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The dragon (Beowulf)

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embattled society without "social cohesion" is represented by the avarice of the "dragon jealously guarding its gold hoard",and the elegy for Beowulf becomes an elegy for the entire culture. The dragon's hoard is representative of a people lost and antique, which is juxtaposed against the Geatish people, whose history is new and fleeting. As king of his people, Beowulf defends them against the dragon, and when his thanes desert him, the poem shows the disintegration of a "heroic society" which "depends upon the honouring of mutual obligations between lord and thane".
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noted that the dragon and Grendel are "constantly referred to in language which is meant to recall the powers of darkness which Christian men felt themselves to be encompassed. They are 'inmates of hell', 'adversaries of God', 'offspring of Cain', 'enemies of mankind'....And so Beowulf, for all that
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should be seen as having some degree of historical accuracy despite the presence of a dragon in it; he argues that "Tales of dragons as well as a belief in dragons survived till recent times, and the popular mind is apt to accept with credulity stories of water-monsters. The stories, moreover, are
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foreshadows Beowulf's death and elegy to come. Before he faces the dragon, Beowulf thinks of his past: his childhood and wars the Geats endured during that period, foreshadowing the future. At his death, peace in his lands will end, and his people will again suffer a period of war and hardship. An
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The dragon fight, near the end of the poem, is foreshadowed in earlier scenes. The fight with the dragon symbolizes Beowulf's stand against evil and destruction, and, as the hero, he knows that failure will bring destruction to his people after many years of peace. The dragon itself acts as a mock
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Wiglaf remains loyal to his king and stays to confront the dragon. The parallel in the story lies with the similarity to Beowulf's hero Sigemund and his companion: Wiglaf is a younger companion to Beowulf and, in his courage, shows himself to be Beowulf's successor. The presence of a companion is
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The dragon battle is structured in thirds: the preparation for the battle, the events prior to the battle, and the battle itself. Wiglaf kills the dragon halfway through the scene, Beowulf's death occurs "after two-thirds" of the scene, and the dragon attacks Beowulf three times. Ultimately, as
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scolds the other members of the troop for not going in to help, before coming to Beowulf's aid. He cuts the dragon in the belly to reduce the flames, and Beowulf deals the fatal blow. In his death-speech, Beowulf nominates Wiglaf as his heir and asks for a monument to be built for him on the
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to be one of only two real dragons in northern European literature, writing of it, "dragons, real dragons, essential both to the machinery and the ideas of a poem or tale, are actually rare. In northern literature there are only two that are significant ... we have but the dragon of the
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and rules wisely for fifty years until a slave awakens and angers a dragon by stealing a jewelled cup from its lair. When the angry dragon mercilessly burns the Geats' homes (including Beowulf's) and lands, Beowulf decides to fight and kill the monster personally. He and his
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poet breaks hagiographic tradition with the hero's suffering (hacking, burning, stabbing) and subsequent death. Moreover, the dragon is vanquished through Wiglaf's actions: although Beowulf dies fighting the dragon, the dragon dies at the hand of the companion.
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scholar Alexander writes that the dragon fight likely signifies Beowulf's (and by extension, society's) battle against evil. The people's fate depend on the outcome of the fight between the hero and the dragon, and, as a hero, Beowulf must knowingly face death.
450:. The dragon, therefore, is a stark contrast to the other two antagonists. Moreover, the dragon is more overtly destructive. He burns vast amounts of territory and the homes of the Geats: "the dragon began to belch out flames / and burn bright homesteads". 490:
Beowulf's eventual death from the dragon presages "warfare, death, and darkness" for his Geats. The dragon's hoard symbolizes the vestige of an older society, now lost to wars and famine, left behind by a survivor of that period. His imagined
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s dragon scene. Beowulf is a hero who previously killed two monsters. The scene includes extended flashbacks to the Geatish-Swedish wars, a detailed description of the dragon and the dragon-hoard, and ends with intricate funerary imagery.
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or recklessness. In contrast with the previous battles, the fight with the dragon occurs in Beowulf's kingdom and ends in defeat, whereas Beowulf fought the other monsters victoriously in a land distant from his home. The dragon fight is
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preserves existing medieval dragon-lore, most notably in the extended digression recounting the Sigurd/Fafnir tale. Nonetheless, comparative contemporary narratives did not have the complexity and distinctive elements written into
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poet added the figure of the dragon to "the pot...that is ladled out of by most modern fantasy writers"; they argued that both numerous works with villainous dragons, as well as literature with benign dragons like the
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wisdom refined in the crucible of experience", that is there is already a "beyond-the-grave aspect" to his resoluteness. As Beowulf dies from his fight with the dragon, despite defeating it, James Parker of
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A study of German and Norse texts reveals three typical narratives for the dragonslayer: a fight for the treasure, a battle to save the slayer's people, or a fight to free a woman. The characteristics of
138:"gold-king"; one who sees attacking Beowulf's kingdom as suitable retribution for the theft of just a single cup. The scene is structured in thirds, ending with the deaths of the dragon and Beowulf. 426:
s dragon appear to be specific to the poem, and the poet may have melded together dragon motifs to create a dragon with specific traits that weave together the complicated plot of the narrative.
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does not lack for commentators to defend the literary merit of the dragon episode". Adrien Bonjour opined in 1953 that the dragon's "ultimate significance in the poem" remains a "mystery".
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he moves in the world of the primitive Heroic Age of the Germans, nevertheless is almost a Christian knight". Tolkien is here quoting a passage from R. W. Chambers's essay "
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The dragon with his hoard is a common motif in early Germanic literature with the story existing to varying extents in the Norse sagas, but it is most notable in the
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Peter Gainsford noted in the article "The Deaths of Beowulf and Odysseus: Narrative Time and Mythological Tale Types" that "In the twenty-first century
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to battle at Beowulf's side. When the dragon wounds Beowulf fatally, Wiglaf attacks it with his sword, and Beowulf kills it with his dagger.
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criticized the inclusion of Beowulf's fight with the dragon and his subsequent death in the poem, writing "It is as if to the end of the
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turned the "notion of having a monstrous evil (and not mere human foes) as the enemy" into "a hallmark of modern fantasy" present in
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often attached to real persons and localized precisely in time and place. The habit is so well known that examples are superfluous".
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This depiction indicates the growing importance and stabilization of the modern concept of the dragon within European mythology.
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differs from the first two. In Beowulf's two earlier battles, Grendel and Grendel's mother are characterized as descendants of
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featured dragons and dragon fights. Although the dragons of hagiography were less fierce than the dragon in
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Bonjour, Adrien (March 1953). "Monsters Crouching and Critics Rampant: Or the Beowulf Dragon Debated".
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literature to feature a dragon, and it is possible that the poet had access to similar stories from
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s dragon acts like "the typical dragon of Old English proverbial lore" because he guards treasure.
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Beowulf: An Introduction to the Study of the Poem with a Discussion of the Stories of Offa and Finn
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climb to the dragon's lair where, upon seeing the beast, the thanes flee in terror, leaving only
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poet emphasizes the monsters Beowulf fights in the poem and claims the dragon is as much of a
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and the first to present a dragon slayer. The legend of the dragon-slayer already existed in
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Wiglaf is the single warrior to return and witness the death of the hero. Illustration by
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was influenced by the confrontation between the dragon and the title character in
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Beowulf's fight with the dragon has been described variously as an act of either
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poem. Within the plot structure, however, the dragon functions differently in
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symbol of evil, the "great monstrous adversary of God, man and beast alike."
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s dragon. Dickerson and O'Hara further elaborated that through its dragon,
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that "unlike Grendel and his mother, is less a monster than a symbol."
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there had been added some later books telling in full of the old age of
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poet incorporates motifs and themes common to dragon-lore in the poem.
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dragon in his own fiction, which indicates the lasting impact of the
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J.R.R. Tolkien and his literary resonances: views of Middle-earth
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poet was the first to combine features and present a distinctive
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Lawrence, William Witherle (1918). "The Dragon and His Lair in
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dragon is the earliest example in literature of the typical
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From Homer to Harry Potter: A Handbook on Myth and Fantasy
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From Homer to Harry Potter: A Handbook on Myth and Fantasy
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is the first piece of English literature to present a
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and first incidence of a fire-breathing dragon. The
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Beowulf and some fictions of the Geatish succession
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"The Kenning in 978: 976: 659:writes that "There is no transcendence in 1686: 1248: 1197: 1110: 1098: 1018: 923: 819: 130:(1937), one of the forerunners of modern 57:, the third monster he encounters in the 1580: 1546: 1379: 1272: 477: 174: 20: 1861:"Beowulf: The Monsters and the Critics" 1855: 1656: 1486: 1260: 973: 905: 2331: 1794: 1552: 1521: 1350: 1319: 1050: 2167:Beowulf: A Translation and Commentary 1893: 1827: 1763: 1710: 1663:National Endowment for the Humanities 1644: 1419: 1415: 1413: 1236: 1182: 1074: 1062: 1006: 994: 982: 967: 932: 917: 893: 881: 869: 854: 842: 830: 767:National Endowment for the Humanities 610:Beowulf: The Monsters and the Critics 603:Beowulf: The Monsters and the Critics 518: 512:Beowulf: The Monsters and the Critics 158:returns home and becomes king of the 1453: 941:(3). Springer Netherlands: 439–460. 391:, reminiscent of the monster in the 212:is the oldest extant heroic poem in 776:Harry Potter and the Goblet of Fire 769:has written that the fight between 337: 236:is the earliest surviving piece of 118:dragon was adapted for Middle-earth 103:motifs common to Germanic tradition 13: 1743:(1999). O'Donohue, Heather (ed.). 1410: 622:and the 'Heroic Age' in England." 190:, from his 1911 illustrations for 14: 2395: 1885: 1380:Chambers, Raymond Wilson (1921). 523: 403:'s monster is characterized as a 2153:Beowulf: A New Verse Translation 2119: 1865:Sir Israel Gollancz Lecture 1936 1802:Beowulf: A New Verse Translation 1725:. University of Nebraska Press. 689:and David O'Hara argue that the 625: 309:as anything. Tolkien expands on 1746:Beowulf: The fight at Finnsburh 1650: 1602: 1574: 1515: 1480: 1447: 1423:Classica et Mediaevalia vol. 63 1373: 1344: 1313: 1266: 1215: 1024: 546:Beowulf and the Seventh Century 2177:: The Monsters and the Critics 1581:Acocella, Joan (2 June 2014). 803: 773:and the Hungarian Horntail in 101:dragon exhibits many existing 73:, Beowulf becomes king of the 1: 1659:"Old English, New Influences" 1657:Hussein, Aia (14 June 2011). 797: 429: 170: 2374:Germanic legendary creatures 1693:Beowulf: a verse translation 1553:Parker, James (April 2017). 1532:The New York Review of Books 1454:Fulk, Robert Dennis (1991). 596:The Monsters and the Critics 16:Dragon from the Beowulf poem 7: 1919: 1749:. Oxford University Press. 146:After his battles against 10: 2400: 1679: 1390:Cambridge University Press 1039:Cambridge University Press 600: 540:writes in "The Kenning in 341: 2272: 2221: 2128: 2117: 1952: 1929: 1828:Rauer, Christine (2003). 1764:Evans, Jonathan (2003) . 1351:George, Jodi-Ann (2010). 1037:(1979), 8 : 143–162 752:used the dragon story of 676: 530:William Witherle Lawrence 360:dragon is described with 288:considered the dragon in 1713:"The Hero and the Theme" 1612:; O'Hara, David (2006). 1464:Indiana University Press 816:, vol. 22. 1999. p. 290. 203:The Twilight of the Gods 141: 2364:Fire-breathing monsters 2184:Beowulf and the Critics 1741:Crossley-Holland, Kevin 1715:. In Bjork, Robert E.; 1711:Clark, George (2003) . 643:a major translation of 559:Raymond Wilson Chambers 2354:English heroic legends 1420:Hinge, George (1921). 487: 206: 36: 2339:Characters in Beowulf 1834:. Cambridge: Brewer. 1225:by Frederick M. Biggs 1210:Crossley-Holland 1999 1171:Crossley-Holland 1999 1159:Crossley-Holland 1999 1147:Crossley-Holland 1999 1135:Crossley-Holland 1999 1123:Crossley-Holland 1999 1087:Crossley-Holland 1999 810:Nitzsche, Jane Chance 710:, were influenced by 481: 462:with earlier events: 434:The third act of the 178: 111:fire-breathing dragon 61:. On his return from 39:The final act of the 24: 2344:Anglo-Saxon paganism 2285:Anglo-Saxon paganism 2142:List of translations 1859:(25 November 1936). 1624:. pp. 124–125. 1113:, pp. xxx–xxxv. 1101:, pp. xxiv–xxv. 607:In his 1936 lecture 470:in Hrothgar's hall. 220:such as the tale of 2290:Battle of Finnsburg 2234:Michael D. C. Drout 1774:. Greenwood Press. 1696:. London: Penguin. 1525:(4 November 1999). 1035:Anglo-Saxon England 1939:Alliterative verse 1871:on 3 November 2009 1722:A Beowulf Handbook 1688:Alexander, Michael 1610:Dickerson, Matthew 1583:"Slaying Monsters" 1555:"Beowulf Is Back!" 1030:Mellinkoff, Ruth. 970:, pp. 32, 63. 947:10.1007/BF01513838 757:as a template for 697:My Father's Dragon 519:Critical reception 509:Tolkien writes in 488: 207: 65:, where he killed 37: 2379:Literary villains 2326: 2325: 1857:Tolkien, J. R. R. 1813:978-0-393-32097-8 1756:978-0-19-283320-4 1732:978-0-8032-6150-1 1703:978-0-14-044931-0 1527:"A New 'Beowulf'" 1065:, pp. 74–75. 792:2007 film version 750:J. R. R. Tolkien 745:Stephen Donaldson 731:Ursula K. Le Guin 687:Matthew Dickerson 2391: 2384:Medieval legends 2359:European dragons 2349:English folklore 2298:and Middle-Earth 2229:Nora K. Chadwick 2210:Finn and Hengest 2198: 2161:J. R. R. Tolkien 2123: 2104:Grendel's mother 1914: 1907: 1900: 1891: 1890: 1880: 1878: 1876: 1867:. 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Although the 17: 12: 11: 5: 2397: 2387: 2386: 2381: 2376: 2371: 2366: 2361: 2356: 2351: 2346: 2341: 2324: 2323: 2321: 2320: 2315: 2310: 2305: 2300: 2292: 2287: 2282: 2276: 2274: 2270: 2269: 2267: 2266: 2261: 2256: 2251: 2246: 2241: 2239:Robert D. Fulk 2236: 2231: 2225: 2223: 2219: 2218: 2216: 2215: 2214: 2213: 2206: 2199: 2187: 2180: 2170: 2158: 2157: 2156: 2144: 2138: 2136: 2126: 2125: 2118: 2116: 2114: 2113: 2112: 2111: 2106: 2101: 2093: 2092: 2091: 2081: 2080: 2079: 2074: 2069: 2059: 2058: 2057: 2052: 2047: 2042: 2037: 2027: 2026: 2025: 2020: 2015: 2010: 2005: 1995: 1990: 1989: 1988: 1983: 1978: 1973: 1962: 1960: 1950: 1949: 1947: 1946: 1941: 1936: 1930: 1927: 1926: 1917: 1916: 1909: 1902: 1894: 1887: 1886:External links 1884: 1882: 1881: 1853: 1840: 1825: 1812: 1796:Heaney, Seamus 1792: 1780: 1761: 1755: 1737: 1731: 1717:Niles, John D. 1708: 1702: 1683: 1681: 1678: 1676: 1675: 1649: 1637: 1631:978-1587431333 1630: 1601: 1588:The New Yorker 1573: 1545: 1523:Heaney, Seamus 1514: 1501:10.2307/459922 1495:(1): 304–312. 1479: 1472: 1466:. p. 25. 1446: 1432: 1409: 1372: 1366:978-1137098016 1365: 1343: 1332:(3): 318–324. 1312: 1291:10.2307/456981 1285:(4): 547–583. 1265: 1253: 1251:, p. xxv. 1249:Alexander 2003 1241: 1229: 1214: 1202: 1198:Alexander 2003 1187: 1185:, p. 289. 1175: 1163: 1161:, p. xix. 1151: 1139: 1137:, p. xvi. 1127: 1125:, p. vii. 1115: 1111:Alexander 2003 1103: 1099:Alexander 2003 1091: 1089:, p. xiv. 1079: 1067: 1055: 1053:, p. 157. 1043: 1023: 1019:Alexander 2003 1011: 999: 987: 972: 960: 922: 910: 898: 886: 874: 859: 847: 845:, p. 135. 835: 818: 801: 799: 796: 708:Anne McCaffrey 700:books and the 678: 675: 670:The New Yorker 627: 624: 601:Main article: 598: 592: 550:Ritchie Girvan 525: 524:Before Tolkien 522: 520: 517: 431: 428: 368:(dragon), and 364:terms such as 339: 336: 192:Richard Wagner 188:Arthur Rackham 172: 169: 143: 140: 15: 9: 6: 4: 3: 2: 2396: 2385: 2382: 2380: 2377: 2375: 2372: 2370: 2367: 2365: 2362: 2360: 2357: 2355: 2352: 2350: 2347: 2345: 2342: 2340: 2337: 2336: 2334: 2319: 2316: 2314: 2311: 2309: 2306: 2304: 2301: 2299: 2297: 2293: 2291: 2288: 2286: 2283: 2281: 2278: 2277: 2275: 2271: 2265: 2262: 2260: 2257: 2255: 2254:John D. Niles 2252: 2250: 2247: 2245: 2244:Kevin Kiernan 2242: 2240: 2237: 2235: 2232: 2230: 2227: 2226: 2224: 2220: 2212: 2211: 2207: 2204: 2200: 2195: 2194: 2188: 2186: 2185: 2181: 2178: 2176: 2171: 2169: 2168: 2164: 2163: 2162: 2159: 2155: 2154: 2150: 2149: 2148: 2147:Seamus Heaney 2145: 2143: 2140: 2139: 2137: 2135: 2134: 2127: 2122: 2110: 2107: 2105: 2102: 2100: 2097: 2096: 2094: 2090: 2087: 2086: 2085: 2082: 2078: 2075: 2073: 2070: 2068: 2065: 2064: 2063: 2060: 2056: 2053: 2051: 2048: 2046: 2043: 2041: 2038: 2036: 2033: 2032: 2031: 2028: 2024: 2021: 2019: 2016: 2014: 2011: 2009: 2006: 2004: 2001: 2000: 1999: 1996: 1994: 1991: 1987: 1984: 1982: 1979: 1977: 1974: 1972: 1969: 1968: 1967: 1964: 1963: 1961: 1958: 1951: 1945: 1942: 1940: 1937: 1935: 1932: 1931: 1928: 1924: 1923: 1915: 1910: 1908: 1903: 1901: 1896: 1895: 1892: 1870: 1866: 1862: 1858: 1854: 1843: 1841:0-85991-592-1 1837: 1833: 1832: 1826: 1815: 1809: 1804: 1803: 1797: 1793: 1783: 1781:0-313-30845-4 1777: 1773: 1772: 1767: 1762: 1758: 1752: 1748: 1747: 1742: 1738: 1734: 1728: 1724: 1723: 1718: 1714: 1709: 1705: 1699: 1695: 1694: 1689: 1685: 1684: 1664: 1660: 1653: 1647:, p. 31. 1646: 1641: 1633: 1627: 1623: 1619: 1618: 1615: 1611: 1605: 1590: 1589: 1584: 1577: 1566:September 17, 1562: 1561: 1556: 1549: 1534: 1533: 1528: 1524: 1518: 1510: 1506: 1502: 1498: 1494: 1490: 1483: 1475: 1473:9781587431333 1469: 1465: 1461: 1460: 1457: 1450: 1439:September 18, 1435: 1433:9788763540643 1429: 1425: 1424: 1416: 1414: 1406: 1399:September 18, 1395: 1391: 1387: 1386: 1383: 1376: 1368: 1362: 1359:. Macmillan. 1358: 1357: 1354: 1347: 1339: 1335: 1331: 1327: 1323: 1316: 1308: 1304: 1300: 1296: 1292: 1288: 1284: 1280: 1276: 1269: 1263:, p. 14. 1262: 1257: 1250: 1245: 1239:, p. 31. 1238: 1233: 1226: 1224: 1218: 1211: 1206: 1199: 1194: 1192: 1184: 1179: 1172: 1167: 1160: 1155: 1148: 1143: 1136: 1131: 1124: 1119: 1112: 1107: 1100: 1095: 1088: 1083: 1077:, p. 43. 1076: 1071: 1064: 1059: 1052: 1047: 1040: 1036: 1033: 1027: 1020: 1015: 1009:, p. 28. 1008: 1003: 997:, p. 52. 996: 991: 984: 979: 977: 969: 964: 956: 952: 948: 944: 940: 936: 935:Neophilologus 929: 927: 920:, p. 30. 919: 914: 907: 902: 896:, p. 32. 895: 890: 884:, p. 29. 883: 878: 872:, p. 74. 871: 866: 864: 856: 851: 844: 839: 832: 827: 825: 823: 815: 811: 806: 802: 795: 793: 788: 786: 782: 781:J. K. Rowling 778: 777: 772: 768: 764: 760: 756: 755: 748: 746: 742: 741: 736: 732: 728: 724: 720: 713: 709: 705: 704: 699: 698: 692: 688: 684: 674: 672: 671: 666: 665:Joan Acocella 662: 658: 657: 651: 647: 646: 640: 639:Seamus Heaney 635: 633: 626:After Tolkien 623: 621: 616: 612: 611: 604: 597: 591: 589: 585: 581: 580: 575: 568: 564: 560: 555: 551: 547: 543: 539: 535: 531: 516: 514: 513: 506: 503: 497: 494: 485: 484:J. R. Skelton 480: 476: 473: 469: 465: 464:Scyld Shefing 461: 456: 451: 449: 445: 441: 437: 427: 422: 416: 414: 410: 406: 402: 398: 394: 390: 385: 383: 379: 375: 371: 367: 363: 359: 355: 351: 345: 335: 333: 332: 327: 323: 319: 312: 308: 304: 300: 296: 291: 287: 283: 279: 273: 268: 264: 260: 259: 258:Völsunga saga 253: 251: 247: 243: 239: 235: 231: 227: 223: 219: 215: 211: 205: 204: 199: 198: 193: 189: 185: 181: 177: 168: 165: 161: 157: 153: 149: 139: 135: 133: 129: 128: 123: 119: 117: 112: 108: 104: 100: 96: 92: 87: 85: 81: 76: 72: 68: 64: 60: 56: 52: 48: 47: 42: 35: 34:J. R. Skelton 31: 27: 23: 19: 2318:Nowell Codex 2295: 2208: 2203:Sellic Spell 2192: 2182: 2174: 2165: 2151: 2132: 2108: 2062:Waegmundings 1920: 1873:. Retrieved 1869:the original 1864: 1845:. Retrieved 1830: 1817:. Retrieved 1801: 1785:. Retrieved 1770: 1745: 1721: 1692: 1668:17 September 1666:. Retrieved 1652: 1640: 1622:Brazos Press 1617: 1614: 1604: 1594:17 September 1592:. Retrieved 1586: 1576: 1564:. Retrieved 1560:The Atlantic 1558: 1548: 1538:17 September 1536:. Retrieved 1530: 1517: 1492: 1488: 1482: 1459: 1456: 1449: 1437:. Retrieved 1422: 1404: 1397:. Retrieved 1385: 1382: 1375: 1356: 1353: 1346: 1329: 1325: 1321: 1315: 1282: 1278: 1274: 1268: 1261:Tolkien 1936 1256: 1244: 1232: 1222: 1217: 1205: 1178: 1166: 1154: 1142: 1130: 1118: 1106: 1094: 1082: 1070: 1058: 1046: 1034: 1026: 1021:, p. 6. 1014: 1002: 990: 985:, p. 35 963: 938: 934: 913: 908:, p. 4. 906:Tolkien 1936 901: 889: 877: 857:, p. 4. 850: 838: 813: 805: 789: 784: 774: 771:Harry Potter 762: 753: 749: 738: 718: 711: 701: 695: 690: 682: 680: 668: 660: 656:The Atlantic 654: 644: 641:, author of 636: 631: 629: 619: 608: 606: 595: 577: 566: 565:, says that 562: 553: 552:writes that 545: 541: 533: 527: 510: 507: 501: 498: 489: 471: 460:foreshadowed 452: 433: 420: 417: 408: 404: 386: 377: 369: 365: 357: 349: 347: 329: 325: 321: 317: 310: 302: 289: 281: 280: 271: 266: 262: 256: 254: 249: 233: 229: 209: 208: 201: 195: 145: 136: 132:high fantasy 125: 115: 106: 98: 95:dragonslayer 90: 88: 44: 38: 28:battles his 18: 2280:Adaptations 2264:Tom Shippey 2130:Translating 1934:Old English 1051:Heaney 2001 723:C. S. Lewis 538:Kemp Malone 393:Book of Job 362:Old English 307:plot device 246:hagiography 238:Anglo-Saxon 218:Norse sagas 167:shoreline. 41:Anglo-Saxon 2333:Categories 2109:The Dragon 2089:Wealhtheow 2055:Ongentheow 1957:characters 1806:. Norton. 1787:2010-05-18 1645:Clark 2003 1392:. p.  1237:Rauer 2003 1183:Clark 2003 1075:Clark 2003 1063:Rauer 2003 1007:Evans 2003 995:Rauer 2003 983:Rauer 2003 968:Rauer 2003 918:Evans 2003 894:Rauer 2003 882:Evans 2003 870:Rauer 2003 855:Rauer 2003 843:Rauer 2003 831:Evans 2003 798:References 779:(2000) by 763:The Hobbit 743:series by 706:series by 667:states in 430:Importance 397:Septuagint 342:See also: 331:The Hobbit 228:, and the 171:Background 127:The Hobbit 2095:Monsters 2030:Scylfings 2008:Healfdene 1998:Scyldings 1690:(2003) . 1307:163605211 955:162080723 637:The poet 588:Telegonus 574:W. P. Ker 561:, in his 528:In 1918, 413:Christian 395:. In the 382:nocturnal 197:Siegfried 49:includes 2308:Hrunting 2222:Scholars 2084:Wulfings 2072:Weohstan 2013:Heorogar 1993:Hundings 1976:Heardred 1798:(2001). 1719:(eds.). 1338:27703161 735:Earthsea 650:chthonic 584:Odysseus 455:altruism 448:monsters 374:venomous 295:Völsungs 284:scholar 2313:Nægling 2296:Beowulf 2273:Related 2193:Beowulf 2175:Beowulf 2133:Beowulf 2099:Grendel 2067:EcgĂľeow 2045:Ohthere 2040:Eanmund 2035:Eadgils 2018:HroĂ°gar 2003:Æschere 1986:Hygelac 1971:Beowulf 1944:Kenning 1922:Beowulf 1680:Sources 1384:Beowulf 1355:Beowulf 1322:Beowulf 1275:Beowulf 790:In the 785:Beowulf 754:Beowulf 729:books, 719:Beowulf 712:Beowulf 691:Beowulf 661:Beowulf 645:Beowulf 632:Beowulf 620:Beowulf 579:Odyssey 567:Beowulf 554:Beowulf 542:Beowulf 534:Beowulf 502:Beowulf 472:Beowulf 421:Beowulf 411:, as a 409:Beowulf 378:Beowulf 358:Beowulf 350:Beowulf 326:Beowulf 322:Beowulf 318:Beowulf 311:Beowulf 303:Beowulf 290:Beowulf 282:Beowulf 272:Beowulf 267:Beowulf 263:Beowulf 261:and in 250:Beowulf 234:Beowulf 230:Beowulf 214:English 210:Beowulf 156:Beowulf 148:Grendel 116:Beowulf 107:Beowulf 99:Beowulf 91:Beowulf 67:Grendel 51:Beowulf 46:Beowulf 30:nemesis 26:Beowulf 2303:Heorot 2077:Wiglaf 2023:UnferĂ° 1875:19 May 1847:18 May 1838:  1819:19 May 1810:  1778:  1753:  1729:  1700:  1628:  1509:459922 1507:  1470:  1430:  1363:  1336:  1305:  1299:456981 1297:  953:  727:Narnia 677:Legacy 486:, 1908 444:trolls 314:'s 299:Fáfnir 226:Fafnir 222:Sigurd 184:Fafnir 180:Sigurd 164:Wiglaf 113:. The 105:, the 84:Wiglaf 80:thanes 63:Heorot 55:dragon 2369:Geats 2050:Onela 1966:Geats 1953:Clans 1505:JSTOR 1334:JSTOR 1303:S2CID 1295:JSTOR 951:S2CID 759:Smaug 715:' 570:' 493:elegy 446:, or 424:' 405:draco 389:devil 366:draca 275:' 160:Geats 142:Story 75:Geats 43:poem 1981:Hygd 1877:2010 1849:2010 1836:ISBN 1821:2010 1808:ISBN 1776:ISBN 1751:ISBN 1727:ISBN 1698:ISBN 1670:2017 1626:ISBN 1596:2017 1568:2017 1540:2017 1489:PMLA 1468:ISBN 1441:2017 1428:ISBN 1401:2017 1361:ISBN 1279:PMLA 703:Pern 468:bard 440:Cain 436:poem 370:wyrm 348:The 224:and 200:and 182:and 150:and 69:and 59:epic 1497:doi 1394:349 1324:". 1287:doi 1277:". 943:doi 761:of 747:. 733:'s 681:In 590:". 401:Job 194:'s 186:by 124:'s 120:in 2335:: 1863:. 1661:. 1620:. 1585:. 1557:. 1529:. 1503:. 1493:68 1491:. 1462:. 1412:^ 1403:. 1388:. 1330:27 1328:. 1301:. 1293:. 1283:33 1281:. 1190:^ 975:^ 949:. 939:64 937:. 925:^ 862:^ 821:^ 787:. 725:' 685:, 613:, 548:, 399:, 334:. 297:, 265:. 154:, 134:. 2205:" 2201:" 2197:" 2189:" 2179:" 2172:" 1959:) 1955:( 1913:e 1906:t 1899:v 1879:. 1851:. 1823:. 1790:. 1759:. 1735:. 1706:. 1672:. 1634:. 1598:. 1570:. 1542:. 1511:. 1499:: 1476:. 1443:. 1369:. 1340:. 1309:. 1289:: 1227:. 1041:. 957:. 945::

Index


Beowulf
nemesis
J. R. Skelton
Anglo-Saxon
Beowulf
Beowulf
dragon
epic
Heorot
Grendel
Grendel's mother
Geats
thanes
Wiglaf
dragonslayer
motifs common to Germanic tradition
fire-breathing dragon
Beowulf dragon was adapted for Middle-earth
J. R. R. Tolkien
The Hobbit
high fantasy
Grendel
Grendel's mother
Beowulf
Geats
Wiglaf

Sigurd
Fafnir

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