This Year's Model - Knowledge

1129:(1966). The British cover had Costello standing back with his hands open; on the American cover, he crouched forward with both hands gripping the camera like a gun; a third shot was also used for the Swedish release. The back cover depicts Costello and the Attractions in a small, dimly lit hotel room reacting to a television with mock horror. Three of them are wearing black ties while Nieve dons a V-neck pullover. The inner sleeve depicts a robotic hand gripping a miniature TV on which Costello is playing, standing on one leg, and the other side depicts four colour-coded and dismembered mannequin bodies wearing string vests in a laundromat. Hinton states that the label's gimmick at the time was off-centre sleeves and avant-garde inner fold images. 1043:-infected rocker that was originally directly influenced by the works of the Who, before Bruce and Pete Thomas contributed new rhythms that made the track stand out on its own. Lyrically, the song attacks fashionable society; the girl is described as 'last year's model', as she has suffered a fall from grace. According to Rachlis, "Chelsea represents Costello's nightmare world of success, where deceit is masked by propriety and last year's model is thrown out with yesterday's wash." "Lip Service" represents a culmination of Beatles influences into a track that contains sexual innuendos, both in its lyrics and title. It is primarily led by Bruce Thomas's bassline, which Hinton compares to the sound of 952:. In his 2015 memoir, Costello wrote that the song discusses how men see women and what they desire from them. The song's subject has achieved fame through fashion but it is only temporary, as by the next year, another girl will take her place. Once she realises it as time runs out, she feels cheated but by then it is too late. "The Beat" is primarily led by Nieve's keyboard and the rhythm section of Bruce and Pete Thomas. The song explores the uncertainties and pains of adolescence and early manhood, and Hinton regards it as the closest thing on the album to romantic love. It quotes 599: 3434:, Marty Lipp cited the project as a complete display of the Attractions' strength as a band and recognised how many of the Latin singers on the project were female, which represented a "striking reversal" of the "she done me wrong" mentality that pervaded a majority of Costello's early work. He felt that the absence of Costello's "brilliantly cynical wordplay" did the album more harm than good, particularly on "Pump It Up", but considered the project "still as exciting and fun as ever" and commended Costello for continuing to surprise his fans. Matthew Berlyant in 842:

fuels many of the songs". References to objects such as cameras, films and telephones are present throughout many tracks, in both positive and negative lights, which the author David Gouldstone argues creates a disillusioned world where greed and revenge are dominant. Like the cover artwork itself, the mechanical imagery emphasises observation rather than participation. Themes of uncertainty between reality and artifice previously emerged on "Watching the Detectives", and appear throughout

1233: 920: 944:"No Action" begins with Costello's solo voice. The lyrics detail the regret of a failed relationship. Gouldstone said that the song is the first example of Costello's use of "thematic punning", meaning the incorporation of references that indirectly relate to the song's main subject; "No Action", in this case, uses a telephone as comparisons to the narrator's companion. According to Costello, "This Year's Girl" was written as an "answer song" to the Rolling Stones' " 41: 2917: 658:", which Costello began writing outside a hotel fire escape during the Live Stiffs tour, debuting the song two days later and properly recording it in the studio a week after that. Having frequently played the tracks live, the band were able to complete them with few overdubs; some of Costello's live guide vocals ended up in the final mix. Bruce Thomas recalled: "We literally did the best tracks on the album – "Pump It Up", " 3166:, Costello said that he had three requirements for the project: he wanted a lesser-known line-up, each singer would translate his or her own song and the Attractions' original backing tracks would be used. He was insistent on the quality of the band's performances: "Take my voice out of it and the playing from Pete, Bruce and Steve is sensational." As a non-Spanish speaker, Costello and Krys worked with songwriters 3383: 3378: 3345: 2379: 1444: 3373: 3368: 3363: 3340: 3335: 3330: 3325: 2417: 2412: 2407: 2402: 2397: 2374: 2369: 2364: 2359: 2051: 2046: 2041: 2036: 2031: 2001: 1996: 1991: 1986: 1981: 1963: 1958: 1953: 1948: 1943: 1901: 1896: 1891: 1886: 1881: 1863: 1858: 1853: 1848: 1830: 1825: 1820: 1815: 1810: 1792: 1787: 1782: 1777: 1772: 1482: 1477: 1472: 1467: 1462: 1439: 1434: 1429: 1424: 1406: 1401: 1396: 1391: 1373: 1368: 1363: 1358: 1353: 675:

of the moment." Costello and the Attractions collaborated during the songwriting process. Although Costello preferred an "immaculate approach" to songwriting, wherein he would not present songs to the musicians until they were fully written, the Attractions offered suggestions that helped shape the songs. For "(I Don't Want to Go to) Chelsea", Costello based the guitar parts on the 1964 tracks "

3210:(1982) as her favourite records by Costello and was delighted when she was approached for the project, stating: "I think it reflects something we're all interested in, which is the multiculturalism and syncretism of music." Draco Rosa was thrilled at the opportunity to provide a new and natural take on "The Beat", titled "Yo Te Vi". 900:...". Costello himself later wrote in the 2002 reissue's liner notes that he never understood the misogynistic accusations, believing they "clearly contained more sense of disappointment than disgust". Costello's failure to get the girl is the focal point of most of the relationships described in the album. 674:

Thomson says the sessions were "vibrant", productive and completed without difficulty. They began each day around 11 a.m. and finished around 9 p.m. According to Béchirian, "the whole thing was really good, it was really friendly, very positive. Everyone was really excited because they were the stars

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magazine called the project unique and praised Costello for taking a major left turn almost 45 years into his career. He highlighted the rearranged track listing and additions to the original record as making the project stand on its own, concluding that Costello succeeded in both bringing attention

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September through record label UM and was packaged with the 2021 remaster of the original album. Costello said in a statement: "Part of the fun of this project is its unexpected nature. Although, I think people in my audience that have been paying attention are pretty much used to surprises by now."

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Many of the Latin performers connected with the music on the original album. La Marisoul, a huge fan of Costello's, felt honoured to sing "Little Triggers", now titled "Detonantes". The artist approached the track by saying "Okay, I'm gonna live in these lyrics". For "Radio Radio", Fito Páez amended

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The Attractions were acknowledged on the LP labels but did not receive sleeve credits on the original release. The LP labels contain text between the holding spirals reading "Special pressing No. 003. Ring 434-3232. Ask for Moira for your prize". Packaged with the first 50,000 copies of the LP was a

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magazine, Costello said the record contained less humour than its predecessor: "It's more vicious overall but far less personal, though." Referencing technologies of mass control, from corporate logos to night rallies, Hinton writes that the lyrics are "strongly visual, as befits the voyeurism which

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maintained that it abandons the punk workings of the rest of the album for a ska-type rhythm. According to Gouldstone the track has themes already present in the album's other songs, including misogynistic ideals. "Lipstick Vogue" is described by AllMusic's Tom Maginnis as a showcase for the band's

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has been favourably reviewed by music critics. Erlewine commended the new vocals, stating that the Latin singers retain the "barbed humour" and "spiky politics" of the original album. He believes the new songs improved the project overall and expand the "musical and emotional palette", creating an

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Thomson described the songs as "tight and instantly memorable", and mentioned Costello's improved songwriting and the Attractions' performances. Hinton considers it "light years ahead" of its predecessor, creating a "paranoid universe, where everyone is being watched." St. Michael similarly writes

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Costello stayed at Bruce Thomas's flat during the sessions. According to Thomson, Costello remained focused despite keeping himself apart from his wife Mary during this time, which eventually led to their separation. Most of the songs had been written and performed live with the Attractions before

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The lyrics themselves are not literal translations. The first track completed was Cami's reinterpretation of "This Year's Girl" titled "La Chica de Hoy", which literally means "the girl of today". Costello explained that it has the same ideas as the original track, but Cami introduced reflections

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The thing with the translation, and we've discovered a lot over the record, the Spanish adaptation makes the melodies sound a little different, because the sound elements are different. I sing with a lot of, shall we say, attitude, particularly then. With songs like 'Hand in Hand' and 'Living in

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called it "an achievement so comprehensive, so inspired, that it exhausts superlatives". He wrote that "the penetration of the language matches the vaulting hysteria of the performance" and concluded that the record "promotes its author to the foremost ranks of contemporary rock writers", such as

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Photographed by Chris Gabrin, the front cover depicts Costello in his signature black framed glasses, wearing a dark suit with a polka dot shirt, glaring from behind a camera on a tripod. In Thomson's words, he is "expressionless" and "both observed and observing". According to Hinton, it was a

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has been acclaimed as one of Costello's best works, some critics commenting on its influence on punk and new wave. It has appeared on several lists of the greatest albums of all time and has been reissued multiple times with bonus tracks. In 2021, Costello spearheaded a new version of the album

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continues to receive critical acclaim. Journalists praise the Attractions' music, describing them as one of the best backing bands in rock music. Gouldstone wrote that with Costello on guitar, they became a band who are "capable of making even mediocre music listenable and of giving Costello's

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at Eden by Béchirian with Lowe and Costello in attendance; Costello did not contribute due to his relative inexperience in the studio. The mixing console had been custom-built by Béchirian in the early 1970s after the studio had changed locations. According to the author Mick St. Michael, Lowe

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added more tracks on top of the 1993 additions; with this release, "Radio Radio" was sequenced as the album closer after "Night Rally". Troper argues that the addition changes the record's tone immensely, stating that as "Radio Radio" is more upbeat, it brings the album to a proper conclusion

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Another US tour commenced just three days after the previous tour's end. With Bruce Thomas still unavailable, Costello brought back Clover guitarist John Ciambotti, who only had one day of rehearsal. Throughout the tour, Costello and the band continued the wild behaviour they had become known

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greatest songs an enthralling sense of intensity and immediacy." Erlewine described them as giving the album a "reckless, careening feel", further commending the sound, concluding that "Costello and the Attractions never rocked this hard, or this vengefully, ever again." Writing for

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deemed it the work that "bridged his brief past with his wide-open future". Troper deemed it Costello's "most consistent" release and finest with the Attractions, finding it the artist's "most live-sounding, most punk, and most honest record of his dauntingly expansive career".

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also saw Costello's emotional delivery as full of anger and grimace, which he found "more attractive musically and verbally than all his melodic and lyrical tricks". In the midst of the punk movement, Christgau acknowledged the genre's influence on the album and artist.

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energy and skill. It opens with a drum fill by Pete Thomas before Bruce Thomas and Nieve drive on bass and keyboards, respectively. Reflecting themes of alienation, the song is about the perils of imperfect love. "Night Rally" provides commentary on the then-prevalent

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infiltrates and affects society. Costello compares conglomerate corporations to these types of governments, in how they attempt to control the people. It cuts off abruptly, ending the album on, in St. Michael's words, "an explicit and disturbingly pessimistic note".

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3. Costello and the Attractions undertook a 28-date UK tour between March and April. The dates were plagued with problems, including Bruce Thomas cutting his hand smashing a glass bottle, requiring Lowe to substitute for him; Thomas wore bandages for the filming of

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considered the songs "less vicious" than its predecessors, but said the artist remains an "Aladdin's cave of anti-matter". He called Costello's voice "insubstantial but wiry", the music "clever in its very lack of detail", and compared the organ-heavy sound with

996:, "Little Triggers" is about a failing relationship caused by the woman's indifference. The 'little triggers' refer to the small things that occur in the beginning of a relationship that make it meaningful, such as kissing, body-brushing and lip expressions. 749:... Through the music, twitching and stuttering in a series of drum bursts, rents of organ and guitar arcs, the songs breathed as if through a gas mask – tight, controlled, afraid to splutter, claustrophobic, yet with a clear view of what was happening. 2245:

placed the album at number 11 on its list of the best of the past 20 years, and said that Costello charted "the modern romantic terrain with keen cynicism, caustic wit and furious energy." The same magazine ranked the album number 98 in its list of

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society's member, the song takes place in a nightclub, where its self-important members aspire to fit into high society, seeking purpose. The vocals are fuelled by obsessive sexual desire, while the rhythmic guitar riff is likened by Gouldstone to

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agreed, stating that all romances on the album are over or are about to commence, including a situation where he is unsure of whether to answer the phone or not ("No Action") or coming to terms after rejecting all compromises ("Lipstick Vogue").

578:, which took place the day after the tour's end. During the appearance, Costello and the Attractions played "Watching the Detectives" and began "Less Than Zero" before Costello abruptly cut the band off and counted them into the then-unreleased " 1568:

Costello is currently the best. There's simply no-one within spitting distance of him. He has his finger on the pulse of this desperate era and his perceptions are so disquieting because all too often they're too damn real to be strenuously

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distillation of the times", especially in London, and ten years later, Nick Hasted named it the "template" for the transition from punk to new wave. Regarding the album's position in the new wave genre, punknews.org's Julie River described

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as a "fine" record that maintains all of the artist's previous angry energy, yet "filling out the arrangements with a richness of texture (organ especially) that is very appealing". Pareles was critical of the overtly misogynistic themes.

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We wanted to catch people's eyes. If they said, 'Why is it printed off register?' as the initial pressing was, it was because we wanted people to ask exactly that. It meant they'd pause just that little bit longer in front of our sleeve.

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is a collection of songs that focused as much on Costello's recent success as on his by now patented emotional self-lacerations. Musically it seethed with tension, and this fitted the obsessive elements of the majority of the

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magazine that Lowe's primary goal was to "make sure the bass sat in well with the kick" and to bring Costello's voice to the forefront. With the record completed, Costello and the Attractions toured America in January 1978.

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Alan Madeleine found the artist proves himself "stylistically mindful": he is "distinct enough from any other extant act to be noted, yet cautious of excess experimentation in this establishmental sophomore phase."

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also received critical acclaim; reviewers highlighted strong songwriting and performances, while also admiring Costello and the band as artists. The album appeared on year-end lists in both the UK and the US.

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writers Jason Mendelsohn and Eric Klinger hailed the album as "simple, refreshing, and surprisingly modern" and "an object lesson that the New Wave could compete on the old school's field", respectively.

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1978, after which the band again toured Europe. "Pump It Up", backed by "Big Tears", was released as the second single in June, which peaked at number 24 in the UK, earning Costello another appearance on

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it to the current era where he presented himself "like this old dinosaur who goes back to his little radio to listen to Elvis Costello". Juanes, who recalled watching the music video for "Pump It Up" on

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He was a star almost overnight, and I think he was quite bemused by it all, swept up with the excitement. I have a great laughing image of him being fairly fresh-faced, like a little boy in a sweet shop.

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from her own career. "Radio Radio" was given "the most radical change" due to the track's now-outdated themes. "Night Rally" and "Chelsea" were also given changes to instead reflect the rise of Spanish

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Some critics were less enthusiastic. Savage felt Costello was "less than likable" and the Attractions "spare yet full", but ultimately considered the album "an excellent, soon-to-be-popular" record. In

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as producer and, in Thomson's words, was the "mad professor", pushing the band's energy further to attain the best performance. Like the debut, Lowe primarily wanted to capture the songs live with few

627:, beginning towards the end of December 1977 and completing in early January 1978. Costello later said the entire album was recorded in about eleven days. The band briefly paused to play a three-night 2078:

not only Costello's best, but one of the best albums ever made, he stated that it balanced the "raw energy" of its predecessor with the "more elegant pop songwriting" of his later works." Writing for

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convention, which led to Costello's arrest. The stunt attracted the attention of record executive Greg Geller, who months later became integral in signing Costello to Columbia in the United States.

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magazine's Jim Irvin was more mixed on the material and arrangements, overall finding the album "unfeasibly invigorating" following its "mild-mannered" predecessor, but liked Lowe's production.

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Paradise', I didn't realise these songs had melody — I thought it was just me sneering. I didn't realise they had tunes until I heard them sung by more melodious singers in another language.

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1978; Columbia substituted "(I Don't Want to Go to) Chelsea" and "Night Rally" with "Radio Radio" on the notion that the lyrics on both tracks were "too English". It reached to number 30 on

8120: 7805: 2074:, and that "it's not only a more complex and dynamic album, but also one that steers well clear of the retro guitar twang that marred the less interesting bits of his debut." Declaring 482:, whose laid-back approach he felt did not fit the sound of the times. Wanting a harder and sharper sound, he decided to assemble a permanent backing band. The first musician hired was 7051: 6124: 5783: 7993: 5679: 9071: 5751: 5238: 8087: 2173:, he "articulat a generation's ire every bit as caustically as the Pistols' gigantic guitars". Bray cited it as the album that proved pop and punk could co-exist. Writing for 3913:

The Attractions did not receive a sleeve credit on the original release but were credited on the LP labels. Later reissues are credited to Elvis Costello and the Attractions.

1307:. "This Year's Girl", backed by "Big Tears", was issued as a US single. After appearing on the American LP, "Radio Radio" was released as a stand-alone single in the UK on 24 7877: 6300: 5715: 1271:

chart. The Scandinavian release retained the UK track listing and added "Watching the Detectives" as the final track on side one. It reached number 10 in Sweden. Elsewhere,

8197: 6323: 9189: 6168: 3192:, respectively. Krys originally intended to mimic Lowe and Béchirian's original mix, but decided it worked better when he mixed the backing tracks around the new vocals. 5423: 4841: 5190: 666:. We'd just go in, play them, and that was it." Despite the fast-paced nature of the sessions, Béchirian recalled Costello coming off the tour with "radiating energy": 4206: 7479: 2572:" to close side two. The 2002 Rhino reissue added "Radio Radio" after "Night Rally" as the album closer, and the 2021 remaster added "Big Tears" before "Radio Radio". 6024: 2194:

magazine's Andy Whitman went further, describing the album as "the moment when New Wave found its frontman". Both River and Whitman agreed the album has aged well.

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in 2003, maintaining the rating in a 2012 revised list, and dropping to number 121 in a 2020 revised list. In lists compiling the 100 greatest albums of all time,

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album that was "not as a curiosity but rather a small wonder, revealing new dimensions of the original recording while opening up these songs for new audiences".

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for—both on and off stage—and experienced an increase in drug use, lack of sleep and growing exhaustion. Songs that would appear on Costello's next album, 1979's

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for "(I Don't Want to Go to) Chelsea" and "Pump It Up". Costello grew more exhausted from constant touring but continued writing new material. By the tour's end,

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in the US, which added the bonus tracks "Radio Radio", "Crawling to the U.S.A.", "Running Out of Angels", "Greenshirt" and "Big Boys". The 2002 CD reissue by

7368: 7308: 5015: 8047: 7448: 6081: 4640: 3200:, offered a Spanish take on the lyric's events for his version of the song. Francisca Valenzuela, who sang "Hand In Hand" with Luis Humberto Navejas, cited 8262: 4748: 4717: 2139:

as an album everyone should own, saying the songs "remain brutally funny, sung with moments of unexpected tenderness". Regarding Costello's musicianship,

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as a deluxe edition, featuring most of the same tracks as the Rhino reissue, with the addition of a 13-track live bonus disc taken from a show at the

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wrote that Costello's vocals "bristle with conviction and bite that we rarely find in rock in the '70s". Other critics highlighted Lowe's production.

9626: 8143: 5313: 5591: 9502: 7957: 5392: 4467: 7671: 6849: 5984: 9029: 7509: 7276: 1008:" (1965). Lyrically, it is a plea for sexual freedom and is full of resentment and anger. Musically, AllMusic's Stewart Mason likens it to 1960s 7091: 5624: 5510: 5473: 1107:

left a printers' colour bar intact along the right side. The American and Swedish sleeves were lined up correctly and not off-centre. Riviera's

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that predicted the artist's future projects. The author also comments that it debuted one of the strongest four-piece rock bands of the era.

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According to the author Graeme Thomson, Costello's reputation in the US grew faster than in the UK. He was acclaimed in publications such as

7915: 6975: 6114: 5668: 2271: 9302: 7983: 5226: 2224:. ... Instead of studying I'd go in and listen to Elvis Costello over and over until my ears hurt and my head couldn't take it anymore". 1028:. Although the music provides a Merseybeat shuffle, the dark and revenge-driven lyrics follow two lovers walking hand in hand straight to 854:", "(I Don't Want to Go to) Chelsea" and "This Year's Girl" as relating to Costello's former job working at cosmetics and perfume company 9698: 6811: 6679: 4886: 7011: 6723: 5740: 5286: 4510: 1039:"I'm Not Angry", the narrator tries to deal with chaotic emotions by denying they ever occurred. "(I Don't Want to Go to) Chelsea" is a 385:. The lyrics explore subjects such as technologies of mass control and failing relationships, but in a manner that some reviewers found 8811: 7839: 7637: 5340: 545:", his first single to reach the UK top 20. In the meantime, Costello had written a large amount of new material which would appear on 1047:. The partially vague lyrics express a narrator's sexual frustrations on a would-be lover and observations on insincerity around him. 453:

sung in Spanish by Latin artists over the Attractions' original backing tracks. It received favourable reviews and charted on several

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magazine also ranked it the 19th greatest new wave album in 2016. The album was included in the 2018 edition of Robert Dimery's book

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considered the Attractions "perfect creative foils" for Costello, particularly signalling out Nieve's playing throughout the record.

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reached the top 20 in New Zealand (11), the Netherlands (14) and Norway (15), and the top 30 in Canada (21) and Australia (26).

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Ryan Bray named it the first of Costello and the Attractions' eight-year run he nicknamed "murderer's row". Reviewing in 2008,

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Costello and the band were on tour for most of the rest of 1977. The dates included the Greatest Stiffs Live Tour with other

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one of the "strongest sophomore efforts of any singer-songwriter", arguing that it affirmed the seeds that outlined on

659: 397: 249: 7693: 7167: 6198: 3119:, added new vocals from Bergman alongside Costello's originals. The project led Costello to conceive a reimagining of 9239: 8612: 8506: 6635: 6499: 4805: 3159:, replacing Costello's original vocals but retaining Costello and the Attractions' original backing instrumentation. 2466: 1872: 945: 9663: 9439: 9358: 9309: 9167: 7984:"Elvis Costello on the Endurance of 'This Year's Model,' and What's Gained in Translation With New 'Spanish Model'" 4956: 2614: 2516: 2289:

Sam Ubl ranked it the 52nd best album of the 1970s, calling it "one of most deceptive rock records", and in 2012,

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Some of Costello's original vocals were retained for a couple of tracks, including "Pump It Up" and "Radio Radio".

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Al Shipley argued that Costello was never able surpass the record's "inventive punch", while Michael Gallucci of

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magazine's Anthony O'Grady called it "a hypnotic, frustrated, hurt love song that's almost the mirror image of '

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In the 2002 reissue's liner notes, Costello stated that "Big Tears" was the only "genuine" outtake from the

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as one of the first and strongest new wave albums, ultimately standing as one of Costello's finest albums.

1138: 684: 5309: 2481:, "Big Tears" was added before "Radio Radio" on the standard album, bringing the total track count to 14. 9411: 7081: 2997: 2478: 968: 362:. Most of the songs were written prior to the sessions, and debuted live during the latter half of 1977. 7947: 5384: 2154:

began "his insatiable urge to 'bite the hand that feeds me'." The album was not without its detractors.

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had a hard time recalling an artist whose sophomore record surpassed their "already impressive" debut.

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released a May 1980 issue with an aligned sleeve, which has been retained for all subsequent releases.

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Radar released the first single, "(I Don't Want to Go to) Chelsea", backed by "You Belong to Me", on 3

389:. Echoing the lyrics of some of the tracks, the cover artwork, designed by the English graphic artist 9281: 9253: 8222: 5616: 5496: 5465: 4836: 2118: 1051: 9693: 9555: 9527: 9379: 9330: 8902: 6889: 5853: 5538: 1687:, concluding that it "should satisfy his growing legion of fans, as well as gain new converts". In 976: 724:

intentionally made the record louder than its predecessor. Béchirian recalled in an interview with

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said that "at least on occasion Elvis has the grace to make clear that it's a two-way process and

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Simmons, Sylvie (September 2021). "Elvis Costello reimagines 'This Year's Model' — in Spanish!".

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and featured a printer colour bar on the right. Later reissues feature a properly aligned sleeve.

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for a new version of "This Year's Girl" for the second season of the American television series

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found the album "so wrong-headed, so full of hatred, so convinced of its moral superiority" in

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Some reviewers mention the album's influence on punk and its evolution into new wave. In 2002,

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magazine's Chris Roberts called Costello the "bitter bard of the punk era", writing that with

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but retained his American deal with Columbia. His final release for Stiff was that October's "

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Hasted, Nick (December 2018). "The 70 Landmark Albums of the Last 70 years – Elvis Costello:

7001: 6970: 4505: 4500: 4468:"Elvis Costello Recalls 'SNL' Stunt That Got Him Banned: 'I Just Wanted Them to Remember Us'" 3901: 3266: 3111: 2603: 2458: 2106: 1058:

detailing how dreams of soft-living actualise in soul-decaying corruption". Morgan Troper of

957: 855: 582:", a critique of the commercialisation of broadcasting. The impromptu stunt angered producer 483: 335: 7831: 7629: 5336: 9648: 9460: 9225: 9218: 8909: 8825: 8769: 8347: 6674: 6261: 6163: 4930: 4472: 3964: 3590: 3144: 1910: 1519: 1261: 1247: 1069:. It presents, in Hinton's words, a "nightmare of state control and worse" that argues how 871: 422: 214: 1004:' ." "You Belong to Me" is heavily in debt to the Rolling Stones, using the same riff as " 960:" (1963) as a way to express enjoyment before the narrator is sought after by vigilantes. 699:, including "Radio Radio" and "Big Tears", the latter featuring a guest contribution from 8: 9573: 9488: 9474: 9393: 8997: 8990: 8874: 7566: 6243: 5505: 4330: 2450: 2066: 1922: 1559: 1066: 570: 8396: 8302: 5139: 9534: 9467: 9344: 8846: 8839: 8543: 7988: 7701: 6568: 6295: 6206: 6030: 6016: 5112: 2780: 2241:

placed it at number 82 on its list of the "100 Greatest British Albums Ever". In 1987,

2080: 1801: 1689: 1529: 928: 763: 676: 378: 338:(no relation)—as his permanent backing band. Recording sessions took place at London's 7762: 3685: 2636: 2568:

The US release dropped "(I Don't Want to Go to) Chelsea" and "Night Rally" and added "

2146:

Paul Moody argued that after he "dispensed with his musical safety net entirely" from

647: 355: 9386: 8608: 8597: 8577: 8554: 8527: 8502: 8483: 8460: 8437: 8407: 8380: 8355: 7570: 7300: 7290: 7212: 6801: 6645: 6427: 6332: 6119: 6034: 5857: 5848: 5675: 4965: 4801: 3170:, Ximena Muñoz, Luis Mitre and Andie Sandoval to translate the lyrics. Costello told 2743: 2681: 2220:

named the album as a favorite, recalling, "The I listened to the most , though, was

1649: 1613: 1603:

magazine, Fred Schruers lauded his lyrics, musicianship and angry persona, and cited

1599: 1524: 1491: 1453: 1189: 1146: 985: 884: 628: 8040:"Elvis Costello On Reimagining His Landmark 1978 Album Into The New 'Spanish Model'" 6573: 6422: 619:

was recorded during a break in Costello's touring schedule. Recording took place at

9612: 9481: 9453: 9197: 9050: 9022: 8958: 8916: 8881: 8797: 8476: 7531: 7176: 7148: 7086: 6858: 6012: 4712: 3823: 3558: 3247: 3206: 3054: 2470: 2350: 2190: 2175: 2165: 2022: 1608: 1181: 1021: 537:. Per Costello's management contract, Costello followed Riviera and left Stiff for 519: 413: 393:, shows Costello behind a camera on a tripod, emphasising his role as an observer. 162: 45:

Original UK cover. The original US and Swedish covers use slightly different shots.

8403: 4797:

33 1/3 Revolutions Per Minute - A Critical Trip Through the Rock LP Era, 1955–1999

1597:

Several reviewers placed Costello as one of the best British New Wave artists. In

9509: 9446: 9323: 9274: 9267: 9232: 8930: 8818: 8804: 8717: 8573: 8517: 8113:"Elvis Costello Preps Spanish Version of 'This Year's Model' With Special Guests" 7420:"The 25 Greatest Albums of All Time – No. 8: Elvis Costello and the Attractions: 7046: 7006: 6783: 6779: 6604: 4795: 4579: 3839: 3354: 3251: 3232:, he stated that the Attractions, Lowe and Béchirian all responded positively to 3106: 3004: 2933: 2754: 2198:

that the record "provokes and invokes" the listener as much as it entertains. In

2156: 2097: 1839: 1665:, Rachlis believed the album was more "musically and thematically" cohesive than 1289: 1226: 1161:

The band's North American tour before the album's release lasted from January to

1070: 554: 507: 405: 323: 171: 8144:"Elvis Costello announces Spanish reimagining of 1978 album 'This Year's Model'" 3940:

Béchirian continued to work with Costello on his next four Lowe-produced albums.

3506: 598: 9418: 9365: 9085: 8983: 8755: 8708: 8672: 8421: 6793: 6110: 5813: 4645: 3637: 3510: 3148: 3116: 3072: 3023: 3014: 2929: 2694: 2640: 2585: 2552: 2490: 1654: 1640: 1150: 1134: 1116: 1108: 1104: 993: 851: 777: 726: 692: 644: 583: 470: 465: 390: 366: 359: 318: 301: 232: 196: 183: 105: 56: 6469: 850:" and "Living In Paradise". The author James E. Perone interprets songs like " 9642: 9541: 9139: 9078: 8951: 8937: 8860: 8604: 8592: 8550: 7216: 6926: 6641: 6507: 6284: 6076: 5979: 5651: 5450: 5010: 4559: 4172: 3734: 3669: 3167: 3136: 3036: 2765: 2462: 2434: 2388: 2217: 2213: 2132: 1694: 1669:, but not "diminish the prodigal brilliance" of its predecessor. Conversely, 1628: 1538: 1415: 1268: 1145:

left off the album due to its country-influenced sound, with a live cover of

1001: 953: 902: 809: 624: 538: 526: 479: 429: 313: 309: 157: 7304: 2297:

also included it in their list of the 100 best rock albums from the decade.

529:

artists and their first tour of America. During this time, Stiff co-founder

8853: 8737: 8433: 8287:

Aizlewood, John (November 2021). "Elvis Costello: 'Spanish Model' Review".

7773: 7739: 6759: 6665: 6631: 6555: 6266: 3962:"Green Shirt" and "Big Boys" were both recorded for Costello's next album, 3653: 2992: 2838: 2794: 2597: 2430: 2237: 2085: 1934: 1512: 1294: 1050:"Living in Paradise" was written in 1975 when Costello was a member of the 1025: 720: 620: 530: 491: 475: 339: 331: 150: 90: 8080:"Five Artists on What It's Like to Sing Elvis Costello's Songs in Spanish" 4775: 3701: 3156: 1180:

March 1978 in the UK, which received acclaim and reached number 16 on the

9295: 9181: 9100: 8790: 8723: 8694: 7870:"Elvis Costello on Why He Remade 'This Year's Model' Entirely in Spanish" 7787: 6387: 5001: 4925: 2956: 2924: 2591: 2569: 1670: 1293:. In July, Costello recorded "Stranger in the House" with country artist 1218: 1044: 1009: 972: 949: 907: 866: 789: 708: 640: 579: 575: 499: 417: 382: 327: 125: 98: 9064: 8630: 2070:

in 2002, Matt LeMay said they were the reason the album was superior to

1200: 416:. Substituting "(I Don't Want to Go to) Chelsea" and "Night Rally" for " 404:" were commercially successful and the album reached number four on the 9337: 9316: 8258: 5930: 5747: 5072: 4952: 3717: 3574: 3526: 3392: 3296: 3152: 3140: 2707: 2454:

compared to the disturbing imagery and abrupt ending of "Night Rally".

1550: 1382: 1060: 989: 889: 805: 797: 8340:

Bonomo, Joe; Marcus, Greil; Whitman Prenshaw, Peggy (1 October 2012).

7806:"American album certifications – Elvis Costello – This Year's Model" 7770:"Canadian album certifications – Elvis Costello – This Year's Model" 6745:

Eccleston, Danny (March 2002). "Elvis Costello & the Attractions:

3441:

to the original album and the Spanish-speaking artists that enveloped

1232: 919: 7788:"British album certifications – Elvis Costello – This Year's Model" 5172: 3115:. For this version, Costello and his frequent collaborator, producer 2961: 2627: 2274:. In a 2018 issue selecting 70 landmark albums of the past 70 years, 2180: 1583: 964: 821: 801: 785: 781: 700: 688: 632: 606: 518:

eight days later, the group performed an unauthorised show outside a

495: 374: 370: 351: 176: 115: 110: 7948:"Elvis Costello & the Attractions: Spanish Model (UMe) – review" 5561: 804:. According to biographer Tony Clayton-Lea, rather than reusing the 631:

at London's Nashville Rooms, which concluded on Christmas Eve 1977.

8944: 8895: 8523: 7908:"Elvis Costello Remakes His Classic 'This Year's Model' in Spanish" 6595: 5963: 5894: 4882: 3242:

earned Costello and the Attractions their first top-ten entry on a

2731: 2446: 2235:

often appears on lists of the greatest albums of all time. In 2000

1764: 1635: 1344: 862: 825: 793: 560: 386: 120: 4641:"Classic tracks: Elvis Costello and the Attractions' 'Pump It Up'" 3922:

Although they have the same surname, Pete and Bruce are unrelated.

3503:"(Yo No Quiero Ir A) Chelsea" ("(I Don't Want to Go to) Chelsea")" 1643:: a Sixties sound "trapped for ten years on atmospherics". Naming 695:

to make "Chelsea" stand out on its own. The band recorded several

8641: 8635: 8310: 5539:"How Elvis Costello Created His Masterpiece, 'This Year's Model'" 4449: 4447: 4445: 4443: 4441: 4439: 4437: 4435: 4433: 4431: 4384: 4382: 4380: 4378: 4376: 4374: 4372: 3454: 3185: 1577:

is just too powerful, too dazzling to be ignored or sidestepped.

1537:

allowed Costello to surpass early comparisons of Springsteen and

1506:

was well received on release. Many critics deemed it superior to

696: 680: 605:

was the second of five consecutively produced Costello albums by

4370: 4368: 4366: 4364: 4362: 4360: 4358: 4356: 4354: 4352: 4141: 4139: 4137: 4135: 4133: 4131: 4129: 4127: 4125: 4832:"'This Year's Model' Is Still Elvis Costello at His Angry Best" 3542: 3132: 1125: 1055: 663: 4741:"'This Year's Model': New Wave 1978-Style From Elvis Costello" 4686: 4684: 4682: 4680: 4532: 4530: 4528: 4428: 4399: 4397: 2266:

at numbers 69, 40 and 8 in 1995, 1985 and 1989, respectively.

6890:"Counterbalance No. 79: Elvis Costello's 'This Year's Model'" 6369: 4678: 4676: 4674: 4672: 4670: 4668: 4666: 4664: 4662: 4660: 4615: 4349: 4279: 4277: 4275: 4273: 4271: 4269: 4267: 4265: 4122: 3427:

John Aizlewood found the project unnecessary but refreshing.

3189: 2719: 1236:

Costello onstage in April 1978, shortly after the release of

837: 51: 8339: 4781: 4263: 4261: 4259: 4257: 4255: 4253: 4251: 4249: 4247: 4245: 4085: 4083: 4081: 4079: 4077: 4075: 4073: 4071: 4069: 4067: 4065: 4063: 4061: 4059: 4057: 4055: 4053: 1303:

album in 1979, before commencing the recording sessions for

300:

is the second studio album by the English singer-songwriter

9072:

The Very Best of Elvis Costello and The Attractions 1977–86

5416:"Chris Gabrin: Elvis Costello, 'This Year's Model' session" 5092: 5068:"Between the Grooves: Elvis Costello – 'This Year's Model'" 4525: 4394: 4337: 4232: 4230: 4228: 4226: 4224: 4051: 4049: 4047: 4045: 4043: 4041: 4039: 4037: 4035: 4033: 3731:"Se Esta Perdiendo La Inocencia" ("Running Out of Angels")" 1029: 980: 948:" (1965). Other influences included the mid-1960s works of 533:

departed Stiff due to disputes with the label's co-founder

8282: 8280: 5366: 5364: 5362: 5360: 5358: 5264: 5262: 5260: 4657: 4501:"Why Elvis Costello Got Banned from 'Saturday Night Live'" 776:. Musically, the album embraces several styles, including 502:, who had no prior band experience and had trained at the 8570:

Complicated Shadows: The Life and Music of Elvis Costello

8181: 8179: 8177: 8175: 8173: 8171: 8148: 7237:"The 100 Greatest British Albums Ever! – Elvis Costello: 6115:"Pop Music: All Thoroughbreds in This Month's Disc Derby" 5185: 4242: 3197: 1588: 1284: 1054:

band Flip City. O'Grady calls it as "shuffling power-pop

1040: 565: 494:, a bassist whose previous involvements included several 5470:– Elvis Costello / Elvis Costello & the Attractions" 4418: 4416: 4414: 4412: 4221: 4030: 1683:, but felt the songs improved on the style exhibited on 1549:"the best collection of...fashion-conscious songs since 1099:

was deliberately off-centre, making the title appear as

8277: 5875: 5873: 5355: 5257: 4603: 4112: 4110: 4108: 4106: 4104: 4102: 4100: 4098: 9190:(What's So Funny 'Bout) Peace, Love, and Understanding 8168: 6026:

Christgau's Record Guide: Rock Albums of the Seventies

4591: 3213:

Preceded by the release of Juanes's "Pump It Up" on 15

506:. With Costello on guitar, he and the band, now named 7588: 7586: 4763: 4409: 654:

the recordings. One of the final tracks written was "

8107: 8105: 8013: 8011: 7040:

This Year's Model/Blood & Chocolate/Brutal Youth

6826: 6600:"The Sounds Of Elvis, From San Francisco And Beyond" 6382: 6380: 5870: 5310:"'(I Don't Want to Go to) Chelsea' – Elvis Costello" 4320: 4318: 4316: 4314: 4312: 4095: 3131:

period sung by an array of Latin artists, including

4901: 4706:Jackson, Josh; Martin, Garrett (8 September 2016). 4549: 4547: 4545: 4310: 4308: 4306: 4304: 4302: 4300: 4298: 4296: 4294: 4292: 9627:Bespoke Songs, Lost Dogs, Detours & Rendezvous 8596: 8542: 8475: 8425: 8395: 8187: 8135: 7621: 7583: 6888:Mendelsohn, Jason; Klinger, Eric (27 April 2012). 6390:(16 April 1978). "England's Elvis — Solid brash". 6288: 6279: 6277: 6241:Zito, Tom (3 May 1978). "Costello's stormy rock". 5892:Carman, Charles (13 July 1978). "Elvis Costello". 5809:"Top Albums/CDs – Volume 29, No. 10, June 03 1978" 4162: 4160: 4158: 4156: 4154: 2581:According to the liner notes of the 2002 reissue: 1716:. It was highly placed in other year-end lists by 1607:as having fulfilled "every new wave expectation". 8102: 8008: 7075: 7073: 6887: 6377: 6236: 6234: 6232: 5283:"'You Belong to Me' – Elvis Costello Song Review" 2828: 9640: 8217: 8215: 7657: 7655: 7161: 7159: 5650:(LP sleeve notes). Elvis Costello. Scandinavia: 4542: 4289: 3977:Costello asserted himself more on the mixing of 3634:"Viviendo en el Paraiso" ("Living in Paradise")" 2441:1986. Its first extended reissue came in October 8499:Elvis Costello: The Illustrated Disco/Biography 8372:Shake Some Action: The Ultimate Power Pop Guide 7825: 7823: 7821: 7819: 7286:Rolling Stone's 500 Greatest Albums of All Time 6843: 6841: 6588: 6274: 5385:"The Genius of Graphic Designer Barney Bubbles" 4151: 2884:Shipments figures based on certification alone. 2095:one of Costello's best, and "angriest", works. 9108:The Best of Elvis Costello: The First 10 Years 9037:The Best of Elvis Costello and the Attractions 8478:Let Them All Talk: The Music of Elvis Costello 7441:"The 500 Greatest Albums Of All Time: 300–201" 7115: 7113: 7070: 6883: 6881: 6229: 4701: 4699: 4188: 4186: 4184: 4182: 3322: 3269:in the US the week of 16 September 2021. 2270:listed it at number 256 in their 2013 list of 1459: 1204:box set, and as a standalone release in 2009. 1103:and the artist "Lvis Costello". The design by 9030:Ten Bloody Marys & Ten How's Your Fathers 8657: 8212: 7652: 7156: 7031: 7029: 6059: 5712:Recording Industry Association of New Zealand 5061: 5059: 5057: 5055: 5053: 4996: 4994: 4992: 4787: 4705: 4634: 4632: 4630: 3931:Lowe also left Stiff with Costello for Radar. 1647:the winner of May 1978's "disc derby" in the 7816: 7256:"The Best Albums of The Last 20 Years – 11. 7137: 7135: 6966:"Elvis Costello Albums Ranked Worst to Best" 6838: 6705: 6703: 6701: 6699: 6697: 6150: 6148: 6146: 6007: 6005: 5913: 5911: 5909: 5771: 5769: 5051: 5049: 5047: 5045: 5043: 5041: 5039: 5037: 5035: 5033: 4920: 4918: 4916: 3360: 2646: 2394: 2356: 2028: 1978: 1940: 1878: 1845: 1807: 1769: 1421: 1388: 1350: 1165:. The setlist consisted of tracks from both 796:; St. Michael also recognised references to 762:In the 2002 liner notes, Costello mentioned 8540: 8393: 7977: 7975: 7560: 7394:. No. 21. August 1995. pp. 50–88. 7264:. No. 507. 27 August 1987. p. 72. 7110: 6921: 6919: 6917: 6915: 6878: 6105: 6103: 5803: 5801: 5611: 5609: 5224: 5167: 5165: 5163: 5161: 4865: 4863: 4861: 4859: 4825: 4823: 4821: 4819: 4817: 4696: 4566: 4453: 4179: 4145: 3105:In 2018, Costello collaborated with singer 1020:The track "Hand in Hand" opens with guitar 8664: 8650: 8450: 8073: 8071: 8069: 8067: 8065: 7941: 7939: 7937: 7935: 7933: 7863: 7861: 7859: 7857: 7632:This Year's Model [Deluxe Edition] 7026: 6862:. No. 124. p. 84. Archived from 6550: 6548: 6454:"The Rolling Stone 1978 Critics' Awards". 6193: 6191: 6189: 5838: 5836: 5735: 5733: 5699: 5697: 5663: 5661: 5578: 5576: 4989: 4782:Bonomo, Marcus & Whitman Prenshaw 2012 4627: 4621: 4388: 2915: 2293:placed it at number 35 in a similar list. 979:" (1956). An energetic attack on a female 963:"Pump It Up" was based on the stylings of 39: 9549:Lost on the River: The New Basement Tapes 8591:Wyman, Bill (1995). "Elvis Costello". In 8286: 8245: 8243: 8033: 8031: 8029: 7901: 7899: 7897: 7895: 7810:Recording Industry Association of America 7132: 7124:: Elvis Costello & the Attractions". 6925: 6773: 6744: 6694: 6362: 6324:"Elvis Costello is Angry and Convincing: 6143: 6011: 6002: 5906: 5766: 5030: 4947: 4945: 4943: 4941: 4913: 4577:: Elvis Costello & the Attractions". 3123:entirely in Spanish. The project, titled 2179:in 2008, Terry Staunton cited it as "the 1708:was voted the best album of 1978 by both 8545:Elvis Costello: An Illustrated Biography 8420: 8255:by Elvis Costello & the Attractions" 8141: 7972: 7945: 7565:(Revised and Updated ed.). London: 7563:1001 Albums You Must Hear Before You Die 7119: 6995: 6993: 6963: 6912: 6321: 6283: 6256: 6254: 6100: 5798: 5606: 5567: 5536: 5444: 5158: 5098: 4856: 4814: 4793: 4609: 4597: 4553: 4536: 4403: 4343: 4324: 2477:February 1978. For its 2021 remaster by 2304:1001 Albums You Must Hear Before You Die 1231: 1156: 1077: 918: 597: 593: 586:and resulted in Costello's banning from 514:July 1977. Shortly after the release of 9606:Unfaithful Music & Disappearing Ink 8567: 8428:Unfaithful Music & Disappearing Ink 8307:– Elvis Costello & the Attractions" 8062: 8017: 7981: 7930: 7854: 7668:– Elvis Costello (CD – UMe #003394102)" 7561:Dimery, Robert; Lydon, Michael (2018). 7165: 7079: 6999: 6933:This Year's Model (Deluxe Edition 2008) 6712:"Elvis Costello & The Attractions: 6545: 6186: 6109: 6065: 5958: 5956: 5833: 5730: 5694: 5658: 5573: 5495:Deusner, Stephen M. (13 October 2009). 5494: 5227:"Elvis Costello & The Attractions: 5000: 4924: 4690: 4638: 4283: 4171:(LP sleeve notes). Elvis Costello. UK: 3604:"La Chica de Hoy" ("This Year's Girl")" 3571:"Tu Eres Para Mi" ("You Belong to Me")" 3272: 2200:The Words & Music of Elvis Costello 1735: 498:albums earlier in the decade; and last 9641: 8515: 8496: 8473: 8368: 8240: 8037: 8026: 7918:from the original on 16 September 2021 7892: 7438: 7371:from the original on 22 September 2020 7245:. No. 165. June 2000. p. 62. 7205:"Black Francis: soundtrack of my life" 7141: 6964:Gallucci, Michael (15 February 2022). 6630: 6470:"NME's best albums and tracks of 1978" 6423:"The 1978 Pazz & Jop Critics Poll" 6386: 6315: 6174:from the original on 24 September 2021 6084:from the original on 20 September 2020 5941:from the original on 30 September 2021 5891: 5879: 5777:"Elvis Costello – 'This Year's Model'" 5741:"Elvis Costello – 'This Year's Model'" 5669:"Elvis Costello – 'This Year's Model'" 5532: 5530: 5528: 5370: 5289:from the original on 24 September 2015 5268: 5220: 5218: 5216: 5214: 5212: 5193:from the original on 22 September 2020 5119:from the original on 24 September 2015 5080:from the original on 14 September 2021 5065: 4951: 4938: 4907: 4889:from the original on 23 September 2015 4769: 4738: 4498: 4422: 4236: 4195:"Elvis Costello and the Attractions – 4116: 4089: 3771: 3757: 3743: 3727: 3710: 3694: 3678: 3662: 3646: 3630: 3250:. It also charted at number 50 on the 1311:October 1978, backed by "Tiny Steps". 9674:Garage rock albums by English artists 9115:The Songs of Bacharach & Costello 8645: 8590: 8519:The Words and Music of Elvis Costello 8077: 8050:from the original on 24 February 2022 7996:from the original on 12 December 2021 7960:from the original on 19 November 2021 7946:Berlyant, Matthew (12 October 2021). 7867: 7842:from the original on 18 November 2021 7640:from the original on 18 November 2021 7609:from the original on 15 February 2022 7592: 7512:from the original on 11 December 2021 7390:"The 100 Greatest Albums Ever Made". 7361:"The 500 Greatest Albums of All Time" 7331:"The 500 Greatest Albums of All Time" 7035: 7014:from the original on 19 February 2022 6990: 6978:from the original on 25 February 2022 6900:from the original on 11 November 2020 6847: 6832: 6814:from the original on 13 December 2020 6709: 6664: 6356: 6264:(11 March 1978). "Elvis on Revenge". 6260: 6251: 5645: 5627:from the original on 17 November 2021 5513:from the original on 19 November 2020 5382: 4751:from the original on 24 February 2022 4572: 4513:from the original on 28 December 2021 4480:from the original on 21 December 2021 4192: 4166: 3785: 3614: 3600: 3583: 3567: 3551: 3535: 3519: 3499: 3485: 3305: 3282: 2325: 1750: 1329: 1314: 934:; Costello himself cited their album 574:as a last-minute replacement for the 408:. The American LP was released in May 9147:(The Angels Wanna Wear My) Red Shoes 8482:. London: Sanctuary Publishing Ltd. 8317:from the original on 13 October 2022 8156:from the original on 31 October 2021 8090:from the original on 28 October 2021 8078:Lopez, Julyssa (10 September 2021). 7982:Willman, Chris (16 September 2021). 7905: 7880:from the original on 23 January 2022 7829: 7674:from the original on 3 December 2021 7661: 7627: 7542:from the original on 16 January 2021 7289:(3rd ed.). London: Turnaround. 7274: 7054:from the original on 5 December 2020 7002:"Every Elvis Costello Album, Ranked" 6682:from the original on 21 October 2015 6612:from the original on 28 October 2020 6554: 6240: 6047:from the original on 6 November 2004 5962: 5953: 5842: 5705:"Elvis Costello – This Year's Model" 5682:from the original on 11 January 2014 5584:"Elvis Costello – This Year's Model" 5549:from the original on 29 October 2021 5501:(rec. 1978, rel. 1993) album review" 5476:from the original on 7 December 2021 5426:from the original on 5 December 2019 5395:from the original on 28 January 2022 5334: 5316:from the original on 30 October 2021 5307: 5171: 5110: 4869: 4829: 4465: 4209:from the original on 22 October 2020 3246:Latin chart, reaching number six on 2651: 1251:, began appearing in the set-lists. 861:Some reviewers identified themes of 824:music "as influenced by punk rock". 691:, which the band used to create new 488:Chilli Willi and the Red Hot Peppers 377:, the songs draw from bands such as 8185: 8038:Milano, Brett (28 September 2021). 7750:from the original on 21 August 2022 7712:from the original on 21 August 2022 7469: 7202: 7094:from the original on 14 August 2020 6594: 6518:from the original on 6 October 2021 6328:Fulfils Every New Wave Expectation" 6303:from the original on 21 August 2022 5537:Gallucci, Michael (17 March 2018). 5525: 5337:"'Lipstick Vogue' – Elvis Costello" 5209: 4720:from the original on 1 October 2017 3324: 2272:the 500 Greatest Albums of All Time 2248:the 500 Greatest Albums of All Time 1461: 1212:March with the catalogue number RAD 896:at fault. Just wanna be your victim 734: 16:1978 studio album by Elvis Costello 13: 9699:Universal Music Enterprises albums 8671: 8265:from the original on 10 March 2022 7758:– via worldradiohistory.com. 7720:– via worldradiohistory.com. 7472:"The 100 Best Albums of the 1970s" 7184:from the original on 14 April 2021 6726:from the original on 19 March 2016 6658: 6526:– via worldradiohistory.com. 6340:from the original on 15 April 2021 6225:– via worldradiohistory.com. 6217:from the original on 10 April 2022 6182:– via worldradiohistory.com. 6127:from the original on 13 March 2022 5998:– via worldradiohistory.com. 5949:– via worldradiohistory.com. 5754:from the original on 14 March 2014 5718:from the original on 15 March 2020 5463: 5413: 5343:from the original on 14 April 2019 5241:from the original on 19 April 2021 5146:from the original on 22 March 2016 5137: 5066:Troper, Morgan (5 February 2021). 4558:(CD booklet). Elvis Costello. UK: 4329:(CD booklet). Elvis Costello. US: 4008:Attributed to multiple references: 3999:Attributed to multiple references: 3990:Attributed to multiple references: 3778:Elvis Costello and the Attractions 3747:"(I Don't Want to Go to) Chelsea " 3448: 2617: – lead guitar on "Big Tears" 2457:In 2008, it was reissued again by 1541:to establish his own identity. In 1095:The original UK cover artwork for 662:" – in one afternoon. It was like 14: 9710: 9620:Now Ain't the Time for Your Tears 9212:I Can't Stand Up for Falling Down 8623: 8123:from the original on 2 March 2022 7906:Lipp, Marty (14 September 2021). 7597:This Year's Model: Deluxe Edition 7502:"The 70 Best Albums of the 1970s" 7482:from the original on 2 March 2022 7451:from the original on 5 April 2019 7439:Barker, Emily (24 October 2013). 7341:from the original on 28 June 2019 6789:The New Rolling Stone Album Guide 6738: 6637:The Encyclopedia of Popular Music 6435:from the original on 19 June 2009 5990:from the original on 16 July 2022 5856:, N.S.W.: Australian Chart Book. 5786:from the original on 5 March 2014 5594:from the original on 5 April 2015 5280: 5018:from the original on 12 June 2021 4973:from the original on 5 March 2022 4844:from the original on 11 July 2021 4639:Schultz, Barbara (January 2007). 4499:DeRiso, Nick (17 December 2015). 3555:"Detonantes" ("Little Triggers")" 3362: 2809: 2445:1993 through Demon in the UK and 2396: 2358: 2282:as their pick for 1978. In 2004, 2030: 1980: 1942: 1880: 1873:The Encyclopedia of Popular Music 1847: 1809: 1771: 1423: 1390: 1352: 1297:, which appeared on the latter's 875:magazine. Drawing comparisons to 846:on tracks such as "Pump It Up", " 835:In a contemporary interview with 8295: 8200:from the original on 19 May 2022 7724: 7686: 7554: 7524: 7494: 7463: 7432: 7413: 7398: 7383: 7353: 7323: 7268: 7249: 7230: 7196: 6957: 6767: 6640:(5th concise ed.). London: 6480:from the original on 9 June 2022 4011: 3381: 3376: 3371: 3366: 3361: 3343: 3338: 3333: 3328: 3323: 2900: 2656: 2548:"Living in Paradise" – 3:51 2484: 2415: 2410: 2405: 2400: 2395: 2377: 2372: 2367: 2362: 2357: 2049: 2044: 2039: 2034: 2029: 1999: 1994: 1989: 1984: 1979: 1961: 1956: 1951: 1946: 1941: 1899: 1894: 1889: 1884: 1879: 1861: 1856: 1851: 1846: 1828: 1823: 1818: 1813: 1808: 1790: 1785: 1780: 1775: 1770: 1480: 1475: 1470: 1465: 1460: 1442: 1437: 1432: 1427: 1422: 1404: 1399: 1394: 1389: 1371: 1366: 1361: 1356: 1351: 9161:(I Don't Want to Go to) Chelsea 9094:The Very Best of Elvis Costello 8924:Secret, Profane & Sugarcane 8352:University Press of Mississippi 8343:Conversations with Greil Marcus 8142:Richards, Will (18 July 2021). 7868:Lopez, Julyssa (15 July 2021). 7409:. 30 November 1985. p. 12. 7000:Shipley, Al (30 January 2022). 6624: 6541:. 30 December 1978. p. 12. 6530: 6511:. 23 December 1978. p. 8. 6492: 6462: 6458:. 28 December 1978. p. 11. 6447: 6415: 6411:. 30 December 1978. p. 19. 6400: 6322:Schruers, Fred (22 June 1978). 5885: 5849:Australian Chart Book 1970–1992 5639: 5488: 5457: 5438: 5407: 5376: 5328: 5301: 5274: 5225:O'Grady, Anthony (5 May 1978). 5140:"'Pump It Up' – Elvis Costello" 5131: 5104: 4928:(June 1978). "Below the Belt". 4794:Segretto, Mike (2022). "1979". 4732: 4492: 4466:Mamo, Heran (25 January 2021). 4459: 4002: 3993: 3984: 3971: 3956: 3943: 3934: 3925: 3916: 3453:Track information adapted from 2540:(I Don't Want to Go to) Chelsea 1192:, and was eventually issued as 1184:. A performance in Toronto on 6 772:(1966) as a major influence on 660:(I Don't Want to Go to) Chelsea 643:. Acting as a foil to Lowe was 474:(1977) by the California-based 398:(I Don't Want to Go to) Chelsea 250:(I Don't Want to Go to) Chelsea 9598:Other works / related articles 9359:The Other End of the Telescope 8379:: Not Lame Recording Company. 8223:"Elvis Costello Chart History" 7166:Whitman, Andy (3 March 2008). 6363:Madeleine, Alan (July 1978). " 5617:"Elvis Costello Chart History" 5449:(CD booklet). Elvis Costello. 4739:Sexton, Paul (17 March 2021). 3907: 3894: 3470: 2525:"You Belong to Me" – 2:19 468:was backed on his debut album 1: 9303:Don't Let Me Be Misunderstood 8599:Spin Alternative Record Guide 8522:. Santa Barbara, California: 7792:British Phonographic Industry 7593:LeMay, Matt (18 March 2008). 7203:Fox, Killian (28 June 2014). 7120:Staunton, Terry (May 2008). " 7102:– via Rock's Backpages 7080:Roberts, Chris (April 2002). 7062:– via Rock's Backpages 6848:Moody, Paul (8 August 2007). 6572:. No. 34. Archived from 6348:– via Rock's Backpages 6092:– via Rock's Backpages 5934:. 18 March 1978. p. 56. 5249:– via Rock's Backpages 5201:– via Rock's Backpages 5113:"'The Beat' – Elvis Costello" 4981:– via Rock's Backpages 4708:"The 50 Best New Wave Albums" 4649:(31): 140–141. Archived from 4573:Tyler, Kieron (March 2008). " 4024: 3265:. The album debuted to 2,000 3127:, features 16 songs from the 2522:"Little Triggers" – 2:38 2011:Spin Alternative Record Guide 1973:The Rolling Stone Album Guide 1555:Dedicated Follower of Fashion 510:, made their live debut on 14 460: 19:For the Imperials album, see 9654:Albums produced by Nick Lowe 6763:. No. 188. p. 133. 6210:. 8 April 1978. p. 18. 6167:. 8 April 1978. p. 82. 5570:, pp. 253–254, 321–322. 5383:Lynam, Ian (13 March 2015). 4830:Bray, Ryan (17 March 2018). 4193:River, Julie (2 June 2018). 3880: 3864: 3848: 3832: 3188:and the updated location of 2800: 2786: 2772: 2758: 2748: 2736: 2724: 2712: 2700: 2686: 2576: 1679:found "no new surprises" on 1225:had reached number 4 on the 1208:was released in the UK on 17 1115:"careful reconstruction" of 1090:—Elvis Costello on the cover 940:(1966) as a major influence. 685:All Day and All of the Night 564:and approached to appear on 449:, which featured songs from 82:December 1977 – January 1978 7: 9412:Welcome to the Working Week 8453:Elvis Costello: God's Comic 8398:Elvis Costello: A Biography 8291:. No. 336. p. 87. 8022:. No. 334. p. 14. 7743:. 3 June 1978. p. 54. 7705:. 3 June 1978. p. 57. 7152:. No. 487. p. 83. 6634:(2011). "Costello, Elvis". 6135:– via Newspapers.com 4556:This Year's Model (reissue) 4327:This Year's Model (reissue) 3666:"La Turba" ("Night Rally")" 2944:10 September 2021 2310: 2227: 1255:was issued in the US in May 1015: 969:Subterranean Homesick Blues 914: 756:Elvis Costello: A Biography 420:", it reached number 30 on 342:in eleven days between late 10: 9715: 9689:Rhino Entertainment albums 9240:From a Whisper to a Scream 8541:St. Michael, Mick (1986). 8451:Gouldstone, David (1989). 8394:Clayton-Lea, Tony (1999). 8346:. Literary Conversations. 8332: 7830:Erlewine, Stephen Thomas. 7732:"Record World Album Chart" 7662:Erlewine, Stephen Thomas. 7628:Erlewine, Stephen Thomas. 7532:"Top 100 '70s Rock Albums" 7082:"Elvis Costello: Reissues" 6710:LeMay, Matt (9 May 2002). 4934:. No. 85. p. 70. 3618:"Mentira" ("Lip Service")" 2535:"Hand in Hand" – 2:30 1278:The tour lasted until June 396:The accompanying singles " 354:returned as producer, and 18: 9597: 9565: 9528:Terror & Magnificence 9519: 9403: 9352:London's Brilliant Parade 9282:Everyday I Write the Book 9254:A Good Year for the Roses 9124: 9014: 8968: 8747: 8679: 8516:Perone, James E. (2015). 8501:. London: Omnibus Press. 7470:Ubl, Sam (23 June 2004). 7428:. April 1989. p. 47. 7036:Irvin, Jim (March 2002). 6670:"Elvis Costello's albums" 6066:Robbins, Ira (May 1978). 4800:. Backbeat. p. 364. 3869: 3853: 3837: 3821: 3814: 3811: 3798: 3593:and Luis Humberto Navejas 3480: 3477: 3474: 3469: 3313: 3310: 3290: 3287: 3162:In a 2021 interview with 3099: 3082: 3071: 3067: 3030: 3022: 3003: 2991: 2983: 2967: 2955: 2940: 2923: 2914: 2909: 2881: 2866: 2851: 2836: 2825: 2822: 2815:Sales certifications for 2791: 2777: 2763: 2753: 2741: 2729: 2717: 2705: 2691: 2679: 2672: 2669: 2647:Charts and certifications 2558:"Night Rally" – 2:40 2545:"Lip Service" – 2:34 2489:All songs are written by 2333: 2330: 2320: 1758: 1755: 1745: 1545:magazine, O'Grady dubbed 1337: 1334: 1324: 882:similar lyrical content, 820:opts for straightforward 714: 289: 242: 231: 227: 190: 182: 170: 149: 133: 97: 86: 78: 63: 50: 38: 33: 9556:The Resurrection of Rust 9331:The Other Side of Summer 8568:Thomson, Graeme (2004). 8369:Borack, John M. (2007). 7275:Levy, Joe, ed. (2006) . 6792:(4th ed.). London: 5447:My Aim Is True (reissue) 5445:Costello, Elvis (1993). 4871:Erlewine, Stephen Thomas 4554:Costello, Elvis (1993). 4325:Costello, Elvis (2002). 3887: 3714:"Crawling to the U.S.A." 3523:"Yo Te Vi" ("The Beat")" 1024:evoking the Beatles and 977:Too Much Monkey Business 322:(1977), Costello formed 312:. After being backed by 9664:Columbia Records albums 9503:I Hope You're Happy Now 9154:Watching the Detectives 8868:All This Useless Beauty 8595:; Marks, Craig (eds.). 7104:(subscription required) 7064:(subscription required) 6774:Sheffield, Rob (2004). 6407:"Records of the Year". 6393:San Francisco Chronicle 6350:(subscription required) 6137:(subscription required) 6094:(subscription required) 5588:Official Charts Company 5251:(subscription required) 5203:(subscription required) 4983:(subscription required) 3856:Top Current Album Sales 3682:"Llorar" ("Big Tears")" 3256:Top Current Album Sales 2502:"No Action" – 1:57 1676:San Francisco Chronicle 1557:' period." Tom Zito of 1032:. Like "No Action" and 830:Stephen Thomas Erlewine 623:, a 24-track studio in 543:Watching the Detectives 490:; the second hired was 67:17 March 1978 9289:The Only Flame in Town 9005:Live at Hollywood High 8977:Live at the El Mocambo 8497:Parkyn, Geoff (1984). 8474:Hinton, Brian (1999). 8377:Fort Collins, Colorado 6537:"Albums of the Year". 5499:Live at the El Mocambo 5468:Live at the El Mocambo 5389:Red Bull Music Academy 3750:Fuego and Raquel Sofía 3267:album-equivalent units 3181: 3091:Released: 15 July 2021 2588: – guitar, vocals 2512:"The Beat" – 3:42 2429:was first released on 1579: 1300:My Very Special Guests 1241: 1195:Live at the El Mocambo 1121:Michelangelo Antonioni 1087: 941: 865:. In 1978, the writer 751: 672: 613: 504:Royal College of Music 255:Released: 3 March 1978 9669:F-Beat Records albums 9659:Elvis Costello albums 9433:Stranger in the House 9205:Accidents Will Happen 8826:Blood & Chocolate 7536:Ultimate Classic Rock 7367:. 22 September 2020. 6971:Ultimate Classic Rock 6751:Blood & Chocolate 5543:Ultimate Classic Rock 4506:Ultimate Classic Rock 3258:and number 38 on the 3176: 2433:through Columbia and 2295:Ultimate Classic Rock 2107:Ultimate Classic Rock 1746:Retrospective reviews 1566: 1235: 1157:Release and promotion 1139:Stranger in the House 1082: 1078:Packaging and artwork 922: 739: 668: 601: 594:Writing and recording 9684:Radar Records albums 9679:Hip-O Records albums 8991:Costello & Nieve 8910:The River in Reverse 8348:Jackson, Mississippi 6675:Entertainment Weekly 4837:Consequence of Sound 3591:Francisca Valenzuela 3278:Professional ratings 3145:Francisca Valenzuela 2718:New Zealand Albums ( 2316:Professional ratings 2119:Consequence of Sound 1911:Entertainment Weekly 1741:Professional ratings 1736:Legacy and influence 1320:Professional ratings 486:, former drummer of 316:for his debut album 9588:A Face in the Crowd 9489:Jack of All Parades 9394:Complicated Shadows 8998:My Flame Burns Blue 8875:Painted from Memory 8812:Goodbye Cruel World 6476:. 10 October 2016. 6431:. 22 January 1979. 6367:: Elvis Costello". 6244:The Washington Post 5101:, pp. 190–191. 5006:"This Year's Model" 4539:, pp. 314–319. 4406:, pp. 237–242. 4346:, pp. 231–239. 4331:Rhino Entertainment 3808: 3466: 3279: 3254:, number 32 on the 2819: 2680:Australian Albums ( 2666: 2451:Rhino Entertainment 2317: 1742: 1560:The Washington Post 1321: 1141:", an outtake from 754:—Tony Clayton-Lea, 588:Saturday Night Live 571:Saturday Night Live 308:March 1978 through 281:Released: 1978 (US) 268:Released: June 1978 9535:The Sweetest Punch 9345:13 Steps Lead Down 8847:The Juliet Letters 8840:Mighty Like a Rose 8638:(list of releases) 8607:. pp. 92–94. 8457:St. Martin's Press 7508:. 7 January 2020. 6850:"Elvis Costello – 6576:on 4 February 2005 6296:The New York Times 6031:Ticknor and Fields 5821:on 14 January 2014 5497:"Elvis Costello – 3900:The UK sleeve was 3804:Weekly charts for 3803: 3720:and Nicole Zignago 3461: 3277: 3273:Critical reception 2814: 2769:Top LPs & Tape 2730:Norwegian Albums ( 2662:Weekly charts for 2661: 2630: – producer, 2315: 1740: 1690:The New York Times 1319: 1315:Critical reception 1269:Top LPs & Tape 1242: 1188:March was heavily 942: 932:(pictured in 1967) 929:the Rolling Stones 927:are influenced by 923:Several tracks on 764:the Rolling Stones 711:" and "Big Boys". 614: 610:(pictured in 2017) 440:In later decades, 430:Top LPs & Tape 379:the Rolling Stones 237:This Year's Model 9636: 9635: 9387:Brilliant Mistake 9058:Girls Girls Girls 8763:This Year's Model 8631:This Year's Model 8603:. New York City: 8583:978-1-84195-796-8 8560:978-0-7119-0772-0 8533:978-1-4408-3215-4 8489:978-1-86074-196-8 8466:978-0-312-04309-4 8455:. New York City: 8443:978-0-241-00346-6 8413:978-0-233-99339-3 8404:André Deutsch Ltd 8386:978-0-9797714-0-8 8361:978-1-61703-622-4 8186:Bustios, Pamela. 7836:– Elvis Costello" 7666:This Year's Model 7634:– Elvis Costello" 7595:"Elvis Costello: 7576:978-1-78840-080-0 7422:This Year's Model 7296:978-1-932958-61-4 7281:– Elvis Costello" 7279:This Year's Model 7258:This Year's Model 7239:This Year's Model 7172:(Deluxe Edition)" 7170:This Year's Model 7168:"Elvis Costello: 7144:This Year's Model 7122:This Year's Model 7038:"Elvis Costello: 6931:"Elvis Costello: 6852:This Year's Model 6807:978-0-7432-0169-8 6747:This Year's Model 6714:This Year's Model 6651:978-0-85712-595-8 6562:This Year's Model 6560:"Elvis Costello: 6428:The Village Voice 6365:This Year's Model 6326:This Year's Model 6287:(21 April 1978). 6156:"Top Album Picks" 6120:Los Angeles Times 6070:This Year's Model 6068:"Elvis Costello: 6040:978-0-89919-026-6 6019:This Year's Model 6017:"Elvis Costello: 6013:Christgau, Robert 5970:This Year's Model 5968:"Elvis Costello: 5966:(11 March 1978). 5923:: Elvis Costello" 5921:This Year's Model 5863:978-0-646-11917-5 5676:Sverigetopplistan 5648:This Year's Model 5373:, pp. 38–39. 5271:, pp. 16–25. 5229:This Year's Model 5179:This Year's Model 5177:"Elvis Costello: 5175:(11 March 1978). 5076:. pp. 1–12. 4959:This Year's Model 4957:"Elvis Costello: 4955:(11 March 1978). 4879:– Elvis Costello" 4877:This Year's Model 4575:This Year's Model 4197:This Year's Model 4169:This Year's Model 3951:This Year's Model 3885: 3884: 3795: 3794: 3414: 3413: 3202:This Year's Model 3129:This Year's Model 3121:This Year's Model 3103: 3102: 3063: 3062: 2897: 2896: 2890: 2889: 2885: 2817:This Year's Model 2805: 2804: 2744:Sverigetopplistan 2692:Canadian Albums ( 2682:Kent Music Report 2664:This Year's Model 2594: – keyboards 2427:This Year's Model 2424: 2423: 2280:This Year's Model 2264:This Year's Model 2233:This Year's Model 2222:This Year's Model 2204:This Year's Model 2186:This Year's Model 2171:This Year's Model 2152:This Year's Model 2137:This Year's Model 2093:This Year's Model 2091:Critics consider 2076:This Year's Model 2061:This Year's Model 2058: 2057: 1714:The Village Voice 1706:This Year's Model 1699:This Year's Model 1650:Los Angeles Times 1645:This Year's Model 1614:The Village Voice 1605:This Year's Model 1547:This Year's Model 1535:This Year's Model 1525:Bruce Springsteen 1504:This Year's Model 1501: 1500: 1492:The Village Voice 1273:This Year's Model 1253:This Year's Model 1238:This Year's Model 1223:This Year's Model 1219:promotional clips 1206:This Year's Model 1198:in 1993 with the 1171:This Year's Model 1097:This Year's Model 1067:UK National Front 925:This Year's Model 844:This Year's Model 818:This Year's Model 774:This Year's Model 742:This Year's Model 617:This Year's Model 603:This Year's Model 547:This Year's Model 451:This Year's Model 442:This Year's Model 434:This Year's Model 297:This Year's Model 293: 292: 223: 222: 206:This Year's Model 34:This Year's Model 24:(Imperials album) 22:This Year's Model 9706: 9613:Live Stiffs Live 9482:Indoor Fireworks 9454:New Lace Sleeves 9192: 9175:This Year's Girl 9051:Out of Our Idiot 9023:Taking Liberties 8959:The Boy Named If 8903:The Delivery Man 8882:When I Was Cruel 8798:Imperial Bedroom 8666: 8659: 8652: 8643: 8642: 8618: 8602: 8587: 8564: 8548: 8537: 8512: 8493: 8481: 8470: 8447: 8431: 8417: 8401: 8390: 8365: 8327: 8326: 8324: 8322: 8299: 8293: 8292: 8284: 8275: 8274: 8272: 8270: 8247: 8238: 8237: 8235: 8233: 8219: 8210: 8209: 8207: 8205: 8191: 8183: 8166: 8165: 8163: 8161: 8139: 8133: 8132: 8130: 8128: 8119:. 16 July 2021. 8109: 8100: 8099: 8097: 8095: 8075: 8060: 8059: 8057: 8055: 8035: 8024: 8023: 8015: 8006: 8005: 8003: 8001: 7979: 7970: 7969: 7967: 7965: 7943: 7928: 7927: 7925: 7923: 7903: 7890: 7889: 7887: 7885: 7865: 7852: 7851: 7849: 7847: 7827: 7814: 7813: 7802: 7796: 7795: 7784: 7778: 7777: 7766: 7760: 7759: 7757: 7755: 7749: 7736: 7728: 7722: 7721: 7719: 7717: 7711: 7698: 7694:"Top 100 Albums" 7690: 7684: 7683: 7681: 7679: 7659: 7650: 7649: 7647: 7645: 7625: 7619: 7618: 7616: 7614: 7590: 7581: 7580: 7558: 7552: 7551: 7549: 7547: 7538:. 5 March 2015. 7528: 7522: 7521: 7519: 7517: 7498: 7492: 7491: 7489: 7487: 7467: 7461: 7460: 7458: 7456: 7436: 7430: 7429: 7417: 7411: 7410: 7402: 7396: 7395: 7387: 7381: 7380: 7378: 7376: 7357: 7351: 7350: 7348: 7346: 7327: 7321: 7320: 7318: 7316: 7311:on 16 March 2006 7307:. Archived from 7272: 7266: 7265: 7253: 7247: 7246: 7234: 7228: 7227: 7225: 7223: 7200: 7194: 7193: 7191: 7189: 7163: 7154: 7153: 7149:Record Collector 7139: 7130: 7129: 7126:Record Collector 7117: 7108: 7107: 7105: 7101: 7099: 7077: 7068: 7067: 7065: 7061: 7059: 7033: 7024: 7023: 7021: 7019: 6997: 6988: 6987: 6985: 6983: 6961: 6955: 6954: 6952: 6950: 6945:on 8 August 2009 6941:. Archived from 6929:(6 March 2008). 6923: 6910: 6909: 6907: 6905: 6885: 6876: 6875: 6873: 6871: 6845: 6836: 6830: 6824: 6823: 6821: 6819: 6784:Hoard, Christian 6780:Brackett, Nathan 6776:"Elvis Costello" 6771: 6765: 6764: 6742: 6736: 6735: 6733: 6731: 6707: 6692: 6691: 6689: 6687: 6662: 6656: 6655: 6628: 6622: 6621: 6619: 6617: 6592: 6586: 6585: 6583: 6581: 6552: 6543: 6542: 6534: 6528: 6527: 6525: 6523: 6517: 6504: 6496: 6490: 6489: 6487: 6485: 6466: 6460: 6459: 6451: 6445: 6444: 6442: 6440: 6419: 6413: 6412: 6404: 6398: 6397: 6384: 6375: 6374: 6360: 6354: 6353: 6351: 6347: 6345: 6319: 6313: 6312: 6310: 6308: 6292: 6281: 6272: 6271: 6258: 6249: 6248: 6238: 6227: 6226: 6224: 6222: 6216: 6203: 6195: 6184: 6183: 6181: 6179: 6173: 6160: 6152: 6141: 6140: 6138: 6134: 6132: 6107: 6098: 6097: 6095: 6091: 6089: 6063: 6057: 6056: 6054: 6052: 6009: 6000: 5999: 5997: 5995: 5989: 5976: 5960: 5951: 5950: 5948: 5946: 5940: 5927: 5915: 5904: 5903: 5889: 5883: 5877: 5868: 5867: 5840: 5831: 5830: 5828: 5826: 5817:. Archived from 5805: 5796: 5795: 5793: 5791: 5781: 5773: 5764: 5763: 5761: 5759: 5745: 5737: 5728: 5727: 5725: 5723: 5709: 5701: 5692: 5691: 5689: 5687: 5673: 5665: 5656: 5655: 5643: 5637: 5636: 5634: 5632: 5613: 5604: 5603: 5601: 5599: 5580: 5571: 5565: 5559: 5558: 5556: 5554: 5534: 5523: 5522: 5520: 5518: 5492: 5486: 5485: 5483: 5481: 5461: 5455: 5454: 5442: 5436: 5435: 5433: 5431: 5411: 5405: 5404: 5402: 5400: 5380: 5374: 5368: 5353: 5352: 5350: 5348: 5332: 5326: 5325: 5323: 5321: 5305: 5299: 5298: 5296: 5294: 5281:Mason, Stewart. 5278: 5272: 5266: 5255: 5254: 5252: 5248: 5246: 5222: 5207: 5206: 5204: 5200: 5198: 5181:(Radar Records)" 5169: 5156: 5155: 5153: 5151: 5135: 5129: 5128: 5126: 5124: 5108: 5102: 5096: 5090: 5089: 5087: 5085: 5063: 5028: 5027: 5025: 5023: 5004:(29 June 1978). 4998: 4987: 4986: 4984: 4980: 4978: 4949: 4936: 4935: 4922: 4911: 4905: 4899: 4898: 4896: 4894: 4867: 4854: 4853: 4851: 4849: 4827: 4812: 4811: 4791: 4785: 4779: 4773: 4767: 4761: 4760: 4758: 4756: 4736: 4730: 4729: 4727: 4725: 4703: 4694: 4688: 4655: 4654: 4636: 4625: 4619: 4613: 4607: 4601: 4595: 4589: 4588: 4570: 4564: 4563: 4551: 4540: 4534: 4523: 4522: 4520: 4518: 4496: 4490: 4489: 4487: 4485: 4463: 4457: 4454:Clayton-Lea 1999 4451: 4426: 4420: 4407: 4401: 4392: 4386: 4347: 4341: 4335: 4334: 4322: 4287: 4281: 4240: 4234: 4219: 4218: 4216: 4214: 4190: 4177: 4176: 4164: 4149: 4146:St. Michael 1986 4143: 4120: 4114: 4093: 4087: 4018: 4015: 4009: 4006: 4000: 3997: 3991: 3988: 3982: 3975: 3969: 3960: 3954: 3947: 3941: 3938: 3932: 3929: 3923: 3920: 3914: 3911: 3905: 3898: 3872:Top Latin Albums 3824:Latin Pop Albums 3809: 3802: 3788: 3650:"Lipstick Vogue" 3587:""Hand in Hand"" 3472: 3467: 3460: 3426: 3386: 3385: 3384: 3380: 3379: 3375: 3374: 3370: 3369: 3365: 3364: 3348: 3347: 3346: 3342: 3341: 3337: 3336: 3332: 3331: 3327: 3326: 3283:Aggregate scores 3280: 3276: 3263:Top Latin Albums 3248:Latin Pop Albums 3226: 3223:was issued on 10 3216: 3207:Imperial Bedroom 3092: 3089: 3055:The Boy Named If 3032: 3031: 2979: 2978: 2974: 2951: 2949: 2919: 2907: 2906: 2883: 2852:United Kingdom ( 2820: 2813: 2742:Swedish Albums ( 2670:Chart (1978–79) 2667: 2660: 2652: 2507:This Year's Girl 2476: 2471:Washington, D.C. 2444: 2440: 2420: 2419: 2418: 2414: 2413: 2409: 2408: 2404: 2403: 2399: 2398: 2382: 2381: 2380: 2376: 2375: 2371: 2370: 2366: 2365: 2361: 2360: 2351:Record Collector 2318: 2314: 2288: 2276:Record Collector 2176:Record Collector 2145: 2131: 2124: 2103: 2054: 2053: 2052: 2048: 2047: 2043: 2042: 2038: 2037: 2033: 2032: 2004: 2003: 2002: 1998: 1997: 1993: 1992: 1988: 1987: 1983: 1982: 1966: 1965: 1964: 1960: 1959: 1955: 1954: 1950: 1949: 1945: 1944: 1904: 1903: 1902: 1898: 1897: 1893: 1892: 1888: 1887: 1883: 1882: 1866: 1865: 1864: 1860: 1859: 1855: 1854: 1850: 1849: 1833: 1832: 1831: 1827: 1826: 1822: 1821: 1817: 1816: 1812: 1811: 1795: 1794: 1793: 1789: 1788: 1784: 1783: 1779: 1778: 1774: 1773: 1743: 1739: 1634: 1624: 1609:Robert Christgau 1593: 1572: 1518: 1485: 1484: 1483: 1479: 1478: 1474: 1473: 1469: 1468: 1464: 1463: 1447: 1446: 1445: 1441: 1440: 1436: 1435: 1431: 1430: 1426: 1425: 1409: 1408: 1407: 1403: 1402: 1398: 1397: 1393: 1392: 1376: 1375: 1374: 1370: 1369: 1365: 1364: 1360: 1359: 1355: 1354: 1322: 1318: 1310: 1281: 1267: 1258: 1215: 1211: 1187: 1182:UK Singles Chart 1179: 1164: 1163:early March 1978 1101:His Year's Model 1091: 1038: 899: 881: 848:This Year's Girl 758: 748: 735:Music and lyrics 520:Columbia Records 513: 428: 414:Columbia Records 411: 349: 345: 307: 304:, released on 17 282: 279: 276:This Year's Girl 269: 266: 256: 253: 192: 191: 145: 144: 140: 74: 72: 43: 31: 30: 9714: 9713: 9709: 9708: 9707: 9705: 9704: 9703: 9694:Rykodisc albums 9639: 9638: 9637: 9632: 9593: 9581:Jake's Progress 9561: 9515: 9510:Next Time Round 9399: 9275:Man Out of Time 9268:You Little Fool 9247:Watch Your Step 9188: 9120: 9010: 8964: 8931:National Ransom 8819:King of America 8805:Punch the Clock 8743: 8718:The Attractions 8675: 8670: 8626: 8621: 8615: 8584: 8574:Canongate Books 8561: 8534: 8509: 8490: 8467: 8444: 8422:Costello, Elvis 8414: 8387: 8362: 8335: 8330: 8320: 8318: 8301: 8300: 8296: 8285: 8278: 8268: 8266: 8249: 8248: 8241: 8231: 8229: 8221: 8220: 8213: 8203: 8201: 8184: 8169: 8159: 8157: 8140: 8136: 8126: 8124: 8111: 8110: 8103: 8093: 8091: 8076: 8063: 8053: 8051: 8036: 8027: 8016: 8009: 7999: 7997: 7980: 7973: 7963: 7961: 7953:Under the Radar 7944: 7931: 7921: 7919: 7904: 7893: 7883: 7881: 7866: 7855: 7845: 7843: 7828: 7817: 7804: 7803: 7799: 7786: 7785: 7781: 7768: 7767: 7763: 7753: 7751: 7747: 7734: 7730: 7729: 7725: 7715: 7713: 7709: 7696: 7692: 7691: 7687: 7677: 7675: 7660: 7653: 7643: 7641: 7626: 7622: 7612: 7610: 7591: 7584: 7577: 7559: 7555: 7545: 7543: 7530: 7529: 7525: 7515: 7513: 7500: 7499: 7495: 7485: 7483: 7468: 7464: 7454: 7452: 7437: 7433: 7419: 7418: 7414: 7404: 7403: 7399: 7389: 7388: 7384: 7374: 7372: 7359: 7358: 7354: 7344: 7342: 7337:. 31 May 2012. 7329: 7328: 7324: 7314: 7312: 7297: 7273: 7269: 7255: 7254: 7250: 7236: 7235: 7231: 7221: 7219: 7201: 7197: 7187: 7185: 7164: 7157: 7140: 7133: 7128:. No. 349. 7118: 7111: 7103: 7097: 7095: 7078: 7071: 7063: 7057: 7055: 7034: 7027: 7017: 7015: 6998: 6991: 6981: 6979: 6962: 6958: 6948: 6946: 6924: 6913: 6903: 6901: 6886: 6879: 6869: 6867: 6866:on 4 March 2016 6846: 6839: 6831: 6827: 6817: 6815: 6808: 6772: 6768: 6743: 6739: 6729: 6727: 6708: 6695: 6685: 6683: 6668:(10 May 1991). 6663: 6659: 6652: 6629: 6625: 6615: 6613: 6605:Chicago Tribune 6598:(2 June 1991). 6593: 6589: 6579: 6577: 6553: 6546: 6536: 6535: 6531: 6521: 6519: 6515: 6502: 6500:"Top 10 Albums" 6498: 6497: 6493: 6483: 6481: 6468: 6467: 6463: 6453: 6452: 6448: 6438: 6436: 6421: 6420: 6416: 6406: 6405: 6401: 6385: 6378: 6361: 6357: 6349: 6343: 6341: 6320: 6316: 6306: 6304: 6282: 6275: 6259: 6252: 6239: 6230: 6220: 6218: 6214: 6201: 6199:"Album Reviews" 6197: 6196: 6187: 6177: 6175: 6171: 6158: 6154: 6153: 6144: 6136: 6130: 6128: 6111:Hilburn, Robert 6108: 6101: 6093: 6087: 6085: 6064: 6060: 6050: 6048: 6041: 6010: 6003: 5993: 5991: 5987: 5974: 5961: 5954: 5944: 5942: 5938: 5925: 5917: 5916: 5907: 5890: 5886: 5878: 5871: 5864: 5841: 5834: 5824: 5822: 5807: 5806: 5799: 5789: 5787: 5779: 5775: 5774: 5767: 5757: 5755: 5743: 5739: 5738: 5731: 5721: 5719: 5707: 5703: 5702: 5695: 5685: 5683: 5671: 5667: 5666: 5659: 5644: 5640: 5630: 5628: 5615: 5614: 5607: 5597: 5595: 5582: 5581: 5574: 5566: 5562: 5552: 5550: 5535: 5526: 5516: 5514: 5493: 5489: 5479: 5477: 5462: 5458: 5443: 5439: 5429: 5427: 5414:Gabrin, Chris. 5412: 5408: 5398: 5396: 5381: 5377: 5369: 5356: 5346: 5344: 5335:Maginnis, Tom. 5333: 5329: 5319: 5317: 5308:Maginnis, Tom. 5306: 5302: 5292: 5290: 5279: 5275: 5267: 5258: 5250: 5244: 5242: 5223: 5210: 5202: 5196: 5194: 5170: 5159: 5149: 5147: 5136: 5132: 5122: 5120: 5111:Maginnis, Tom. 5109: 5105: 5097: 5093: 5083: 5081: 5064: 5031: 5021: 5019: 4999: 4990: 4982: 4976: 4974: 4950: 4939: 4923: 4914: 4906: 4902: 4892: 4890: 4868: 4857: 4847: 4845: 4828: 4815: 4808: 4792: 4788: 4780: 4776: 4768: 4764: 4754: 4752: 4737: 4733: 4723: 4721: 4704: 4697: 4689: 4658: 4653:on 30 May 2013. 4637: 4628: 4622:Gouldstone 1989 4620: 4616: 4608: 4604: 4596: 4592: 4571: 4567: 4552: 4543: 4535: 4526: 4516: 4514: 4497: 4493: 4483: 4481: 4464: 4460: 4452: 4429: 4421: 4410: 4402: 4395: 4389:Gouldstone 1989 4387: 4350: 4342: 4338: 4323: 4290: 4282: 4243: 4235: 4222: 4212: 4210: 4191: 4180: 4165: 4152: 4144: 4123: 4115: 4096: 4088: 4031: 4027: 4022: 4021: 4016: 4012: 4007: 4003: 3998: 3994: 3989: 3985: 3976: 3972: 3961: 3957: 3948: 3944: 3939: 3935: 3930: 3926: 3921: 3917: 3912: 3908: 3899: 3895: 3890: 3840:Top Album Sales 3816: 3801: 3796: 3786: 3686:Sebastián Yatra 3638:Jesse & Joy 3451: 3437:Under the Radar 3424: 3405:Under the Radar 3382: 3377: 3372: 3367: 3344: 3339: 3334: 3329: 3275: 3252:Top Album Sales 3224: 3214: 3107:Natalie Bergman 3095: 3090: 3087: 3086: 3058: 3049: 3040: 2976: 2972: 2971: 2947: 2945: 2936: 2934:the Attractions 2905: 2898: 2867:United States ( 2830:Certified units 2812: 2784:Top 100 Albums 2755:UK Albums Chart 2674: 2659: 2649: 2637:Roger Béchirian 2579: 2487: 2474: 2442: 2438: 2416: 2411: 2406: 2401: 2378: 2373: 2368: 2363: 2313: 2286: 2230: 2202:, Perone calls 2143: 2129: 2122: 2101: 2050: 2045: 2040: 2035: 2000: 1995: 1990: 1985: 1962: 1957: 1952: 1947: 1900: 1895: 1890: 1885: 1862: 1857: 1852: 1840:Chicago Tribune 1829: 1824: 1819: 1814: 1791: 1786: 1781: 1776: 1738: 1632: 1622: 1595: 1581: 1573:... Meanwhile, 1570: 1516: 1481: 1476: 1471: 1466: 1443: 1438: 1433: 1428: 1405: 1400: 1395: 1372: 1367: 1362: 1357: 1325:Initial reviews 1317: 1308: 1290:Top of the Pops 1279: 1265: 1256: 1227:UK Albums Chart 1213: 1209: 1185: 1177: 1162: 1159: 1093: 1089: 1080: 1071:totalitarianism 1036: 1018: 917: 897: 879: 856:Elizabeth Arden 760: 753: 746: 737: 717: 677:I Can't Explain 648:Roger Béchirian 596: 511: 508:the Attractions 463: 426: 409: 406:UK Albums Chart 356:Roger Béchirian 347: 343: 324:the Attractions 305: 285: 280: 273: 272: 267: 260: 259: 254: 247: 246: 218: 209: 200: 142: 138: 137: 70: 68: 59: 46: 27: 17: 12: 11: 5: 9712: 9702: 9701: 9696: 9691: 9686: 9681: 9676: 9671: 9666: 9661: 9656: 9651: 9634: 9633: 9631: 9630: 9623: 9616: 9609: 9601: 9599: 9595: 9594: 9592: 9591: 9584: 9577: 9569: 9567: 9563: 9562: 9560: 9559: 9552: 9545: 9538: 9531: 9523: 9521: 9520:Collaborations 9517: 9516: 9514: 9513: 9506: 9499: 9496:Suit of Lights 9492: 9485: 9478: 9471: 9464: 9457: 9450: 9443: 9436: 9429: 9426:Senior Service 9422: 9419:Lipstick Vogue 9415: 9407: 9405: 9401: 9400: 9398: 9397: 9390: 9383: 9376: 9369: 9366:You Bowed Down 9362: 9355: 9348: 9341: 9334: 9327: 9320: 9313: 9306: 9299: 9292: 9285: 9278: 9271: 9264: 9257: 9250: 9243: 9236: 9229: 9222: 9215: 9208: 9201: 9194: 9185: 9178: 9171: 9164: 9157: 9150: 9143: 9136: 9133:Less Than Zero 9128: 9126: 9122: 9121: 9119: 9118: 9111: 9104: 9097: 9090: 9086:Costello Album 9082: 9075: 9068: 9061: 9054: 9047: 9040: 9033: 9026: 9018: 9016: 9012: 9011: 9009: 9008: 9001: 8994: 8987: 8984:Deep Dead Blue 8980: 8972: 8970: 8966: 8965: 8963: 8962: 8955: 8948: 8941: 8934: 8927: 8920: 8913: 8906: 8899: 8892: 8885: 8878: 8871: 8864: 8857: 8850: 8843: 8836: 8829: 8822: 8815: 8808: 8801: 8794: 8787: 8780: 8773: 8766: 8759: 8756:My Aim Is True 8751: 8749: 8745: 8744: 8742: 8741: 8734: 8727: 8713: 8712: 8709:Davey Faragher 8705: 8698: 8691:The Imposters: 8687: 8686: 8680: 8677: 8676: 8673:Elvis Costello 8669: 8668: 8661: 8654: 8646: 8640: 8639: 8625: 8624:External links 8622: 8620: 8619: 8613: 8593:Weisbard, Eric 8588: 8582: 8565: 8559: 8538: 8532: 8513: 8507: 8494: 8488: 8471: 8465: 8448: 8442: 8418: 8412: 8391: 8385: 8366: 8360: 8336: 8334: 8331: 8329: 8328: 8294: 8276: 8239: 8211: 8167: 8134: 8101: 8061: 8044:uDiscoverMusic 8025: 8007: 7971: 7929: 7891: 7853: 7815: 7797: 7779: 7761: 7723: 7685: 7651: 7620: 7582: 7575: 7553: 7523: 7493: 7462: 7431: 7412: 7397: 7382: 7352: 7322: 7295: 7267: 7248: 7229: 7195: 7155: 7131: 7109: 7069: 7025: 6989: 6956: 6927:Sheffield, Rob 6911: 6877: 6837: 6825: 6806: 6794:Fireside Books 6766: 6737: 6693: 6657: 6650: 6623: 6587: 6558:(March 2005). 6544: 6529: 6491: 6461: 6446: 6414: 6399: 6376: 6355: 6314: 6290:"The Pop Life" 6285:Rockwell, John 6273: 6250: 6228: 6185: 6142: 6123:. p. 77. 6113:(7 May 1978). 6099: 6058: 6039: 6001: 5983:. p. 14. 5972:(Radar Rad 3)" 5952: 5905: 5884: 5869: 5862: 5832: 5797: 5765: 5729: 5693: 5674:(in Swedish). 5657: 5646:Anon. (1978). 5638: 5605: 5572: 5560: 5524: 5487: 5464:Deming, Mark. 5456: 5437: 5420:Snap Galleries 5406: 5375: 5354: 5327: 5300: 5273: 5256: 5208: 5189:. p. 37. 5157: 5138:Deming, Mark. 5130: 5103: 5091: 5029: 4988: 4969:. p. 26. 4937: 4912: 4900: 4855: 4813: 4806: 4786: 4774: 4772:, p. 190. 4762: 4745:uDiscoverMusic 4731: 4695: 4656: 4626: 4614: 4612:, p. 189. 4602: 4590: 4565: 4541: 4524: 4491: 4458: 4427: 4425:, p. 426. 4408: 4393: 4348: 4336: 4288: 4241: 4220: 4178: 4167:Anon. (1978). 4150: 4121: 4119:, p. 434. 4094: 4028: 4026: 4023: 4020: 4019: 4010: 4001: 3992: 3983: 3970: 3955: 3942: 3933: 3924: 3915: 3906: 3892: 3891: 3889: 3886: 3883: 3882: 3879: 3867: 3866: 3863: 3851: 3850: 3847: 3835: 3834: 3831: 3819: 3818: 3813: 3800: 3797: 3793: 3792: 3789: 3783: 3782: 3779: 3776: 3773: 3769: 3768: 3765: 3762: 3759: 3755: 3754: 3751: 3748: 3745: 3741: 3740: 3737: 3732: 3729: 3725: 3724: 3721: 3715: 3712: 3708: 3707: 3704: 3699: 3696: 3692: 3691: 3688: 3683: 3680: 3676: 3675: 3672: 3667: 3664: 3660: 3659: 3656: 3651: 3648: 3644: 3643: 3640: 3635: 3632: 3628: 3627: 3624: 3619: 3616: 3612: 3611: 3608: 3605: 3602: 3598: 3597: 3594: 3588: 3585: 3581: 3580: 3577: 3572: 3569: 3565: 3564: 3561: 3556: 3553: 3549: 3548: 3545: 3540: 3537: 3533: 3532: 3529: 3524: 3521: 3517: 3516: 3513: 3504: 3501: 3497: 3496: 3493: 3490: 3487: 3483: 3482: 3479: 3476: 3473: 3459: 3450: 3447: 3412: 3411: 3408: 3400: 3399: 3396: 3388: 3387: 3358: 3350: 3349: 3320: 3316: 3315: 3312: 3308: 3307: 3303: 3302: 3299: 3293: 3292: 3289: 3285: 3284: 3274: 3271: 3117:Sebastian Krys 3101: 3100: 3097: 3096: 3094: 3093: 3083: 3080: 3079: 3077:Spanish Model 3069: 3068: 3065: 3064: 3061: 3060: 3051: 3042: 3028: 3027: 3024:Elvis Costello 3020: 3019: 3018: 3017: 3015:Sebastian Krys 3012: 3011:Elvis Costello 3007: 3001: 3000: 2995: 2989: 2988: 2985: 2981: 2980: 2969: 2965: 2964: 2959: 2953: 2952: 2942: 2938: 2937: 2930:Elvis Costello 2928: 2921: 2920: 2912: 2911: 2904: 2899: 2895: 2894: 2888: 2887: 2879: 2878: 2875: 2872: 2864: 2863: 2860: 2857: 2849: 2848: 2845: 2842: 2834: 2833: 2827: 2824: 2811: 2810:Certifications 2808: 2806: 2803: 2802: 2799: 2789: 2788: 2785: 2775: 2774: 2771: 2761: 2760: 2757: 2751: 2750: 2747: 2739: 2738: 2735: 2727: 2726: 2723: 2715: 2714: 2711: 2706:Dutch Albums ( 2703: 2702: 2699: 2689: 2688: 2685: 2677: 2676: 2671: 2658: 2655: 2650: 2648: 2645: 2644: 2643: 2634: 2619: 2618: 2608: 2607: 2601: 2595: 2589: 2586:Elvis Costello 2578: 2575: 2574: 2573: 2560: 2559: 2556: 2553:Lipstick Vogue 2549: 2546: 2543: 2536: 2527: 2526: 2523: 2520: 2513: 2510: 2503: 2491:Elvis Costello 2486: 2483: 2467:Warner Theater 2422: 2421: 2392: 2384: 2383: 2354: 2346: 2345: 2342: 2336: 2335: 2332: 2328: 2327: 2323: 2322: 2312: 2309: 2229: 2226: 2208:My Aim Is True 2148:My Aim Is True 2072:My Aim Is True 2056: 2055: 2026: 2018: 2017: 2014: 2006: 2005: 1976: 1968: 1967: 1938: 1930: 1929: 1926: 1918: 1917: 1914: 1906: 1905: 1876: 1868: 1867: 1843: 1835: 1834: 1805: 1797: 1796: 1767: 1761: 1760: 1757: 1753: 1752: 1748: 1747: 1737: 1734: 1667:My Aim Is True 1655:Robert Hilburn 1565: 1533:remarked that 1508:My Aim Is True 1499: 1498: 1495: 1487: 1486: 1457: 1449: 1448: 1419: 1411: 1410: 1386: 1378: 1377: 1348: 1340: 1339: 1336: 1332: 1331: 1327: 1326: 1316: 1313: 1167:My Aim Is True 1158: 1155: 1151:Neat Neat Neat 1143:My Aim Is True 1117:David Hemmings 1109:F-Beat Records 1105:Barney Bubbles 1081: 1079: 1076: 1034:My Aim Is True 1017: 1014: 994:Burt Bacharach 958:Summer Holiday 916: 913: 895: 852:Lipstick Vogue 814:My Aim Is True 738: 736: 733: 719:The album was 716: 713: 637:My Aim Is True 635:returned from 595: 592: 584:Lorne Michaels 516:My Aim Is True 471:My Aim Is True 466:Elvis Costello 462: 459: 391:Barney Bubbles 346:1977 and early 319:My Aim Is True 302:Elvis Costello 291: 290: 287: 286: 284: 283: 270: 257: 243: 240: 239: 229: 228: 225: 224: 221: 220: 211: 202: 197:My Aim Is True 188: 187: 184:Elvis Costello 180: 179: 174: 168: 167: 166: 165: 160: 153: 147: 146: 135: 131: 130: 129: 128: 123: 118: 113: 108: 101: 95: 94: 88: 84: 83: 80: 76: 75: 65: 61: 60: 57:Elvis Costello 55: 48: 47: 44: 36: 35: 15: 9: 6: 4: 3: 2: 9711: 9700: 9697: 9695: 9692: 9690: 9687: 9685: 9682: 9680: 9677: 9675: 9672: 9670: 9667: 9665: 9662: 9660: 9657: 9655: 9652: 9650: 9647: 9646: 9644: 9629: 9628: 9624: 9622: 9621: 9617: 9615: 9614: 9610: 9608: 9607: 9603: 9602: 9600: 9596: 9590: 9589: 9585: 9583: 9582: 9578: 9576: 9575: 9571: 9570: 9568: 9564: 9558: 9557: 9553: 9551: 9550: 9546: 9544: 9543: 9542:For the Stars 9539: 9537: 9536: 9532: 9530: 9529: 9525: 9524: 9522: 9518: 9511: 9507: 9504: 9500: 9497: 9493: 9490: 9486: 9483: 9479: 9476: 9472: 9469: 9465: 9462: 9461:Beyond Belief 9458: 9455: 9451: 9448: 9444: 9441: 9437: 9434: 9430: 9427: 9423: 9420: 9416: 9413: 9409: 9408: 9406: 9402: 9395: 9391: 9388: 9384: 9381: 9377: 9374: 9370: 9367: 9363: 9360: 9356: 9353: 9349: 9346: 9342: 9339: 9335: 9332: 9328: 9325: 9321: 9318: 9314: 9311: 9307: 9304: 9300: 9297: 9293: 9290: 9286: 9283: 9279: 9276: 9272: 9269: 9265: 9262: 9258: 9255: 9251: 9248: 9244: 9241: 9237: 9234: 9230: 9227: 9226:New Amsterdam 9223: 9220: 9219:High Fidelity 9216: 9213: 9209: 9206: 9202: 9199: 9198:Oliver's Army 9195: 9191: 9186: 9183: 9179: 9176: 9172: 9169: 9165: 9162: 9158: 9155: 9151: 9148: 9144: 9141: 9137: 9134: 9130: 9129: 9127: 9123: 9117: 9116: 9112: 9110: 9109: 9105: 9103: 9102: 9098: 9096: 9095: 9091: 9088: 9087: 9083: 9081: 9080: 9079:Extreme Honey 9076: 9074: 9073: 9069: 9067: 9066: 9062: 9060: 9059: 9055: 9053: 9052: 9048: 9046: 9045: 9041: 9039: 9038: 9034: 9032: 9031: 9027: 9025: 9024: 9020: 9019: 9017: 9013: 9007: 9006: 9002: 9000: 8999: 8995: 8993: 8992: 8988: 8986: 8985: 8981: 8979: 8978: 8974: 8973: 8971: 8967: 8961: 8960: 8956: 8954: 8953: 8952:Hey Clockface 8949: 8947: 8946: 8942: 8940: 8939: 8938:Wise Up Ghost 8935: 8933: 8932: 8928: 8926: 8925: 8921: 8919: 8918: 8914: 8912: 8911: 8907: 8905: 8904: 8900: 8898: 8897: 8893: 8891: 8890: 8886: 8884: 8883: 8879: 8877: 8876: 8872: 8870: 8869: 8865: 8863: 8862: 8861:Kojak Variety 8858: 8856: 8855: 8851: 8849: 8848: 8844: 8842: 8841: 8837: 8835: 8834: 8830: 8828: 8827: 8823: 8821: 8820: 8816: 8814: 8813: 8809: 8807: 8806: 8802: 8800: 8799: 8795: 8793: 8792: 8788: 8786: 8785: 8781: 8779: 8778: 8774: 8772: 8771: 8767: 8765: 8764: 8760: 8758: 8757: 8753: 8752: 8750: 8748:Studio albums 8746: 8740: 8739: 8735: 8733: 8732: 8728: 8726: 8725: 8721: 8719: 8715: 8714: 8711: 8710: 8706: 8704: 8703: 8699: 8697: 8696: 8692: 8689: 8688: 8685: 8682: 8681: 8678: 8674: 8667: 8662: 8660: 8655: 8653: 8648: 8647: 8644: 8637: 8633: 8632: 8628: 8627: 8616: 8614:0-679-75574-8 8610: 8606: 8605:Vintage Books 8601: 8600: 8594: 8589: 8585: 8579: 8575: 8572:. Edinburgh: 8571: 8566: 8562: 8556: 8552: 8551:Omnibus Press 8547: 8546: 8539: 8535: 8529: 8525: 8521: 8520: 8514: 8510: 8508:0-7119-0531-2 8504: 8500: 8495: 8491: 8485: 8480: 8479: 8472: 8468: 8462: 8458: 8454: 8449: 8445: 8439: 8435: 8430: 8429: 8423: 8419: 8415: 8409: 8405: 8400: 8399: 8392: 8388: 8382: 8378: 8374: 8373: 8367: 8363: 8357: 8353: 8349: 8345: 8344: 8338: 8337: 8316: 8312: 8308: 8306: 8305:Spanish Model 8298: 8290: 8283: 8281: 8264: 8260: 8256: 8254: 8253:Spanish Model 8251:"Reviews for 8246: 8244: 8228: 8224: 8218: 8216: 8199: 8195: 8190: 8182: 8180: 8178: 8176: 8174: 8172: 8155: 8151: 8150: 8145: 8138: 8122: 8118: 8114: 8108: 8106: 8089: 8085: 8084:Rolling Stone 8081: 8074: 8072: 8070: 8068: 8066: 8049: 8045: 8041: 8034: 8032: 8030: 8021: 8014: 8012: 7995: 7991: 7990: 7985: 7978: 7976: 7959: 7955: 7954: 7949: 7942: 7940: 7938: 7936: 7934: 7917: 7913: 7909: 7902: 7900: 7898: 7896: 7879: 7875: 7874:Rolling Stone 7871: 7864: 7862: 7860: 7858: 7841: 7837: 7835: 7834:Spanish Model 7826: 7824: 7822: 7820: 7811: 7807: 7801: 7793: 7789: 7783: 7775: 7771: 7765: 7746: 7742: 7741: 7733: 7727: 7708: 7704: 7703: 7695: 7689: 7673: 7669: 7667: 7658: 7656: 7639: 7635: 7633: 7624: 7608: 7604: 7600: 7599:Album Review" 7598: 7589: 7587: 7578: 7572: 7568: 7564: 7557: 7541: 7537: 7533: 7527: 7511: 7507: 7503: 7497: 7481: 7478:. p. 5. 7477: 7473: 7466: 7450: 7446: 7442: 7435: 7427: 7423: 7416: 7408: 7401: 7393: 7386: 7370: 7366: 7365:Rolling Stone 7362: 7356: 7340: 7336: 7335:Rolling Stone 7332: 7326: 7310: 7306: 7302: 7298: 7292: 7288: 7287: 7282: 7280: 7271: 7263: 7262:Rolling Stone 7259: 7252: 7244: 7240: 7233: 7218: 7214: 7210: 7206: 7199: 7183: 7179: 7178: 7173: 7171: 7162: 7160: 7151: 7150: 7145: 7138: 7136: 7127: 7123: 7116: 7114: 7093: 7089: 7088: 7083: 7076: 7074: 7053: 7049: 7048: 7043: 7041: 7032: 7030: 7013: 7009: 7008: 7003: 6996: 6994: 6977: 6973: 6972: 6967: 6960: 6944: 6940: 6939:Rolling Stone 6936: 6934: 6928: 6922: 6920: 6918: 6916: 6899: 6895: 6891: 6884: 6882: 6865: 6861: 6860: 6855: 6853: 6844: 6842: 6835:, p. 92. 6834: 6829: 6813: 6809: 6803: 6799: 6795: 6791: 6790: 6785: 6781: 6777: 6770: 6762: 6761: 6756: 6752: 6748: 6741: 6725: 6721: 6717: 6715: 6706: 6704: 6702: 6700: 6698: 6681: 6677: 6676: 6671: 6667: 6666:White, Armond 6661: 6653: 6647: 6643: 6642:Omnibus Press 6639: 6638: 6633: 6632:Larkin, Colin 6627: 6611: 6607: 6606: 6601: 6597: 6591: 6575: 6571: 6570: 6565: 6563: 6557: 6556:Wolk, Douglas 6551: 6549: 6540: 6533: 6514: 6510: 6509: 6508:Record Mirror 6501: 6495: 6479: 6475: 6471: 6465: 6457: 6456:Rolling Stone 6450: 6434: 6430: 6429: 6424: 6418: 6410: 6403: 6396:. p. 49. 6395: 6394: 6389: 6383: 6381: 6373:. p. 59. 6372: 6371: 6366: 6359: 6339: 6335: 6334: 6329: 6327: 6318: 6302: 6298: 6297: 6291: 6286: 6280: 6278: 6270:. p. 17. 6269: 6268: 6263: 6257: 6255: 6246: 6245: 6237: 6235: 6233: 6213: 6209: 6208: 6200: 6194: 6192: 6190: 6170: 6166: 6165: 6157: 6151: 6149: 6147: 6126: 6122: 6121: 6116: 6112: 6106: 6104: 6083: 6079: 6078: 6077:Trouser Press 6073: 6071: 6062: 6046: 6042: 6036: 6032: 6028: 6027: 6022: 6020: 6014: 6008: 6006: 5986: 5982: 5981: 5980:Record Mirror 5973: 5971: 5965: 5959: 5957: 5937: 5933: 5932: 5924: 5922: 5914: 5912: 5910: 5901: 5897: 5896: 5888: 5882:, p. 22. 5881: 5876: 5874: 5865: 5859: 5855: 5851: 5850: 5845: 5839: 5837: 5820: 5816: 5815: 5810: 5804: 5802: 5785: 5778: 5772: 5770: 5753: 5749: 5742: 5736: 5734: 5717: 5713: 5706: 5700: 5698: 5681: 5677: 5670: 5664: 5662: 5653: 5652:Smash Records 5649: 5642: 5626: 5622: 5618: 5612: 5610: 5593: 5589: 5585: 5579: 5577: 5569: 5568:Costello 2015 5564: 5548: 5544: 5540: 5533: 5531: 5529: 5512: 5508: 5507: 5502: 5500: 5491: 5475: 5471: 5469: 5460: 5452: 5451:Demon Records 5448: 5441: 5425: 5421: 5417: 5410: 5394: 5390: 5386: 5379: 5372: 5367: 5365: 5363: 5361: 5359: 5342: 5338: 5331: 5315: 5311: 5304: 5288: 5284: 5277: 5270: 5265: 5263: 5261: 5240: 5236: 5232: 5230: 5221: 5219: 5217: 5215: 5213: 5192: 5188: 5187: 5182: 5180: 5174: 5168: 5166: 5164: 5162: 5145: 5141: 5134: 5118: 5114: 5107: 5100: 5099:Costello 2015 5095: 5079: 5075: 5074: 5069: 5062: 5060: 5058: 5056: 5054: 5052: 5050: 5048: 5046: 5044: 5042: 5040: 5038: 5036: 5034: 5017: 5013: 5012: 5011:Rolling Stone 5007: 5003: 4997: 4995: 4993: 4972: 4968: 4967: 4962: 4960: 4954: 4948: 4946: 4944: 4942: 4933: 4932: 4927: 4921: 4919: 4917: 4909: 4904: 4888: 4884: 4880: 4878: 4872: 4866: 4864: 4862: 4860: 4843: 4839: 4838: 4833: 4826: 4824: 4822: 4820: 4818: 4809: 4807:9781493064601 4803: 4799: 4798: 4790: 4784:, p. 85. 4783: 4778: 4771: 4766: 4750: 4746: 4742: 4735: 4719: 4715: 4714: 4709: 4702: 4700: 4692: 4687: 4685: 4683: 4681: 4679: 4677: 4675: 4673: 4671: 4669: 4667: 4665: 4663: 4661: 4652: 4648: 4647: 4642: 4635: 4633: 4631: 4623: 4618: 4611: 4610:Costello 2015 4606: 4600:, p. 54. 4599: 4598:Costello 2015 4594: 4586: 4582: 4581: 4576: 4569: 4561: 4560:Demon Records 4557: 4550: 4548: 4546: 4538: 4537:Costello 2015 4533: 4531: 4529: 4512: 4508: 4507: 4502: 4495: 4479: 4475: 4474: 4469: 4462: 4455: 4450: 4448: 4446: 4444: 4442: 4440: 4438: 4436: 4434: 4432: 4424: 4419: 4417: 4415: 4413: 4405: 4404:Costello 2015 4400: 4398: 4390: 4385: 4383: 4381: 4379: 4377: 4375: 4373: 4371: 4369: 4367: 4365: 4363: 4361: 4359: 4357: 4355: 4353: 4345: 4344:Costello 2015 4340: 4332: 4328: 4321: 4319: 4317: 4315: 4313: 4311: 4309: 4307: 4305: 4303: 4301: 4299: 4297: 4295: 4293: 4285: 4280: 4278: 4276: 4274: 4272: 4270: 4268: 4266: 4264: 4262: 4260: 4258: 4256: 4254: 4252: 4250: 4248: 4246: 4238: 4233: 4231: 4229: 4227: 4225: 4208: 4204: 4200: 4198: 4189: 4187: 4185: 4183: 4174: 4173:Radar Records 4170: 4163: 4161: 4159: 4157: 4155: 4147: 4142: 4140: 4138: 4136: 4134: 4132: 4130: 4128: 4126: 4118: 4113: 4111: 4109: 4107: 4105: 4103: 4101: 4099: 4091: 4086: 4084: 4082: 4080: 4078: 4076: 4074: 4072: 4070: 4068: 4066: 4064: 4062: 4060: 4058: 4056: 4054: 4052: 4050: 4048: 4046: 4044: 4042: 4040: 4038: 4036: 4034: 4029: 4014: 4005: 3996: 3987: 3980: 3974: 3967: 3966: 3959: 3952: 3946: 3937: 3928: 3919: 3910: 3903: 3897: 3893: 3877: 3873: 3868: 3861: 3857: 3852: 3845: 3841: 3836: 3829: 3825: 3820: 3812:Chart (2021) 3810: 3807: 3806:Spanish Model 3790: 3787:Total length: 3784: 3780: 3777: 3775:"Pump It Up " 3774: 3770: 3766: 3763: 3761:"Pump It Up " 3760: 3756: 3752: 3749: 3746: 3742: 3738: 3736: 3733: 3730: 3726: 3722: 3719: 3716: 3713: 3709: 3705: 3703: 3700: 3698:"Radio Radio" 3697: 3693: 3689: 3687: 3684: 3681: 3677: 3673: 3671: 3670:Jorge Drexler 3668: 3665: 3661: 3657: 3655: 3652: 3649: 3645: 3641: 3639: 3636: 3633: 3629: 3625: 3623: 3620: 3617: 3613: 3609: 3606: 3603: 3599: 3595: 3592: 3589: 3586: 3582: 3578: 3576: 3573: 3570: 3566: 3562: 3560: 3557: 3554: 3550: 3546: 3544: 3541: 3538: 3534: 3530: 3528: 3525: 3522: 3518: 3514: 3512: 3508: 3505: 3502: 3498: 3494: 3491: 3488: 3484: 3468: 3465:track listing 3464: 3463:Spanish Model 3458: 3456: 3449:Track listing 3446: 3444: 3443:Spanish Model 3439: 3438: 3433: 3428: 3423: 3418: 3417:Spanish Model 3409: 3407: 3406: 3402: 3401: 3397: 3395: 3394: 3390: 3389: 3359: 3357: 3356: 3352: 3351: 3321: 3318: 3317: 3309: 3306:Review scores 3304: 3300: 3298: 3295: 3294: 3286: 3281: 3270: 3268: 3264: 3262: 3257: 3253: 3249: 3245: 3241: 3240:Spanish Model 3237: 3235: 3234:Spanish Model 3231: 3222: 3221: 3220:Spanish Model 3211: 3209: 3208: 3203: 3199: 3193: 3191: 3187: 3180: 3175: 3173: 3172:Rolling Stone 3169: 3168:Elsten Torres 3165: 3160: 3158: 3154: 3150: 3146: 3142: 3138: 3137:Jorge Drexler 3134: 3130: 3126: 3125:Spanish Model 3122: 3118: 3114: 3113: 3108: 3098: 3085: 3084: 3081: 3078: 3074: 3070: 3066: 3057: 3056: 3052: 3048: 3047: 3046:Spanish Model 3043: 3039: 3038: 3037:Hey Clockface 3034: 3033: 3029: 3025: 3021: 3016: 3013: 3010: 3009: 3008: 3006: 3002: 2999: 2996: 2994: 2990: 2986: 2982: 2970: 2966: 2963: 2960: 2958: 2954: 2943: 2939: 2935: 2931: 2926: 2922: 2918: 2913: 2910:Spanish Model 2908: 2903: 2902:Spanish Model 2893: 2886: 2880: 2876: 2873: 2870: 2865: 2861: 2858: 2855: 2850: 2846: 2843: 2840: 2835: 2831: 2826:Certification 2821: 2818: 2807: 2797: 2796: 2790: 2783: 2782: 2776: 2770: 2768: 2762: 2756: 2752: 2745: 2740: 2733: 2728: 2721: 2716: 2709: 2704: 2697: 2696: 2690: 2683: 2678: 2668: 2665: 2657:Weekly charts 2654: 2653: 2642: 2638: 2635: 2633: 2629: 2626: 2625: 2624: 2623: 2616: 2613: 2612: 2611: 2606: – drums 2605: 2602: 2599: 2596: 2593: 2590: 2587: 2584: 2583: 2582: 2571: 2567: 2566: 2565: 2564: 2557: 2555:" – 3:29 2554: 2550: 2547: 2544: 2542:" – 3:06 2541: 2537: 2534: 2533: 2532: 2531: 2524: 2521: 2519:" – 3:12 2518: 2514: 2511: 2509:" – 3:16 2508: 2504: 2501: 2500: 2499: 2498: 2494: 2492: 2485:Track listing 2482: 2480: 2472: 2468: 2464: 2463:Hip-O Records 2460: 2455: 2452: 2448: 2436: 2435:Demon Records 2432: 2428: 2393: 2391: 2390: 2389:Rolling Stone 2386: 2385: 2355: 2353: 2352: 2348: 2347: 2343: 2341: 2338: 2337: 2329: 2326:Review scores 2324: 2319: 2308: 2306: 2305: 2300: 2296: 2292: 2285: 2281: 2277: 2273: 2269: 2265: 2261: 2257: 2253: 2249: 2244: 2243:Rolling Stone 2240: 2239: 2234: 2225: 2223: 2219: 2215: 2214:Black Francis 2211: 2209: 2205: 2201: 2195: 2193: 2192: 2187: 2182: 2178: 2177: 2172: 2168: 2167: 2161: 2159: 2158: 2153: 2149: 2142: 2138: 2134: 2133:Rob Sheffield 2128: 2127:Rolling Stone 2121: 2120: 2114: 2109: 2108: 2100: 2099: 2094: 2089: 2087: 2083: 2082: 2077: 2073: 2069: 2068: 2062: 2027: 2025: 2024: 2020: 2019: 2015: 2013: 2012: 2008: 2007: 1977: 1975: 1974: 1970: 1969: 1939: 1937: 1936: 1932: 1931: 1927: 1925: 1924: 1920: 1919: 1915: 1913: 1912: 1908: 1907: 1877: 1875: 1874: 1870: 1869: 1844: 1842: 1841: 1837: 1836: 1806: 1804: 1803: 1799: 1798: 1768: 1766: 1763: 1762: 1754: 1751:Review scores 1749: 1744: 1733: 1731: 1727: 1726:Record Mirror 1723: 1719: 1718:Rolling Stone 1715: 1711: 1707: 1703: 1700: 1696: 1695:John Rockwell 1692: 1691: 1686: 1682: 1678: 1677: 1672: 1668: 1664: 1663:Rolling Stone 1658: 1656: 1652: 1651: 1646: 1642: 1637: 1631: 1630: 1629:Record Mirror 1621: 1616: 1615: 1610: 1606: 1602: 1601: 1594: 1591: 1590: 1585: 1578: 1576: 1564: 1562: 1561: 1556: 1553:started his ' 1552: 1548: 1544: 1540: 1539:Graham Parker 1536: 1532: 1531: 1526: 1521: 1515: 1514: 1509: 1505: 1496: 1494: 1493: 1489: 1488: 1458: 1456: 1455: 1451: 1450: 1420: 1418: 1417: 1416:Record Mirror 1413: 1412: 1387: 1385: 1384: 1380: 1379: 1349: 1347: 1346: 1342: 1341: 1333: 1330:Review scores 1328: 1323: 1312: 1306: 1302: 1301: 1296: 1292: 1291: 1286: 1276: 1274: 1270: 1264: 1263: 1254: 1250: 1249: 1239: 1234: 1230: 1228: 1224: 1220: 1207: 1203: 1202: 1197: 1196: 1191: 1183: 1174: 1172: 1168: 1154: 1152: 1148: 1144: 1140: 1136: 1130: 1128: 1127: 1122: 1118: 1112: 1110: 1106: 1102: 1098: 1092: 1086: 1075: 1072: 1068: 1063: 1062: 1057: 1053: 1048: 1046: 1042: 1035: 1031: 1027: 1023: 1013: 1011: 1007: 1006:The Last Time 1003: 999: 995: 991: 987: 982: 978: 974: 971:" (1965) and 970: 966: 961: 959: 955: 954:Cliff Richard 951: 947: 939: 938: 933: 930: 926: 921: 912: 909: 905: 904: 903:Rolling Stone 893: 891: 887: 886: 878: 874: 873: 868: 864: 859: 857: 853: 849: 845: 840: 839: 833: 831: 827: 823: 819: 815: 811: 807: 803: 799: 795: 791: 787: 783: 779: 775: 771: 770: 765: 759: 757: 750: 743: 732: 729: 728: 722: 712: 710: 706: 702: 698: 694: 690: 686: 682: 678: 671: 667: 665: 661: 657: 651: 649: 646: 642: 638: 634: 630: 626: 625:Acton, London 622: 618: 611: 608: 604: 600: 591: 589: 585: 581: 577: 573: 572: 567: 563: 562: 557: 556: 550: 548: 544: 540: 539:Radar Records 536: 535:Dave Robinson 532: 528: 527:Stiff Records 523: 521: 517: 509: 505: 501: 497: 493: 489: 485: 481: 477: 473: 472: 467: 458: 456: 452: 448: 447:Spanish Model 443: 438: 435: 431: 425: 424: 419: 415: 412:1978 through 407: 403: 399: 394: 392: 388: 384: 380: 376: 372: 368: 363: 361: 357: 353: 341: 337: 333: 329: 326:—keyboardist 325: 321: 320: 315: 311: 310:Radar Records 303: 299: 298: 288: 277: 271: 264: 258: 251: 245: 244: 241: 238: 234: 230: 226: 217: 216: 212: 208: 207: 203: 199: 198: 194: 193: 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