688:"Her husband has died years ago, she's a stern, rich old woman, and she has a last romantic fling with this stern, rich old Berber, the Sultan of the mountains, who can't really do all the things he used to do but pulls it together one more time to save her from the Blue People. A very heroic character. And of course the children would look at such a character as being even greater than Sean Connery – this old man would be the greatest old thing they'd ever seen, and they'd have great admiration for their grandmother for standing up to him, the way old people can snipe at each other and love each other because they have the common bond of age. That was the purest form the movie ever had. Roosevelt was a very young, visceral presence, a vibrant man who represented a new world, who understood Raisuli's world very well but was forced to change it".
1057:
1048:. Leonard was the stunt coordinator and did some of the stunts and also has a minor part as Roosevelt's boxing opponent early in the film. Milius claims that only four American stunt men were used in the entire final battle scene; the number of Spanish stunt men was close to twenty throughout the filming. He and Leonard have defended the film against criticism for alleged "animal cruelty", claiming that not a single horse was seriously hurt during filming. While filming this scene, Antoine Saint-John revealed himself to be terrified of horses, and would often hide somewhere on the set when his sword fight with Sean Connery was to be filmed.
978:
786:"I think people should take home more understanding – or rather awareness – of what I think is the American character", said Milius. "It's very well put in the grizzly bear. I don't think Americans are necessarily civilised or too calm and rational about their approach to life. I rather like that. I really like grizzly bears too. I like grizzly bears a lot more than most people ... You can take the politics to be anyway you want, for or against the United States".
631:
374:. Raisuli considers the Bashaw to be corrupt and beholden to the Europeans. He kidnaps the American Eden Pedecaris and her children, William and Jennifer, in a raid on their home. Sir Joshua Smith, a British friend of Eden's, is killed during the raid. Raisuli then issues an outrageous ransom demand, deliberately attempting to provoke an international incident in order to embarrass the Sultan and start a civil war.
444:"To Theodore Roosevelt - You are like the wind and I like the lion. You form the tempest. The sand stings my eyes and the ground is parched. I roar in defiance but you do not hear. But between us there is a difference. I, like the lion, must remain in my place. While you, like the wind, will never know yours. - Mulay Hamid El Raisuli, Lord of the Rif, Sultan to the Berbers, Last of the Barbary Pirates."
29:
692:
Milius had to make the leading characters younger to get the film financed. "No one wanted to make a movie about Arabs and Teddy
Roosevelt. So we had to make concessions: a more romantic male, a beautiful woman, much more box office that way. You make these concessions as you go along and perhaps, at
439:
A three-way battle ensues, in which the
Berbers and Americans team up to defeat the Germans and their Moroccan allies, rescuing Raisuli in the process. In the United States, Roosevelt is cheered for this great victory, and the Pedecarises arrive safely back in Tangier. Later, Roosevelt reads a letter
799:, also using many of the same sets, including the "Aqaba" set which had been constructed for Lean's film, here serving as the setting for the final, three-way battle between the Berbers, the Europeans and their Moroccan allies, and the Americans. The Bashaw's palace was the Palace of the Americas in
427:
Captain Jerome, tired of the Sultan's perfidy and the meddling of the
European powers. They decide to engage in "military intervention" to force a negotiation by seizing the actual seat of power, the Bashaw's palace in Tangier. Jerome's company of Marines, supported by a detachment of sailors, march
1167:
by John Milius, based on Milius's film, was published by Award Books in
January 1975. Based on the screenplay, the story is slightly different from the finished film, with several additional scenes (notably, Eden Pedecaris taking a bath at Raisuli's palace and Gummeré watching the Atlantic Squadron
419:
and a lout". The
Pedecarises attempt an escape, helped by one of Raisuli's men, but they are betrayed and given to a gang of desert brigands. Luckily, Raisuli has tracked them and kills the kidnappers with a rifle and sword. He reveals that he does not have any intention of harming the Pedecarises
883:
in mind, although she may not have actually been approached for the role. Milius later said he did not particularly enjoy working with
Candice Bergen or Sean Connery, particularly Connery because he was so "sour and dour". He greatly admired Connery's performance, whereas he felt Bergen's acting
431:
Under coercion, the Bashaw finally agrees to accede to the
Raisuli's demands. But during a hostage exchange, Raisuli is betrayed and captured by German and Moroccan troops under the command of von Roerkel. Jerome and a small contingent of Marines are present to secure Pedecaris and her children.
436:, organizes the Berber tribe for an attack on the Europeans and Moroccans, while Eden suddenly attacks Jerome. She convinces him and his men at gunpoint to rescue Raisuli to uphold the word of President Roosevelt that Raisuli will be unharmed if the Pedecaris family are returned safely.
1037:), who marched with precision through the streets of Seville and AlmerĂa en route to the Bashaw's palace. According to Milius (on the DVD commentary), the U. S. Marine Corps actually shows this scene to its advanced infantry classes for midshipmen at the
408:, to Tangier, either to retrieve Pedecaris or to force the Sultan to accede to Raisuli's demands. Roosevelt finds himself gaining more and more respect for Raisuli, thinking him an honorable man who just happens to be his enemy.
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through the streets of
Tangier, much to the surprise of the European legations, whose forces are with the Sultan at distant Fez. They overwhelm the Bashaw's palace guard, taking the Bashaw hostage and forcing him to negotiate.
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magazine, and he found the story fascinating; he decided to adapt it into a screenplay once he figured how to make the story more cinematic, by making Ion
Perdicaris a woman, Eden Pedecaris. Milius also researched
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and is merely bluffing. Eden and
Raisuli come to develop a friendly relationship as Raisuli reveals his story, that he was once taken captive by his brother, the Bashaw, and kept in a dungeon for several years.
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has released a bare-bones DVD in Australia (R4) and in several European markets (Region 2), notably Germany, though not yet in the United Kingdom (the Sony release is English-friendly though).
783:. Milius' apparent endorsement of imperialism was not attacked by critics, perhaps due to the film's subtle satiric manner and for the accurate recreation of the era in which its story is set.
720:
Milius said the film was a "boy's adventure movie ... seen through children's eyes ... I'm sick of seeing children used as a point of view when they're sitting there blanching with terror".
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arrive in Tangier) included, and the story's chronology is slightly different. The first printing included a chapter about production events and brief biographies of the cast and crew.
707:
Milius stated both in interviews and the DVD commentary that he was consciously echoing a number of classic adventure films and stories. He cites the famous British periodical
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Sterritt (28 July 1975). "Wind and the Lion'--a look behind MGM epic: Comments from its 'superstars' and its writer-director Deliberate distortion? False image?first=David".
1500:
David Sterritt (28 July 1975). "'Wind and the Lion'--a look behind MGM epic: Comments from its 'superstars' and its writer-director Deliberate distortion? False image?".
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Milius also had inspiration from more recent films while making the film. He based the film's cinematography, use of desert landscapes, and filming of battle scenes on
2010:
918:), who plays the gun-shooting, white-suited Englishman Sir Joshua Smith in the opening scenes of the attack at the Pedecaris villa and stunt supervisor
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to play Eden Pedecaris, but Sharif refused the part and Dunaway became ill due to exhaustion, having to be replaced at short notice by Bergen.
926:, and Milius himself cameos as the one-armed German officer who gives the Sultan his Maxim gun to test-fire ("Herr Sultan is displeased?").
385:. He decides to use the kidnapping as both political propaganda (coining the phrase "Pedecaris alive or Raisuli dead!") and as an effort to
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released the film on DVD on January 6, 2004, featuring a brief production featurette, the theatrical trailer, and a commentary by Milius.
823:, which inspired the final confrontation between the American and German troops and the earlier scene where the Sultan test-fires his
1955:
382:
1965:
901:) in the film, but the studio would not let him as they were worried about being sued by RKO. Instead, he used the character of
762:, and the scene of Jennifer Pedecaris being cornered by Aldo Sambrell's character and kidnapped is a reference to the 1956 film
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inspired the depiction of Sultan Abdelaziz's court. Milius took similar care in researching the scenes with Theodore Roosevelt.
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958:, and the "Washington" scenes being filmed in and around Madrid. For the deserts of Morocco, Milius used many locations in the
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provided inspiration for the film's style and storytelling technique. The use of children as protagonists is also inspired by
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called it "Generally literate and very commercial period action drama, well written and better directed by John Milius."
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The Marines and sailors used in the Tangier attack scene were Spanish special forces troops, along with a handful of
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as Roosevelt's sparring partner. The special effects supervisor Alex Weldon appears as Roosevelt's Secretary of War,
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rebel and anti-imperialist leader, and Bergen plays his hostage Eden Pedecaris, a fictional character inspired by
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America's military strength as a new great power, despite the protests of his cautious Secretary of State,
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752:. Raisuli's rescue of the Pedecarises on the beach is similar to another mounted sword-fighting scene in
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the film has a score of 69% based on reviews from 9 critics, indicating "generally favorable reviews".
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Official entry of the German edition, listing the various soundtracks and subtitles the DVD comes with
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Several of the crew are cast, most notably the cinematographer Billy Williams (perhaps best known for
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debuted in New York during May 1975 and Britain in October. The film was a financial success, though
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with the children being her grandchildren, and the Berber would be a similar age. Milius:
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making his first film as an independent after five years as head of production at
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Milius says he originally wanted Mrs. Pedecaris to be 55 or 60 and played by
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the film has an approval rating of 63% based on reviews from 16 critics. On
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was also considered for Raisuli. Milius said he wrote the part of Eden with
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range was extremely limited, and she was only concerned with looking good.
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According to Milius, virtually all of the film's stunts were performed by
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a certain point in your career, you don't have to make them, and you make
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Shortly after its release, the film was screened for U.S. President
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Backstory 4: Interviews with Screenwriters of the 1970s and 1980s
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Most noticeably, the film inherits a cavalier attitude towards
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August 1959; later republished in Tuchman's compilation book
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Murphy, Mary (Aug 2, 1974). "A 'Lollipop' for Valentine".
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Milius' inspiration had come from reading an article by
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is the source of conflict among the colonial powers of
1518:"The 48th Academy Awards (1976) Nominees and Winners"
1595:"DVD Savant Blu-ray Review: The Wind and the Lion"
988:The scene at Raisuli's headquarters was filmed at
440:he received from Raisuli, comparing the two men:
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1364:Thompson, Richard (July–August 1976). "STOKED".
699:. Maybe it's better that you make concessions".
290:Milius' second feature film, it was produced by
1411:Segaloff, Nat, "John Milius: The Good Fights",
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934:Filming was done in Spain, with the towns of
362:insurrectionists opposed to the young Sultan
322:nominations. John Milius was nominated for a
271:. The film is loosely based on the real-life
16:1975 film written and directed by John Milius
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411:The Pedecarises are kept as hostages in the
817:. Another major influence is the 1969 film
2011:Films about the United States Marine Corps
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1419:, University of California 2006 p. 291-292
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1971:Cultural depictions of Theodore Roosevelt
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1290:Ken Plume, "Interview with John Milius"
1254:A Blu-ray edition of the film from the
350:. Each nation is trying to establish a
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1295:, 7 May 2003 Retrieved 5 January 2013.
1025:and United States Navy personnel from
2016:Films with screenplays by John Milius
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1334:"Perdicaris Alive or Raisuli Dead!",
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835:The film was a co production between
564:Polly Gottesman as Jennifer Pedecaris
1824:The Life and Times of Judge Roy Bean
1206:, though he lost to fellow composer
1083:
1340:Practicing History: Selected Essays
1080:distracted attention away from it.
561:Simon Harrison as William Pedecaris
13:
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1060:A marquee advertising the film in
1004:(where Roosevelt gives his famous
14:
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717:, as inspirations for the film.
615:as the one-armed military advisor
423:Gummeré, Chadwick, and his aide,
298:, and distributed in the U.S. by
1481:Variety Staff (1 January 1975).
1258:was released on April 29, 2014.
1249:Sony Pictures Home Entertainment
895:" (the name of his character in
432:Raisuli's friend, the Sherif of
396:The American Consul to Tangier,
377:In the United States, President
1956:Films scored by Jerry Goldsmith
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1319:"All-Time Film Rental Champs",
1119:The film was nominated for two
404:, under the command of Admiral
1966:Films about Theodore Roosevelt
1559:AFI's 100 Years Of Film Scores
1430:"The Wind and the Lion (1975)"
1405:
1390:
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1268:List of American films of 1975
1180:was composed and conducted by
1155:nominated Milius' screenplay.
665:'s 1924 biography of Raisuli,
620:
324:Writers Guild of America Award
222:$ 4.5 million or $ 4.2 million
33:Pre-release promotional poster
1:
1976:Films directed by John Milius
1503:The Christian Science Monitor
1384:The Christian Science Monitor
1309:. ABC-Clio. pp. 174–175.
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1227:
830:
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642:) inspired the film's events.
526:Admiral French Ensor Chadwick
1951:1970s English-language films
1872:Geronimo: An American Legend
1656:AFI Catalog of Feature Films
1184:. True to the style of such
1051:
839:, then under the control of
713:, as well as the stories of
514:as Captain Jerome (based on
467:as Eden Pedecaris (based on
7:
1941:American biographical films
1307:Film Directors on Directing
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1232:It was released in 1991 on
1222:top 25 American film scores
891:to play newspaper magnate "
723:1930s adventure films like
667:The Sultan of the Mountains
358:is the leader of a band of
10:
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1236:from Warner Home Video in
1008:speech) was filmed in the
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803:, having appeared in both
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2001:Metro-Goldwyn-Mayer films
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1256:Warner Archive Collection
1002:Yellowstone National Park
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1880:Clear and Present Danger
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1305:Gallagher, John (1989).
1220:'s 250 nominees for the
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1153:Writers Guild of America
982:Castillo de La Calahorra
251:written and directed by
1946:Columbia Pictures films
1593:Glenn Erickson (2014).
1483:"The Wind and the Lion"
1456:"The Wind and the Lion"
1218:American Film Institute
903:William Randolph Hearst
634:The 1904 kidnapping of
448:
402:South Atlantic Squadron
329:
310:’s film score received
302:and internationally by
275:of 1904. Connery plays
230:$ 9.2 million (rentals)
1961:Films about kidnapping
1765:Flight of the Intruder
1709:Marcello, I'm So Bored
1115:Awards and nominations
1064:
985:
775:, foreign policy, and
744:A High Wind in Jamaica
690:
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636:Ion Hanford Perdicaris
597:as Gayaan the Terrible
533:as the Sherif of Wazan
486:as Secretary of State
469:Ion Hanford Perdicaris
446:
356:Mulai Ahmed er Raisuli
285:Ion Hanford Perdicaris
277:Mulai Ahmed er Raisuli
177:May 22, 1975
140:Herb Jaffe Productions
2021:Films shot in AlmerĂa
1916:1970s adventure films
1725:The Wind and the Lion
1650:The Wind and the Lion
1639:The Wind and the Lion
1628:The Wind and the Lion
1617:The Wind and the Lion
1545:soundtrack review at
1542:The Wind and the Lion
1351:cf. Harris, pp. 81-83
1178:The Wind and the Lion
1165:The Wind and the Lion
1068:The Wind and the Lion
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970:, as well as several
851:. It was produced by
777:military intervention
686:
633:
442:
406:French Ensor Chadwick
238:The Wind and the Lion
22:The Wind and the Lion
2031:Whitewashing in film
2026:1970s American films
2006:United Artists films
1996:Films set in Morocco
1991:Films set in deserts
1981:Films set in Tangier
1757:Farewell to the King
1701:Written and directed
1151:. Additionally, the
871:to play Raisuli and
326:for his screenplay.
185: (New York City)
1936:American epic films
1741:Conan the Barbarian
1342:(1981), pp. 104-117
1204:Best Original Score
1129:Best Original Score
1039:U. S. Naval Academy
1015:Conan the Barbarian
960:province of AlmerĂa
893:Charles Foster Kane
759:The Hidden Fortress
603:as Sir Joshua Smith
366:and his uncle, the
352:sphere of influence
296:Metro-Goldwyn-Mayer
241:is a 1975 American
137:Metro-Goldwyn-Mayer
1931:American war films
1644:TCM Movie Database
1580:2009-05-27 at the
1417:Patrick McGilligan
1195:Lawrence of Arabia
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1023:U. S. Marine Corps
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972:Spaghetti Westerns
964:Lawrence of Arabia
805:Lawrence of Arabia
796:Lawrence of Arabia
648:Barbara W. Tuchman
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556:Antoine Saint-John
479:Theodore Roosevelt
379:Theodore Roosevelt
1986:Films set in 1904
1898:
1897:
1864:Extreme Prejudice
1399:Los Angeles Times
1368:. pp. 10–21.
1366:Film Comment 12.4
1336:American Heritage
1245:Warner Home Video
1141:William McCaughey
1084:Critical response
950:all doubling for
845:Columbia Pictures
732:The Four Feathers
682:Katharine Hepburn
657:American Heritage
652:Perdicaris affair
640:Perdicaris affair
578:Quentin Roosevelt
543:Richard Dreighton
516:John Twiggs Myers
497:Samuel R. Gummeré
354:in that country.
304:Columbia Pictures
273:Perdicaris affair
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1027:the naval base
1010:Meseta Central
931:
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887:Milius wanted
881:Julie Christie
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857:United Artists
847:, then run by
841:Daniel Melnick
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249:adventure film
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1506:. p. 26.
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1792:Written only
1781:Rough Riders
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1536:
1525:. Retrieved
1521:
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1465:. Retrieved
1459:
1450:
1439:. Retrieved
1433:
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1137:Aaron Rochin
1118:
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1100:
1098:
1087:
1075:
1074:'s hit film
1067:
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1043:
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1013:
1006:grizzly bear
994:La Calahorra
987:
967:
963:
933:
913:
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898:Citizen Kane
896:
889:Orson Welles
886:
873:Faye Dunaway
866:
834:
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809:Anthony Mann
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696:Barry Lyndon
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645:
591:as Ugly Arab
512:Steve Kanaly
456:Sean Connery
443:
438:
430:
422:
410:
395:
376:
333:
320:Grammy Award
289:
257:Sean Connery
237:
236:
235:
194:Running time
170:Release date
74:Sean Connery
1800:The Emperor
1694:John Milius
1599:DvdTalk.com
1238:letterboxed
1145:Roy Charman
1109:Gerald Ford
910:Ken Russell
869:Omar Sharif
849:Peter Guber
781:Vietnam War
773:imperialism
621:Development
613:John Milius
595:Luis Barboo
541:Vice-Consul
484:John Huston
475:Brian Keith
387:demonstrate
383:re-election
381:is seeking
316:BAFTA Award
269:John Huston
265:Brian Keith
253:John Milius
198:119 minutes
89:John Huston
84:Brian Keith
57:Produced by
52:John Milius
43:John Milius
39:Directed by
1911:1975 films
1905:Categories
1527:2011-10-02
1522:Oscars.org
1467:2020-05-04
1461:Metacritic
1441:2020-05-04
1274:References
1228:Home media
1188:scores as
1186:Golden Age
1149:Best Sound
1094:Metacritic
990:the castle
924:Elihu Root
853:Herb Jaffe
831:Production
791:David Lean
703:Influences
650:about the
547:Marc Zuber
522:Roy Jenson
508:of Tangier
346:, and the
292:Herb Jaffe
246:historical
227:Box office
181:1975-05-22
129:Production
61:Herb Jaffe
49:Written by
1717:Dillinger
1692:Films by
1234:laserdisc
1163:A novel,
1052:Reception
825:Maxim gun
749:The Sheik
726:Gunga Din
710:Boy's Own
607:Ben Tatar
364:Abdelaziz
334:In 1904,
131:companies
108:Edited by
1749:Red Dawn
1633:AllMovie
1578:Archived
1262:See also
1240:format.
1200:Moroccan
741:the film
737:the book
488:John Hay
391:John Hay
211:Language
118:Music by
67:Starring
1653:at the
1642:at the
1564:AFI.com
1487:Variety
1322:Variety
1101:Variety
998:Granada
952:Tangier
944:AlmerĂa
940:Granada
936:Seville
930:Filming
863:Casting
801:Seville
626:Writing
504:as the
460:Raisuli
458:as the
417:brigand
372:Tangier
340:Germany
336:Morocco
214:English
203:Country
179: (
1891:(2001)
1883:(1994)
1875:(1993)
1867:(1987)
1859:(1979)
1851:(1979)
1843:(1973)
1835:(1972)
1827:(1972)
1819:(1971)
1811:(1969)
1803:(1967)
1784:(1997)
1776:(1994)
1768:(1991)
1760:(1989)
1752:(1984)
1744:(1982)
1736:(1978)
1728:(1975)
1720:(1973)
1712:(1966)
1415:, Ed.
1062:Boston
968:El Cid
948:Madrid
843:, and
814:El Cid
638:(see:
506:Bashaw
425:Marine
368:Bashaw
360:Berber
344:France
281:Berber
267:, and
219:Budget
155:(U.S.)
1172:Music
1159:Novel
1035:Cádiz
434:Wazan
1856:1941
1622:IMDb
1213:Jaws
1210:for
1147:for
1131:and
1127:for
1077:Jaws
1031:Rota
966:and
954:and
946:and
807:and
739:and
729:and
449:Cast
330:Plot
318:and
294:for
243:epic
1631:at
1620:at
1562:at
1293:IGN
1192:'s
1088:On
1029:in
1018:.
992:of
956:Fez
837:MGM
654:in
570:as
549:as
539:as
524:as
495:as
413:Rif
370:of
1907::
1597:.
1520:.
1485:.
1458:.
1432:.
1374:^
1356:^
1282:^
1224:.
1143:,
1139:,
1135:,
1123:;
1041:.
942:,
938:,
905:.
859:.
827:.
768:.
393:.
342:,
314:,
287:.
263:,
259:,
1685:e
1678:t
1671:v
1601:.
1530:.
1489:.
1470:.
1444:.
1033:(
996:(
984:.
518:)
471:)
183:)
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