Thriller film - Knowledge

1262:) which mixed the film's action and violence with generous doses of humor and Bond's post-bloodshed quips and sexual banter. The Bond films generally distanced themselves with apolitical villains, that toned down the cold war elements of the original novels and spy films of the past, locating their films in Jamaica, Istanbul and Miami over Cuba, Berlin or Israel. Rubin found that the Bond films important to the development of the thriller, but their own thriller dimensions was limited due to the Bond stories gravitating towards adventures, suspense sequences being moderate, and tensions kept simple compared to the films of Hitchcock or Lang. Following the success of the Bond films, the character became the standard which all other spy films of the era were defined by within their similarities or dissimilarities. These included having the spy being suave hero, colorful locations, attractive women and flamboyant decors. Many pre-1970s spy films were predominantly comedies with spy film elements, such as 751:(1938). Along with Lang's output of the period, Rubin stated that Hitchcock became a "top rank" filmmaker specialising in the classical film thrillers, opposed to his prior output, which only sporadically included films that could be considered thrillers. Compared to Lang, Hitchcock approach to the spy thriller was described by Rubin as "less abstract, less epic" with "a greater emphasis on individual psychology and subjective points of view" while Lang's primary focus was on "the structure of the trap", Hitchcock's was on the "mental state of the entrapped." The first major American spy thriller of the World War II era was 399:(1797). Rubin noted that the extended vulnerability of the enthralled protagonists and victims in the thriller anticipated the thriller genre, a statement echoed by Robert D. Hume's 1969 essay which asserts that the Gothic novel involved a reader in a new way, with increased emphasis on suspense, sensation and emotion opposed to moral and intellectual focuses. The gothics being considered thrillers is problematic as they are set in antiquated decaying worlds and fail the tradition of being considered "modern". The second literary form that predated thrillers was the Victorian 1016:(1958) as another major film of this flawed-cop style. Rubin found that these late noirs collectively represent a peak of character development and moral complexity in the film thriller that was closer to the psychology films of Alfred Hitchcock than the action or mystery-oriented forms of the police thriller. Syndicate gangster films of the era had similarities to the anti-communist spy films and alien-invasion science fiction films of the era with films like 7890: 119:. Thriller films are typically hybridized with other super-genres; hybrids commonly including: action thrillers, fantasy and science fiction thrillers. Thriller films also share a close relationship with horror films, both eliciting tension. In plots about crime, thriller films focus less on the criminal or the detective and more on generating suspense. Common themes include terrorism, political conspiracy, pursuit and romantic triangles leading to murder. 7900: 148:"suspense, fright, mystery, exhilaration, excitement, speed, movement" over more sensitive, cerebral, or emotionally heavy feelings. Rubin described thrillers as being both quantitative and qualitative as virtually all narrative films could be considered thrilling to some degree, while they could contain suspense to some degree, but at "a certain hazy point", the films become thrilling enough to be considered part of the genre. For 1591:(1974) about a group of troubled people in Los Angeles. The films often featured all-star casts and often had the disaster happening early or mid-way into the story rather than at the climax with the narrative focusing on the group of survivors. The genre ended following overt sequels, television films and parodies. The genre had a brief revival in the late 1990s through the science-fiction and disaster hybrid 703: 27: 715:, the police film and the science fiction thriller. The horror films of the early 1930s with their Europeanized settings and villains led to what Rubin described as a "growing uneasiness towards Europe" Such anxieties were directly registered with spy thriller films, that were previously marginalised but grew as the tensions of the 1930s and the outbreak of 1101:(1960). During this period, Anglo-American critics of the era preferred Hitchcock's lighter-hearted British classics of the 1930s, these films were declared as "more ambitious and mature works" by Rubin, which became the focus of a major reevaluation of Hitchcock's artistic stature, which included with the first full-length books study of his work: 468:

narrative. The sensation of motion in these early films was later input into a framework known as the "chase film" which came into prominence in 1903.These films were often produced in Britain and France and employed minimal narrative for an extended chase scene that led to one of the most commercially celebrated American films of the period with

237:'s "A Defence of Detective Stories", stating that the world of the thriller is in an urban world, opposed to bygone eras of knights, pirates and cowboys which assists with the concept that "one normally does not think of Westerns as thrillers, even though they often contain a great deal of action, adventures chases and suspense." Similarly, the 1274:(1966) and their sequels. Another style of spy films attempted to differentiate themselves from the Bond films, while still differentiating themselves from the patriotic and Anti-Nazi and anti-communist spy films of the past. These films deglamorized the nature of the Bond films while still remaining thrillers, such as 1209:, a movement which arose in the late 1950s. The style of these films were generally more self-conscious and intrusive than that of Hollywood films. When these films had thriller aspects, these aspects of their story had a throwaway quality. The influence of the French New Wave was seen on American thrillers such as 587:(1928), had Lang make extensive use of crosscutting to not only enhance suspense and draw thematic parallels but also to develop what Rubin described as a "paranoid vision of a world where everything seems to together as an ever-widening web of conspiracy". This type of editing was later applied to several 467:

At these same fair grounds, is where the earliest venues for film exhibitions with peep-show arcades which film historian Tom Gunning described as "the cinema of attractions". These films provided early novelty-oriented shorts that provided surprise, amazement, laughter, or sexual stimulation with no

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which had recognizable iconography (cowboys, saloons, southwestern landscapes), the thriller lacks such unique iconography. Rubin went on to state that thrillers involve an excess of certain qualities beyond the narratives: they tend emphasize action, suspense and atmosphere and emphasize feelings of

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defined the genre by literary roots, ideology and sociological backgrounds and that thrillers could be reduced to just two components: a hero and a conspiracy. Palmer noted the hero in a thriller must be professional and competitive and not an amateur or an average citizen and suggested and declared

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of important information from the viewer, and fight and chase scenes are common methods. Life is typically threatened in a thriller film, such as when the protagonist does not realize that they are entering a dangerous situation. Thriller films' characters conflict with each other or with an outside

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film is a psychological type of film (until the often violent resolution), the conflict between the main characters is mental and emotional rather than physical. Characters, either by accident or their own curiousness, are dragged into a dangerous conflict or situation that they are not prepared to

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Crime was the significant focus of thrillers in the 1950s. The more realistic crime films of the 1940s and film noir merged into films about police detectives thrillers. Unlike the more clean-cut police officers of the 1940s realistic films, these films often had the police officer following darker

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that lacked a traditional detective figure and featured non-professional criminals or innocent victims as protagonists and excluded films that are often labeled as thrillers such as hard-boiled detective stories, horror films, heist films and spy films. Derry found the non-professional or victim

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generated "the kind of curiosity that is void of emotion, and emotion is essential ingredient of suspense" and thus for Hitchcock, "mystery is seldom suspenseful" In their discussions on the political thriller, Pablo Castrillo and Pablo Echart stated in 2015 that the concept of a thriller as an

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and thriller film in which the protagonist confronts dangerous adversaries, obstacles, or situations which he/she must conquer, normally in an action setting. Action thrillers usually feature a race against the clock, weapons and explosions, frequent violence, and a clear antagonist. Examples

1433:, in which an avenger in an urban setting throws off the restraints of the super cop of the police thrillers to operate as a loner without a badge or uniform. The main characters usually revolve around personal revenge and desire to cleanse society of its evil doers. Examples include the 581:(1922) was described by Rubin as an important part of the development of the thriller with its "duplicitous, labyrinthine network of decadent nightspots and secret dens that are linked together by murky thorough fares, twisting back alleys and subterranean passages." Lang's later film 206:

to be "quintessential thriller heroes". Palmer also noted that audiences must approve of the hero's actions and adopt their moral perspective. Palmer included styles such as detective films as part of the genre. Rubin argued against Palmer's definition, noting that it would include

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and American filmmaker's participation in making war documentaries and the audience's growing familiarity with these documentaries gritty and fact-based style led to Hollywood developing crime films that were shot in actual locations opposed to studio sets. These films included

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in the audience. The suspense element found in most films' plots is particularly exploited by the filmmaker in this genre. Tension is created by delaying what the audience sees as inevitable, and is built through situations that are menacing or where escape seems impossible.

277:. Derry also suggested this, stating that the film was an "umbrella genre" that cuts across several more clearly defined genres. Rubin went as far to suggest that there was possibly no such thing as a pure "thriller thriller" as it was easier to apply it as a quality as a 138:

In his book on the genre, Martin Rubin stated that the label "Thriller" was "highly problematic" declaring that "the very breadth and vagueness of the thriller category understandably discourage efforts to define it precisely.". This was echoed by Charles Derry in his book

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is a genre in which the protagonist is generally a government agent who must take violent action against agents of a rival government or (in recent years) terrorists. The subgenre often deals with the subject of espionage in a realistic way (as in the adaptations of

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was active from 1905 onward. These films featured distorted sets and stylized gestures which had an influence on filmmaking all over the world, including the United States. The style has been particularly relevant to the thriller, combining psychology and spectacle.

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are seen in the film, with its depictions of ingeniously planned robberies, as well as the thriller's central emphasis on accelerated motion. Chase films were limited in scope, but their emphasis on the chase sequence would extended into film in the future such as

1309:. The police-centered were much less critical in their treatment of their justice obsessed lawmen and were showcased fighting to protect society where official institutions have failed them. The police thriller returned in 1967 with the multiple-Oscar winning film 249:

discussed location being related to thrillers as well, stating that crime films as emphasized broad, socially symbolic characters such as the criminal, the Law, and society while thrillers were more concerned with violence or disturbances within a private sphere.

1375:(1973) as car chases became staple to modern police thrillers. These police thrillers also featured a harsher more conflict-riddled world closer to those of the anti-Bond spy films. These films were also harsher and more violent, mostly due to the demise of the 785:

Like the spy film, another genre that grew popular due to the war-generated phenomena in the early to mid-1940s saw the rise of thrillers centered around various phases of crime films such as the rise in popularity of detective films. These ranged from

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Around 1960, Rubin described that key thriller categories went through major overhauls. This led to closing what he described as "subversive debunking" that nearly closed the doors on genres like the detective film, re-contextualizing genres like the

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The roots of the thriller also generally associated with the rise of the urban-industrial society in the 19th century which created new and expanded mass audience, along with new forms of entertainment. This included stage play melodramas such as

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which was even more successful. Serials often ended with cliffhangers, an element that led to thrillers tendencies to break up into a series of self-enclosed set pieces. Film serials were later produced in Europe, with French directors such as

451:(1890) which features a heroine who unties the hero just before he is cut by and advancing buzz saw. Other forms of entertainment arrived in the 19th century at fairgrounds and amusements parks with thrill-oriented rides and attractions such as 143:, which found that the terms "suspense thriller", "thriller" and "suspense film" are used continuously in popular press, academic writings and the film industry with no clear agreement of what the definition is. Unlike other genres such as the 2306:. It deals with an unknown killer murdering people, with the protagonist having to find out who the killer is. The genre was popular during the late 1960s-late 1970s and is still being produced today, albeit less commonly. Examples include 1034:

which contained borderline breakdowns of the criminal world and the lawful world. The gangsters of these films do not resemble conventional criminals of the past, they dressed casually while being non-confrontational with muted violence.

413:(1859–1860) which stripped the gothic genre of its mysticism and brought to a contemporary time closer to everyday life. These sensation novels often were published in serialized form, sometimes concluding their installments with 130:. The 400 nominated films had to be American-made films whose thrills have "enlivened and enriched America's film heritage". AFI also asked jurors to consider "the total adrenaline-inducing impact of a film's artistry and craft". 695:(1932). These films centered on the rise of and fall of the criminal with Rubin noting that suspense in these films was "relatively slight", with both genres leaving an imprint on subsequent forms of the thriller with mid-1930s 1060:(1956) which Rubin described as being between "science-fiction mundaneness and film-noir moodiness". The science fiction thrillers of the era are not set on far off planets or but featured in present-day locales such as in 8097: 2377:

is a suspense film in which the major characters are lawyers and their employees. The system of justice itself is always a major part of these works, at times almost functioning as one of the characters. Examples include

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In the early 1990s, thrillers had recurring elements of obsession and trapped protagonists who must find a way to escape the clutches of the villain—these devices influenced a number of thrillers in the following years.

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featured much of the mystique as the James Bond series, with his stylish lifestyle and being an elite specialist working with a larger organization and is granted considerable autonomy on the course of his assignments.

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being placed in unfamiliar situations enhanced their vulnerability and thus increased greater suspense. Derry specifically noted the "innocent-on-the-run" theme a coherent in the genre, presenting them in films such as

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Rubin described the mid-1930s as when the thriller entered its "classical period" with the emergence of key genres that were previously either non-existent or minor. These included the spy film, detective film, the

520:, featuring stories broken up into a number regularly scheduled episodes expanded on the suspense-educing devices of the earlier chase films. Originally published in newspapers, as fictional story installments, the 359:

Due to what Rubin describe as a "wide, imprecise scope", it is unwieldy to attempt a comprehensive history of individual genres, including the thriller, and suggests it better to view the style in terms of cycles.

666:(1931). Rubin noted that both films lacked the thriller's fundamental tension between the familiar and exotic or adventurous. Also in the early 1930s, the gangster film arrived with early major films including 2095:

and thrillers, which offers a suspenseful account of a successful or failed crime or crimes. Such films often focus on the criminal(s) rather than a policeman. Central topics include serial killers/murders,

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In recent years, thrillers have often overlapped with the horror genre, having more gore/sadistic violence, brutality, terror and frightening scenes. The recent films in which this has occurred include

939:(1948). These titles drew on 1930s gangster film conventions, with the American branch of the communist parties being depicted like a gangster organization. This cycle continued into the 1950s with 285:, and that there is possibly no such thing as a pure "thriller thriller". Rubin further expanded on the problematic usage of the genre due to its wide usage in media, such as the American magazine 1248:

The spy film had been what Rubin described as "stagnating" for several years due to the limitations of post-war anti-communist films. The genre was dramatically revitalized by the surprised hit

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The 1950s also launched what Rubin called "a run of Hitchcock masterpieces", following an uneven part of experimentation in the late 1940s. Rubin noted as Hitchcock hitting his stride with

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overarching, broad category is "traditionally unclear" due to the varied definitions between authors, with its "boundaries often blurred, overlapped, and hybridized with other genres."

1315:(1967), which was more about social issues than being a straight thriller, the films' use of racial epithets and strong-arm methods paved the way for films featuring characters like 363:

Prior to the development of films, the genre has its connections to broadly-based fiction of the 18th century. Elements of the thriller are traced to the earliest gothic novel with

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films, the early detective films of the 1940s, and the gangster films of the 1950s. The gangster film itself imbued the modern urban environment with larger-than-life overtones.

4923: 836:(1946). These detective films drew upon thriller and thriller-related genres with their nocturnal atmosphere and style influenced by expressionism. They often overlapped with 1179:

The expansion of foreign-film exhibition in the United States of highly regarded thrillers was an influence on the American thriller film. Among the earliest of these was

425:" (1841), which is widely considered the first detective story. The detective story drew upon the previously mentioned forms, and is shown through stories such as the 1301:

Police thrillers returned to popularity around the period of law-and-order issues between 1968 and 1972 presidential campaigns through a general swing towards the

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that uses suspense to augment attention to abuses of power and instances of oppression in society. This new subgenre gained notoriety in 2017 with the release of

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style was not acknowledge by American filmmakers, critics or audiences until the 1970s. Early films considered as harbingers of the movement include Fritz Lang's

926:(1949). Rubin found that placing these films in actual locations increased the tension of the ordinary world opposed to the limited confines of the studio sets. 2508:

resolve. To overcome their brutish enemies characters are reliant not on physical strength but on their mental resources. This subgenre usually has elements of

1573:(1970), about an airplane crippled by a bomb that struggles to land in a snowstorm. Similar films about a group of survivors escape several locations, such as 241:

is predominantly set in an environment that is already exotic and primitive, and removed form the realm of mundane and modern-day urban existence. In his book

4938: 1298:(1966). These films featured spies who seemed less invincible than James Bond and other super spies, and often featured a more paranoid edge to their plots. 504:'s films which Rubin described as refining for "enhancing suspense, psychological depth, and spatial orientation." Griffith's applied techniques such as 1205:(1955) which influenced the 1960s thrillers with their sordid atmosphere. Another cross-fertilization between American and European thrillers was the 2215:

plays an important role in the plot. It has become popular since the 1980s and the rise of VCR market penetration. The genre includes such films as

1560:(1979). Unlike other films of the past, the paranoia of these films often focused on American institutions opposed to gangsterism or communists. 8320: 4733: 904:(1948) which re-created a police manhunt for a brutal killer. These films eventually began toning down their factuality to be applied to more 7708: 459:, which Rubin described as offering a "departure from humdrum reality that is merely a heightened version of that same humdrum reality.". 4816: 4920: 1254:(1962), which led to increasingly expensive and lucrative sequels as well as spearheading a 1960s spy craze in cinema and mass media. 8295: 6456: 4760: 1176:, and enhancing the popularity of some genres such as the spy film briefly and other genres like the police film for longer periods. 1042:

thriller, which previously was a relatively minor genre. The most prevalent was a hybrid of science fiction and horror in films like

988:(1954). A smaller wave of similar police thrillers had the police detective having moral weakness, but excessiveness. These included 654:

was the leader of the horror genre in the early 1930s with its expressionist-derived atmosphere that started with two big hits film:

481: 4842: 7936: 7244: 4891: 769:(1942). Despite having these films exist beyond the cityscapes of the thriller genre, they do not deploy the adventure nature of 4790: 4659: 8223: 6643: 2308: 1754: 777:

usually lacking in exaggerated methods of transport, such as parachute drops, safaris, submarines, or even high-speed chases.

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called "climax and curtain". The third of the proto-types to the thriller was early detective and mystery fiction, such as

8310: 8305: 8300: 8031: 6104: 5893: 1736:(2010), in which a U.S. Marshal must investigate a psychiatric facility after one of the patients inexplicably disappears. 656: 83:, claiming that all feature length narrative films can be classified by these super-genres. The other ten super-genres are 2012:

a genre in which the hero/heroine confronts a large, powerful group of enemies whose true extent only she/he recognizes.

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The period between 1907 and 1913 solidified the film industry's domination of narrative filmmaking, predominantly with

331: 3109: 719:. The genre grew into popularity in Great Britain in the mid-1930s with the output of the countries leading filmmaker 8359: 8285: 5233: 5154: 4673: 2921:

is a suspenseful film in which the manipulation of sophisticated technology plays a prominent part. Examples include

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A common theme in thrillers involves innocent victims dealing with deranged adversaries, as seen in Hitchcock's film

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Castrillo, Pablo; Echart, Pablo (2015). "Towards a narrative definition of the American political thriller film".

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who previously worked making chase films to later making serials based on novels about master criminals, such as

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Detectives/FBI agents hunting down a serial killer was another popular motif in the 1990s. A famous example is

1159: 1056: 990: 848: 816: 757:(1939). After relocating to the United States, Hitchcock continued his attachment to spy films with films like 68:

force, which can sometimes be abstract. The protagonist is usually set against a problem, such as an escape, a

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came upon the idea in 1913 to by running serialized stories in both newspapers and film versions. This led to

8347: 8265: 8230: 7427: 7154: 6771: 6079: 5623: 5446: 2864: 2120: 1991: 1417: 1347:(1968), the latter being more successful financially than any the previously mentioned thrillers. Like Bond, 941: 634: 431: 422: 395: 8171: 8021: 7929: 7810: 7042: 7017: 5868: 5848: 2712: 2126: 2046: 1593: 1365: 1068: 759: 8198: 8141: 8026: 7572: 7144: 6697: 6562: 6251: 5579: 2724: 2540: 2475: 2332: 2247: 1320: 1137: 1077: 1054:(1955) while the films more attuned to the thriller occasionally saw an alien invasion theme, such as in 972: 854: 487: 8386: 8381: 8016: 8011: 7967: 7582: 7189: 7032: 5677: 5225: 5033: 2679: 2425:

is a type of film in which the protagonist must ensure the stability of the government. The success of

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and disillusionment about the Vietnam War led to conspiracy thrillers. A cycle of these films included

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stories having him battle Nazis. These smaller budget films led to more major productions such as

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The early 1930s saw the rise of two film genre movements: the gothic styled horror film and the

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arrived with the 1970s. The films predominantly feature loose-cannon private eyes such as in

1180: 1149: 1024: 947: 369: 305: 7577: 1121:(1965). The plots and themes of these films would be re-worked into later directors such as 8419: 8332: 8250: 8191: 8065: 7994: 7893: 7790: 7686: 7349: 7052: 6917: 6729: 6663: 6074: 6011: 6006: 5883: 5697: 5650: 5532: 5483: 5382: 5337: 2929: 2900: 2894: 2835: 2799: 2771: 2691: 2685: 2586: 2580: 2487: 2410: 2314: 2303: 1919: 1902: 1890: 1782:(2018). Action scenes have also gotten more elaborate in the thriller genre. Films such as 1777: 1581: 1456: 1270: 741: 691: 672: 441: 266: 189: 144: 116: 104: 5271:

Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear

4768: 571:(1919). Lang would later make films similar to those of Feuillade with his films based on 128:

the top 100 greatest American "heart-pounding" and "adrenaline-inducing" films of all time

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was conceived as a series of action set pieces (called "bumps" by the series co-producer

1229: 1114: 996: 882: 860: 32: 4438: 4380: 8409: 8337: 7800: 7720: 7644: 7530: 7520: 7422: 7314: 7294: 7194: 7174: 6942: 6870: 6776: 6761: 6692: 6397: 6333: 6191: 6171: 6062: 5712: 5633: 5567: 5557: 5520: 5010: 4570: 4482: 2882: 2840: 2794: 2789: 2604: 2550: 2422: 2223: 2192: 2162: 2009: 1967: 1497: 1491: 1360: 1259: 1235: 922: 894: 677: 651: 629: 609: 567: 293: 229: 177: 164:(1988), the genre-studies specialist Charles Derry found the "suspense thriller" to be 4794: 4689: 19:"Suspense thriller" redirects here. For the general category "suspense/thriller", see 7914: 7899: 7850: 7639: 7562: 7412: 7366: 7339: 7334: 7324: 7239: 7199: 6977: 6865: 6855: 6781: 6709: 6589: 6434: 6429: 6358: 6313: 6276: 6213: 6201: 6119: 6067: 6001: 5996: 5972: 5940: 5672: 5667: 5416: 5316: 5297: 5278: 5255: 5229: 5206: 5187: 5169: 5150: 5133: 4669: 4665: 3087: 3077: 2876: 2765: 2622: 2528: 2457: 2442: 2427: 2344: 2259: 2235: 2180: 2150: 2114: 2028: 1997: 1866: 1860: 1720: 1715: 1691: 1544: 1529: 1461: 1185: 1030: 747: 532:, a serial in 13 parts which was a grand success and led to the newspaper developing 493: 447: 183: 7074: 4711: 4423: 7870: 7860: 7770: 7698: 7681: 7676: 7597: 7525: 7391: 7386: 7376: 7371: 7319: 7259: 7229: 7184: 7047: 6947: 6860: 6823: 6528: 6476: 6402: 6343: 6256: 6052: 6045: 5935: 5808: 5660: 5645: 5609: 5594: 5527: 5498: 5478: 5387: 5123: 5115: 4636: 2870: 2852: 2716: 2662: 2610: 2592: 2517: 2217: 2186: 1766: 1742: 1683: 1550: 1521: 1050: 874: 822: 720: 682: 234: 149: 76: 20: 4868: 2708: 1379:. The influence of the police thriller was long lasting, leading into the popular 8369: 7820: 7745: 7735: 7730: 7715: 7624: 7567: 7466: 7361: 7279: 7274: 7204: 7139: 7059: 6932: 6927: 6900: 6796: 6594: 6557: 6503: 6496: 6449: 6323: 6293: 6206: 6166: 6161: 6094: 6040: 6025: 5945: 5920: 5915: 5853: 5771: 5761: 5722: 5638: 5562: 5488: 4927: 4614: 4358: 2935: 2918: 2888: 2658: 2432: 2338: 2204: 1943: 1925: 1914: 1878: 1872: 1796: 1727: 1702: 1698: 1599: 1206: 1039: 984: 807: 765: 604: 540: 522: 456: 426: 418: 400: 282: 36:(1940), where Mrs. Danvers tries to persuade Mrs. De Winter to leap to her death. 7454: 4988: 4592: 193:(1976). Alternatively, British communication professor Jerry Palmer in his book 8352: 8161: 8053: 7982: 7805: 7775: 7755: 7617: 7602: 7547: 7505: 7344: 7299: 7289: 7264: 7219: 7209: 6987: 6967: 6937: 6922: 6880: 6845: 6803: 6791: 6786: 6579: 6550: 6439: 6424: 6368: 6223: 6181: 5692: 5508: 5399: 5059: 2959: 2747: 2729: 2616: 2452: 2374: 2253: 2229: 2138: 1884: 1772: 1670: 1455:

featuring black leads that came from the police thriller, vigilante films, and

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began encompassing anti-communist themes. This was inaugurated with films like

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is a genre that combines elements of humor with suspense. Such films include

1710: 1706: 1647: 1630: 1564: 1371: 1264: 1250: 1154: 1012: 952: 842:, a style coined by French critics in 1946 which arose in the mid-1940s. The 647: 505: 501: 452: 384: 299: 217: 7089: 4892:"Get Out's Jordan Peele Brings the 'Social Thriller' to BAM | Village Voice" 4526: 3076:. New York, NY: Routledge Studies in Media Theory and Practice. p. 21. 8176: 8060: 7651: 7634: 7587: 7437: 7381: 6912: 6907: 6838: 6714: 6658: 6609: 6584: 6572: 6303: 6035: 6030: 5967: 5930: 5908: 5898: 5776: 5707: 5687: 5589: 5547: 5453: 5436: 3105: 3049: 2906: 2827: 2741: 2295: 2287: 1973: 1848: 1694: 1687: 1635: 1452: 1196: 1127: 1007: 1002: 869: 716: 687: 667: 624: 614: 551: 337: 321: 316: 100: 92: 5119: 3071: 1391:

film series and attaching itself to other genres such as science fiction (

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Rubin declared that thrillers attached itself to other genres such as the

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The screenwriters taxonomy : a roadmap to collaborative storytelling

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featured even more elaborate variations in his later productions such as

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Psycho Thrillers: Cinematic Explorations of the Mysteries of the Mind

5274: 2947: 1955: 1760: 1748: 1680: 1376: 838: 589: 274: 208: 153: 6328: 152:, a director very associated with the genre, he proclaimed that the 7552: 7214: 7109: 6895: 6885: 6833: 6523: 5982: 5734: 5411: 4571:"The Asphalt Jungle – Cast, Reviews, Summary, and Awards – AllRovi" 2977: 2923: 2735: 2703: 2320: 2101: 1832: 1485: 1173: 881:

During the 1940s, the influence of other foreign movements such as

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Geoffrey Macnab, "Spy movies – The guys who came in from the cold"

1489:(1973). The films were often derivations of earlier films such as 514:(1912), which also applied psychological context for the actions. 7875: 7557: 7500: 6518: 5011:"The Skeleton Key – Cast, Reviews, Summary, and Awards – AllRovi" 4483:"Edge of Darkness – Cast, Reviews, Summary, and Awards – AllRovi" 2831: 2667: 2208: 2097: 1411: 1393: 1343: 1325: 1323:

for the upcoming police cycle. Early films in the cycle included

303:(1990) was a comedy and that films as diverse as the horror film 26: 4690:"The Interpreter – Cast, Reviews, Summary, and Awards – AllRovi" 4439:"The Hurt Locker – Cast, Reviews, Summary, and Awards – AllRovi" 2160:. Examples of crime thrillers involving heists or robberies are 723:. Between 1934 and 1938, Hitchcock directed five spy thrillers: 7830: 7027: 6952: 6604: 6540: 6513: 6176: 5989: 5843: 4637:"Basic Instinct – Cast, Reviews, Summary, and Awards – AllRovi" 2283: 2174: 1719:(1995), about the search for a serial killer who re-enacts the 1447: 1201: 787: 583: 79:

identifies thriller films as one of eleven super-genres in his

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The Suspense Thriller: Films in the Shadow of Alfred Hitchcock

4712:"Proof of Life – Cast, Reviews, Summary, and Awards – AllRovi" 3181: 2826:

films include an otherworldly element (such as fantasy or the

16:

Film genre that evokes excitement and suspense in the audience

8218: 7515: 6648: 6626: 6619: 6419: 4915:"The Spying Game: British Cinema and the Secret State", 2009 1642:

as an unbalanced fan who terrorizes an incapacitated author (

1473: 1044: 696: 5082:"Daniel Radcliffe to Grow 'Horns' for Supernatural Thriller" 4869:"Funny Games – Cast, Reviews, Summary, and Awards – AllRovi" 7946: 6567: 5360: 5034:"Spoiler alert: The Sixth Sense voted film with best twist" 4615:"Entrapment – Cast, Reviews, Summary, and Awards – AllRovi" 2112:. Some examples of crime thrillers involving murderers are 1814:

The thriller film genre includes the following sub-genres:

69: 4989:"In Dreams – Cast, Reviews, Summary, and Awards – AllRovi" 4593:"The Score – Cast, Reviews, Summary, and Awards – AllRovi" 1525:(1958). The cycle generally slowed down by the mid 1970s. 5060:"The Gift – Cast, Reviews, Summary, and Awards – AllRovi" 3757: 3755: 4549:"Copycat – Cast, Reviews, Summary, and Awards – AllRovi" 4305: 4272: 4219: 4195: 4168: 4156: 4120: 4045: 4006: 3994: 3970: 3958: 3898: 3886: 3847: 2723:

making notable contributions, and many films set in the

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as well as the first English-language assessment, with

7944: 4527:"Seven – Cast, Reviews, Summary, and Awards – AllRovi" 4403:"Taken – Cast, Reviews, Summary, and Awards – AllRovi" 3825: 3823: 3784: 3774: 3772: 3770: 3752: 3742: 3740: 3727: 3725: 3723: 3710: 3708: 3693: 3671: 3669: 3618: 3474: 3464: 3462: 3437: 3435: 3420: 3398: 3396: 3383: 3381: 3366: 3356: 3354: 3341: 3339: 3261: 3249: 3227: 3225: 3223: 3210: 3208: 2286:

is an Italian thriller film that contains elements of

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During the 1970s, contemporary situations such as the

4817:"The River Wild – Cast, Reviews, Summary, and Awards" 3302: 3300: 4761:"'The Machinist': a haunting psychological thriller" 4505:"JFK – Cast, Reviews, Summary, and Awards – AllRovi" 4317: 4284: 4260: 4248: 4231: 4207: 4180: 4144: 4132: 4108: 4096: 4081: 4069: 4057: 4030: 4018: 3982: 3946: 3934: 3922: 3910: 3871: 3859: 3312: 3159: 3157: 3155: 864:(1941) and the first universally acknowledged major 3835: 3820: 3808: 3796: 3767: 3737: 3720: 3705: 3681: 3666: 3654: 3642: 3630: 3606: 3594: 3582: 3570: 3558: 3546: 3534: 3522: 3510: 3498: 3486: 3459: 3447: 3432: 3408: 3393: 3378: 3351: 3336: 3324: 3273: 3237: 3220: 3205: 3116: 3297: 3285: 3193: 3169: 3128: 2455:established this subgenre. Other examples include 221:(1941) into the genre and eliminate such films as 4843:"Panic Room – Cast, Reviews, Summary, and Awards" 3152: 3140: 3069: 1567:, which came with the great financial success of 1563:A thriller-related movement in the 1970s was the 8401: 1800:(2004) have crossed over into the action genre. 5105: 3187: 575:which were sent in a contemporary time. Lang's 5203:Overkill: The Rise And Fall of Thriller Cinema 5057: 4791:"Red Eye – Cast, Reviews, Summary, and Awards" 4461:"Hollywood readying new wave action thrillers" 898:(1947) and the most acclaimed of these films, 335:(1972), and the science fiction monster movie 7930: 5345: 4948: 2026:fall into this category, as do films such as 1690:) engages in a psychological conflict with a 5294:Writing the Thriller Film: The Terror Within 4883: 2516:who must deal with emotional struggles. The 4819:. AllRovi. October 24, 2011. Archived from 4736:. AllRovi. October 24, 2011. Archived from 2554:, are notable examples of the type, as are 2207:is a thriller film that has an emphasis on 233:(1960) from the genre. Rubin borrowed from 181:(1959) and conspiracy thriller films like 7937: 7923: 5352: 5338: 5163: 4793:. AllRovi. August 19, 2005. Archived from 3026: 3014: 2711:'s novels). It is a significant aspect of 1646:) who is in her care. Other films include 1540:assassination of President John F. Kennedy 565:(1919) and later directorial efforts like 5127: 4845:. AllRovi. March 29, 2002. Archived from 4758: 2727:. Thrillers within this subgenre include 2715:, with leading British directors such as 2499: 4657: 4359:"Thriller/Suspense Subgenre Definitions" 3039: 3037: 3035: 2818: 1429:Offshoots of the police thriller is the 830:to film. Marlowe would appear again in 701: 341:(1979) can all be considered thrillers. 25: 4759:Oksenhorn, Stewart (December 7, 2004). 1673:'s Best Picture–winning crime thriller 1038:The 1950s also saw the movement of the 929:Further spy films were made, including 297:(1982) as a thriller, while its sequel 8402: 5310: 5273:. Routledge Advances in Film Studies. 5268: 5031: 2004: 7918: 5333: 5291: 5249: 5219: 5200: 5181: 5144: 4889: 4323: 4311: 4299: 4278: 4266: 4254: 4242: 4225: 4213: 4201: 4189: 4174: 4162: 4150: 4138: 4126: 4114: 4102: 4090: 4075: 4063: 4051: 4039: 4024: 4012: 4000: 3988: 3976: 3964: 3952: 3940: 3928: 3916: 3904: 3892: 3880: 3865: 3853: 3841: 3829: 3814: 3802: 3790: 3778: 3761: 3746: 3731: 3714: 3699: 3687: 3675: 3660: 3648: 3636: 3624: 3612: 3600: 3588: 3576: 3564: 3552: 3540: 3528: 3516: 3504: 3492: 3480: 3468: 3453: 3441: 3426: 3414: 3402: 3387: 3372: 3360: 3345: 3330: 3318: 3306: 3291: 3279: 3267: 3255: 3243: 3231: 3214: 3199: 3175: 3163: 3146: 3134: 3122: 3112:from the original on January 1, 2017. 3032: 2417: 2091:as an genre is a hybrid type of both 633:. During this silent era in Germany, 5252:Frank's 500: The Thriller Film Guide 5184:Historical Dictionary of Crime Films 508:to enhance suspense in film such as 243:Crime Movies: An Illustrated History 5032:Shoard, Catherine (July 26, 2010). 2514:development of realistic characters 1730:'s neo-noir psychological thriller 1618: 13: 7692:List of American independent films 5243: 5168:(Second ed.). Penguin Group. 4890:Ebiri, Bilge (February 14, 2017). 2913: 2653: 2357: 2199: 1909: 1817: 133: 14: 8431: 3108:. American Film Institute. 2001. 3043: 2369: 2083: 706:Fritz Lang (on the left) in 1938. 7898: 7889: 7888: 5074: 5051: 5025: 5003: 4991:. Allmovie.com. January 15, 1999 4981: 4969:. Allmovie.com. October 24, 2011 4959: 4932: 4909: 4861: 4835: 4809: 4783: 4752: 4726: 4714:. Allmovie.com. December 8, 2000 4704: 4682: 4658:Benshoff, Harry M., ed. (2014). 4651: 4629: 4607: 4585: 4563: 4551:. Allmovie.com. October 24, 2011 4541: 4529:. Allmovie.com. October 24, 2011 4519: 4497: 4485:. Allmovie.com. January 29, 2010 4475: 4453: 4431: 4417: 4395: 4373: 4351: 4329: 1305:in the United States due to the 826:(1944) introduced the character 325:(1923), the Hitchcock spy film 5359: 5013:. Allmovie.com. August 12, 2005 3106:"AFI's 100 YEARS...100 THRILLS" 2327:The Red Queen Kills Seven Times 1227:(1967) as well as later films ( 482:On Her Majesty's Secret Service 4871:. Allmovie.com. March 14, 2008 4692:. Allmovie.com. April 22, 2005 4661:A Companion to the Horror Film 4639:. Allmovie.com. March 20, 1992 3098: 3063: 3020: 3008: 1653:The Hand That Rocks the Cradle 1597:(1996), which was followed by 1477:(1973) or hustlers such as in 1057:Invasion of the Body Snatchers 1: 5296:. Michael Wiese Productions. 5099: 4595:. Allmovie.com. July 13, 2001 4337:"Thriller and Suspense Films" 2997:AFI's 100 Years...100 Thrills 1803: 942:I Was a Communist for the FBI 462: 432:The Hound of the Baskervilles 423:The Murders in the Rue Morgue 349: 187:(1974) and the comedy-tinged 5166:The Complete Film Dictionary 5084:. Screen Rant. March 9, 2014 4573:. Allmovie.com. June 8, 1950 1069:The Incredible Shrinking Man 126:(AFI) made its selection of 7: 5315:. McFarland & Company. 5205:. McFarland & Company. 5149:. McFarland & Company. 5108:Communication & Society 3188:Castrillo & Echart 2015 3046:"Thriller – Suspense Films" 2990: 2698: 2548:'s bizarre and influential 1726:Another notable example is 1634:(1990), based on a book by 973:The Man Who Cheated Himself 855:Stranger on the Third Floor 354: 309:(1978), the detective film 55:that evokes excitement and 10: 8436: 7583:Classical Hollywood cinema 6772:Commedia sexy all'italiana 5680:Exploitation film template 5624:Commedia sexy all'italiana 5226:Cambridge University Press 3070:Williams, Eric R. (2017). 2512:, as there is an in-depth 2309:The Girl Who Knew Too Much 1807: 1755:The Last House on the Left 535:The Million Dollar Mystery 344: 329:(1959), the disaster film 261:and various sub-genres of 18: 7958: 7884: 7487: 7405: 7150:German underground horror 7105:Documentary Film Movement 7013:American eccentric cinema 6998: 6244: 5370: 2754:Tinker Tailor Soldier Spy 2671:. Other examples include 2470:The Man Who Knew Too Much 2278: 2020:The Aquitaine Progression 2015:The Chancellor Manuscript 771:The Adventures of Kathlyn 754:Confessions of a Nazi Spy 726:The Man Who Knew Too Much 562:The Mistress of the World 529:The Adventures of Kathlyn 75:Screenwriter and scholar 5311:Indick, William (2006). 5164:Konigsberg, Ira (1997). 3002: 2812:Three Days of the Condor 2448:The Manchurian Candidate 2333:Don't Torture a Duckling 2133:The Silence Of The Lambs 1676:The Silence of the Lambs 1424: 1312:In the Heat of the Night 1166: 1063:It Came from Outer Space 964: 931:The House on 92nd Street 889:The House on 92nd Street 780: 641: 390:The Mysteries of Udolpho 7085:Cinema of Transgression 6219:Cinema of Transgression 5292:Hicks, Neil D. (2002). 5269:Hanich, Julian (2010). 5186:. The Scarecrow Press. 5145:Derry, Charles (1988). 4917:Cambridge Film Festival 2557:The Talented Mr. Ripley 2145:To Live and Die in L.A. 1810:Lists of thriller films 1006:(1953). Rubin declared 991:Where the Sidewalk Ends 917:The Street with No Name 559:who wrote serials like 471:The Great Train Robbery 198:characters such as spy 124:American Film Institute 81:screenwriters' taxonomy 7305:The Prague film school 7170:Hollywood on the Tiber 5220:Rubin, Martin (1999). 4926:July 20, 2011, at the 2725:British Secret Service 2505:Psychological thriller 2500:Psychological thriller 2300:psychological thriller 2121:No Country for Old Men 1705:) while tracking down 1679:(1991)—in which young 1576:The Poseidon Adventure 1516:Black Mama, White Mama 1295:The Quiller Memorandum 970:paths. These included 958:Pickup on South Street 806:as well as modernized 707: 578:Dr. Mabuse the Gambler 511:The Girl and Her Trust 332:The Poseidon Adventure 281:, detective thriller, 37: 7160:Grupo Cine Liberación 7100:Czechoslovak New Wave 7095:Commedia all'italiana 5442:Commedia all'italiana 5182:Mayer, Geoff (2012). 5120:10.15581/003.28.35944 4771:on September 18, 2016 2824:Supernatural thriller 2819:Supernatural thriller 2438:The Day of the Jackal 2362:A subgenre involving 2127:The French Connection 1366:The French Connection 1181:Henri-Georges Clouzot 1025:The Phenix City Story 908:styles, such as with 760:Foreign Correspondent 705: 474:(1903). Elements of 370:The Castle of Otranto 162:The Suspense Thriller 141:The Suspense Thriller 29: 7687:Guerrilla filmmaking 7350:Kitchen sink realism 7235:New French Extremity 7145:German Expressionist 7053:Kitchen sink realism 6918:Contemporary Western 6698:Environmental issues 6229:New French Extremity 6187:New French Extremity 6012:Softcore pornography 6007:Hardcore pornography 5874:New French Extremity 5250:Frank, Alan (1997). 5201:Mesce, Bill (2007). 5058:Billy Bob Thornton. 4797:on December 25, 2011 2930:The Thirteenth Floor 2772:The Tailor of Panama 2692:The Constant Gardner 2541:Strangers on a Train 2315:Blood and Black Lace 2304:psychological horror 1582:The Towering Inferno 1495:(1972), a remake of 1457:blaxploitation films 1321:Jimmy "Popeye" Doyle 1078:Strangers on a Train 635:German Expressionism 373:(1765) which led to 7423:Children and family 7397:Yugoslav Black Wave 7270:Nuevo Cine Mexicano 7155:Nigerian Golden Age 7120:European art cinema 7023:Australian New Wave 4849:on January 20, 2012 4740:on November 2, 2011 4425:The Fugitive (1993) 2838:. Examples include 2680:Dirty Pretty Things 2641:10 Cloverfield Lane 2272:Single White Female 2213:sexual relationship 2065:In the Line of Fire 2010:Conspiracy thriller 2005:Conspiracy thriller 1950:Kiss Kiss Bang Bang 1825:is a blend of both 1519:(1973) a remake of 1507:(1972) a remake of 1451:(1981). A cycle of 997:On Dangerous Ground 883:Italian neo-realism 861:I Wake Up Screaming 852:(1937), the b-film 790:detectives such as 7973:Mixed martial arts 7721:Major film studios 7315:Pure Film Movement 7295:Polish Film School 7195:Italian neorealist 7175:Hong Kong New Wave 6777:Mexican sex comedy 5834:German underground 4945:, October 2, 2009. 4921:festival brochure. 4919:, pp.54-57 of the 4314:, p. 149-150. 4281:, p. 148-149. 4228:, p. 139-140. 4204:, p. 137-138. 4177:, p. 135-136. 4165:, p. 133-134. 4129:, p. 130-131. 4054:, p. 120-121. 4015:, p. 116-117. 4003:, p. 113-114. 3979:, p. 111-112. 3967:, p. 110-111. 3907:, p. 103-104. 3895:, p. 102-103. 3856:, p. 100-101. 2778:Mission Impossible 2423:Political thriller 2418:Political thriller 2405:The Lincoln Lawyer 2163:The Asphalt Jungle 1968:Grosse Point Blank 1962:Mr. and Mrs. Smith 1713:'s crime thriller 1498:The Asphalt Jungle 1260:Albert R. Broccoli 1160:The Bedroom Window 1095:North by Northwest 923:He Walked by Night 895:Call Northside 777 849:You Only Live Once 817:The Maltese Falcon 708: 678:William A. Wellman 652:Universal Pictures 630:The Usual Suspects 410:The Woman in White 327:North by Northwest 178:North by Northwest 38: 8397: 8396: 8296:Extraterrestrials 8120:Sword and sorcery 7912: 7911: 7851:Socialist realist 7563:Behind-the-scenes 7340:Socialist realist 7335:Spaghetti Western 7325:Romanian New Wave 7200:Japanese New Wave 6866:Sword and sorcery 6782:Nazi exploitation 6364:Mumbai underworld 6120:Planetary romance 5322:978-0-7864-2371-2 5303:978-0-941188-46-3 5284:978-0-415-87139-6 5261:978-0-7134-2728-8 5212:978-0-7864-2751-2 5193:978-0-8108-6769-7 5175:978-0-670-10009-5 4381:"Action Thriller" 3083:978-1-315-10864-3 2877:What Lies Beneath 2806:The Good Shepherd 2766:The Parallax View 2529:Shadow of a Doubt 2494:The Ghost Writer. 2443:Frederick Forsyth 2428:Seven Days in May 2387:Presumed Innocent 2381:The Pelican Brief 2041:The Da Vinci Code 1992:The Lady Vanishes 1861:Snakes on a Plane 1721:seven deadly sins 1709:Buffalo Bill—and 1662:(1992), starring 1545:The Parallax View 1538:(1973) about the 1530:Watergate scandal 1418:Beverly Hills Cop 1283:Funeral in Berlin 1186:The Wages of Fear 1119:Hitchcock's Films 1031:The Brothers Rico 748:The Lady Vanishes 442:Uncle Tom's Cabin 184:The Parallax View 107:, slice of life, 49:suspense thriller 8427: 7939: 7932: 7925: 7916: 7915: 7902: 7892: 7891: 7871:Vulgar auteurism 7699:Interstitial art 7677:Hyperlink cinema 7392:Vulgar auteurism 7387:Toronto New Wave 7377:Telefoni Bianchi 7372:Sword-and-sandal 7190:Italian futurist 7185:Iranian New Wave 7048:British New Wave 6861:Sword-and-sandal 6742:Rape and revenge 6683:Mouth of Garbage 6529:Tentacle erotica 6477:Goona-goona epic 6457:Extraterrestrial 6344:Heroic bloodshed 5978:Occult detective 5809:Christmas horror 5661:Sword-and-sandal 5393:Hong Kong action 5388:Heroic bloodshed 5354: 5347: 5340: 5331: 5330: 5326: 5307: 5288: 5265: 5239: 5216: 5197: 5179: 5160: 5141: 5131: 5094: 5093: 5091: 5089: 5078: 5072: 5071: 5069: 5067: 5055: 5049: 5048: 5046: 5044: 5029: 5023: 5022: 5020: 5018: 5007: 5001: 5000: 4998: 4996: 4985: 4979: 4978: 4976: 4974: 4963: 4957: 4952: 4946: 4936: 4930: 4913: 4907: 4906: 4904: 4902: 4887: 4881: 4880: 4878: 4876: 4865: 4859: 4858: 4856: 4854: 4839: 4833: 4832: 4830: 4828: 4823:on July 28, 2011 4813: 4807: 4806: 4804: 4802: 4787: 4781: 4780: 4778: 4776: 4767:. Archived from 4756: 4750: 4749: 4747: 4745: 4730: 4724: 4723: 4721: 4719: 4708: 4702: 4701: 4699: 4697: 4686: 4680: 4679: 4655: 4649: 4648: 4646: 4644: 4633: 4627: 4626: 4624: 4622: 4611: 4605: 4604: 4602: 4600: 4589: 4583: 4582: 4580: 4578: 4567: 4561: 4560: 4558: 4556: 4545: 4539: 4538: 4536: 4534: 4523: 4517: 4516: 4514: 4512: 4501: 4495: 4494: 4492: 4490: 4479: 4473: 4472: 4470: 4468: 4457: 4451: 4450: 4448: 4446: 4435: 4429: 4421: 4415: 4414: 4412: 4410: 4399: 4393: 4392: 4390: 4388: 4377: 4371: 4370: 4368: 4366: 4355: 4349: 4348: 4346: 4344: 4333: 4327: 4321: 4315: 4309: 4303: 4297: 4282: 4276: 4270: 4264: 4258: 4252: 4246: 4240: 4229: 4223: 4217: 4211: 4205: 4199: 4193: 4187: 4178: 4172: 4166: 4160: 4154: 4148: 4142: 4136: 4130: 4124: 4118: 4112: 4106: 4100: 4094: 4088: 4079: 4073: 4067: 4061: 4055: 4049: 4043: 4037: 4028: 4022: 4016: 4010: 4004: 3998: 3992: 3986: 3980: 3974: 3968: 3962: 3956: 3950: 3944: 3938: 3932: 3926: 3920: 3914: 3908: 3902: 3896: 3890: 3884: 3878: 3869: 3863: 3857: 3851: 3845: 3839: 3833: 3827: 3818: 3812: 3806: 3800: 3794: 3793:, p. 89-90. 3788: 3782: 3776: 3765: 3764:, p. 86-87. 3759: 3750: 3744: 3735: 3729: 3718: 3712: 3703: 3702:, p. 73-74. 3697: 3691: 3685: 3679: 3673: 3664: 3658: 3652: 3646: 3640: 3634: 3628: 3627:, p. 64-65. 3622: 3616: 3610: 3604: 3598: 3592: 3586: 3580: 3574: 3568: 3562: 3556: 3550: 3544: 3538: 3532: 3526: 3520: 3514: 3508: 3502: 3496: 3490: 3484: 3483:, p. 47–48. 3478: 3472: 3466: 3457: 3451: 3445: 3439: 3430: 3429:, p. 44–45. 3424: 3418: 3412: 3406: 3400: 3391: 3385: 3376: 3375:, p. 41–42. 3370: 3364: 3358: 3349: 3343: 3334: 3328: 3322: 3316: 3310: 3304: 3295: 3289: 3283: 3277: 3271: 3270:, p. 14–15. 3265: 3259: 3258:, p. 12–13. 3253: 3247: 3241: 3235: 3229: 3218: 3212: 3203: 3197: 3191: 3185: 3179: 3173: 3167: 3161: 3150: 3144: 3138: 3132: 3126: 3120: 3114: 3113: 3102: 3096: 3095: 3067: 3061: 3060: 3058: 3056: 3041: 3030: 3024: 3018: 3012: 2871:The Skeleton Key 2717:Alfred Hitchcock 2611:Fatal Attraction 2518:Alfred Hitchcock 2047:Edge of Darkness 1900:series, and the 1684:Clarice Starling 1619:1990s to present 1594:Independence Day 1551:The Conversation 1535:Executive Action 1522:The Defiant Ones 1358: 1277:The Ipcress File 1224:Bonnie and Clyde 936:The Iron Curtain 875:Double Indemnity 823:Murder, My Sweet 721:Alfred Hitchcock 683:The Public Enemy 457:Shoot the Chutes 403:, starting with 235:G. K. Chesterton 213:courtroom dramas 150:Alfred Hitchcock 77:Eric R. Williams 72:, or a mystery. 43:, also known as 21:Thriller (genre) 8435: 8434: 8430: 8429: 8428: 8426: 8425: 8424: 8400: 8399: 8398: 8393: 8276:Science fiction 8266:Romantic comedy 7954: 7943: 7913: 7908: 7880: 7821:Semidocumentary 7746:Minimalist film 7736:Message picture 7731:Maximalist film 7625:Database cinema 7608:Computer screen 7568:Black-and-white 7493: 7491: 7489: 7483: 7401: 7357:Soviet parallel 7280:Parallel cinema 7275:Pan-Indian film 7205:Kammerspielfilm 7140:French New Wave 7060:Budapest school 7043:Brighton School 7018:New Objectivity 7000: 6994: 6963:Science fiction 6595:Bruceploitation 6504:Girls with guns 6450:Turksploitation 6324:Gentleman thief 6240: 6075:Science fiction 5921:Minimalist film 5916:Maximalist film 5894:Science fiction 5854:Japanese horror 5651:Social guidance 5366: 5358: 5323: 5304: 5285: 5262: 5246: 5244:Further reading 5236: 5213: 5194: 5176: 5157: 5102: 5097: 5087: 5085: 5080: 5079: 5075: 5065: 5063: 5056: 5052: 5042: 5040: 5030: 5026: 5016: 5014: 5009: 5008: 5004: 4994: 4992: 4987: 4986: 4982: 4972: 4970: 4965: 4964: 4960: 4953: 4949: 4943:The Independent 4937: 4933: 4928:Wayback Machine 4914: 4910: 4900: 4898: 4888: 4884: 4874: 4872: 4867: 4866: 4862: 4852: 4850: 4841: 4840: 4836: 4826: 4824: 4815: 4814: 4810: 4800: 4798: 4789: 4788: 4784: 4774: 4772: 4765:The Aspen Times 4757: 4753: 4743: 4741: 4732: 4731: 4727: 4717: 4715: 4710: 4709: 4705: 4695: 4693: 4688: 4687: 4683: 4676: 4668:. p. 172. 4656: 4652: 4642: 4640: 4635: 4634: 4630: 4620: 4618: 4613: 4612: 4608: 4598: 4596: 4591: 4590: 4586: 4576: 4574: 4569: 4568: 4564: 4554: 4552: 4547: 4546: 4542: 4532: 4530: 4525: 4524: 4520: 4510: 4508: 4503: 4502: 4498: 4488: 4486: 4481: 4480: 4476: 4466: 4464: 4459: 4458: 4454: 4444: 4442: 4437: 4436: 4432: 4422: 4418: 4408: 4406: 4401: 4400: 4396: 4386: 4384: 4379: 4378: 4374: 4364: 4362: 4357: 4356: 4352: 4342: 4340: 4335: 4334: 4330: 4322: 4318: 4310: 4306: 4298: 4285: 4277: 4273: 4265: 4261: 4253: 4249: 4241: 4232: 4224: 4220: 4212: 4208: 4200: 4196: 4188: 4181: 4173: 4169: 4161: 4157: 4149: 4145: 4137: 4133: 4125: 4121: 4113: 4109: 4101: 4097: 4089: 4082: 4074: 4070: 4062: 4058: 4050: 4046: 4038: 4031: 4023: 4019: 4011: 4007: 3999: 3995: 3987: 3983: 3975: 3971: 3963: 3959: 3951: 3947: 3939: 3935: 3927: 3923: 3915: 3911: 3903: 3899: 3891: 3887: 3879: 3872: 3864: 3860: 3852: 3848: 3840: 3836: 3828: 3821: 3813: 3809: 3801: 3797: 3789: 3785: 3777: 3768: 3760: 3753: 3745: 3738: 3730: 3721: 3713: 3706: 3698: 3694: 3686: 3682: 3674: 3667: 3659: 3655: 3647: 3643: 3635: 3631: 3623: 3619: 3611: 3607: 3599: 3595: 3587: 3583: 3575: 3571: 3563: 3559: 3551: 3547: 3539: 3535: 3527: 3523: 3515: 3511: 3503: 3499: 3491: 3487: 3479: 3475: 3467: 3460: 3452: 3448: 3440: 3433: 3425: 3421: 3413: 3409: 3401: 3394: 3386: 3379: 3371: 3367: 3359: 3352: 3344: 3337: 3329: 3325: 3317: 3313: 3305: 3298: 3290: 3286: 3278: 3274: 3266: 3262: 3254: 3250: 3242: 3238: 3230: 3221: 3213: 3206: 3198: 3194: 3186: 3182: 3174: 3170: 3162: 3153: 3145: 3141: 3133: 3129: 3121: 3117: 3104: 3103: 3099: 3084: 3068: 3064: 3054: 3052: 3042: 3033: 3027:Konigsberg 1997 3025: 3021: 3015:Konigsberg 1997 3013: 3009: 3005: 2993: 2919:Techno-thriller 2916: 2914:Techno-thriller 2889:The Sixth Sense 2821: 2701: 2659:Social thriller 2656: 2654:Social thriller 2502: 2476:The Interpreter 2433:Fletcher Knebel 2420: 2372: 2360: 2358:Horror thriller 2281: 2248:Dressed to Kill 2205:Erotic thriller 2202: 2200:Erotic thriller 2086: 2007: 1944:Malamaal Weekly 1926:Dr. Strangelove 1915:Comedy thriller 1912: 1910:Comedy thriller 1879:The Hurt Locker 1873:The Dark Knight 1823:Action thriller 1820: 1818:Action thriller 1812: 1806: 1728:Martin Scorsese 1703:Anthony Hopkins 1699:Hannibal Lecter 1621: 1427: 1409:), and comedy ( 1361:Philip D'Antoni 1356: 1207:French New Wave 1192:Les Diaboliques 1169: 1138:Dressed to Kill 1040:science fiction 967: 808:Sherlock Holmes 783: 644: 605:Stanley Kubrick 541:Louis Feuillade 523:Chicago Tribune 488:Vanishing Point 465: 427:Sherlock Holmes 419:Edgar Allan Poe 401:sensation novel 357: 352: 347: 283:horror thriller 202:or private eye 136: 134:Characteristics 105:science fiction 24: 17: 12: 11: 5: 8433: 8423: 8422: 8417: 8415:Thriller films 8412: 8395: 8394: 8392: 8391: 8390: 8389: 8384: 8374: 8373: 8372: 8367: 8357: 8356: 8355: 8350: 8340: 8335: 8330: 8325: 8324: 8323: 8318: 8313: 8308: 8303: 8298: 8293: 8288: 8283: 8273: 8268: 8263: 8258: 8253: 8248: 8243: 8238: 8233: 8228: 8227: 8226: 8221: 8211: 8206: 8201: 8196: 8195: 8194: 8189: 8184: 8179: 8174: 8169: 8164: 8159: 8154: 8149: 8144: 8139: 8134: 8124: 8123: 8122: 8112: 8107: 8106: 8105: 8100: 8095: 8085: 8080: 8075: 8074: 8073: 8063: 8058: 8057: 8056: 8051: 8041: 8036: 8035: 8034: 8024: 8022:Blaxploitation 8019: 8014: 8009: 8004: 8003: 8002: 7997: 7987: 7986: 7985: 7980: 7975: 7970: 7959: 7956: 7955: 7942: 7941: 7934: 7927: 7919: 7910: 7909: 7907: 7906: 7896: 7885: 7882: 7881: 7879: 7878: 7873: 7868: 7863: 7858: 7853: 7848: 7843: 7838: 7833: 7828: 7823: 7818: 7813: 7808: 7806:Reverse motion 7803: 7798: 7793: 7788: 7783: 7778: 7773: 7768: 7763: 7758: 7756:Modernist film 7753: 7748: 7743: 7738: 7733: 7728: 7723: 7718: 7713: 7712: 7711: 7701: 7696: 7695: 7694: 7689: 7679: 7674: 7669: 7664: 7659: 7654: 7649: 7648: 7647: 7637: 7632: 7627: 7622: 7621: 7620: 7618:midnight movie 7610: 7605: 7600: 7595: 7590: 7585: 7580: 7575: 7570: 7565: 7560: 7555: 7550: 7545: 7544: 7543: 7538: 7533: 7528: 7523: 7518: 7508: 7503: 7497: 7495: 7485: 7484: 7482: 7481: 7480: 7479: 7474: 7464: 7463: 7462: 7457: 7447: 7446: 7445: 7440: 7432: 7431: 7430: 7420: 7415: 7409: 7407: 7406:By demographic 7403: 7402: 7400: 7399: 7394: 7389: 7384: 7379: 7374: 7369: 7364: 7359: 7354: 7353: 7352: 7345:Social realist 7342: 7337: 7332: 7327: 7322: 7317: 7312: 7307: 7302: 7300:Poliziotteschi 7297: 7292: 7290:Poetic realist 7287: 7282: 7277: 7272: 7267: 7262: 7257: 7252: 7247: 7245:New generation 7242: 7237: 7232: 7227: 7222: 7220:Modernist film 7217: 7212: 7210:L.A. Rebellion 7207: 7202: 7197: 7192: 7187: 7182: 7177: 7172: 7167: 7162: 7157: 7152: 7147: 7142: 7137: 7132: 7127: 7122: 7117: 7112: 7107: 7102: 7097: 7092: 7087: 7082: 7077: 7075:Cinéma du look 7072: 7067: 7062: 7057: 7056: 7055: 7045: 7040: 7035: 7030: 7025: 7020: 7015: 7010: 7004: 7002: 6996: 6995: 6993: 6992: 6991: 6990: 6988:Zapata Western 6985: 6980: 6975: 6970: 6968:Singing cowboy 6965: 6960: 6955: 6950: 6945: 6940: 6935: 6930: 6925: 6923:Dacoit Western 6920: 6915: 6905: 6904: 6903: 6898: 6893: 6883: 6878: 6873: 6868: 6863: 6858: 6853: 6848: 6843: 6842: 6841: 6831: 6826: 6821: 6816: 6811: 6806: 6804:Shoshimin-eiga 6801: 6800: 6799: 6794: 6792:Nunsploitation 6789: 6787:Pornochanchada 6784: 6779: 6774: 6769: 6759: 6754: 6749: 6744: 6739: 6734: 6733: 6732: 6722: 6717: 6712: 6707: 6702: 6701: 6700: 6690: 6685: 6680: 6675: 6674: 6673: 6672: 6671: 6661: 6656: 6651: 6646: 6636: 6635: 6634: 6624: 6623: 6622: 6617: 6612: 6607: 6602: 6597: 6587: 6582: 6577: 6576: 6575: 6570: 6560: 6555: 6554: 6553: 6543: 6538: 6533: 6532: 6531: 6526: 6521: 6511: 6506: 6501: 6500: 6499: 6494: 6489: 6479: 6474: 6469: 6464: 6462:Food and drink 6459: 6454: 6453: 6452: 6447: 6442: 6440:Blaxploitation 6432: 6427: 6422: 6417: 6412: 6411: 6410: 6405: 6395: 6394: 6393: 6383: 6378: 6377: 6376: 6371: 6369:Poliziotteschi 6366: 6361: 6356: 6351: 6346: 6341: 6336: 6331: 6326: 6321: 6316: 6306: 6301: 6296: 6291: 6286: 6281: 6280: 6279: 6274: 6264: 6259: 6254: 6248: 6246: 6242: 6241: 6239: 6238: 6233: 6232: 6231: 6226: 6224:Extreme cinema 6221: 6211: 6210: 6209: 6204: 6199: 6194: 6189: 6184: 6179: 6174: 6169: 6164: 6154: 6149: 6144: 6143: 6142: 6137: 6132: 6127: 6122: 6117: 6112: 6107: 6102: 6097: 6092: 6087: 6082: 6072: 6071: 6070: 6065: 6060: 6055: 6050: 6049: 6048: 6033: 6028: 6023: 6022: 6021: 6014: 6009: 5999: 5994: 5993: 5992: 5987: 5986: 5985: 5980: 5965: 5964: 5963: 5958: 5953: 5948: 5943: 5938: 5928: 5923: 5918: 5913: 5912: 5911: 5906: 5901: 5896: 5891: 5886: 5881: 5876: 5871: 5866: 5861: 5856: 5851: 5846: 5841: 5836: 5831: 5826: 5821: 5816: 5811: 5806: 5804:Chinese horror 5801: 5796: 5791: 5781: 5780: 5779: 5774: 5769: 5764: 5759: 5749: 5748: 5747: 5742: 5737: 5727: 5726: 5725: 5720: 5715: 5710: 5705: 5700: 5695: 5685: 5684: 5683: 5670: 5665: 5664: 5663: 5653: 5648: 5643: 5642: 5641: 5636: 5631: 5626: 5616: 5615: 5614: 5613: 5612: 5602: 5597: 5592: 5587: 5577: 5576: 5575: 5570: 5565: 5560: 5555: 5550: 5545: 5540: 5535: 5525: 5524: 5523: 5513: 5512: 5511: 5506: 5501: 5496: 5491: 5486: 5481: 5476: 5471: 5466: 5461: 5456: 5451: 5450: 5449: 5439: 5434: 5424: 5419: 5414: 5409: 5408: 5407: 5397: 5396: 5395: 5390: 5385: 5374: 5372: 5368: 5367: 5357: 5356: 5349: 5342: 5334: 5328: 5327: 5321: 5308: 5302: 5289: 5283: 5266: 5260: 5245: 5242: 5241: 5240: 5234: 5217: 5211: 5198: 5192: 5174: 5161: 5155: 5142: 5114:(4): 109–121. 5101: 5098: 5096: 5095: 5073: 5062:. Allmovie.com 5050: 5024: 5002: 4980: 4958: 4947: 4931: 4908: 4882: 4860: 4834: 4808: 4782: 4751: 4725: 4703: 4681: 4674: 4650: 4628: 4617:. Allmovie.com 4606: 4584: 4562: 4540: 4518: 4507:. Allmovie.com 4496: 4474: 4452: 4441:. Allmovie.com 4430: 4416: 4405:. Allmovie.com 4394: 4372: 4350: 4339:. Filmsite.org 4328: 4326:, p. 150. 4316: 4304: 4302:, p. 149. 4283: 4271: 4269:, p. 146. 4259: 4257:, p. 145. 4247: 4245:, p. 144. 4230: 4218: 4216:, p. 138. 4206: 4194: 4192:, p. 137. 4179: 4167: 4155: 4153:, p. 133. 4143: 4141:, p. 132. 4131: 4119: 4117:, p. 130. 4107: 4105:, p. 128. 4095: 4093:, p. 127. 4080: 4078:, p. 125. 4068: 4066:, p. 124. 4056: 4044: 4042:, p. 119. 4029: 4027:, p. 117. 4017: 4005: 3993: 3991:, p. 113. 3981: 3969: 3957: 3955:, p. 109. 3945: 3943:, p. 108. 3933: 3931:, p. 107. 3921: 3919:, p. 105. 3909: 3897: 3885: 3883:, p. 102. 3870: 3868:, p. 101. 3858: 3846: 3834: 3819: 3807: 3795: 3783: 3766: 3751: 3736: 3719: 3704: 3692: 3680: 3665: 3653: 3641: 3629: 3617: 3605: 3593: 3581: 3569: 3557: 3545: 3533: 3521: 3509: 3497: 3485: 3473: 3458: 3446: 3431: 3419: 3407: 3392: 3377: 3365: 3350: 3335: 3323: 3321:, p. 3-4. 3311: 3296: 3284: 3272: 3260: 3248: 3236: 3219: 3204: 3192: 3190:, p. 110. 3180: 3168: 3151: 3139: 3127: 3125:, p. 3–4. 3115: 3097: 3082: 3062: 3031: 3019: 3006: 3004: 3001: 3000: 2999: 2992: 2989: 2915: 2912: 2865:Jacob's Ladder 2820: 2817: 2730:Berlin Express 2713:British cinema 2700: 2697: 2655: 2652: 2617:The River Wild 2569:Shutter Island 2501: 2498: 2453:Richard Condon 2419: 2416: 2393:A Time to Kill 2375:Legal thriller 2371: 2370:Legal thriller 2368: 2359: 2356: 2280: 2277: 2254:Eyes Wide Shut 2230:Basic Instinct 2201: 2198: 2110:double-crosses 2089:Crime thriller 2085: 2084:Crime thriller 2082: 2053:Absolute Power 2006: 2003: 1986:Pocket Listing 1911: 1908: 1885:The Terminator 1819: 1816: 1805: 1802: 1733:Shutter Island 1671:Jonathan Demme 1659:Unlawful Entry 1620: 1617: 1431:vigilante film 1426: 1423: 1338:Coogan's Bluff 1242:Reservoir Dogs 1168: 1165: 1133:Brian de Palma 1123:Jonathan Demme 1111:Claude Chabrol 966: 963: 948:The Red Menace 901:The Naked City 828:Philip Marlowe 800:Boston Blackie 792:Michael Shayne 782: 779: 643: 640: 595:Robert Siodmak 464: 461: 405:Wilkie Collins 365:Horace Walpole 356: 353: 351: 348: 346: 343: 247:Carlos Clarens 239:adventure film 135: 132: 15: 9: 6: 4: 3: 2: 8432: 8421: 8418: 8416: 8413: 8411: 8408: 8407: 8405: 8388: 8385: 8383: 8380: 8379: 8378: 8375: 8371: 8368: 8366: 8363: 8362: 8361: 8358: 8354: 8351: 8349: 8346: 8345: 8344: 8341: 8339: 8336: 8334: 8331: 8329: 8326: 8322: 8319: 8317: 8314: 8312: 8311:Sci-fi horror 8309: 8307: 8306:Sci-fi comedy 8304: 8302: 8301:Sci-fi action 8299: 8297: 8294: 8292: 8289: 8287: 8284: 8282: 8279: 8278: 8277: 8274: 8272: 8269: 8267: 8264: 8262: 8259: 8257: 8254: 8252: 8249: 8247: 8244: 8242: 8239: 8237: 8234: 8232: 8229: 8225: 8224:Giant-monster 8222: 8220: 8217: 8216: 8215: 8212: 8210: 8207: 8205: 8202: 8200: 8197: 8193: 8190: 8188: 8185: 8183: 8180: 8178: 8175: 8173: 8170: 8168: 8165: 8163: 8160: 8158: 8155: 8153: 8150: 8148: 8145: 8143: 8142:Comedy horror 8140: 8138: 8135: 8133: 8130: 8129: 8128: 8125: 8121: 8118: 8117: 8116: 8113: 8111: 8108: 8104: 8101: 8099: 8096: 8094: 8091: 8090: 8089: 8086: 8084: 8081: 8079: 8076: 8072: 8069: 8068: 8067: 8064: 8062: 8059: 8055: 8052: 8050: 8047: 8046: 8045: 8042: 8040: 8037: 8033: 8030: 8029: 8028: 8025: 8023: 8020: 8018: 8015: 8013: 8010: 8008: 8005: 8001: 7998: 7996: 7993: 7992: 7991: 7988: 7984: 7981: 7979: 7976: 7974: 7971: 7969: 7966: 7965: 7964: 7961: 7960: 7957: 7952: 7948: 7940: 7935: 7933: 7928: 7926: 7921: 7920: 7917: 7905: 7901: 7897: 7895: 7887: 7886: 7883: 7877: 7874: 7872: 7869: 7867: 7864: 7862: 7859: 7857: 7854: 7852: 7849: 7847: 7844: 7842: 7839: 7837: 7834: 7832: 7829: 7827: 7824: 7822: 7819: 7817: 7814: 7812: 7809: 7807: 7804: 7802: 7801:Postmodernist 7799: 7797: 7794: 7792: 7791:Participatory 7789: 7787: 7784: 7782: 7779: 7777: 7774: 7772: 7769: 7767: 7764: 7762: 7761:Musical short 7759: 7757: 7754: 7752: 7749: 7747: 7744: 7742: 7739: 7737: 7734: 7732: 7729: 7727: 7724: 7722: 7719: 7717: 7714: 7710: 7707: 7706: 7705: 7702: 7700: 7697: 7693: 7690: 7688: 7685: 7684: 7683: 7680: 7678: 7675: 7673: 7672:Found footage 7670: 7668: 7665: 7663: 7660: 7658: 7655: 7653: 7650: 7646: 7643: 7642: 7641: 7638: 7636: 7633: 7631: 7628: 7626: 7623: 7619: 7616: 7615: 7614: 7611: 7609: 7606: 7604: 7601: 7599: 7596: 7594: 7591: 7589: 7586: 7584: 7581: 7579: 7578:Cinéma vérité 7576: 7574: 7571: 7569: 7566: 7564: 7561: 7559: 7556: 7554: 7551: 7549: 7546: 7542: 7539: 7537: 7534: 7532: 7529: 7527: 7524: 7522: 7519: 7517: 7514: 7513: 7512: 7509: 7507: 7504: 7502: 7499: 7498: 7496: 7494:or production 7486: 7478: 7475: 7473: 7470: 7469: 7468: 7465: 7461: 7458: 7456: 7453: 7452: 7451: 7448: 7444: 7441: 7439: 7436: 7435: 7433: 7429: 7426: 7425: 7424: 7421: 7419: 7416: 7414: 7411: 7410: 7408: 7404: 7398: 7395: 7393: 7390: 7388: 7385: 7383: 7380: 7378: 7375: 7373: 7370: 7368: 7365: 7363: 7360: 7358: 7355: 7351: 7348: 7347: 7346: 7343: 7341: 7338: 7336: 7333: 7331: 7328: 7326: 7323: 7321: 7318: 7316: 7313: 7311: 7310:Prussian film 7308: 7306: 7303: 7301: 7298: 7296: 7293: 7291: 7288: 7286: 7283: 7281: 7278: 7276: 7273: 7271: 7268: 7266: 7263: 7261: 7258: 7256: 7255:New Nollywood 7253: 7251: 7250:New Hollywood 7248: 7246: 7243: 7241: 7238: 7236: 7233: 7231: 7228: 7226: 7223: 7221: 7218: 7216: 7213: 7211: 7208: 7206: 7203: 7201: 7198: 7196: 7193: 7191: 7188: 7186: 7183: 7181: 7178: 7176: 7173: 7171: 7168: 7166: 7163: 7161: 7158: 7156: 7153: 7151: 7148: 7146: 7143: 7141: 7138: 7136: 7133: 7131: 7128: 7126: 7123: 7121: 7118: 7116: 7113: 7111: 7108: 7106: 7103: 7101: 7098: 7096: 7093: 7091: 7088: 7086: 7083: 7081: 7078: 7076: 7073: 7071: 7070:Cannibal boom 7068: 7066: 7065:Calligrafismo 7063: 7061: 7058: 7054: 7051: 7050: 7049: 7046: 7044: 7041: 7039: 7036: 7034: 7033:Berlin School 7031: 7029: 7026: 7024: 7021: 7019: 7016: 7014: 7011: 7009: 7006: 7005: 7003: 6997: 6989: 6986: 6984: 6983:Weird Western 6981: 6979: 6976: 6974: 6971: 6969: 6966: 6964: 6961: 6959: 6956: 6954: 6951: 6949: 6946: 6944: 6941: 6939: 6936: 6934: 6931: 6929: 6926: 6924: 6921: 6919: 6916: 6914: 6911: 6910: 6909: 6906: 6902: 6899: 6897: 6894: 6892: 6889: 6888: 6887: 6884: 6882: 6879: 6877: 6874: 6872: 6869: 6867: 6864: 6862: 6859: 6857: 6854: 6852: 6849: 6847: 6844: 6840: 6837: 6836: 6835: 6832: 6830: 6827: 6825: 6822: 6820: 6817: 6815: 6814:Slice of life 6812: 6810: 6807: 6805: 6802: 6798: 6795: 6793: 6790: 6788: 6785: 6783: 6780: 6778: 6775: 6773: 6770: 6768: 6767:Bavarian porn 6765: 6764: 6763: 6762:Sexploitation 6760: 6758: 6755: 6753: 6750: 6748: 6745: 6743: 6740: 6738: 6735: 6731: 6728: 6727: 6726: 6723: 6721: 6720:Partisan film 6718: 6716: 6713: 6711: 6708: 6706: 6703: 6699: 6696: 6695: 6694: 6691: 6689: 6688:Muslim social 6686: 6684: 6681: 6679: 6676: 6670: 6669:Zombie comedy 6667: 6666: 6665: 6662: 6660: 6657: 6655: 6652: 6650: 6647: 6645: 6644:Giant monster 6642: 6641: 6640: 6637: 6633: 6630: 6629: 6628: 6625: 6621: 6618: 6616: 6613: 6611: 6608: 6606: 6603: 6601: 6598: 6596: 6593: 6592: 6591: 6588: 6586: 6583: 6581: 6578: 6574: 6571: 6569: 6566: 6565: 6564: 6561: 6559: 6556: 6552: 6549: 6548: 6547: 6544: 6542: 6539: 6537: 6534: 6530: 6527: 6525: 6522: 6520: 6517: 6516: 6515: 6512: 6510: 6507: 6505: 6502: 6498: 6495: 6493: 6490: 6488: 6485: 6484: 6483: 6480: 6478: 6475: 6473: 6470: 6468: 6465: 6463: 6460: 6458: 6455: 6451: 6448: 6446: 6445:Mexploitation 6443: 6441: 6438: 6437: 6436: 6433: 6431: 6428: 6426: 6423: 6421: 6418: 6416: 6413: 6409: 6406: 6404: 6401: 6400: 6399: 6396: 6392: 6389: 6388: 6387: 6384: 6382: 6379: 6375: 6372: 6370: 6367: 6365: 6362: 6360: 6357: 6355: 6352: 6350: 6347: 6345: 6342: 6340: 6337: 6335: 6332: 6330: 6327: 6325: 6322: 6320: 6317: 6315: 6312: 6311: 6310: 6307: 6305: 6302: 6300: 6299:Coming-of-age 6297: 6295: 6292: 6290: 6287: 6285: 6282: 6278: 6275: 6273: 6270: 6269: 6268: 6265: 6263: 6260: 6258: 6255: 6253: 6250: 6249: 6247: 6243: 6237: 6234: 6230: 6227: 6225: 6222: 6220: 6217: 6216: 6215: 6214:Transgressive 6212: 6208: 6205: 6203: 6200: 6198: 6197:Psychological 6195: 6193: 6190: 6188: 6185: 6183: 6180: 6178: 6175: 6173: 6170: 6168: 6165: 6163: 6160: 6159: 6158: 6155: 6153: 6150: 6148: 6147:Slice of life 6145: 6141: 6138: 6136: 6133: 6131: 6128: 6126: 6123: 6121: 6118: 6116: 6113: 6111: 6108: 6106: 6103: 6101: 6098: 6096: 6093: 6091: 6088: 6086: 6083: 6081: 6078: 6077: 6076: 6073: 6069: 6066: 6064: 6061: 6059: 6056: 6054: 6051: 6047: 6044: 6043: 6042: 6039: 6038: 6037: 6034: 6032: 6029: 6027: 6024: 6019: 6015: 6013: 6010: 6008: 6005: 6004: 6003: 6000: 5998: 5995: 5991: 5988: 5984: 5981: 5979: 5976: 5975: 5974: 5971: 5970: 5969: 5966: 5962: 5959: 5957: 5954: 5952: 5949: 5947: 5944: 5942: 5939: 5937: 5934: 5933: 5932: 5929: 5927: 5924: 5922: 5919: 5917: 5914: 5910: 5907: 5905: 5902: 5900: 5897: 5895: 5892: 5890: 5887: 5885: 5884:Psychological 5882: 5880: 5877: 5875: 5872: 5870: 5867: 5865: 5862: 5860: 5859:Korean horror 5857: 5855: 5852: 5850: 5847: 5845: 5842: 5840: 5837: 5835: 5832: 5830: 5829:Found footage 5827: 5825: 5822: 5820: 5817: 5815: 5812: 5810: 5807: 5805: 5802: 5800: 5797: 5795: 5792: 5790: 5787: 5786: 5785: 5782: 5778: 5775: 5773: 5770: 5768: 5765: 5763: 5760: 5758: 5755: 5754: 5753: 5750: 5746: 5743: 5741: 5738: 5736: 5733: 5732: 5731: 5728: 5724: 5721: 5719: 5718:Magic realism 5716: 5714: 5711: 5709: 5706: 5704: 5701: 5699: 5696: 5694: 5691: 5690: 5689: 5686: 5682: 5681: 5676: 5675: 5674: 5671: 5669: 5666: 5662: 5659: 5658: 5657: 5654: 5652: 5649: 5647: 5644: 5640: 5637: 5635: 5634:Sexploitation 5632: 5630: 5627: 5625: 5622: 5621: 5620: 5617: 5611: 5608: 5607: 5606: 5603: 5601: 5598: 5596: 5593: 5591: 5588: 5586: 5585:Calligrafismo 5583: 5582: 5581: 5578: 5574: 5571: 5569: 5566: 5564: 5561: 5559: 5556: 5554: 5551: 5549: 5546: 5544: 5541: 5539: 5538:City symphony 5536: 5534: 5531: 5530: 5529: 5526: 5522: 5519: 5518: 5517: 5514: 5510: 5507: 5505: 5502: 5500: 5497: 5495: 5492: 5490: 5487: 5485: 5482: 5480: 5477: 5475: 5472: 5470: 5467: 5465: 5462: 5460: 5457: 5455: 5452: 5448: 5445: 5444: 5443: 5440: 5438: 5435: 5433: 5430: 5429: 5428: 5425: 5423: 5420: 5418: 5415: 5413: 5410: 5406: 5403: 5402: 5401: 5398: 5394: 5391: 5389: 5386: 5384: 5381: 5380: 5379: 5376: 5375: 5373: 5369: 5365: 5362: 5355: 5350: 5348: 5343: 5341: 5336: 5335: 5332: 5324: 5318: 5314: 5309: 5305: 5299: 5295: 5290: 5286: 5280: 5276: 5272: 5267: 5263: 5257: 5253: 5248: 5247: 5237: 5235:0-521-58183-4 5231: 5227: 5223: 5218: 5214: 5208: 5204: 5199: 5195: 5189: 5185: 5177: 5171: 5167: 5162: 5158: 5156:0-7864-1208-9 5152: 5148: 5143: 5139: 5135: 5130: 5125: 5121: 5117: 5113: 5109: 5104: 5103: 5083: 5077: 5061: 5054: 5043:September 10, 5039: 5035: 5028: 5012: 5006: 4990: 4984: 4968: 4962: 4956: 4951: 4944: 4940: 4935: 4929: 4925: 4922: 4918: 4912: 4897: 4896:Village Voice 4893: 4886: 4870: 4864: 4848: 4844: 4838: 4822: 4818: 4812: 4796: 4792: 4786: 4775:September 10, 4770: 4766: 4762: 4755: 4739: 4735: 4729: 4713: 4707: 4691: 4685: 4677: 4675:9781118883495 4671: 4667: 4663: 4662: 4654: 4638: 4632: 4616: 4610: 4594: 4588: 4572: 4566: 4550: 4544: 4528: 4522: 4506: 4500: 4484: 4478: 4462: 4456: 4440: 4434: 4427: 4426: 4420: 4404: 4398: 4382: 4376: 4360: 4354: 4338: 4332: 4325: 4320: 4313: 4308: 4301: 4296: 4294: 4292: 4290: 4288: 4280: 4275: 4268: 4263: 4256: 4251: 4244: 4239: 4237: 4235: 4227: 4222: 4215: 4210: 4203: 4198: 4191: 4186: 4184: 4176: 4171: 4164: 4159: 4152: 4147: 4140: 4135: 4128: 4123: 4116: 4111: 4104: 4099: 4092: 4087: 4085: 4077: 4072: 4065: 4060: 4053: 4048: 4041: 4036: 4034: 4026: 4021: 4014: 4009: 4002: 3997: 3990: 3985: 3978: 3973: 3966: 3961: 3954: 3949: 3942: 3937: 3930: 3925: 3918: 3913: 3906: 3901: 3894: 3889: 3882: 3877: 3875: 3867: 3862: 3855: 3850: 3844:, p. 98. 3843: 3838: 3832:, p. 97. 3831: 3826: 3824: 3817:, p. 91. 3816: 3811: 3805:, p. 90. 3804: 3799: 3792: 3787: 3781:, p. 88. 3780: 3775: 3773: 3771: 3763: 3758: 3756: 3749:, p. 85. 3748: 3743: 3741: 3734:, p. 80. 3733: 3728: 3726: 3724: 3717:, p. 79. 3716: 3711: 3709: 3701: 3696: 3690:, p. 73. 3689: 3684: 3678:, p. 72. 3677: 3672: 3670: 3663:, p. 71. 3662: 3657: 3651:, p. 70. 3650: 3645: 3639:, p. 65. 3638: 3633: 3626: 3621: 3615:, p. 64. 3614: 3609: 3603:, p. 62. 3602: 3597: 3591:, p. 60. 3590: 3585: 3579:, p. 59. 3578: 3573: 3567:, p. 58. 3566: 3561: 3555:, p. 57. 3554: 3549: 3543:, p. 54. 3542: 3537: 3531:, p. 53. 3530: 3525: 3519:, p. 52. 3518: 3513: 3507:, p. 51. 3506: 3501: 3495:, p. 50. 3494: 3489: 3482: 3477: 3471:, p. 47. 3470: 3465: 3463: 3456:, p. 46. 3455: 3450: 3444:, p. 45. 3443: 3438: 3436: 3428: 3423: 3417:, p. 44. 3416: 3411: 3405:, p. 43. 3404: 3399: 3397: 3390:, p. 42. 3389: 3384: 3382: 3374: 3369: 3363:, p. 41. 3362: 3357: 3355: 3348:, p. 40. 3347: 3342: 3340: 3333:, p. 39. 3332: 3327: 3320: 3315: 3308: 3303: 3301: 3293: 3288: 3282:, p. 16. 3281: 3276: 3269: 3264: 3257: 3252: 3246:, p. 12. 3245: 3240: 3234:, p. 11. 3233: 3228: 3226: 3224: 3217:, p. 10. 3216: 3211: 3209: 3201: 3196: 3189: 3184: 3177: 3172: 3165: 3160: 3158: 3156: 3148: 3143: 3137:, p. 13. 3136: 3131: 3124: 3119: 3111: 3107: 3101: 3093: 3089: 3085: 3079: 3075: 3074: 3066: 3051: 3047: 3040: 3038: 3036: 3029:, p. 404 3028: 3023: 3017:, p. 421 3016: 3011: 3007: 2998: 2995: 2994: 2988: 2986: 2985: 2980: 2979: 2974: 2973: 2968: 2967: 2962: 2961: 2956: 2955: 2950: 2949: 2944: 2943: 2938: 2937: 2932: 2931: 2926: 2925: 2920: 2911: 2909: 2908: 2903: 2902: 2901:The Dead Zone 2897: 2896: 2891: 2890: 2885: 2884: 2879: 2878: 2873: 2872: 2867: 2866: 2861: 2860: 2855: 2854: 2849: 2848: 2843: 2842: 2837: 2833: 2829: 2825: 2816: 2814: 2813: 2808: 2807: 2802: 2801: 2796: 2792: 2791: 2786: 2785: 2780: 2779: 2774: 2773: 2768: 2767: 2762: 2761: 2756: 2755: 2750: 2749: 2744: 2743: 2738: 2737: 2732: 2731: 2726: 2722: 2718: 2714: 2710: 2709:John Le Carré 2705: 2696: 2694: 2693: 2688: 2687: 2682: 2681: 2676: 2675: 2670: 2669: 2664: 2660: 2651: 2650: 2648: 2643: 2642: 2637: 2636: 2631: 2630: 2625: 2624: 2619: 2618: 2613: 2612: 2607: 2606: 2601: 2600: 2595: 2594: 2589: 2588: 2583: 2582: 2577: 2576: 2571: 2570: 2565: 2564: 2563:The Machinist 2559: 2558: 2553: 2552: 2547: 2544:, as well as 2543: 2542: 2537: 2536: 2531: 2530: 2525: 2524: 2519: 2515: 2511: 2506: 2497: 2496: 2495: 2490: 2489: 2488:State of Play 2484: 2483: 2482:Proof of Life 2478: 2477: 2472: 2471: 2466: 2465: 2460: 2459: 2454: 2450: 2449: 2444: 2440: 2439: 2434: 2430: 2429: 2424: 2415: 2413: 2412: 2407: 2406: 2401: 2400: 2395: 2394: 2389: 2388: 2383: 2382: 2376: 2367: 2365: 2355: 2353: 2352: 2347: 2346: 2341: 2340: 2335: 2334: 2329: 2328: 2323: 2322: 2317: 2316: 2311: 2310: 2305: 2301: 2297: 2293: 2292:crime fiction 2289: 2285: 2276: 2274: 2273: 2268: 2267: 2266:Lust, Caution 2262: 2261: 2256: 2255: 2250: 2249: 2244: 2243: 2238: 2237: 2232: 2231: 2226: 2225: 2220: 2219: 2214: 2210: 2206: 2197: 2195: 2194: 2189: 2188: 2183: 2182: 2177: 2176: 2171: 2170: 2165: 2164: 2159: 2158: 2153: 2152: 2147: 2146: 2141: 2140: 2135: 2134: 2129: 2128: 2123: 2122: 2117: 2116: 2111: 2107: 2103: 2099: 2094: 2090: 2081: 2079: 2078: 2073: 2072: 2071:Capricorn One 2067: 2066: 2061: 2060: 2055: 2054: 2049: 2048: 2043: 2042: 2037: 2036: 2031: 2030: 2025: 2024:Robert Ludlum 2021: 2017: 2016: 2011: 2002: 2000: 1999: 1994: 1993: 1988: 1987: 1982: 1981: 1976: 1975: 1970: 1969: 1964: 1963: 1958: 1957: 1952: 1951: 1946: 1945: 1940: 1939: 1934: 1933: 1928: 1927: 1922: 1921: 1920:Silver Streak 1916: 1907: 1905: 1904: 1899: 1898: 1893: 1892: 1891:The Equalizer 1887: 1886: 1881: 1880: 1875: 1874: 1869: 1868: 1863: 1862: 1857: 1856: 1851: 1850: 1845: 1844: 1839: 1835: 1834: 1828: 1824: 1815: 1811: 1801: 1799: 1798: 1793: 1792: 1787: 1786: 1781: 1780: 1779:A Quiet Place 1775: 1774: 1769: 1768: 1763: 1762: 1757: 1756: 1751: 1750: 1745: 1744: 1737: 1735: 1734: 1729: 1724: 1722: 1718: 1717: 1712: 1711:David Fincher 1708: 1707:serial killer 1704: 1700: 1696: 1693: 1692:cannibalistic 1689: 1685: 1682: 1678: 1677: 1672: 1667: 1665: 1661: 1660: 1655: 1654: 1649: 1648:Curtis Hanson 1645: 1641: 1637: 1633: 1632: 1627: 1616: 1614: 1613: 1608: 1607: 1602: 1601: 1596: 1595: 1590: 1589: 1584: 1583: 1578: 1577: 1572: 1571: 1566: 1565:disaster film 1561: 1559: 1558: 1553: 1552: 1547: 1546: 1541: 1537: 1536: 1531: 1526: 1524: 1523: 1518: 1517: 1512: 1511: 1506: 1505: 1500: 1499: 1494: 1493: 1488: 1487: 1482: 1481: 1476: 1475: 1470: 1469: 1464: 1463: 1458: 1454: 1450: 1449: 1444: 1443: 1439:film series, 1438: 1437: 1432: 1422: 1420: 1419: 1414: 1413: 1408: 1407: 1402: 1401: 1396: 1395: 1390: 1389: 1388:Lethal Weapon 1384: 1383: 1378: 1374: 1373: 1372:The Seven-Ups 1368: 1367: 1362: 1355: 1350: 1346: 1345: 1340: 1339: 1334: 1333: 1332:The Detective 1328: 1327: 1322: 1318: 1314: 1313: 1308: 1304: 1299: 1297: 1296: 1291: 1290: 1285: 1284: 1279: 1278: 1273: 1272: 1271:The Silencers 1267: 1266: 1265:Our Man Flint 1261: 1257: 1253: 1252: 1246: 1244: 1243: 1238: 1237: 1232: 1231: 1226: 1225: 1220: 1219: 1214: 1213: 1208: 1204: 1203: 1198: 1194: 1193: 1188: 1187: 1182: 1177: 1175: 1164: 1162: 1161: 1156: 1155:Curtis Hanson 1152: 1151: 1146: 1145: 1140: 1139: 1134: 1130: 1129: 1124: 1120: 1116: 1112: 1108: 1104: 1100: 1096: 1092: 1091: 1086: 1085: 1080: 1079: 1073: 1071: 1070: 1065: 1064: 1059: 1058: 1053: 1052: 1047: 1046: 1041: 1036: 1033: 1032: 1027: 1026: 1022:(1951) while 1021: 1020: 1015: 1014: 1013:Touch of Evil 1009: 1005: 1004: 999: 998: 993: 992: 987: 986: 981: 980: 975: 974: 962: 960: 959: 954: 953:Samuel Fuller 950: 949: 944: 943: 938: 937: 932: 927: 925: 924: 919: 918: 913: 912: 911:Kiss of Death 907: 903: 902: 897: 896: 891: 890: 884: 879: 877: 876: 871: 867: 863: 862: 857: 856: 851: 850: 845: 841: 840: 835: 834: 833:The Big Sleep 829: 825: 824: 820:(1941) while 819: 818: 813: 809: 805: 801: 797: 793: 789: 778: 776: 772: 768: 767: 762: 761: 756: 755: 750: 749: 744: 743: 738: 737: 732: 728: 727: 722: 718: 714: 704: 700: 698: 694: 693: 689: 685: 684: 679: 675: 674: 673:Little Caesar 669: 665: 664: 659: 658: 653: 649: 648:gangster film 639: 636: 632: 631: 626: 622: 621: 616: 612: 611: 606: 602: 601: 596: 592: 591: 586: 585: 580: 579: 574: 570: 569: 564: 563: 558: 554: 553: 548: 547: 542: 537: 536: 531: 530: 525: 524: 519: 515: 513: 512: 507: 506:cross-cutting 503: 502:D.W. Griffith 498: 496: 495: 490: 489: 484: 483: 477: 473: 472: 460: 458: 454: 453:Ferris wheels 450: 449: 444: 443: 436: 434: 433: 428: 424: 420: 416: 412: 411: 406: 402: 398: 397: 392: 391: 386: 385:Ann Radcliffe 382: 381: 376: 375:Matthew Lewis 372: 371: 366: 361: 342: 340: 339: 334: 333: 328: 324: 323: 318: 314: 313: 312:The Big Sleep 308: 307: 302: 301: 300:Basket Case 2 296: 295: 290: 289: 284: 280: 276: 272: 268: 265:more so than 264: 260: 256: 251: 248: 244: 240: 236: 232: 231: 226: 225: 220: 219: 218:Meet John Doe 214: 210: 205: 201: 196: 192: 191: 190:Silver Streak 186: 185: 180: 179: 174: 173: 167: 163: 158: 155: 151: 146: 142: 131: 129: 125: 122:In 2001, the 120: 118: 114: 110: 106: 102: 98: 94: 90: 86: 82: 78: 73: 71: 66: 61: 58: 54: 51:, is a broad 50: 46: 45:suspense film 42: 41:Thriller film 35: 34: 28: 22: 8209:Mockumentary 8017:Biographical 8000:Swashbuckler 7968:Martial arts 7640:Experimental 7635:Ethnofiction 7382:Third Cinema 7285:Persian Film 7028:Auteur films 6999:By movement 6856:Swashbuckler 6715:Ozploitation 6710:Outlaw biker 6590:Martial arts 6585:Magical girl 6435:Exploitation 6430:Ethnographic 6359:Mafia comedy 6156: 6002:Pornographic 5879:Psycho-biddy 5864:Lovecraftian 5698:Contemporary 5679: 5673:Exploitation 5668:Experimental 5548:Mockumentary 5417:Biographical 5312: 5293: 5270: 5254:. Batsford. 5251: 5221: 5202: 5183: 5165: 5146: 5111: 5107: 5086:. Retrieved 5076: 5066:November 13, 5064:. Retrieved 5053: 5041:. Retrieved 5038:The Guardian 5037: 5027: 5017:November 13, 5015:. Retrieved 5005: 4995:November 13, 4993:. Retrieved 4983: 4973:November 13, 4971:. Retrieved 4961: 4955:Filmsite.org 4950: 4942: 4934: 4911: 4899:. Retrieved 4895: 4885: 4875:November 13, 4873:. Retrieved 4863: 4853:November 13, 4851:. Retrieved 4847:the original 4837: 4827:November 13, 4825:. Retrieved 4821:the original 4811: 4801:November 13, 4799:. Retrieved 4795:the original 4785: 4773:. Retrieved 4769:the original 4764: 4754: 4744:November 13, 4742:. Retrieved 4738:the original 4728: 4718:November 13, 4716:. Retrieved 4706: 4696:November 13, 4694:. Retrieved 4684: 4660: 4653: 4643:November 13, 4641:. Retrieved 4631: 4621:November 13, 4619:. Retrieved 4609: 4599:November 13, 4597:. Retrieved 4587: 4577:November 13, 4575:. Retrieved 4565: 4555:November 13, 4553:. 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2984:Virtuosity 2859:Flatliners 2795:James Bond 2721:Carol Reed 2623:Panic Room 2451:(1959) by 2441:(1971) by 2431:(1962) by 2399:The Client 2260:In the Cut 2242:Disclosure 2181:Entrapment 2151:Collateral 2100:, chases, 2035:Snake Eyes 1998:Game Night 1938:Hera Pheri 1808:See also: 1804:Sub-genres 1664:Ray Liotta 1644:James Caan 1626:Rob Reiner 1588:Earthquake 1510:Get Carter 1436:Death Wish 1212:Mickey One 1115:Robin Wood 796:The Falcon 593:, such as 590:film noirs 573:Dr. Mabuse 557:Fritz Lang 463:Silent era 448:Blue Jeans 350:Precursors 209:melodramas 200:James Bond 53:film genre 8410:Thrillers 8387:Spaghetti 8370:Submarine 8316:Superhero 8286:Body swap 8256:Religious 8204:Melodrama 8093:Economics 8054:Slapstick 8039:Christian 8032:Animation 8007:Animation 7990:Adventure 7983:Vigilante 7945:Lists of 7776:No-budget 7741:Meta-film 7709:animation 7667:Film-poem 7603:Composite 7548:Anthology 7511:Animation 7506:Actuality 7492:approach, 7260:New Queer 7180:Indiewood 7130:Film gris 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AllRovi 3092:993983488 2954:Supernova 2948:Eagle Eye 2853:In Dreams 2847:Frequency 2635:Cape Fear 2593:Gone Girl 2523:Suspicion 2464:Notorious 2351:Sleepless 2218:Body Heat 2209:eroticism 2169:The Score 2102:shootouts 2098:robberies 1956:In Bruges 1830:include, 1767:Captivity 1749:Eden Lake 1743:Disturbia 1681:FBI agent 1480:Super Fly 1468:Slaughter 1377:Hays Code 1245:(1992)). 1163:(1987)). 1150:Obsession 1131:(1979)), 1103:Hitchcock 1051:Tarantula 866:film noir 844:film noir 839:film noir 713:film noir 306:Halloween 275:war films 195:Thrillers 154:whodunnit 8365:Anti-war 8343:Thriller 8291:Dystopia 8246:Neo-noir 8147:Disaster 8132:Cannibal 8078:Disaster 7894:Category 7781:One-shot 7645:Abstract 7531:Computer 7215:Lettrist 7110:Dogme 95 7038:Bourekas 7008:Absolute 6948:Northern 6943:Meat pie 6896:Euro War 6891:Anti-war 6757:Rumberas 6678:Mountain 6580:Luchador 6536:Homeland 6524:Shotacon 6497:Suburban 6425:Economic 6386:Disaster 6319:Gangster 6294:Colonial 6284:Cannibal 6245:By theme 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