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170:(built 1885) marked the high point of Höijer's career. During the 1890s the building activity in Helsinki dropped, and when it increased again around 1900 his style was becoming out of fashion. He was at this time heavily criticised by the younger generation of architects in Finland. He continued to be active but on a smaller scale, with less prestigious commissions and together with a partner, the engineer Robert Huber.
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143:. He returned to Finland in 1868. In the meantime, his father's business had ceased to operate and he began working independently as an architect. Although he applied for a job at the government agency responsible for supervising building activity he was never accepted and worked his whole life as an independent, privately operating architect.
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Apart from his work as an independent designer of buildings, Höijer was influential in so far as he managed to create a successful business model and organise his architectural firm in a way that inspired many other architects. He also contributed to setting up an architects' club in
Finland. He also
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Theodor Höijer was the son of a mirror manufacturer, Henrik Höijer. The father wanted
Theodor Höijer to go into the family business and needed a co-worker with skills in architecture. Theodor Höijer never finished high school and had to acquire his skills outside the normal institutions. Initially he
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and
Helsinki Municipality. His breakthrough came in 1876, when he was responsible for designing the buildings of a large industrial exhibition. Around the same time he received a prestigious commission from the industrialist Fredrik Wilhelm Grönqvist to build a large tenement house in a central
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architect. He designed a large number of buildings in central
Helsinki. He was the first architect in Finland who managed to pursue a truly successful career without holding an official office. He has been described as the foremost architect working in
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at the
Polytechnical Institute (today Helsinki Technical University) in 1873–76. After his forced retirement in 1905 due to illness, he was granted a pension by the Finnish Senate.
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Helsinki (1880), and subsequently got more and more commissions. These were often from the upper middle class, and many times concerned large buildings in central
Helsinki (such as
159:, 1886). To a degree it can be said that central Helsinki is characterised by the buildings of Höijer. He has been described as the foremost architect working in
310:"Arkkitehti Theodor Höijer teki Helsingistä Wieniä tai Pariisia – iso osa hänen suunnittelemistaan taloista lanattiin matalaksi 1960-luvulla"
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139:. Here he was heavily influenced by his teacher
83:Helsinki, Grand Duchy of Finland, Russian Empire
345:(in Swedish). Biografiskt lexikon för Finland
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105:– 31 October 1910, Helsinki) was a
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242:Paris 1889 Exposition
161:Neo-Renaissance style
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398:at Wikimedia Commons
341:Viljo, Eeva Maija.
152:Diocese of Helsinki
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99:Carl Theodor Höijer
45:Carl Theodor Höijer
288:Kansallisbiografia
394:Media related to
365:"Höijer, Theodor"
343:"HÖIJER, Theodor"
314:Helsingin Sanomat
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163:in Finland.
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78:(1910-10-31)
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263:Finnish art
452:Categories
269:References
226:Hotel Kämp
157:Hotel Kämp
89:Occupation
51:1843-02-20
430:Biography
137:Stockholm
92:Architect
319:7 August
293:7 August
252:See also
103:Helsinki
59:Helsinki
442:Finland
404:Portals
211:Ateneum
182:Gallery
174:taught
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148:brewery
107:Finnish
228:(1886)
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150:, the
125:Turku
373:2016
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41:Born
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