelpful. Seeking refuge in a cathedral, Josef very briefly discusses his case with a priest. Hastler abruptly appears at the cathedral to confirm the priest's assertion.
413:
condemned man, who refuses to commit suicide. The executioners leave Josef in the quarry and toss dynamite in the pit. Josef laughs at his executioners and picks up the dynamite. From a distance one can hear an explosion and smoke billows into the air.
848:'s 1970 biography of Welles dismissed the film as "an agonizing experience a dead thing, like some tablet found among the dust of forgotten men, speaking a language that has much to say to us, but whose words have largely been rubbed away."
1464:
James
Chapman (2021) Film Finances and the Trial (1963): Alexander Salkind, Orson Welles, and European Co-Production in the 1960s, Historical Journal of Film, Radio and Television, 41:4, 788-807, DOI: 10.1080/01439685.2021.1916149
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in Paris while technically on vacation; he commuted in on weekends from Málaga, Spain, where he was taking time to film sequences (reported as being "the prologue and epilogue") for his self-financed film adaptation of
675:. Welles reportedly dubbed a few lines of Anthony Perkins’ dialogue and challenged Perkins to identify the dubbing. Perkins was unable to locate the lines where Welles dubbed his voice. British actor
804:, he mentioned that on the eve of the premiere he jettisoned a ten-minute sequence (it is actually about six minutes long) where Josef K. meets with a computer scientist (played by Greek actress
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audience on the film's history. The footage was shot with a 16mm camera on color reversal stock, but Welles never completed the proposed documentary. The footage is now in the possession of
729:, an abandoned Parisian railway station. Welles rearranged his set design to accommodate this new setting, and he later defended his decision to film at Gare d'Orsay in an interview with
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The film has continued to polarize film critics and scholars. The film has its detractors, but contemporary analysis is more positive. In his 1996 biography of Welles,
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but is abducted from the theater by a police inspector and taken to a courtroom, where he attempts in vain to confront the still-unstated case against him.
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play women who become involved in various ways in Josef's trial and life. Welles plays the
Advocate, Josef's lawyer and the film's principal antagonist.
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said the film was "an astonishing work, and a revelation of the man... a stunning film". Today, the film enjoys enthusiastic reviews; on
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937:, which resulted in the film being a public domain title in the US. Although it is possible that the copyright was restored by the
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1986:
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is the best film I have ever made." The film was reacted to more positively in France, where it won the Best Film award of the
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called the film "an exuberant use of camera placement and movement and inventive lighting," awarding it a full four stars.
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as
Hastler, but he took the role himself when Gleason rejected the part. Welles also dubbed the dialogue for 11 actors in
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was brought in to dub Max
Haufler's dialogue, which had been delivered in Hungarian, into American-accented English.
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a rating of 3 and a half out of 4 stars and described it as "ripping, if a bit confusing" and "not for all tastes."
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in the lead, he offered Welles a list of 82 other film titles to choose from. From that selection, Welles decided
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The film earned US $ 1,403,700 in North
America, the UK and the British Commonwealth. It did not make a profit.
1288:"REPEAT PERFORMANCE / Welles' Rare Masterpiece Restored / Film based on Kafka's 'The Trial' opens at the Castro"
764:. Perkins would also state his greatest professional pride came in being the star of a Welles-directed feature.
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859:, 84% of 44 critical reviews awarded the film a positive review, with an average rating of 7.7/10. Film critic
771:, and she became Welles' companion and occasional artistic collaborator during the latter years of his career.
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2016:
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Welles continued to edit the film up until its
December 1962 premiere in Paris. In an interview with the
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2011:
1979:
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polarized critics upon release. Immediately after its completion, Welles said, "Say what you like, but
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725:, but Salkind had difficulties collecting promised capital to finance the film. Instead, he used the
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2006:
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690:, where 850 secretaries banged typewriters at 850 office desks. Other sequences were later shot in
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Salkind committed 650 million French francs (U.S.$ 1.3 million in 1962 currency) to the budget for
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In 2000, a restored version based on the long-lost original 35mm negative was released on DVD by
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While filming in Zagreb, Welles met 21-year-old
Croatian actress Olga Palinkaš. He renamed her
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in
September 1962, but the film was not completed in time. The festival organizers showed the
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literary work. Salkind had originally wanted Welles to make a film of Nikolai Gogol's novella
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is the best film I have ever made". The film begins with Welles narrating Kafka's parable "
1787:"Orson Welles' THE TRIAL, starring Anthony Perkins, is @CharlesTheatre starting tomorrow!"
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format in various North American cities. A 4K restoration of the film was released by the
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616:—who may have been Welles's son—had casually mentioned an idea to Welles about adapting
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Luck and Circumstance: A Coming of Age in Hollywood, New York and Points Beyond
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stars as Josef K., a bureaucrat who is accused of a never-specified crime, and
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Josef is granted an interview with Hastler, which proves unsatisfactory.
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1962 film by Orson Welles based on the novel of the same title by Kafka
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768:
691:
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and secured backing from West German, French and Italian investors.
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has grown in reputation over the years, and some critics, including
3226:
1926:
1314:"Orson Welles' 'The Trial' Is a Study in Transcendental Psychology"
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In Paris, Welles planned to shoot the interiors of his film at the
714:, as his work was seen as decadent by the communist government in
1802:
1170:
927:
756:, Anthony Perkins stated that Welles gave him the direction that
1964:
711:
687:
703:
699:
612:
would be the most feasible film to make. (Earlier that year,
376:, have called it a masterpiece. It is often praised for its
695:
2881:
It's All True: Based on an Unfinished Film by Orson Welles
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801:
912:
Welles planned to create a documentary on the making of
328:. Welles stated immediately after completing the film: "
2944:
2889:
Magician: The Astonishing Life and Work of Orson Welles
648:, who created animated prints using thousands of pins.
1501:
Orson Welles: The Rise and Fall of an American Genius
3142:
1571:"Orson Welles' 'The Trial' flawed yet unforgettable"
930:’s Filmmuseum Munich, and has since been restored.
3240:
1841:2K DCP digital restoration from Rialto Pictures.
667:Welles initially hoped to cast U.S. comic actor
656:touches him sexually without him asking her to.
620:as a stage play, prompting Welles to state that
1781:
1475:"Prix du Syndicat français de la critique 1963"
1124:A Ribbon of Dreams: The Cinema of Orson Welles
3128:
2930:
1980:
1367:Fading Into The Limelight: The Autobiography
1183:
1336:
580:In 1960, Welles was approached by producer
320:, based on the 1925 posthumously published
3135:
3121:
2937:
2923:
1987:
1973:
1305:
27:
1750:
1693:
811:Ultimately, the US theatrical release of
1549:. New York: Vintage Books. p. 366.
1311:
1285:
2875:Orson Welles Paul Masson advertisements
1696:"Orson Welles: An Incomplete Education"
1540:
1052:
1050:
1048:
1046:
1021:
905:
749:, to oversee the post-production work.
594:. When Salkind found out that producer
3329:Films with screenplays by Orson Welles
3241:
1632:
1513:
1498:
1363:
1146:
1083:
922:was hired to film Welles addressing a
3116:
2918:
2755:The Mercury Summer Theatre of the Air
1968:
1420:"Orson Welles Film Dropped at Venice"
1332:
1330:
1265:. New York: Charles Scribner's Sons.
1260:
1190:. New York: Alfred A. Knopf. p.
1121:
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1017:
1015:
1013:
1011:
988:
982:
826:
779:Welles initially planned to premiere
1694:Christley, Jamie N. (January 2003).
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1254:
1252:
1250:
1220:
1216:
1214:
1212:
1117:
1115:
1113:
1043:
3309:Films based on works by Franz Kafka
3018:Franz Kafka's It's a Wonderful Life
1364:Sallis, Peter (18 September 2008).
1279:
13:
2488:Around the World with Orson Welles
1856:. The Cinematheque. Archived from
1751:Goldstein, Bruce (November 2014).
1547:Rosebud: The Story of Orson Welles
1327:
1126:. New York: A.S. Barnes & Co.
1008:
948:. As of 2015, a 2K restoration by
840:French Syndicate of Cinema Critics
14:
3445:
1903:
1635:Leonard Maltin's 2015 Movie Guide
1479:Syndicat de la Critique de Cinéma
1392:"Movies Abroad: Prodigal Revived"
1247:
1209:
1110:
1057:Ebert, Roger (25 February 2000).
924:University of Southern California
1994:
1723:"Notices of Restored Copyrights"
1503:. St. Martin's Publishing Group.
598:was already making a version of
33:French theatrical release poster
2292:The Spirit of Charles Lindbergh
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1846:
1809:
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1715:
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1626:
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1384:
1357:
1161:from the original on 2021-12-19
933:No copyright was ever filed on
682:Welles began the production in
3314:Films directed by Orson Welles
3279:English-language Italian films
2798:The Begatting of the President
2677:The Mercury Theatre on the Air
1821:Film Series: Recently Restored
1731:United States Copyright Office
1603:"Le Procès (The Trial) (1962)"
1428:. 7 September 1962. p. 35
1223:"The Bootleg Files: The Trial"
1184:Lindsay-Hogg, Michael (2011).
1177:
1140:
1086:"Are You Defending Your Life?"
1077:
989:Soyer, Renaud (20 June 2014).
902:one of his 10 favorite films.
706:. Welles was not able to film
486:– Chief Clerk of the Law Court
456:– Albert Hastler, The Advocate
340:scenes created by the artists
1:
3394:Italian black-and-white films
3274:English-language German films
3269:English-language French films
2897:They'll Love Me When I'm Dead
1343:. New York: Alfred A. Knopf.
975:
818:
664:might have queer undertones.
575:
3364:German black-and-white films
3339:French black-and-white films
2763:The Adventures of Harry Lime
2237:An Evening with Orson Welles
1520:. Univ of California Press.
1084:Taubin, Amy (20 June 2000).
534:– Second Assistant Inspector
7:
3304:Films based on Czech novels
3294:Italian LGBTQ-related films
2848:Rita Hayworth (second wife)
1337:Bogdanovich, Peter (2004).
1221:Hall, Phil (27 July 2007).
1024:"Orson Welles on THE TRIAL"
963:
540:– Irmie, Joseph K.'s cousin
528:– First Assistant Inspector
10:
3450:
3389:Italian black comedy films
3289:German LGBTQ-related films
3284:French LGBTQ-related films
2858:Beatrice Welles (daughter)
2512:In the Land of Don Quixote
2153:The Other Side of the Wind
1659:"Who voted for which film"
1576:Seattle Post-Intelligencer
774:
760:was meant to be seen as a
752:In a later interview with
220:7 September 1963
198:22 December 1962
184:Astor Pictures Corporation
3404:Italian independent films
3359:German black comedy films
3334:French black comedy films
3218:
3199:
3156:
3078:
3060:
2953:
2835:
2808:
2781:
2747:Orson Welles Commentaries
2652:
2530:
2480:Orson Welles' Sketch Book
2471:
2428:
2369:
2302:
2163:
2057:The Magnificent Ambersons
2040:
2002:
1517:The Films of Orson Welles
1312:Grossman, Andrew (2013).
1286:Guthmann, Edward (2000).
991:"Box Office Orson Welles"
284:
273:
265:
245:
235:
189:
179:
160:
152:
142:
103:
93:
76:
68:
58:
54:
42:
38:
26:
21:
3379:German independent films
3349:French independent films
3324:Films shot in Yugoslavia
3264:1962 LGBTQ-related films
2945:Adaptations of works by
2731:The Orson Welles Almanac
2284:Orson Welles' Magic Show
1880:"Orson Wells: The Trial"
1633:Maltin, Leonard (2014).
1514:Higham, Charles (1970).
1499:Higham, Charles (1985).
710:in Kafka’s home city of
570:- dub voice as Uncle Max
316:written and directed by
2853:Paola Mori (third wife)
2602:The Mercury Wonder Show
2496:Orson Welles and People
2205:The Miracle of St. Anne
1854:"The Trial (Le procès)"
1825:Gene Siskel Film Center
1817:"The Trial (Le procès)"
1541:Thomson, David (1997).
960:on September 19, 2023.
416:
391:
3369:German courtroom films
3259:1962 independent films
2699:The Campbell Playhouse
2258:The Merchant of Venice
2073:The Lady from Shanghai
1669:British Film Institute
1147:Welles, Orson (1981).
1039:– via Wellesnet.
879:British Film Institute
584:to make a film from a
522:– Bert the law student
498:– Examining Magistrate
322:novel of the same name
307:
209:2 April 1963
3384:German neo-noir films
3354:French neo-noir films
3319:Films shot in Croatia
2904:Orson Welles (crater)
2707:The Orson Welles Show
2692:The War of the Worlds
2520:The Orson Welles Show
2504:The Fountain of Youth
2402:Three Cases of Murder
1753:"Film Forum Calendar"
1340:Who the Hell's In It?
1261:Brady, Frank (1989).
1122:Cowie, Peter (1973).
1022:Wheldon, Huw (1962).
3419:Existentialist films
2817:This is Orson Welles
2570:The Cradle Will Rock
1885:Criterion Collection
1581:Hearst Seattle Media
958:Criterion Collection
906:Post-release history
896:Fernando MartĂn Peña
785:Venice Film Festival
614:Michael Lindsay-Hogg
550:Jean-Claude RĂ©moleux
3424:1960s Italian films
3399:Italian drama films
3299:Films about lawyers
2986:Klassenverhältnisse
2634:Moby Dick—Rehearsed
2626:The Lady in the Ice
2351:Filming 'The Trial'
2221:The Dominici Affair
2032:Unrealized projects
1150:Filming 'The Trial'
1065:. Ebert Digital LLC
642:Alexandre Alexeieff
342:Alexandre Alexeieff
288:998,779 admissions
217: (West Germany)
3434:1960s German films
3429:1960s French films
3374:German drama films
3344:French drama films
2994:The Loves of Kafka
2461:The Big Brass Ring
2129:The Immortal Story
2121:Chimes at Midnight
1938:TCM Movie Database
1448:"The Trial (1963)"
1425:The New York Times
1155:Munich Film Museum
1098:on 21 October 2012
827:Critical reception
514:Wolfgang Reichmann
466:Madeleine Robinson
3414:West German films
3409:Jadran Film films
3236:
3235:
3110:
3109:
3101:Introducing Kafka
3094:The Metamorphosis
2912:
2911:
2715:Ceiling Unlimited
2418:The Southern Star
2410:David and Goliath
2378:Journey into Fear
2180:The Hearts of Age
1664:Sight & Sound
1543:"Xanadu, 1958-85"
1527:978-0-520-01567-8
1377:978-1-4091-0572-5
1091:The Village Voice
884:Sight & Sound
754:Peter Bogdanovich
732:Cahiers du cinéma
582:Alexander Salkind
516:– Courtroom Guard
474:– Court archivist
432:– Marika Bürstner
295:
294:
98:Alexander Salkind
3441:
3254:1962 drama films
3137:
3130:
3123:
3114:
3113:
2978:The Penal Colony
2939:
2932:
2925:
2916:
2915:
2790:The Happy Prince
2771:The Black Museum
2610:Around the World
2586:Too Much Johnson
2453:Cradle Will Rock
2437:Monsieur Verdoux
2311:Too Much Johnson
2303:Unfinished films
2229:Portrait of Gina
2197:Around the World
1989:
1982:
1975:
1966:
1965:
1897:
1896:
1894:
1892:
1876:
1870:
1869:
1867:
1865:
1850:
1844:
1843:
1838:
1836:
1827:. Archived from
1813:
1807:
1806:
1800:
1798:
1783:Rialto Pictures
1779:
1773:
1772:
1770:
1768:
1757:
1748:
1742:
1741:
1739:
1737:
1719:
1713:
1712:
1710:
1708:
1701:Senses of Cinema
1691:
1685:
1684:
1682:
1680:
1675:on 3 August 2012
1671:. Archived from
1655:
1649:
1648:
1630:
1624:
1623:
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1619:
1599:
1593:
1592:
1590:
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1303:
1302:
1300:
1298:
1283:
1277:
1276:
1258:
1245:
1244:
1242:
1240:
1231:. Archived from
1218:
1207:
1205:
1181:
1175:
1174:
1168:
1166:
1144:
1138:
1137:
1119:
1108:
1107:
1105:
1103:
1094:. Archived from
1081:
1075:
1074:
1072:
1070:
1054:
1041:
1040:
1038:
1036:
1019:
1006:
1005:
1003:
1001:
995:Box Office Story
986:
918:Cinematographer
891:film critic and
791:winning musical
723:Boulogne Studios
562:William Chappell
546:– Man in Leather
520:Thomas Holtzmann
510:– Deputy Manager
490:Michael Lonsdale
291:
279:
227:
225:
216:
214:
205:
203:
156:Fritz H. Mueller
31:
19:
18:
3449:
3448:
3444:
3443:
3442:
3440:
3439:
3438:
3239:
3238:
3237:
3232:
3214:
3200:Film variations
3195:
3152:
3141:
3111:
3106:
3074:
3069:Kafka Americana
3056:
2949:
2943:
2913:
2908:
2843:Mercury Theatre
2831:
2804:
2777:
2739:This Is My Best
2723:Hello Americans
2648:
2526:
2467:
2445:Treasure Island
2424:
2386:Follow the Boys
2370:Partly directed
2365:
2298:
2159:
2145:Filming Othello
2036:
2017:Theatre credits
1998:
1993:
1949:Rotten Tomatoes
1906:
1901:
1900:
1890:
1888:
1878:
1877:
1873:
1863:
1861:
1860:on 26 June 2015
1852:
1851:
1847:
1834:
1832:
1831:on 26 June 2015
1815:
1814:
1810:
1796:
1794:
1785:(22 May 2015).
1780:
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1688:
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1617:
1615:
1608:Rotten Tomatoes
1601:
1600:
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1569:
1568:
1564:
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1539:
1535:
1528:
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1210:
1202:
1182:
1178:
1164:
1162:
1153:(Documentary).
1145:
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1120:
1111:
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1055:
1044:
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1020:
1009:
999:
997:
987:
983:
978:
966:
950:Rialto Pictures
946:Milestone Films
908:
857:Rotten Tomatoes
829:
821:
794:West Side Story
777:
578:
573:
442:Elsa Martinelli
424:Anthony Perkins
419:
394:
364:Elsa Martinelli
352:Anthony Perkins
289:
277:
261:
238:
231:
223:
221:
212:
210:
201:
199:
192:
175:
171:Tomaso Albinoni
138:
134:Elsa Martinelli
111:Anthony Perkins
85:
34:
17:
12:
11:
5:
3447:
3437:
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3431:
3426:
3421:
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3396:
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3261:
3256:
3251:
3234:
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3230:
3222:
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3213:
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2751:
2743:
2735:
2727:
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2695:
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2681:
2673:
2665:
2661:Les Misérables
2656:
2654:
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2649:
2647:
2646:
2638:
2630:
2622:
2614:
2606:
2598:
2590:
2582:
2574:
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2562:Horse Eats Hat
2558:
2554:Voodoo Macbeth
2550:
2547:Bright Lucifer
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2024:
2019:
2014:
2009:
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1984:
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1969:
1963:
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1951:
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1904:External links
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1400:. 29 June 1962
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1263:Citizen Welles
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1063:RogerEbert.com
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952:is playing in
907:
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868:Leonard Maltin
846:Charles Higham
828:
825:
820:
817:
815:came in 1963.
806:Katina Paxinou
776:
773:
738:Welles edited
716:Czechoslovakia
669:Jackie Gleason
577:
574:
572:
571:
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559:
558:– Policeman #2
556:Raoul Delfosse
553:
552:– Policeman #1
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508:Maurice Teynac
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484:Fernand Ledoux
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468:– Mrs. Grubach
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334:Before the Law
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147:Edmond Richard
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2047:
2027:Bibliography
1996:Orson Welles
1958:
1954:
1943:
1932:
1921:
1910:
1889:. Retrieved
1883:
1874:
1862:. Retrieved
1858:the original
1848:
1840:
1833:. Retrieved
1829:the original
1820:
1811:
1801:– via
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1777:
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1759:
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1734:. Retrieved
1726:
1717:
1705:. Retrieved
1699:
1689:
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1673:the original
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1616:. Retrieved
1606:
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1494:
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1478:
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1423:
1414:
1402:. Retrieved
1395:
1386:
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1359:
1339:
1317:. Retrieved
1307:
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1291:
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1237:. Retrieved
1233:the original
1226:
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1096:the original
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866:Film critic
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727:Gare d'Orsay
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677:Peter Sallis
672:
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658:Henry Jaglom
654:
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629:
627:
621:
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609:
599:
596:Harold Hecht
589:
579:
568:Peter Sallis
538:Naydra Shore
526:Billy Kearns
454:Orson Welles
450:– Miss Pittl
448:Suzanne Flon
411:
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403:
399:
395:
369:
368:
350:
329:
318:Orson Welles
312:) is a 1962
308:
298:
297:
296:
258:West Germany
237:Running time
228: (Italy)
115:Orson Welles
80:
72:Orson Welles
63:Orson Welles
48:
3184:(1993 film)
3176:(1962 film)
3157:Adaptations
3144:Franz Kafka
3087:Give It Up!
2947:Franz Kafka
2869:Frozen Peas
2782:Spoken-word
2766:(1951–1952)
2750:(1945–1946)
2726:(1942–1943)
2718:(1942–1943)
2710:(1941–1942)
2702:(1938–1940)
2672:(1937–1938)
2581:(1937–1938)
2429:Adaptations
2394:Black Magic
2362:(1980–1982)
2346:(1967–1970)
2335:The Heroine
2330:(1957–1969)
2327:Don Quixote
2287:(1976–1985)
2269:(1968–1971)
2244:Orson's Bag
2213:Magic Trick
2097:Mr. Arkadin
2022:Discography
2007:Filmography
1957:article on
1637:. Penguin.
1481:(in French)
1228:Film Threat
1059:"The Trial"
920:Gary Graver
861:Roger Ebert
746:Don Quixote
606:Yul Brynner
601:Taras Bulba
591:Taras Bulba
564:– Titorelli
544:Carl Studer
504:– Uncle Max
502:Max Haufler
478:Arnoldo FoĂ
374:Roger Ebert
326:Franz Kafka
280:1.3 million
241:118 minutes
167:Jean Ledrut
94:Produced by
88:Franz Kafka
59:Directed by
3249:1962 films
3243:Categories
3165:Der ProzeĂź
3061:Literature
3034:The Castle
3026:The Castle
2970:The Castle
2669:The Shadow
2642:Rhinoceros
2594:Native Son
2472:Television
2137:F for Fake
1955:PopMatters
1761:Film Forum
1485:2023-10-10
976:References
970:Trial film
819:Box office
684:Yugoslavia
638:pin screen
625:property.
576:Production
472:Paola Mori
426:– Josef K.
314:drama film
285:Box office
224:1963-09-07
213:1963-04-02
202:1962-12-22
3189:The Trial
3181:The Trial
3173:The Trial
3149:The Trial
3010:The Trial
2962:The Trial
2863:Oja Kodar
2774:(1951–52)
2276:Moby Dick
2113:The Trial
1959:The Trial
1944:The Trial
1933:The Trial
1922:The Trial
1911:The Trial
1618:3 October
1370:. Orion.
1102:13 August
935:The Trial
914:The Trial
910:In 1981,
900:The Trial
893:historian
889:Argentine
872:The Trial
842:in 1963.
836:The Trial
832:The Trial
813:The Trial
797:instead.
781:The Trial
769:Oja Kodar
758:The Trial
740:The Trial
708:The Trial
692:Dubrovnik
673:The Trial
662:The Trial
630:The Trial
622:The Trial
618:The Trial
610:The Trial
532:Jess Hahn
370:The Trial
338:pinscreen
330:The Trial
309:Le Procès
299:The Trial
246:Countries
153:Edited by
82:The Trial
49:Le Procès
22:The Trial
3227:Break-Up
2694:" (1938)
2687:" (1938)
2343:The Deep
1927:AllMovie
1679:24 April
1165:11 March
1159:Archived
964:See also
881:'s 2002
492:– Priest
290:(France)
266:Language
161:Music by
104:Starring
77:Based on
2836:Related
2685:Dracula
2618:Othello
2531:Theatre
2190:trailer
2089:Othello
2081:Macbeth
1936:at the
1891:24 July
1864:25 June
1835:25 June
1803:Twitter
1797:25 June
1767:25 June
1736:13 July
1707:13 July
1587:6 March
1432:6 March
1404:6 March
1319:30 July
1297:30 July
1239:6 March
1171:YouTube
1069:13 July
1035:6 March
1000:13 July
928:Germany
877:In the
783:at the
775:Release
462:– Bloch
444:– Hilda
269:English
222: (
211: (
200: (
3211:(1991)
3079:Comics
3053:(2012)
3045:(2002)
3037:(1997)
3029:(1994)
3021:(1993)
3013:(1993)
3005:(1991)
2997:(1988)
2989:(1984)
2981:(1970)
2973:(1968)
2965:(1962)
2900:(2018)
2892:(2014)
2884:(1993)
2828:(1996)
2820:(1992)
2801:(1970)
2793:(1946)
2758:(1946)
2742:(1945)
2734:(1944)
2680:(1938)
2664:(1937)
2645:(1960)
2637:(1955)
2629:(1953)
2621:(1951)
2613:(1946)
2605:(1943)
2597:(1941)
2589:(1938)
2578:Caesar
2573:(1937)
2565:(1936)
2557:(1936)
2542:(1932)
2523:(1979)
2515:(1964)
2507:(1958)
2499:(1956)
2491:(1955)
2483:(1955)
2464:(1999)
2456:(1999)
2448:(1972)
2440:(1947)
2421:(1969)
2413:(1960)
2405:(1955)
2397:(1949)
2389:(1944)
2381:(1943)
2354:(1981)
2338:(1967)
2322:(1942)
2314:(1938)
2295:(1984)
2279:(1971)
2261:(1969)
2253:(1968)
2250:Vienna
2240:(1970)
2232:(1958)
2224:(1955)
2216:(1953)
2208:(1950)
2200:(1946)
2192:(1940)
2183:(1934)
2175:(1933)
2164:Shorts
2156:(2018)
2148:(1978)
2140:(1973)
2132:(1968)
2124:(1965)
2116:(1962)
2108:(1958)
2100:(1955)
2092:(1951)
2084:(1948)
2076:(1947)
2068:(1946)
2060:(1942)
2052:(1941)
1641:
1553:
1524:
1374:
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1292:Sfgate
1269:
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898:voted
887:poll,
712:Prague
688:Zagreb
438:– Leni
304:French
274:Budget
252:France
44:French
3219:Other
3208:Kafka
3002:Kafka
2954:Films
2809:Books
2653:Radio
1791:Tweet
1756:(PDF)
870:gave
704:Paris
700:Milan
604:with
386:focus
336:" to
255:Italy
1916:IMDb
1893:2023
1866:2015
1837:2015
1799:2015
1769:2015
1738:2018
1709:2018
1681:2015
1639:ISBN
1620:2023
1589:2010
1551:ISBN
1522:ISBN
1434:2010
1406:2010
1397:Time
1372:ISBN
1345:ISBN
1321:2022
1299:2022
1267:ISBN
1241:2010
1196:ISBN
1167:2018
1128:ISBN
1104:2010
1071:2018
1037:2010
1002:2018
939:URAA
702:and
696:Rome
644:and
417:Cast
392:Plot
380:and
362:and
344:and
278:US$
3146:'s
1947:at
1925:at
1914:at
1452:TCM
1029:BBC
954:DCP
802:BBC
324:by
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
