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349:, while van Doesburg was more flamboyant and extravagant. During 1924 the two men had disagreements, which eventually led to a temporary split that year. The exact reason for the split has been a point of contention among art historians; usually the divergent ideas about the directions of the lines in the paintings have been named as the primary reason: Mondrian never accepted diagonals, whereas Doesburg insisted on the dynamic aspects of the diagonal, and indeed featured it in his art. Mondrian accepted some concepts of diagonals, such as in his "Lozenge" paintings, where the canvas was rotated 45 degrees, while still maintaining horizontal lines. In recent years, however, this theory has been challenged by art historians such as
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journal: "Mondrian realizes the importance of line. The line has almost become a work of art in itself; one can not play with it when the representation of objects perceived was all-important. The white canvas is almost solemn. Each superfluous line, each wrongly placed line, any color placed without veneration or care, can spoil everythingâthat is, the spiritual".
151:, Netherlands, as the son of the photographer Wilhelm KĂŒpper and Henrietta Catherina Margadant. After a short period of training in acting and singing, he decided to become a storekeeper. He always regarded his stepfather, Theodorus Doesburg, to be his natural father, so that his first works are signed with Theo Doesburg, to which he later added "van".
214:, in which he looks back at his life as a painter from 1903 to 1913. It made him realize there was a higher, more spiritual level in painting that originates from the mind rather than from everyday life, and that abstraction is the only logical outcome of this. It was already in 1912 that Van Doesburg was criticizing Futurism in an art article in
231:, who was eight years older than he was, and had by then already gained some attention with his paintings. Van Doesburg saw in these paintings his ideal in painting: a complete abstraction of reality. Soon after the exhibition Van Doesburg got in contact with Mondrian, and together with related artists
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no. 127, on 9 November 1912, because "The mimetic expression of velocity (whatever its form may be: the aeroplane, the automobile, and so on) is diametrically opposed to the character of painting, the supreme origin of which is to be found in inner life". On 6 November 1915, he wrote in the same
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in
Switzerland because of his declining health. Van Doesburg did not recuperate: on 7 March 1931, he died of a heart attack. After his death Nelly van Doesburg released the last issue of De Stijl in January 1932, as a memorial issue, with contributions by old and new members from De Stijl.
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While
Gropius accepted many of the precepts of contemporary art movements he did not feel that Doesburg should become a Bauhaus master. Doesburg then installed himself near to the Bauhaus buildings and started to attract school students interested in the new ideas of
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of I. K. Bonset (possibly derived from "Ik ben zot", Dutch for "I am foolish"). He also published Dada poetry under the same name in De Stijl. Under a second pseudonym, Aldo Camini, he published anti-philosophical prose, inspired by the
Italian representative of
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His first exhibition was in 1908. From 1912 onwards, he supported his works by writing for magazines. He considered himself to be a modern painter, at that time, although his early work is in line with the
Amsterdam Impressionists and is influenced by
530:, which he left in 1929. "The plan to produce a magazine had been broached some time before. It is clear from the correspondence that in the spring of 1928 Van Doesburg made the first designs for the layout of the periodical. He wrote to
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The friendship between Van
Doesburg and Mondrian remained strong in these years, although their primary means of communication was by letter. In 1923 Van Doesburg moved to Paris, together with his later wife
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It was while reviewing an exhibition for one of these magazines he wrote for, in 1915 (halfway through his two-year service in the army), that he came in contact with the works of
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182:, 1919, Oil on canvas, 196.5 cm Ă 59.1 cm (77.4 in Ă 23.3 in), The Solomon R. Guggenheim Foundation Peggy Guggenheim Collection, Venice, 1976
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131:; 30 August 1883 â 7 March 1931) was a Dutch artist, who practiced painting, writing, poetry and architecture. He is best known as the founder and leader of
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Van
Doesburg had other activities apart from painting and promoting De Stijl: he made efforts in architecture, designing houses for artists, together with
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Van
Doesburg's work has had significant influence, including that dealing with issues of crossover art, design and architecture. For example, his
336:, 1924, Gouache on board, 11 3/8 x 11 1/2 inches (28.9 x 29.2 cm), Solomon R. Guggenheim Museum, New York Bequest, Richard S. Zeisler, 2007
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Although De Stijl was made up of many members, Van
Doesburg was the "ambassador" of the movement, promoting it across Europe. He moved to
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345:. Because the two men got to see each other on a much more regular basis the differences in character became apparent: Mondrian was an
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512:. He wanted to strip words of their former meaning, and give them a new meaning and power of expression. By doing this, he tried to
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and Weimar, in 1922. A geometrically constructed alphabet Van
Doesburg designed in 1919 has been revived in digital form as
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thinking). He sought for a collective experience of reality. His conception of intensity had much in common with
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exhibition (1947â52, 28 venues). From that time, the work was influential to the practice of noted architect
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in
Canberra in 2010. In a travelling, international exhibition on Seidler's work, Van Doesburg's
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to produce a series of children's fairy-tale books that featured unusual typography, including
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A reconstruction of the dance hall/cinema designed by Theo van Doesburg: âCinĂ©balâ at the
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Hoek, Els; Blokhuis, Marleen; Goovaerts, Ingrid; Kamphuys, Natalie; et al. (2000).
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1434:] (in English and Dutch). Vol. 12, No.9. De Beweging. pp. 226â235.
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Van Doesburg married three times: on 4 May 1910 to theosophist, poet and writer
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In 1929 the two men reconciled when they accidentally met in a café in Paris.
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on 28 May 1929 : I will prepare the blueprint fo nouveau plan."
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1341:. National Gallery of Australia, Canberra. Retrieved 24 March 2019.
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Congress of the Union of International Progressive Artists held at
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The antagonistic link; JoaquĂn Torres-GarcĂa Theo van Doesburg
571:. In 1992, he acquired the artwork, which was donated to the
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428:. This typeface anticipates similar later experimentation by
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Several original writings and articles by Theo van Doesburg
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Drie voordrachten over de nieuwe beeldende kunst verscheen
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Van Doesburg stayed active in art groups and the magazine
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De Stijl 1917â1931 â The Dutch Contribution to Modern Art
1354:. Sydney Living Museums website. Retrieved 24 March 2019.
1164:(25th anniversary ed.). Köln: Taschen. p. 706.
1195:"Theo van Doesburg: Forgotten artist of the avant garde"
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A Dictionary of Architecture and Landscape Architecture
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1259:. Amsterdam: Institute of Contemporary Art/Amsterdam.
1034:"Kandinsly - Complete Writings on Art: Reminiscences"
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Kurt Schwitters; Irvine Peacock; Jack Zipes (2009).
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Ik sta helemaal alleen. Theo van Doesburg 1883-1931
488:. In these works of literature, he heavily opposed
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890:ceiling design for the Ciné-Dancing of the Aubette
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819:Composition with window with coloured glass III
297:in 1922, deciding to make an impression on the
1227:. Princeton University Press. pp. 14â15.
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37:Theo van Doesburg as Sergeant KĂŒpper, c. 1915
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965:(Second ed.). Oxford University Press.
270:Principal contributors to De Stijl 1917â1927
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1495:Grundbefriffe der neuen gestaltenden Kunst
1458:Fundamental Concepts of the New Visual Art
1442:Three Presentations On The New Visual Arts
1401:: CS1 maint: location missing publisher (
1384:Archive of Theo van Doesburg and his wives
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516:a new reality, instead of describing it.
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368:Architecture, design, and typography
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613:Theo van Doesburg: Oeuvre Catalogus
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772:Composition VII (the three graces)
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652:. Manchester University Press.
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158:; on 30 May 1917 to accountant
128:[ËteËjoËvÉnËduzbÊr(É)x]
1305:Preece, R. J. (18 June 2018).
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579:was shown as a key influence.
180:Composition in Gray (Rag-time)
91:painting, architecture, poetry
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2209:20th-century Dutch architects
1490:Principles Of Neo-plastic Art
1468:Tijdschrift voor Wijsbegeerte
1419:. Amsterdam: J.M. Meulenhoff.
1281:"Gruppe Abstraction-Création"
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573:National Gallery of Australia
559:(1923) was a key work in the
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2199:Painters from Utrecht (city)
2072:(photographer, art promoter)
1910:Readymades of Marcel Duchamp
1899:Tulip Hysteria Co-ordinating
1885:Why Not Sneeze, Rose SĂ©lavy?
1768:Elsa von Freytag-Loringhoven
1603:Elsa von Freytag-Loringhoven
1427:The New Movement in Painting
1317:Painting toward architecture
957:Curl, James Stevens (2006).
671:. Amsterdam, De Bezige Bij.
650:De Stijl and Dutch modernism
565:Painting toward architecture
550:
7:
2214:20th-century Dutch painters
2148:Beatrice Wood: Mama of Dada
1788:Georges Ribemont-Dessaignes
1487:van Doesburg, Theo (1925).
1454:van Doesburg, Theo (1919).
1439:van Doesburg, Theo (1919).
1424:van Doesburg, Theo (1916).
1382:Theo van Doesburg Archive:
1352:When art meets architecture
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454:The Fairy Tales of Paradise
145:Christian Emil Marie KĂŒpper
143:Theo van Doesburg was born
47:Christian Emil Marie KĂŒpper
10:
2235:
1513:issue with Van Doesburg's
1337:Space-time construction #3
1325:. Retrieved 24 March 2019.
1309:Space-time construction #3
1162:Design of the 20th Century
577:Space time-construction #3
557:Space-time construction #3
471:, publishing the magazine
247:they founded the magazine
135:. He married three times.
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787:Counter composition XIII
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600:. London: Studio Vista.
450:Die MĂ€rchen vom Paradies
2194:Dutch abstract painters
2076:Walter Conrad Arensberg
1878:Prelude to a Broken Arm
1673:GabriĂšle Buffet-Picabia
1374:. London: Studio Vista.
663:Faassen, Sjoerd van en
648:White, Michael (2003).
325:The split with Mondrian
193:, Oil on canvas, 1914,
2102:Anarchism and the arts
1924:Handkerchief of Clouds
1608:Juliette Roche Gleizes
1521:Collection Rijksmuseum
1410:Jaffé, H.L.C. (1956).
1368:Baljeu, Joost (1974).
1129:The Bauhaus, 1919â1933
989:Baljeu, Joost (1974).
712:Self-portrait with hat
583:Works and publications
426:Architype Van Doesburg
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147:on 30 August 1883, in
2137:Ăpater la bourgeoisie
1379:Hijma, Bouwe (1991).
1065:MoMA â The Collection
1040:. G. K. Hall & Co
1006:van Doesburg, Nelly.
532:JoaquĂn Torres-GarcĂa
391:
375:
332:
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223:The De Stijl movement
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1307:Theo van Doesburgâs
1069:Museum of Modern Art
1059:Doig, Allan (2009).
1032:Kandinsky, Wassily.
726:Self-portrait (1915)
540:Abstraction-Création
434:Architype Schwitters
191:Girl with Ranunculus
160:Helena 'Lena' Milius
2204:Dutch male painters
2117:Appropriation (art)
2049:Monochrome painting
1753:Richard Huelsenbeck
1497:]. Lars MĂŒller.
1127:(1 November 2002).
1094:Guggenheim Glossary
178:Theo van Doesburg,
156:Agnita Henrica Feis
2151:(1993 documentary)
1818:Sophie Taeuber-Arp
1798:Henri-Pierre Roché
1515:Letterklankbeelden
1334:Theo van Doesburg.
1123:Magdalena Droste;
861:Mouvement héroïque
698:Woman in Landscape
398:Sophie Taeuber-Arp
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277:Promoting De Stijl
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2156:Man and Boy: Dada
2082:291 (art gallery)
1813:Philippe Soupault
1698:Theo van Doesburg
1449:]. Amsterdam.
1371:Theo van Doesburg
1234:978-0-691-13967-8
1104:on 21 August 2008
1098:Guggenheim Museum
1008:"Avant-Garde Art"
992:Theo Van Doesburg
847:Abstract portrait
598:Theo van Doesburg
508:'s conception of
506:Paul van Ostaijen
446:Peter the Rooster
343:Nelly van Moorsel
233:Bart van der Leck
208:Wassily Kandinsky
120:Theo van Doesburg
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25:Theo van Doesburg
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2127:Cabaret Voltaire
2122:Art intervention
2070:Alfred Stieglitz
2034:Nouveau réalisme
1773:Clément Pansaers
1678:Serge Charchoune
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1287:. Ketterer Kunst
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482:Metaphysical art
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412:. Together with
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2159:(2006 opera)
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2001:(aka Sapeck)
1989:Alfred Jarry
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1935:Publications
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1905:Rrose SĂ©lavy
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1823:Julien Torma
1763:Marcel Janco
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1723:Julius Evola
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1658:Alice Bailly
1643:Louis Aragon
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1200:The Guardian
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1102:the original
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108:Concrete art
104:Elementarism
74:(1931-03-07)
72:7 March 1931
18:
2189:1931 deaths
2184:1883 births
2132:Noise music
2112:Anti-poetry
1994:Incoherents
1927:(1924 play)
1919:(1921 play)
1871:Dada-Review
1857:Bottle Rack
1748:Hannah Höch
1713:Paul Ăluard
1688:Jean Crotti
1613:Jean Crotti
1240:6 September
806:, 1916â1917
739:Composition
631:Overy, Paul
615:. Utrecht:
536:Art Concret
486:Carlo CarrĂ
301:principal,
245:Jacobus Oud
2173:Categories
2029:Surrealism
2017:Influenced
1982:Influences
1967:(magazine)
1958:(magazine)
1950:(magazine)
1892:L.H.O.O.Q.
1291:4 February
1285:Dictionary
1266:9080096814
1206:4 February
1135:. p.
1108:4 February
1090:"De Stijl"
1074:4 February
938:. The Tate
932:"De Stijl"
918:References
520:Last years
494:Tachtigers
475:under the
442:Hahnepeter
422:DĂŒsseldorf
410:Strasbourg
382:Strasbourg
289:, May 1922
287:DĂŒsseldorf
237:Antony Kok
212:RĂŒckblicke
53:1883-08-30
2142:Shock art
1972:Dadaglobe
1718:Max Ernst
1663:Hugo Ball
1478:28 August
1397:cite book
1319:(1947â52)
1180:809539744
551:Influence
477:heteronym
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347:introvert
253:in 1917.
197:, Utrecht
2179:De Stijl
2097:Anti-art
2008:(ballet)
1864:Fountain
1693:Otto Dix
1648:Jean Arp
1511:De Stijl
1339:, (1923)
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896:See also
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633:(1969).
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2039:Pop art
1783:Man Ray
1588:Man Ray
1466:].
1133:Taschen
942:31 July
498:realism
406:Aubette
378:Aubette
315:Dadaism
299:Bauhaus
216:Eenheid
149:Utrecht
112:Dadaism
61:Utrecht
2044:Fluxus
2006:Parade
1758:Iliazd
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1480:2024
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1261:ISBN
1242:2013
1229:ISBN
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1019:2024
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673:ISBN
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