287:
Lily, who is not a good teacher. Lily feels slighted, even though Martha offers to continue to support her, and they have an argument before she goes, during which Lily confronts Martha with her suspicions about the young woman's true feelings for Joe. Martha hears a noise and discovers
Rosalie Wells and Evelyn Munn, who are Mary's roommates, listening at the door. Flustered, she accidentally closes the door on Rosalie's arm, slightly injuring her. Back in their room, Evelyn tells Mary about the argument between Martha and Lily.
291:
illicit sexual affair. To verify the story, Mary has Amelia talk to
Rosalie, who she has brought with her and coerced by threatening to reveal that Rosalie stole another student's bracelet. Mary even says that Martha injured Rosalie's arm intentionally. Amelia is shocked by the revelation of a love triangle between Karen, Joe, and Martha, and alerts the other parents who have girls at the school, all of whom withdraw their daughters.
444:, the opportunity to direct the film, along with a five-year contract. This film was also the 1st of 8 films Wyler and Goldwyn worked together. Although Wyler wasn't completely happy with Goldwyn's casting choices, he accepted the offer, though he insisted on a three-year contract instead. He tried to convince Goldwyn to replace contract player
305:
Once Joe is gone, Martha admits to Karen that she loves Joe, though she says she never told him, and then gets on the same train as Lily. In passing, Lily mentions having seen Mary and
Rosalie with the missing bracelet, and Martha realizes what happened. She gets off the train and convinces Rosalie
534:
observed: "I have seldom been so moved by any fictional film . . . After ten minutes or so of the usual screen sentiment, quaintness and exaggeration, one began to watch the incredulous pleasure of nothing less than life." Greene praised the acting of the protagonists portrayed by Oberon, Hopkins,
290:
Feeling persecuted, Mary decides to run away from the school. When her grandmother Amelia just wants to send her back, she tells Amelia a grossly distorted version both of what she witnessed between Martha and Joe and of the argument between Martha and Lily, suggesting Martha and Joe engaged in an
286:
When Karen punishes Mary for missing classes and lying, Mary acts as though she has a pain and falls to the floor in a faint. Although they are not convinced by Mary's performance, Karen and Martha call Joe to examine her. While Joe and Karen are busy with Mary, Martha decides to finally fire Aunt
278:
farm into a boarding school. Although new to the area, they are able to find pupils with the assistance of the wealthy Amelia
Tilford, who enrolls her malevolent granddaughter Mary and encourages other families to enroll their daughters. Shortly before the school opens, Martha's aunt, Lily Mortar,
282:
Karen and local doctor Joe Cardin begin to date, unaware that Martha is in love with him. One evening, Joe falls asleep in a chair in Martha's room while waiting for Karen to return to the school. He wakes with a start and breaks a glass, which wakes up Mary
Tilford. Before he leaves, he casually
567:
rated the film 4½ out of five stars, calling it "gripping, adult cinema" and commenting that "Oberon gives one of her best dramatic performances and McCrea is also quite fine. The two child actresses have the showiest parts, but the real performances to watch are those of Alma Kruger and Miriam
420:
was the only producer interested in purchasing the film rights to the play. He signed
Hellman to adapt her play for the screen, and the playwright changed the lie from being that the two school teachers were lovers to it being that one of the teachers had slept with the other's fiancé. The Hays
520:
of romantic frustration, three basically wholesome victims of an unwholesome combination of circumstance. McCrea was never better in translating a difficult assignment intelligently and sympathetically. The well bred restraint of
Hopkins and Oberon in their travail with the mixture of juvenile
502:
wrote: "Miss
Hellman's job of literary carpentry is little short of brilliant. Upon the framework of her stage success she has constructed an absorbing, tautly written and dramatically vital screen play. To it, in turn, a gifted cast headed by Merle Oberon, Miriam Hopkins and Joel McCrea has
29:
544:
read, in part: "Tense, dramatic, this is one of the most powerful pictures that has come to the talking screen . . . Miriam
Hopkins and Merle Oberon give splendid performances, but it is the work of little Bonita Granville, as the troublemaker, which will attract the most attention."
298:, but they lose their case. Karen and Martha are unable to enroll any new students, and Joe is fired from his job at the hospital. Lily returns, but Martha resents her for not coming back to testify during the case and tells her to leave. Joe asks Karen to come with him to
302:, where he has gotten a job. She balks when he mentions that Martha is also invited and finally asks if there was ever anything between Martha and him. Unable to fully believe his denial after what she heard in court, she tells him to go to Vienna by himself.
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to tell Amelia the truth. Amelia offers Martha compensation, but Martha refuses, asking only that Amelia take Karen a message from her: "stay with Joe, wherever he is." Martha leaves, Amelia talks to Karen, and Karen goes to Vienna to be with Joe.
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wrote that "quite a good piece of work has been done with this somewhat problematic drama". He added: "With all the drastic alterations made in the plot, it is surprising how many of the original episodes and scenes have been retained."
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contributed lavishly of its talents, aided by superb direction and exceptionally fine photography. In its totality the picture emerges as one of the finest screen dramas in recent years . . . Strong, turbulent and caustic,
568:
Hopkins. Hopkins, in particular, has rarely been better, her intense, high-strung quality perfectly suited to the role of a woman unable to stop her world from falling apart around her."
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said of Bonita
Granville and Marcia Mae Jones: "Theirs are inspired performances." It added: "Hellman, if anything, has improved upon the original in scripting the triangle as a
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was inspired by the true story of two Scottish school teachers whose lives were destroyed in 1810 when they were falsely accused by one of their students of engaging in a
452:, but the producer refused and, unwisely, told McCrea about Wyler's preference, which led to difficulties between the actor and director during filming.
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Office even prevented the use of, or a reference to, the play's original title, so Hellman also changed the title of her script to
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and, to a lesser extent, McCrea, as well as the "shocking mastery" of the performances by Granville and Jones as the antagonists.
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refers to his and Karen's plans to marry, and Mary watches from the shadows as Martha sobs quietly once she thinks she is alone.
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is an unusual picture and it has been brought to the screen with perception, beauty and a keen sense of drama."
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arrives and forces her way into a teaching position as a way to continue sponging off Martha.
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reprised their roles from the film as Amelia Tilford and Rosalie Wells, respectively.
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Following graduation, college friends Karen Wright and Martha Dobie transform Karen's
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at which the category was contested, Bonita Granville was nominated for the
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A 1961 remake of the film, also directed by Wyler, was released as
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aired a one-hour adaptation of the film on December 6, 1937, with
783:. New York: Wid's Films and Film Folk, Inc.: 9 February 25, 1936.
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emotions at their boarding school is likewise impressive."
432:
Goldwyn had already cast the three leads when he offered
1353:
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730:(1 May 1936). "These Three/The Student of Prague".
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16:1936 American drama film directed by William Wyler
2014:
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909:
1173:Memphis Belle: A Story of a Flying Fortress
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397:relationship. At the time, the mention of
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2088:Films with screenplays by Lillian Hellman
582:Academy Award for Best Supporting Actress
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797:(March 28, 1936). "The Current Cinema".
2063:Films based on works by Lillian Hellman
1408:In Hollywood with Potash and Perlmutter
2015:
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436:, who, until then, had helmed mostly
409:production was acclaimed by critics.
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2083:Samuel Goldwyn Productions films
612:"British Film Institute website"
588:(who won for her performance in
363:Mary Anne Durkin as Joyce Walton
2068:Films directed by William Wyler
1920:The Secret Life of Walter Mitty
2038:American black-and-white films
1608:The Greeks Had a Word for Them
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2053:Films scored by Alfred Newman
2048:Films set in boarding schools
2043:American films based on plays
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2098:1930s English-language films
1776:The Adventures of Marco Polo
1448:The Winning of Barbara Worth
1293:The Liberation of L.B. Jones
876:AFI Catalog of Feature Films
777:"Reviews of the New Films".
679:"Movie Review – These Three"
7:
1904:The Best Years of Our Lives
1880:The Princess and the Pirate
1181:The Best Years of Our Lives
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294:The trio sue Amelia for
172:March 18, 1936
1984:Hans Christian Andersen
1784:The Cowboy and the Lady
309:
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1277:How to Steal a Million
572:Awards and nominations
342:as Mrs. Amelia Tilford
2058:Films about educators
1896:The Kid From Brooklyn
1800:They Shall Have Music
1384:Potash and Perlmutter
561:In the 21st century,
473:as Karen Wright, and
2103:1930s American films
2093:United Artists films
2078:Films set in schools
2033:American drama films
741:Taylor, John Russell
330:as Dr. Joseph Cardin
243:. The screenplay by
1856:They Got Me Covered
1792:The Goldwyn Follies
1416:A Thief in Paradise
1261:The Children's Hour
1237:Friendly Persuasion
1229:The Desperate Hours
1045:Tom Brown of Culver
965:The Border Cavalier
890:: December 6, 1937.
469:as Dr. Joe Cardin,
390:The Children's Hour
336:as Mrs. Lily Mortar
264:The Loudest Whisper
259:The Children's Hour
250:The Children's Hour
219:is a 1936 American
62:The Children's Hour
1616:The Kid from Spain
1560:One Heavenly Night
1424:His Supreme Moment
1354:Films produced by
924:Films directed by
864:TCM Movie Database
684:The New York Times
677:(March 19, 1936).
499:The New York Times
489:Critical reception
358:Carmencita Johnson
2010:
2009:
1912:The Bishop's Wife
1808:Wuthering Heights
1680:The Wedding Night
1584:The Unholy Garden
1552:The Devil to Pay!
1464:The Night of Love
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1133:Wuthering Heights
1085:The Gay Deception
1061:Counsellor at Law
957:Straight Shootin'
888:Lux Radio Theater
747:The Pleasure Dome
518:dramatis personae
475:Constance Collier
465:as Martha Dobie,
458:Lux Radio Theatre
367:Margaret Hamilton
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2028:1936 drama films
1952:My Foolish Heart
1832:The Little Foxes
1744:Woman Chases Man
1600:Tonight or Never
1528:Bulldog Drummond
1480:The Devil Dancer
1392:The Eternal City
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614:. Archived from
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586:Gale Sondergaard
483:Marcia Mae Jones
477:as Lily Mortar.
463:Barbara Stanwyck
375:as "Taxy" Driver
354:as Rosalie Wells
352:Marcia Mae Jones
346:Bonita Granville
334:Catherine Doucet
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688:. Retrieved
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657:. Retrieved
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647:"Sound file"
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616:the original
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233:Merle Oberon
223:directed by
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188:Running time
165:Release date
112:Gregg Toland
94:Merle Oberon
60:
1936:Enchantment
1704:These Three
1197:The Heiress
1189:Thunderbolt
1093:These Three
973:Desert Dust
883:These Three
870:These Three
859:These Three
848:These Three
837:These Three
819:TVGuide.com
751:. pp.
654:Archive.org
564:TVGuide.com
549:John Mosher
505:These Three
479:Alma Kruger
467:Errol Flynn
446:Joel McCrea
427:These Three
340:Alma Kruger
328:Joel McCrea
266:in the UK.
237:Joel McCrea
216:These Three
98:Joel McCrea
76:Produced by
39:Directed by
22:These Three
2023:1936 films
2017:Categories
1976:I Want You
1888:Wonder Man
1872:Up in Arms
1592:Arrowsmith
1576:Palmy Days
1512:The Rescue
1488:Two Lovers
1285:Funny Girl
1149:The Letter
981:Hard Fists
780:Film Daily
762:0192812866
690:August 12,
598:References
541:Film Daily
471:Mary Astor
438:B pictures
380:Production
221:drama film
192:93 minutes
176:1936-03-18
139:Production
49:Written by
1712:Dodsworth
1504:Condemned
1101:Dodsworth
1029:The Storm
530:in 1936,
414:Hays Code
369:as Agatha
118:Edited by
66:1934 play
1760:Dead End
1696:Splendor
1544:Whoopee!
1400:Cytherea
1368:The Pest
1117:Dead End
842:AllMovie
659:June 24,
578:ceremony
442:Westerns
407:Broadway
205:Language
128:Music by
86:Starring
57:Based on
1536:Raffles
1304:Related
1253:Ben-Hur
1125:Jezebel
1069:Glamour
873:at the
862:at the
710:review"
708:Variety
513:Variety
423:The Lie
395:lesbian
296:slander
208:English
197:Country
174: (
141:company
2003:(1959)
1995:(1955)
1987:(1952)
1979:(1951)
1971:(1950)
1963:(1950)
1955:(1949)
1947:(1949)
1939:(1948)
1931:(1948)
1923:(1947)
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1624:Cynara
1619:(1932)
1611:(1932)
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1403:(1924)
1395:(1923)
1387:(1923)
1379:(1923)
1371:(1919)
1296:(1970)
1288:(1968)
1280:(1966)
1272:(1965)
1264:(1961)
1256:(1959)
1248:(1958)
1240:(1956)
1232:(1955)
1224:(1953)
1216:(1952)
1213:Carrie
1208:(1951)
1200:(1949)
1192:(1947)
1184:(1946)
1176:(1944)
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944:(1926)
759:
753:69, 72
300:Vienna
239:, and
933:Films
650:(MP3)
448:with
1656:Nana
853:IMDb
757:ISBN
692:2015
661:2022
481:and
455:The
440:and
310:Cast
270:Plot
886:on
851:at
840:at
594:).
551:of
496:of
68:by
2019::
817:.
755:.
681:.
652:.
624:^
429:.
253:.
235:,
231:,
1347:e
1340:t
1333:v
917:e
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821:.
767:)
765:.
736:.
706:"
694:.
663:.
178:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
