360:", though condemned by the church, still survives. Bronwyn and Marc are married in church and also in a riotous pagan celebration. Chrysagon appears at the latter to claim the right of the lord to sleep with a virgin on her wedding night. While three men restrain Marc, Odins declares that Chrysagon has the right, but all must be done according to the ancient ways, which are rooted in the sacrifice of a virgin to ensure fruitful harvests. Otherwise it is rape. Chrysagon agrees to the
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raiders who leave behind a boy, the son of their leader, who conceals his identity. Chrysagon encounters
Bronwyn, his future love, as she is being harassed by his own men. Gradually he finds himself falling for the girl he has rescued. Odins, the village chief, later asks Chrysagon's permission for
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Medieval historian Andrew E. Larsen praises the movie's realistic portrayal of the physical objects and social relationships of the time. But he asserts the film's presentation of paganism among the serfs is an extreme exaggeration, and that the key "custom" of
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Chrysagon takes the boy to the
Frisian camp. The leader offers him a place with them, and sanctuary for Bronwyn, who Chrysagon calls “my lady”. Chrysagon plans to go to the Duke and mend things for the people. But Marc jumps from a high tree wielding a
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Critics largely lauded its "gritty" realistic portrayal of the times, both in physical aspects, such as armor and weapons, structures and scenes, but also in its portrayal of social circumstances and behaviors of
Medieval lords and serfs.
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Odins leads the torchlit procession past
Chrysagon's men standing as an armed guard, to the chamber at the top of the keep. He tells her she can go but confesses his love for her. She loves him too. Odins comforts his son.
381:. He talks of carrying her to a far place, after his duty to his Duke is done. They see the Frisians hacking at the drawbridge and sound the alarm. Chrysagon climbs down to attack them, wearing only his
414:, with a bridge that will carry them to the top of the keep. Suddenly, huge boulders and balls of fire descend on the siege tower. It is Draco, come with help from the Duke, including a
537:" was mythical. He criticizes the film's romanticizing of "what is, essentially, rape," adding that—while such rapes have happened, at the time—they lacked any legal standing.
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Marc admits that
Chrysagon had the right but he and the villagers are is outraged when Bronwyn is not returned. They do not realize that she is staying of her own free will.
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Bronwyn to marry Odins' son Marc, to whom
Bronwyn has been betrothed since childhood. Chrysagon approves, but soon regrets the decision. He wants Bronwyn for himself.
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way, to prepare a ring of fire in a high place, with his men “wearing iron and standing.” Bronwyn will be brought at the rising of the moon and reclaimed at sunrise.
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the film has an approval rating of 67% based on reviews from 9 critics.
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507:The Shadows
412:siege tower
254:$ 3,500,000
230:123 minutes
172:Technicolor
90:Produced by
49:Directed by
1042:1965 films
1036:Categories
971:The Strike
780:Letterboxd
558:References
493:Soundtrack
452:as Bronwyn
287:The Lovers
214:1965-11-17
179:Production
77:The Lovers
955:Jane Eyre
928:Lionheart
709:5 January
684:5 January
653:5 January
601:5 January
517:Reception
513:in 1965.
470:as Priest
146:Edited by
80:1956 play
888:Papillon
824:Features
769:AllMovie
595:IMDb.com
541:See also
488:as Odins
464:as Draco
416:catapult
283:Normandy
243:Language
154:Music by
100:Starring
73:Based on
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575:at the
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476:as Marc
458:as Bors
420:demesne
405:hurdles
346:Frisian
342:Flemish
246:English
235:Country
212: (
181:company
1022:(1963)
1014:(1962)
1006:(1961)
998:(1958)
990:(1958)
982:(1954)
974:(1954)
966:(1952)
958:(1949)
939:(1989)
931:(1987)
923:(1982)
915:(1981)
912:Sphinx
907:(1978)
899:(1977)
891:(1973)
883:(1971)
875:(1970)
872:Patton
867:(1968)
859:(1967)
851:(1965)
843:(1964)
835:(1963)
428:sickle
383:braies
338:knight
335:Norman
251:Budget
362:Druid
354:pagan
734:IMDb
711:2022
686:2022
655:2022
603:2022
438:Cast
432:fief
401:moat
379:keep
329:Plot
317:and
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521:On
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