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149:(MERLOT) process in 2010. MERLOT highly recommended the use of the tool for teaching, praising the access to primary sources it provides; however, they also noted the need for educators to create instructional materials on how to use the site and the ease by which someone could get lost. Scholars have also written a number of educational case studies on how to use the archive.
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When publishing his poetry, William Blake would create print block illustrations for his book, print his books in black and white and then hand paint the illustrations within the prints. Furthermore, many of his works underwent multiple editions of printing, each with unique variations in the prints
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project, provides high quality digital copies of the facsimiles, providing scholars and students an opportunity to see the complexity of his published works often not available by viewing the scholarly print editions.
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used to illustrate the poems and the poems themselves. Because of this complex process and the quality of his art, his art and poetry has been highly sought by collectors and scholars. The archive, as a
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129:-period poet, artist, and engraver, alongside annotation, commentary and scholarly materials related to Blake.
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project started in 1994, a first version of the website was launched in 1996. The project is sponsored by the
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Viscomi, Joseph (February 2002). "Digital
Facsimiles: Reading the William Blake Archive".
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William Blake and
Digital Humanities:Collaboration, Participation, and Social Media.
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Crawford, Kendal; Levy, Michelle (February 2017). "The
William Blake Archive".
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The Four and Twenty Elders
Casting their Crowns before the Divine Throne
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Multimedia
Educational Tools for Learning and Online Teaching
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The Wood of the Self-Murderers: The
Harpies and the Suicides
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Themes from
William Blake's The Marriage of Heaven and Hell
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297:. The Electronic Poetry Center at The University of Buffalo
295:"World Wide Poetry on the Web" a MLA Poetry Division Panel
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The Works of
William Blake: Poetic, Symbolic and Critical
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RIDE: A Review
Journal for Digital Editions and Resources
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169:" from MLA 2000 in Washington, D.C. or Daniel Cook "
291:"Using the William Blake Archive in Teaching Poetry"
167:Using the William Blake Archive in Teaching Poetry
58:Morris Eaves, Robert N. Essick, and Joseph Viscomi
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27:Digital humanities project first created in 1994
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894:Jerusalem: The Emanation of the Giant Albion
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111:University of North Carolina at Chapel Hill
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227:. The William Blake Archive. June 14, 2011
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141:The archive has been peer reviewed by the
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1301:Scholarship, in popular culture, and more
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354:English Editorial Board (Nov 25, 2010).
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356:"Peer Review:The William Blake Archive"
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171:Teaching Romanticism VI: William Blake
165:See for example Josephine A. McQuail "
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225:"The William Blake Archive Site Info"
1365:Serenade for Tenor, Horn and Strings
379:Whitson, Roger and Jason Whittaker.
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1381:Songs and Proverbs of William Blake
1246:On the Morning of Christ's Nativity
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852:Visions of the Daughters of Albion
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402:The William Blake Archive Homepage
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1415:William Blake in popular culture
1260:Illustrations of the Book of Job
252:Journal of Electronic Publishing
1129:Original Stories from Real Life
838:The Marriage of Heaven and Hell
246:Eaves, Morris (December 1997).
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1150:The Night of Enitharmon's Joy
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749:The Voice of the Ancient Bard
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489:There is No Natural Religion
318:Computers and the Humanities
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1490:Digital humanities projects
942:Never pain to tell thy love
383:New York: Routledge, 2013.
143:Modern Language Association
84:; 30 years ago
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18:The William Blake Archive
908:The Pickering Manuscript
265:10.3998/3336451.0003.202
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756:(found only in Copy BB)
634:The Clod and the Pebble
330:10.1023/A:1013163229994
115:University of Rochester
1441:Catherine Blake (wife)
289:McQuail, Josephine A.
1420:William Blake Archive
1319:Life of William Blake
1209:Descriptive Catalogue
916:Auguries of Innocence
845:The French Revolution
649:The Little Girl Found
482:All Religions are One
475:An Island in the Moon
175:Romantic Textualities
109:and supported by the
31:William Blake Archive
1216:The Great Red Dragon
923:The Mental Traveller
644:The Little Girl Lost
556:The Little Boy Found
536:The Little Black Boy
1238:Agony in the Garden
1231:The Ghost of a Flea
1136:The Ancient of Days
935:Rossetti Manuscript
704:The Little Vagabond
684:My Pretty Rose Tree
654:The Chimney Sweeper
616:Songs of Experience
606:On Another's Sorrow
551:The Little Boy Lost
546:The Chimney Sweeper
208:10.18716/ride.a.5.5
107:Library of Congress
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1475:Digital humanities
1170:Illustrations for
866:The Book of Ahania
859:The Book of Urizen
792:America a Prophecy
734:A Little Girl Lost
714:The Human Abstract
699:The Garden of Love
526:The Ecchoing Green
513:Songs of Innocence
501:Songs of Innocence
135:digital humanities
117:. Inspired by the
103:digital humanities
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729:A Little Boy Lost
503:and of Experience
468:Poetical Sketches
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16:(Redirected from
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1333:Fearful Symmetry
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324:(1): 27–48.
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46:Type of site
1437:(1989 play)
781:continental
541:The Blossom
1469:Categories
1434:In Lambeth
1115:and prints
1045:Palamabron
1010:Golgonooza
1000:Enitharmon
783:prophecies
596:Infant Joy
185:References
1218:paintings
1180:The Grave
1113:Paintings
964:Mythology
769:Prophetic
739:To Tirzah
694:The Lilly
679:The Tyger
674:The Angel
361:March 10,
301:March 16,
231:March 19,
173:" on the
1446:Ancients
1389:The Lamb
1270:Sketches
531:The Lamb
338:42669262
127:Romantic
113:and the
79:Launched
1408:Related
1357:Musical
1075:Urthona
1060:Thiriel
1055:Tharmas
1050:Spectre
990:Bromion
669:The Fly
601:A Dream
87: (
1400:(1998)
1392:(1982)
1384:(1965)
1376:(1958)
1368:(1943)
1157:Newton
1070:Urizen
1065:Tiriel
1025:Leutha
1015:Grodna
985:Beulah
980:Albion
975:Ahania
887:Milton
824:Tiriel
709:London
586:Spring
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336:
55:Editor
1426:Blake
1035:Luvah
1005:Fuzon
995:Enion
816:Other
771:books
581:Night
334:S2CID
258:(2).
202:(5).
177:blog.
153:Notes
101:is a
1224:Pity
1085:Vala
1080:Utha
933:The
779:The
385:ISBN
363:2015
303:2013
233:2013
89:1994
82:1994
72:.org
1103:Art
1040:Orc
1030:Los
1020:Har
326:doi
270:hdl
260:doi
204:doi
68:www
63:URL
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
