1150:. The characters suffer from their knowledge of having betrayed a friend and left him to his fate, thus violating their own honor code when it suits them ("$ 10,000 cuts an awful lot of family ties"). However, Bishop says, "When you side with a man, you stay with him, and if you can't do that you're like some animal." Such oppositional ideas lead to the film's violent conclusion, as the remaining men find their abandonment of Angel intolerable. Bishop remembers his betrayals, most notably when he deserts Deke Thornton, in flashback, when the law catches up to them and when he abandons Crazy Lee at the railroad office after the robbery, ostensibly to guard the hostages. Critic
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rebelling against sanitized, bloodless television
Westerns and films glamorizing gunfights and murder: "The point of the film is to take this façade of movie violence and open it up, get people involved in it so that they are starting to go in the Hollywood television predictable reaction syndrome, and then twist it so that it's not fun anymore, just a wave of sickness in the gut ... it's ugly, brutalizing, and bloody awful; it's not fun and games and cowboys and Indians. It's a terrible, ugly thing, and yet there's a certain response that you get from it, an excitement, because we're all violent people." Peckinpah used violence as a
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1805:. Michael Sragow wrote in 2000 that the documentary was "a wonderful introduction to Peckinpah's radically detailed historical film about American outlaws in revolutionary Mexico—a masterpiece that's part bullet-driven ballet, part requiem for Old West friendship and part existential explosion. Seydor's movie is also a poetic flight on the myriad possibilities of movie directing." Seydor and his co-producer Nick Redman were nominated in 1997 for the
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write automatic condemnations of it." He observed, "Although the movie's conventional and poetic action sequences are extraordinarily good and its landscapes beautifully photographed ... it is most interesting in its almost jolly account of chaos, corruption, and defeat". About the actors, he commented particularly on
William Holden: "After years of giving bored performances in boring movies, Holden comes back gallantly in
1047:, also made use of telephoto lenses, that allowed for objects and people in both the background and foreground to be compressed in perspective. The effect is best seen in the shots where the Bunch makes the walk to Mapache's headquarters to free Angel. As they walk forward, a constant flow of people passes between them and the camera; most of the people in the foreground are as sharply focused as the Bunch.
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them back to Texas for the bounty, while he stays behind. After some time, Sykes arrives with the elder from Angel's village and a band of rebels, indicating that they caught up with the bounty hunters, avenged the gang's deaths, and buried them properly. Sykes invites
Thornton to join the coming revolution against the Mexican government. Thornton smiles and rides off with them.
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major shootouts with six cameras, operating at various film rates, including 24 frames per second, 30 frames per second, 60 frames per second, 90 frames per second, and 120 frames per second. When the scenes were eventually cut together, the action would shift from slow to fast to slower still, giving time an elastic quality never before seen in motion pictures up to that time.
1218:, which delayed the release until the decision was appealed. The controversy was linked to 10 extra minutes added to the film, although none of this footage contained graphic violence. Warner Bros. trimmed some footage to decrease the running time to ensure additional daily screenings. When the restored film finally made it to the screen in March 1995, one reviewer noted:
1329:, who "saw the original version at the world premiere in 1969, during the golden age of the junket, when Warner Bros. screened five of its new films in the Bahamas for 450 critics and reporters", said that, back then, he had publicly declared the film a masterpiece during the junket's press conference, prompted by comments from "a reporter from the
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is shot by the police. The scene mixed slow motion with normal speed, having been filmed at 24 frames per second, but triple printed optically at 72 frames per second. Peckinpah was reportedly thrilled and told
Lombardo: "Let's try some of that when we get down to Mexico!" The director would film the
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Mapache initially agrees to release Angel, only to cut his throat at the last second. The gang instantly opens fire and guns down the general. While the nearby soldiers are frozen in shock, Pike calmly takes aim and kills Mohr. This begins a bloody gunfight that kills Pike, Dutch, the remaining gang
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most of the gold and return to Agua Verde, where the townspeople and soldiers are drunkenly celebrating the weapons sale and
Mapache is dragging Angel through town on a rope tied to the back of his car. Mapache refuses to sell Angel back to the gang, and after a period of reflection while visiting a
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Sykes is wounded by
Thornton's posse while securing spare horses. Dutch criticizes Thornton for working with the railroad, but Pike says Thornton "gave his word" to the railroad and must see it through. Dutch angrily declares, "That ain't what counts, it's who you give it to." Pike and the gang bury
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The violence that was much criticized in 1969 remains controversial. Peckinpah noted it was allegoric of the
American war in Vietnam, the violence of which was nightly televised to American homes at supper time. He tried showing the gun violence commonplace to the historic western frontier period,
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By the time filming wrapped, Peckinpah had shot 333,000 feet (101,000 m) of film with 1,288 camera setups. Lombardo and
Peckinpah remained in Mexico for six months editing the picture. After initial cuts, the opening gunfight sequence ran 21 minutes. By cutting frames from specific scenes and
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Thornton arrives and finds Pike already dead. Thornton finds a loaded revolver on Pike's belt and takes it as a sign that the days of men like him are over. Feeling outdated and tired, Thornton allows the remaining posse members to greedily strip Pike and his men of their possessions before taking
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Pike, anticipating that
Mapache might double-cross him, hides the goods and has his men sell them to Mapache in separate amounts. However, Mapache learns from Teresa's mother that Angel stole some of the weapons and reveals this as Angel and Dutch deliver the last of the weapons. Angel desperately
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The film opened on June 18, 1969, at the Pix theatre in Los
Angeles and grossed $ 39,200 in its first week. Produced on a budget of $ 6 million, the film grossed $ 10.5 million at the US box office in 1970 and another $ 638,641 in the US on its 1995 restored box-office release, making a
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Angel gives his share of the gold to Pike in return for sending one crate of rifles and ammunition to a band of peasant rebels opposed to Mapache. The holdup goes largely as planned until Thornton's posse turns up on the train the gang has robbed and chases them to the Mexican border. The robbers
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by calling the film "very beautiful and the first truly interesting American-made Western in years. It's also so full of violence—of an intensity that can hardly be supported by the story—that it's going to prompt a lot of people who do not know the real effect of movie violence (as I do not) to
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was set to write and direct a remake. "Our sources also tell us that the remake will update the story to a contemporary setting, revolving around the CIA, dangerous drug cartels, and a thrilling heist against the backdrop of the Southern California-Mexico border. Jakubowicz will be working from
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note the theme of the end of the outlaw gunfighter era. For example, the character Pike Bishop advises: "We've got to start thinking beyond our guns. Those days are closing fast." The Bunch lives by an anachronistic code of honor that is out of place in 20th-century society. Also, when the gang
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Peckinpah stated that one of his goals for the movie was to give the audience "some idea of what it is to be gunned down". A memorable incident occurred, to that end, as Peckinpah's crew were consulting him on the "gunfire" effects to be used in the film. Not satisfied with the results from the
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By restoring 10 minutes to the film, the complex story now fits together in a seamless way, filling in those gaps found in the previous theatrical release, and proving that Peckinpah was firing on all cylinders for this, his grandest achievement. ... And the one overwhelming feature that the
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Almost all of the versions of the film include the missing scenes. Warner Bros. released a newly restored version in a two-disc special edition on January 10, 2006. It includes an audio commentary by Peckinpah scholars, two documentaries concerning the making of the film (one of them is the
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Pike's gang ask the general for work at his headquarters in the town of Agua Verde. Angel spots his former lover Teresa in Mapache's arms and shoots her dead, angering the general and nearly getting them killed, but Pike defuses the situation. Mapache offers gold to the gang to rob a
1112:. Peckinpah and his editors cut the film to satisfy the new, expansive R-rating parameters which, for the first time, designated a film as being unsuitable for children. Without this new system in place, the film could not have been released with its explicit images of bloodshed.
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He also had the gunfire sound effects changed for the film. Before, all gunshots in Warner Bros. movies sounded identical, regardless of the type of weapon being fired. Peckinpah insisted that each different type of firearm have its own specific sound effect when fired.
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Pike rides off with the only survivors: his close friend Dutch Engstrom, brothers Lyle and Tector Gorch, the inexperienced Angel, and a fifth man blinded and mortally wounded by buckshot, who Pike mercy-kills. The loot from the robbery turns out to be worthless steel
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was in talks to star in and produce the remake. The new version would involve drug cartels and follows a disgraced DEA agent who assembles a team to go after a Mexican drug lord and his fortune. No director has been chosen, and a new screenwriter is being sought.
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1143:, believing his audience would be purged of violence by witnessing it explicitly on screen. He later admitted to being mistaken, observing that the audience came to enjoy rather than be horrified by his films' violence, which troubled him.
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By the fall of 1967, Peckinpah was rewriting the screenplay and preparing for production. The principal photography was shot entirely on location in Mexico, most notably at the Hacienda Ciénaga del Carmen (deep in the desert between
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director's cut makes unforgettable are the many faces of the children, whether playing, singing, or cowering, much of the reaction to what happens on-screen is through the eyes, both innocent and imitative, of all the children.
1801:(1996) directed and edited by Paul Seydor. The documentary was occasioned by the discovery of 72 minutes of silent, black-and-white film footage of Peckinpah and company on location in northern Mexico during the filming of
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The editing of the film is notable in that shots from multiple angles were spliced together in rapid succession, often at different speeds, placing greater emphasis on the chaotic nature of the action and the gunfights.
1269:. He looks older and tired, but he has style, both as a man and as a movie character who persists in doing what he's always done, not because he really wants the money but because there's simply nothing else to do."
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intercutting others, they were able to fine-cut the opening robbery down to five minutes. The creative montage became the model for the rest of the film and would "forever change the way movies would be made".
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In 1913 Texas, Pike Bishop, the leader of a gang of aging outlaws, seeks to retire after a final robbery of silver from a railroad payroll office. Corrupt railroad agent Pat Harrigan has hired a posse of
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tries to escape, only to be captured and beaten. Mapache lets Dutch go after he states that Angel is a thief who deserves to be punished, and Dutch then tells Pike and the others what happened.
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trying to adapt to the changing modern world of 1913. The film was controversial because of its graphic violence and its portrayal of crude men attempting to survive by any available means.
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led by Pike's former partner Deke Thornton, who ambush and kill more than half of Bishop's gang in a bloody shootout, which also kills many innocent bystanders as Pike uses a serendipitous
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He set out to make a film which portrayed not only the vicious violence of the period, but also the crude men attempting to survive the era. Multiple scenes attempted in
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ranked the film #29 on their list of the 100 greatest movies as polled by their readers. Film critic and scholar Steven J. Schneider included the film in his book of
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Critical reaction in New York was mixed, with four reviewers with favorable reviews and three with unfavorable opinions, although there was debate as to whether the
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The role of Mapache went to Emilio Fernández, the Mexican film director, writer, actor, and friend of Peckinpah. Among those considered to play Dutch Engstrom were
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901:(1961)). Harris was never formally approached; Keith was asked, but he turned it down. Robert Ryan was ultimately cast in the part after Peckinpah saw him in the
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The Wild Bunch essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010
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1063:" He then grabbed a real revolver and fired it into a nearby wall. The gun empty, Peckinpah barked at his stunned crew: "THAT'S the effect I want!!"
810:(1954), characters leaving a village as if in a funeral procession, and the use of inexperienced locals as extras, would become fully realized in
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spanning the Rio Grande as the posse tries to cross, dumping the entire posse into the river, but the exhausted posse continues their pursuit.
1087:. Peckinpah had wanted an editor who would be loyal to him. Lombardo's youth was also a plus, as he was not bound by traditional conventions.
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Cook, David A. (1999). "Ballistic Balletics: Styles of Violent Representation in The Wild Bunch and After". In Prince, Stephen (ed.).
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would executive produce. The remake would be a modern reinterpretation of the original, involving heists, drug cartels and the CIA.
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producers Kenneth Hyman and Phil Feldman were interested in having Sam Peckinpah rewrite and direct an adventure film called
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57th on their list of the 100 greatest movies of all time. It was later ranked 83rd on their revised list in 2013. The
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train so Mapache can resupply his army's dwindling stocks of ammunition and provide samples of American weapons to his
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was the original choice to play Angel, but he asked for too much money. Peckinpah was impressed with Jaime Sánchez in
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In April 1965, producer Reno Carrell optioned an original story and screenplay by Walon Green and Roy Sickner, called
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planted by Harrigan. Needing money, they head for Mexico accompanied by the cantankerous Freddie Sykes and cross the
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images, a revolutionary cinema technique in 1969. The writing of Green, Peckinpah, and Sickner was nominated for a
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2980:"L.A. Biz Soars; 'Gold' Racy $ 27,000; 'Fools' Big 21G, 'Cold Day' Torrid 16G; 'Bunch' Boff 35G, 'Grit' 24G, 2".
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inspects Mapache's new automobile, they perceive it marks the end of horse travel, a symbol also in Peckinpah's
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2016:
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assembled a list of the 50 best movies of all time, according to film critics on the review aggregate website
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his crew had brought for him, Peckinpah became exasperated and finally hollered: "That's not what I want!
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The director sets up the climactic gun battle sequences at "Agua Verde" (the Hacienda Ciénaga del Carmen).
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to the rural village where Angel was born. The village elder warns them about General Mapache, a vicious
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he had edited in 1967. The episode, entitled "My Mommy Got Lost", included a slow motion sequence where
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To see the extended "Major Dundee" is to see the smoking ruin from which Peckinpah's masterpiece arose.
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719:(1965), Peckinpah's stock had improved following his critically acclaimed work on the television film
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prior to an expected re-release. To the studio's surprise, the originally R-rated film was re-rated
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America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry
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had only a few television credits on his resume when he played the part of Clarence "Crazy" Lee.
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with an average rating of 8.8/10 based on reviews from 66 critics with its consensus stating, "
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779:. Peckinpah's epic work was inspired by his hunger to return to films, the violence seen in
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as "culturally, historically or aesthetically significant". The film is ranked 79th on the
3789:"EXCLUSIVE: 'Lethal Weapon,' 'Wild Bunch' Reboots Revived After Warner Bros. Exec Shuffle"
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793:, and what he perceived to be the utter lack of reality seen in Westerns up to that time.
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The second, 1969 American release is 135 minutes long, shortened to allow more screenings
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members, Mohr's aide, every member of Mapache's staff, and most of the assembled troops.
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One of Lombardo's first contributions was to show Peckinpah an episode of the TV series
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AFI's 100 Years of Film Scores: Honoring America’s Greatest Film Music, Official Ballot
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Carroll, E. Jean (March 1982). "Last of the Desperadoes: Dueling with Sam Peckinpah".
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Peckinpah's conception of Pike Bishop was strongly influenced by actor William Holden
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3876:"{Exclusive} Jonathan Jakubowicz Set To Write And Direct "The Wild Bunch" Remake"
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2012:
2005:"The Greatest Films of All Time 2012 Poll: Votes for The Wild Bunch (1969) | BFI"
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The 100 Greatest Western Movies of All Time: Including Five You've Never Heard of
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was his last film, as he died just months after its final scenes were completed.
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is Sam Peckinpah's shocking, violent ballad to an old world and a dying genre".
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Peckinpah (far right) directs the opening scene as the Bunch ride into Starbuck.
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Martin, Betty (April 14, 1965). "MOVIE CALL SHEET: Star Sought for Bond Role".
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ranked 84th on the critics' poll and 75th on the directors' poll. In 2005, the
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as the 23rd best-edited film of all time based on a survey of its membership.
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magazine found no merit in the film and gave it a two sentence dismissal and
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played Lyle Gorch, having previously worked with Peckinpah on the TV series
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3846:"Will Smith Sets Sights on 'Wild Bunch' Reboot at Warner Bros. (Exclusive)"
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3310:"Press Violent About Film's Violence; Prod Sam Peckinpah Following 'Bunch'"
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3393:"Internet Goodie Alert: Roger Deakins' Handwritten List of Favorite Films"
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was reported to be in final negotiations to direct and write a remake of
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The 1995 re-release (labeled "The Original Director's Cut", available in
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Peckinpah considered many actors for the Pike Bishop role before casting
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3929:"Mel Gibson To Co-Write & Direct 'Wild Bunch' Remake At Warner Bros"
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is noted for intricate, multi-angle, quick-cut editing using normal and
3815:"'Top Gun' sequel, 'Wild Bunch' remake were on Tony Scott's to-do list"
3686:(Revised ed.). London, England: New Burlington Books. p. 615.
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On January 19, 2011, it was announced by Warner Bros. that a remake of
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got up to ask 'Why was this film ever made?'" He compared the film to
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3526:"Librarian of Congress Names 25 More Films to National Film Registry"
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1980:
Citizen Kane Stands the Test of Time: The 100 Greatest American Films
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2858:(1999). "Savage Poet of American Cinema". In Prince, Stephen (ed.).
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as being "culturally, historically or aesthetically significant".
3181:"N.Y. Critics, 4 to 3, On 'The Wild Bunch'; 'Krakatoa' Does Well"
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is also ranked as the 63rd best-directed film of all time by the
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also liked Holden's performance, describing it as his best since
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The original, 1969 European release is 145 minutes long, with an
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Peckinpah's first two choices for the role of Deke Thornton were
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This article is about the 1969 Western film. For other uses, see
1202:) is 145 minutes long and identical to the 1969 European release
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Further editing was done to secure a favorable rating from the
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AFI's 100 Heroes & Villains: The 400 Nominated Characters
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AFI's 100 Years...100 Movie Quotes: The 400 Nominated Quotes
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3078:"'Wild Bunch' Rides Again / Director's cut of '69 classic"
3050:"'Wild Bunch' Rides Again / Director's cut of '69 classic"
1848:, who was scheduled to direct, put the project in limbo.
1189:(per the distributor's request, before the train robbery)
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Lou Lombardo, having previously worked with Peckinpah on
3903:"Mel Gibson To Write & Direct The Wild Bunch Remake"
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named it as one of her five favorite films. In the 2012
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Today, the film holds a 91% "Certified Fresh" rating on
742:. An alternative screenplay available at the studio was
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was hired to develop a new script. The 2012 suicide of
1604:
AFI's 100 Years...100 Movies (10th Anniversary Edition)
1192:
The original, 1969 American release is 143 minutes long
2866:. Cambridge, UK: Cambridge University Press. pp.
2505:
2503:
800:, including slow motion action sequences (inspired by
2219:
2076:. Published April 29, 2003. Retrieved April 16, 2024.
1671:
In 2006, the script for the film was selected by the
1404:
received 27 votes from critics and directors such as
3640:
The 50 best movies of all time, according to critics
3605:. Published April 17, 2005. Retrieved July 16, 2024.
3412:"Kathryn Bigelow's five favourite films of all time"
3138:""Breathing Lessons" winning Best Documentary Short"
1863:
In 2015, a Hollywood insider website announced that
4078:
3615:
The 100 All-Time Greatest Movies: Revised 2013 List
3153:"Sam Peckinpah's The Legendary Westerns Collection"
2500:
3650:
3590:
1807:Academy Award for Best Documentary (Short Subject)
911:(1967). Other actors considered for the role were
3756:Kit, Borys; Crabtree, Sheigh (November 4, 2005).
3697:The Best Movies of All Time (10,267 Most Notable)
3633:
2683:Robert Ryan: A Biography and Critical Filmography
2184:
2182:
4213:
3813:Fritz, Ben; Zeitchik, Steven (August 21, 2012).
3657:Top 100 Films (Readers) from Time Out Film Guide
3582:: CS1 maint: bot: original URL status unknown (
3444:. London: McFarland & Co. Inc. p. 195.
2802:. New York: Cambridge University Press. p.
2132:
2130:
2036:
2034:
1675:as one of the 101 best screenplays of all time.
1341:: "praised and condemned with equal vehemence."
923:, Ben Johnson (later cast as Tector Gorch), and
327:. The plot concerns an aging outlaw gang on the
3564:. Archived from the original on October 7, 2014
3441:Western Movie References in American Literature
2240:. Published May 2012. Retrieved April 16, 2024.
2162:
2160:
1999:
1997:
1995:
1083:, was personally hired by the director to edit
789:(1967), America's growing frustration with the
3548:
2310:"AFI Crowns Top 10 Films in 10 Classic Genres"
2179:
1765:magazine ranked the film #41 on their list of
1181:There have been several versions of the film:
422:in 1999 for preservation in the United States
4064:
3952:. Cambridge, UK: Cambridge University Press.
3812:
2950:. University of Illinois Press. p. 163.
2787:
2430:. University of Texas Press. pp. 73–81.
2367:
2127:
2084:
2082:
2031:
1354:was to cineastes in 1969," wrote film critic
1108:, which was in the process of establishing a
993:was cast as Harrigan the railroad detective.
3758:"Ayer wrangles Warners redo of 'Wild Bunch'"
2157:
1992:
1915:
1913:
1043:process. Peckinpah and his cinematographer,
334:The screenplay was co-written by Peckinpah,
3755:
2536:
2534:
1879:would co-write and direct a new version of
1576:AFI's 100 Years...100 Heroes & Villains
1322:magazine was also negative about the film.
4302:United States National Film Registry films
4071:
4057:
3597:129 ‘BEST’ FILMS: RICH, RISKY AND ENDURING
2746:. University of Texas Press. p. 103.
2202:
2200:
2167:The 100 Greatest Films of the 20th Century
2079:
2060:
2058:
36:
3681:
3175:
3173:
2895:. University of Texas Press. p. 82.
2282:. American Film Institute. Archived from
2251:"Complete National Film Registry Listing"
2104:
2102:
1910:
1419:
1400:poll for The Greatest Films of All Time,
3927:Fleming, Mike Jr. (September 24, 2018).
3690:
3437:
3431:
3210:
3208:
2766:
2540:
2531:
1668:, compiled by film critic Peter Rainer.
1650:poll of The Greatest Films of All Time,
1030:
821:
509:
3926:
3901:Heerema, Michael (September 24, 2018).
3900:
3843:
3684:1001 Movies You Must See Before You Die
3608:
3518:
3409:
2890:
2770:The Technique of Film and Video Editing
2741:
2679:
2425:
2382:
2197:
2055:
1743:1001 Movies You Must See Before You Die
1526:National Society of Film Critics Awards
1291:contains faults and mistakes" (such as
986:and demanded that he be cast as Angel.
713:(1965), and his firing from the set of
4322:English-language Western (genre) films
4214:
3945:
3712:
3340:
3170:
3047:
2943:
2915:
2854:
2826:
2773:. New York: Focal Press. p. 144.
2713:
2680:Jarlett, Franklin (November 1, 1997).
2651:
2623:
2569:
2509:
2478:
2450:
2397:
2099:
1945:
4317:Films with screenplays by Walon Green
4052:
3556:"The 301 Greatest Movies of All Time"
3341:Sragow, Michael (February 14, 2003).
3277:
3214:
3205:
3075:
2543:"The Charge of the Peckinpah Brigade"
1795:were the subjects of the documentary
1620:was selected for preservation by the
1592:"If they move, kill 'em." – Nominated
1237:
966:was cast based on his performance in
3713:Sragow, Michael (October 20, 2000).
3343:"'Wild Bunch' is western writ large"
3150:
2793:
1631:In 2008, the film was ranked #94 on
1486:Outstanding Directing – Feature Film
1387:'s favorite film, and film director
4165:Bring Me the Head of Alfredo Garcia
3786:
3734:The Wild Bunch: An Album in Montage
3532:. November 16, 1999. Archived from
2597:
2109:The 100 Greatest Movies of All Time
2089:The 100 Greatest Movies of All Time
2041:The 500 Greatest Movies of All Time
1798:The Wild Bunch: An Album in Montage
1767:The 100 Greatest Movies of All Time
1639:The 500 Greatest Movies of All Time
1581:The Wild Bunch – Nominated Villains
1555:placed the film in several of its "
1234:), and never-before-seen outtakes.
1231:The Wild Bunch: An Album in Montage
1154:writes that "like that of Conrad's
1146:Betrayal is the secondary theme of
13:
4282:Films set in the American frontier
3939:
1587:AFI's 100 Years...100 Movie Quotes
1515:Best Sound Editing – Feature Film
1171:17th highest-grossing film of 1969
1169:total of $ 11,138,641. It was the
889:(who had worked with Peckinpah on
735:Butch Cassidy and the Sundance Kid
14:
4333:
4297:Revisionist Western (genre) films
3967:
2834:. Grove Press. pp. 333–334.
2517:. Grove Press. pp. 310–331.
2458:. Grove Press. pp. 307–309.
2405:. Grove Press. pp. 257–263.
499:military adviser Commander Mohr.
3410:Ferrier, Aimee (April 3, 2022).
3048:Powell, George (March 3, 1995).
2893:Peckinpah, A Portrait in Montage
2744:Peckinpah, A Portrait in Montage
2686:. Performing Arts. p. 148.
2428:Peckinpah, A Portrait in Montage
2140:National Society of Film Critics
1791:Sam Peckinpah and the making of
1706:National Society of Film Critics
665:Stephen Ferry as Sergeant McHale
463:parade to shield their getaway.
405:National Society of Film Critics
4257:Films directed by Sam Peckinpah
3976:essay by Michael Wilmington at
3920:
3894:
3868:
3837:
3806:
3787:Kit, Borys (January 19, 2011).
3780:
3749:
3725:
3706:
3682:Schneider, Stephen Jay (2005).
3675:
3499:
3480:
3465:
3403:
3385:
3365:
3334:
3302:
3271:
3255:. June 20, 1969. Archived from
3239:
3144:
3121:
3097:
3069:
3041:
3015:
2990:
2973:
2964:
2937:
2909:
2884:
2848:
2820:
2760:
2735:
2707:
2673:
2645:
2617:
2591:
2563:
2472:
2444:
2419:
2391:
2376:
2361:
2332:
2298:
2268:
2243:
2065:The Best 1,000 Movies Ever Made
1952:. Performing Arts. p. 15.
1875:In 2018, it was announced that
1840:was in the works. Screenwriter
738:had recently been purchased by
407:Award for Best Cinematography.
4262:Films scored by Jerry Fielding
4247:American Western (genre) films
3949:Sam Peckinpah's The Wild Bunch
3844:Sneider, Jeff (May 14, 2013).
3076:Stack, Peter (March 3, 1995).
2944:Dukore, Bernard Frank (1999).
2862:Sam Peckinpah's The Wild Bunch
2798:Sam Peckinpah's The Wild Bunch
2541:Hoberman, J. (April 3, 2005).
1973:
1939:
1893:List of American films of 1969
1786:
1783:as the 75th best of all time.
1757:The 1000 Best Movies Ever Made
1666:The 129 Best Films of All Time
1598:AFI's 100 Years of Film Scores
746:. It was quickly decided that
687:
412:the greatest films of all time
1:
4157:Pat Garrett and Billy the Kid
3946:Prince, Stephen, ed. (1999).
2947:Sam Peckinpah's Feature Films
1903:
1868:previous drafts submitted by
1570:AFI's 100 Years...100 Thrills
1504:Best Sound Editing – Dialogue
1383:was cited as cinematographer
1350:was to movie lovers in 1941,
682:
4252:1960s English-language films
4037:AFI Catalog of Feature Films
2923:. Grove Press. p. 334.
2721:. Grove Press. p. 356.
2659:. Grove Press. p. 321.
2631:. Grove Press. p. 320.
2577:. Grove Press. p. 319.
2486:. Grove Press. p. 323.
2052:. Retrieved August 30, 2024.
1946:Armour, Philip (June 2011).
1685:Motion Picture Editors Guild
1564:AFI's 100 Years...100 Movies
1499:Motion Picture Sound Editors
1210:resubmitted the film to the
7:
3515:. Retrieved April 16, 2024.
3496:. Retrieved April 16, 2024.
3477:. Retrieved April 16, 2024.
2216:. Retrieved April 16, 2024.
2194:. Retrieved April 16, 2024.
2154:. Retrieved April 16, 2024.
1989:. Retrieved April 16, 2024.
1886:
1176:
1039:The film was shot with the
446:as the sixth-best Western.
432:the 100 best American films
329:Mexico–United States border
21:Wild Bunch (disambiguation)
10:
4338:
4227:1969 Western (genre) films
3672:. Retrieved July 15, 2024.
3647:. Retrieved July 15, 2024.
3318:. July 2, 1969. p. 15
3247:"New Movies: Man and Myth"
3189:. July 2, 1969. p. 15
3117:– via Open WorldCat.
3055:The San Francisco Examiner
2986:. July 2, 1969. p. 9.
2192:Directors Guild of America
2189:The 80 Best-Directed Films
2096:. Retrieved July 15, 2024.
1755:ranked the film as one of
1681:Directors Guild of America
1163:
1070:
1026:
817:
757:
438:. In 2008, the AFI listed
397:Directors Guild of America
18:
16:1969 film by Sam Peckinpah
4125:The Ballad of Cable Hogue
4087:
3737:. Internet Movie Database
3703:. Retrieved July 7, 2024.
3630:. Retrieved July 7, 2024.
3438:Hoffmann, Henryk (2012).
2276:"100 Years...100 Thrills"
2176:. Retrieved July 7, 2024.
2124:. Retrieved July 7, 2024.
1812:
1546:
1524:
1497:
1479:
1440:
1132:The Ballad of Cable Hogue
1115:
277:
269:
261:
253:
243:
220:
212:
196:
186:
176:
166:
105:
95:
76:
57:
47:
42:Theatrical release poster
35:
30:
4292:Mexican Revolution films
4237:American vigilante films
2921:If They Move...Kill 'Em!
2891:Simmons, Garner (1982).
2832:If They Move...Kill 'Em!
2742:Simmons, Garner (1982).
2719:If They Move...Kill 'Em!
2657:If They Move...Kill 'Em!
2629:If They Move...Kill 'Em!
2575:If They Move...Kill 'Em!
2515:If They Move...Kill 'Em!
2484:If They Move...Kill 'Em!
2456:If They Move...Kill 'Em!
2426:Simmons, Garner (1982).
2403:If They Move...Kill 'Em!
2229:The 75 Best Edited Films
2210:Writers Guild of America
2207:The 101 Best Screenplays
1673:Writers Guild of America
1447:Best Original Screenplay
1325:In a 2002 retrospective
442:in 10 genres and ranked
3509:American Film Institute
3490:American Film Institute
3475:American Film Institute
3283:"The Wild Bunch (1969)"
3220:"The Wild Bunch (1969)"
3083:San Francisco Chronicle
2385:Rocky Mountain Magazine
2348:American Film Institute
2306:American Film Institute
1983:American Film Institute
1777:American Movie Classics
1553:American Film Institute
1061:That's not what I want!
1011:and his previous films
879:(who had co-starred in
701:Warner Bros.-Seven Arts
614:as Clarence "Crazy" Lee
538:
449:
428:American Film Institute
229:June 18, 1969
216:Warner Bros.-Seven Arts
206:Warner Bros.-Seven Arts
3978:National Film Registry
3793:The Hollywood Reporter
3762:The Hollywood Reporter
3281:(September 29, 2002).
2767:Dancyger, Ken (2010).
2604:Crawley's CastingCalls
2236:(Vol. 1, Issue 3) via
2233:Editors Guild Magazine
2009:British Film Institute
1872:and Brian Helgeland."
1626:National Film Registry
1612:(2008) – No. 6 Western
1420:Awards and nominations
1285:earned Holden an Oscar
1225:
1036:
980:'s film adaptation of
827:
515:
424:National Film Registry
399:, and cinematographer
4232:1960s vigilante films
4101:Ride the High Country
4093:The Deadly Companions
3259:on September 14, 2012
1927:. IMDb. June 19, 1969
1624:in the United States
1220:
1127:Ride the High Country
1034:
1014:Ride the High Country
898:The Deadly Companions
825:
626:as Lieutenant Herrera
513:
4312:1960s American films
4287:Films shot in Mexico
4197:The Osterman Weekend
3619:Entertainment Weekly
3536:on September 4, 2008
3140:– via YouTube.
3027:Entertainment Weekly
2113:Entertainment Weekly
1697:Entertainment Weekly
1258:began his review in
481:Mexican Federal Army
418:was selected by the
4272:Films set in Mexico
4242:American epic films
3530:Library of Congress
3353:on October 15, 2018
2255:Library of Congress
2137:100 Essential Films
2019:on November 6, 2017
1865:Jonathan Jakubowicz
1714:100 Essential Films
1637:magazine's list of
1622:Library of Congress
1551:Decades later, the
1531:Best Cinematography
1466:Best Original Score
653:Paul Harper as Ross
554:as "Dutch" Engstrom
436:most thrilling film
420:Library of Congress
410:Regarded as one of
393:Best Original Score
387:, and the music by
297:revisionist Western
292:is a 1969 American
4307:Warner Bros. films
4277:Films set in Texas
4079:Films directed by
4014:TCM Movie Database
3882:. October 20, 2015
3880:The Tracking Board
3225:The New York Times
3029:. October 21, 1994
2547:The New York Times
2320:on August 18, 2008
2069:The New York Times
1829:would produce and
1775:, a subsidiary of
1752:The New York Times
1600:(2005) – Nominated
1454:, Roy N. Sickner,
1283:(a 1953 film that
1261:The New York Times
1238:Critical reception
1212:MPAA ratings board
1037:
828:
732:'s screenplay for
716:The Cincinnati Kid
590:as General Mapache
516:
391:was nominated for
4267:Films set in 1913
4207:
4206:
3819:Los Angeles Times
3699:Films101.com via
3602:Los Angeles Times
3528:(Press release).
3451:978-0-7864-6638-2
3347:The Baltimore Sun
3288:Chicago Sun-Times
3218:(June 26, 1969).
3151:Erickson, Glenn.
2780:978-0-240-81397-4
2370:Los Angeles Times
2308:(June 17, 2008).
2013:Sight & Sound
1959:978-0-7627-6996-4
1851:On May 15, 2013,
1712:on their list of
1664:on their list of
1657:Los Angeles Times
1647:Sight & Sound
1544:
1543:
1397:Sight & Sound
1306:William Wolf for
754:to the theaters.
705:The Diamond Story
656:Bill Hart as Jess
650:as Commander Mohr
299:film directed by
285:
284:
281:$ 11 million
4329:
4173:The Killer Elite
4073:
4066:
4059:
4050:
4049:
3990:, pages 647–649
3963:
3933:
3932:
3924:
3918:
3917:
3915:
3913:
3898:
3892:
3891:
3889:
3887:
3872:
3866:
3865:
3863:
3861:
3852:. Archived from
3841:
3835:
3834:
3832:
3830:
3825:on June 22, 2013
3821:. Archived from
3810:
3804:
3803:
3801:
3799:
3784:
3778:
3777:
3775:
3773:
3768:on June 16, 2006
3764:. Archived from
3753:
3747:
3746:
3744:
3742:
3729:
3723:
3722:
3715:"The Wild Bunch"
3710:
3704:
3701:Internet Archive
3694:
3688:
3687:
3679:
3673:
3654:
3648:
3644:Business Insider
3637:
3631:
3612:
3606:
3594:
3588:
3587:
3581:
3573:
3571:
3569:
3552:
3546:
3545:
3543:
3541:
3522:
3516:
3513:Internet Archive
3503:
3497:
3494:Internet Archive
3484:
3478:
3469:
3463:
3462:
3460:
3458:
3435:
3429:
3428:
3426:
3424:
3407:
3401:
3400:
3389:
3383:
3382:
3373:"The Wild Bunch"
3369:
3363:
3362:
3360:
3358:
3349:. Archived from
3338:
3332:
3331:
3328:Internet Archive
3325:
3323:
3306:
3300:
3299:
3297:
3295:
3275:
3269:
3268:
3266:
3264:
3243:
3237:
3236:
3234:
3232:
3212:
3203:
3202:
3199:Internet Archive
3196:
3194:
3177:
3168:
3167:
3165:
3163:
3148:
3142:
3141:
3125:
3119:
3118:
3109:. July 4, 2006.
3101:
3095:
3094:
3092:
3090:
3073:
3067:
3066:
3064:
3062:
3045:
3039:
3038:
3036:
3034:
3019:
3013:
3012:
3010:
3008:
2994:
2988:
2987:
2977:
2971:
2968:
2962:
2961:
2941:
2935:
2934:
2913:
2907:
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2888:
2882:
2881:
2865:
2852:
2846:
2845:
2824:
2818:
2817:
2801:
2791:
2785:
2784:
2764:
2758:
2757:
2739:
2733:
2732:
2711:
2705:
2704:
2702:
2700:
2677:
2671:
2670:
2649:
2643:
2642:
2621:
2615:
2614:
2612:
2610:
2600:"The Wild Bunch"
2595:
2589:
2588:
2567:
2561:
2560:
2555:
2553:
2538:
2529:
2528:
2507:
2498:
2497:
2476:
2470:
2469:
2448:
2442:
2441:
2423:
2417:
2416:
2395:
2389:
2388:
2380:
2374:
2373:
2365:
2359:
2358:
2356:
2354:
2336:
2330:
2329:
2327:
2325:
2316:. Archived from
2302:
2296:
2295:
2293:
2291:
2286:on July 16, 2011
2272:
2266:
2265:
2263:
2261:
2247:
2241:
2238:Internet Archive
2226:
2217:
2214:Internet Archive
2204:
2195:
2186:
2177:
2164:
2155:
2152:Internet Archive
2134:
2125:
2106:
2097:
2086:
2077:
2074:Internet Archive
2062:
2053:
2050:Internet Archive
2038:
2029:
2028:
2026:
2024:
2015:. Archived from
2001:
1990:
1987:Internet Archive
1977:
1971:
1970:
1968:
1966:
1943:
1937:
1936:
1934:
1932:
1921:"Box Office for
1917:
1722:Business Insider
1424:
1423:
1250:
1228:Oscar-nominated
1110:new set of codes
869:Paint Your Wagon
786:Bonnie and Clyde
740:20th Century Fox
620:as Major Zamorra
588:Emilio Fernández
566:as Freddie Sykes
560:as Deke Thornton
461:temperance union
273:$ 6 million
236:
234:
148:Emilio Fernández
40:
28:
27:
4337:
4336:
4332:
4331:
4330:
4328:
4327:
4326:
4212:
4211:
4208:
4203:
4083:
4077:
4045:at Filmsite.org
3970:
3960:
3942:
3940:Further reading
3937:
3936:
3925:
3921:
3911:
3909:
3899:
3895:
3885:
3883:
3874:
3873:
3869:
3859:
3857:
3856:on June 7, 2013
3842:
3838:
3828:
3826:
3811:
3807:
3797:
3795:
3785:
3781:
3771:
3769:
3754:
3750:
3740:
3738:
3731:
3730:
3726:
3711:
3707:
3695:
3691:
3680:
3676:
3664:, published by
3655:
3651:
3638:
3634:
3622:, published by
3613:
3609:
3599:Rainer, Peter.
3595:
3591:
3575:
3574:
3567:
3565:
3554:
3553:
3549:
3539:
3537:
3524:
3523:
3519:
3504:
3500:
3485:
3481:
3470:
3466:
3456:
3454:
3452:
3436:
3432:
3422:
3420:
3408:
3404:
3399:. May 28, 2021.
3391:
3390:
3386:
3378:Rotten Tomatoes
3371:
3370:
3366:
3356:
3354:
3339:
3335:
3321:
3319:
3308:
3307:
3303:
3293:
3291:
3276:
3272:
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3260:
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3206:
3192:
3190:
3179:
3178:
3171:
3161:
3159:
3149:
3145:
3136:
3133:Wayback Machine
3126:
3122:
3103:
3102:
3098:
3088:
3086:
3074:
3070:
3060:
3058:
3046:
3042:
3032:
3030:
3023:"Tough 'Bunch'"
3021:
3020:
3016:
3006:
3004:
2996:
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1827:Jerry Weintraub
1815:
1789:
1683:. In 2012, the
1610:AFI's 10 Top 10
1606:(2007) – No. 79
1572:(2001) – No. 69
1566:(1998) – No. 80
1549:
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1389:Kathryn Bigelow
1371:Rotten Tomatoes
1364:Gotterdammerung
1332:Reader's Digest
1297:Stanley Kubrick
1248:
1240:
1179:
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1118:
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969:The Dirty Dozen
964:Ernest Borgnine
952:Richard Jaeckel
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932:Charles Bronson
908:The Dirty Dozen
844:Charlton Heston
840:Sterling Hayden
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730:William Goldman
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608:as Pat Harrigan
594:Strother Martin
584:as Tector Gorch
552:Ernest Borgnine
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479:officer in the
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309:Ernest Borgnine
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1881:The Wild Bunch
1855:reported that
1838:The Wild Bunch
1831:Mark Vahradian
1823:The Wild Bunch
1814:
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1803:The Wild Bunch
1793:The Wild Bunch
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1781:The Wild Bunch
1731:The Wild Bunch
1710:The Wild Bunch
1708:also included
1702:The Wild Bunch
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1402:The Wild Bunch
1381:The Wild Bunch
1375:The Wild Bunch
1366:of Westerns".
1356:Michael Sragow
1352:The Wild Bunch
1289:The Wild Bunch
1267:The Wild Bunch
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995:The Wild Bunch
983:The Pawnbroker
960:George Peppard
925:Arthur Kennedy
877:Richard Harris
856:Robert Mitchum
848:Burt Lancaster
832:William Holden
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812:The Wild Bunch
802:Akira Kurosawa
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548:as Pike Bishop
546:William Holden
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505:trestle bridge
457:bounty hunters
451:
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416:The Wild Bunch
401:Lucien Ballard
389:Jerry Fielding
374:The Wild Bunch
346:was filmed in
344:The Wild Bunch
340:Roy N. Sickner
317:Edmond O'Brien
305:William Holden
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1187:intermission
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1020:Major Dundee
1018:
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1008:The Rifleman
1006:
1003:Warren Oates
994:
989:Stage actor
988:
981:
978:Sidney Lumet
974:Robert Blake
967:
929:
906:
903:World War II
896:
890:
882:Major Dundee
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860:Gregory Peck
834:, including
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798:Major Dundee
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727:
720:
714:
710:Major Dundee
708:
704:
698:
693:
691:
669:Sonia Amelio
636:Chano Urueta
632:as Wainscoat
624:Alfonso Arau
618:Jorge Russek
570:Warren Oates
533:
529:
521:
517:
501:
489:
485:Pancho Villa
465:
453:
443:
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409:
373:
372:
343:
333:
325:Warren Oates
288:
287:
286:
245:Running time
222:Release date
133:Warren Oates
100:Phil Feldman
25:
4149:The Getaway
3907:Screen Rant
3741:November 9,
3423:November 3,
3061:November 3,
3007:November 3,
1787:Documentary
1759:. In 2022,
1452:Walon Green
1327:Roger Ebert
1301:Arthur Penn
1129:(1962) and
1120:Critics of
1017:(1962) and
944:Robert Culp
913:Henry Fonda
895:(1960) and
887:Brian Keith
804:'s work in
791:Vietnam War
781:Arthur Penn
777:Nazas River
688:Development
638:as Don José
582:Ben Johnson
558:Robert Ryan
430:'s list of
378:slow motion
368:Nazas River
348:Technicolor
336:Walon Green
321:Ben Johnson
313:Robert Ryan
249:145 minutes
143:Ben Johnson
123:Robert Ryan
96:Produced by
83:Walon Green
65:Walon Green
48:Directed by
4222:1969 films
4216:Categories
4133:Straw Dogs
3988:0826429777
3772:August 15,
3568:October 7,
3162:October 6,
2998:"Articles"
2813:0521586062
2699:October 6,
2609:October 6,
1965:October 6,
1904:References
1877:Mel Gibson
1870:David Ayer
1857:Will Smith
1846:Tony Scott
1819:David Ayer
1738:Film Guide
1736:Time Out's
1727:Metacritic
1493:Nominated
1481:DGA Awards
1475:Nominated
1460:Nominated
1293:flashbacks
1200:home video
1041:anamorphic
999:Bo Hopkins
921:Van Heflin
917:Glenn Ford
852:Lee Marvin
683:Production
630:Dub Taylor
612:Bo Hopkins
600:L.Q. Jones
503:blow up a
473:Rio Grande
352:Panavision
278:Box office
233:1969-06-18
198:Production
158:L.Q. Jones
3829:March 13,
3540:April 13,
3322:April 29,
3263:April 13,
3231:April 13,
3193:April 29,
3115:225082112
3089:April 13,
1817:In 2005,
1749:In 2003,
1719:In 2016,
1694:In 1999,
1660:included
1616:In 1999,
1559:" lists:
1557:100 Years
1430:Category
1280:Stalag 17
1206:In 1993,
1141:catharsis
1081:Noon Wine
940:Alex Cord
936:Jim Brown
722:Noon Wine
699:In 1967,
677:as Aurora
671:as Teresa
596:as Coffer
493:U.S. Army
477:Huertista
177:Edited by
4025:AllMovie
3850:The Wrap
3670:FilmSite
3661:Time Out
3628:FilmSite
3578:cite web
3294:June 26,
3157:DVD Talk
3131:and the
3033:June 26,
2919:(1994).
2830:(1994).
2717:(1994).
2655:(1994).
2627:(1994).
2573:(1994).
2513:(1994).
2482:(1994).
2454:(1994).
2401:(1994).
2353:June 18,
2324:June 18,
2174:FilmSite
2148:FilmSite
2122:FilmSite
1887:See also
1853:The Wrap
1589:(2005):
1578:(2003):
1433:Subject
1360:Kurosawa
1319:New York
1177:Versions
1157:Lord Jim
1135:(1970).
1023:(1965).
972:(1967).
872:(1969).
773:Coahuila
769:Saltillo
725:(1966).
578:as Angel
403:won the
364:Coahuila
360:Saltillo
262:Language
187:Music by
106:Starring
77:Story by
4034:at the
4012:at the
3860:May 15,
3798:May 15,
3417:Far Out
3397:A.frame
3357:May 21,
3315:Variety
3186:Variety
3002:TCM.com
2983:Variety
2552:May 21,
2344:AFI.com
2280:afi.com
2260:May 15,
2093:Variety
2023:May 28,
1931:May 26,
1762:Variety
1700:ranked
1687:listed
1436:Result
1164:Release
1071:Editing
1027:Filming
818:Casting
765:Torreón
758:Writing
662:as Buck
644:as Elsa
602:as T.C.
525:brothel
469:washers
356:Torreón
265:English
254:Country
231: (
200:company
4200:(1983)
4192:(1978)
4189:Convoy
4184:(1977)
4176:(1975)
4168:(1974)
4160:(1973)
4152:(1972)
4144:(1972)
4136:(1971)
4128:(1970)
4120:(1969)
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1547:Legacy
1427:Award
1362:: the
1344:"What
1249:'s
1116:Themes
1057:squibs
958:, and
885:) and
862:, and
497:German
338:, and
270:Budget
3719:Salon
2870:–16.
1216:NC-17
385:Oscar
4003:IMDb
3984:ISBN
3954:ISBN
3914:2018
3888:2017
3862:2013
3831:2013
3800:2013
3774:2022
3743:2007
3584:link
3570:2014
3542:2010
3511:via
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3459:2017
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3265:2010
3252:Time
3233:2010
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3164:2014
3111:OCLC
3091:2010
3063:2022
3035:2022
3009:2022
2952:ISBN
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