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Thousands Cheer

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837: 821: 805: 787: 771: 755: 307:), the daughter of his commanding officer, who has similarly put her singing career on hold in order to serve by providing entertainment for the troops. Unusually for this type of a film (and for this era of Hollywood), the character Kathryn has only recently met her father for the first time since she was a baby, her parents having separated but remaining married. A related subplot has Kathryn conniving to get her parents (played by 514:"I Dug a Ditch in Wichita", a song told from the point of view of a soldier who used to dig ditches, is the movie's underlying theme song, performed several times in the film with different arrangements and approaches, climaxing in the above-mentioned Kay Kyser performance which runs four and a half minutes and showcases several of his featured performers and including a few verses of another song, " 318:
The secondary plot involves preparations for a major live show for the soldiers which will feature many MGM musical and comedy stars. For the second half of the film, all pretenses of a storyline are effectively abandoned as the film instead becomes a variety showcase of comedy, song, and dance, with
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After a brief resumption (and resolution) of the earlier storyline, the film ends with Grayson leading an international chorus of men (the United Nations Chorus) in a song pleading for world peace. The song, entitled "United Nations on the March", actually predates the establishment of the
36: 582: : "a prodigal and sumptuous picture. It is Kelly who saves the picture from being merely a parade of personalities - Judy Garland is attractive as she gets Iturbi to bang out some swing rhythms on the piano. - George Sidney has staged it expansively." 538:), but an English-language text had nothing to do with the original Russian lyrics. Due to misinterpretation of the name of the song's American version, some popular Russian media (e.g. 469:
appears as himself in both segments of the film; this was his first acting role in a film and he would go on to make several more appearances (usually playing himself) in MGM musicals.
573:. It would have been easy for Metro's labour to result in a top-heavy production under a less resourceful producer than Joe Pasternak. His steadying hand is quite evident." 499:), Kay Kyser's band delivering a frantic and humorous medley of "I Dug a Ditch in Wichita"/"Should I?", and a Garland performance (with classical pianist Jose Iturbi) of 315:) to reconcile. During the first part of the film, Grayson sings several numbers and Kelly performs one of his most famous routines, dancing with a mop as a partner. 518:". Grayson also sings a version, using an exaggerated (and out-of-character) "cowboy" accent, and Kelly dances to an instrumental version, using a mop as a partner. 842: 1329: 1142: 686: 550:
According to MGM records the film earned $ 3,751,000 in the US and Canada and $ 2,135,000 elsewhere resulting in a profit of $ 2,228,000.
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The film is essentially a two-part program. The first half consists of a romantic comedy storyline involving an aerialist, played by
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all of the performers (save Kelly and Grayson) appearing as themselves. The show portion is hosted by
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solo by Powell (making her first color film and her final MGM movie until 1950's
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from his famous "Song of the Counterplan" (the title song for the 1932 movie
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Performing as "guest stars" in the film's show segment were:
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The Judy Garland Online Discography "Thousands Cheer" pages.
303:. During training, he falls in love with Kathryn (played by 530:
which was made on 1 January 1942. The song used music by
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Index

As Thousands Cheer

George Sidney
Paul Jarrico
Richard Collins
Joe Pasternak
Kathryn Grayson
Gene Kelly
Mary Astor
John Boles
Ben Blue
Frances Rafferty
George J. Folsey
Irving Berlin
Lorenz Hart
Jerome Kern
Nacio Herb Brown
Richard Rodgers
George Gershwin
Ira Gershwin
Max Steiner
Dmitri Shostakovich
Metro-Goldwyn-Mayer
Loew's, Inc.
musical comedy film
George Sidney
Metro-Goldwyn-Mayer
Second World War
Gene Kelly
US Army

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