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Thyaga Bhoomi

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other than his wife Savitri, Sridharan immediately goes to her and expresses that he wants to live with her again. However, Uma Rani is determined to spend the rest of her life serving people and the country. She turns down his proposal: he swears revenge and institutes proceedings for Restitution of Conjugal Rights. Court proceedings follow. Uma Rani, Sambu Sastri and Charu all play their own parts. Uma Rani refuses to live with him and even offers him alimony to get relieved from the relationship. Finally, Sridharan wins the case, but is unable to change Uma Rani's will as she has decided to dedicate her life for a cause. She wears khadi outfits, joins the Freedom Movement with her father and gets arrested with other freedom fighters.
265:(Kalki was still with the magazine at the time and S.S. Vasan was the financier-distributor of the film) simultaneously when the film production was going on with stills from the film being published. This was the first time ever something like this had ever been attempted in the world and garnered great success both in India and across other Tamil populations across the world (Malaysia, Singapore, Sri Lanka, Burma etc.) and British Empire. 274: 319:
lady Uma Rani visits them. He thinks God has blessed them in disguise. He permits Charu to go and reside with Uma Rani, but Charu's heart longs for Sambu Sastri. One night, she quietly slips back to Chavadikuppam. Sambu Sastri, who has resolved to spend the rest of his life for the upliftment of the poor and the masses, takes Charu with him when he visits villages.
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version was made by director K. Subramanyam's son, S. Krishnaswamy. The newer Hindi version of the film marked the anniversary of the ban on the original and served as a tribute to the memory of S. Krisnaswamy's father. The Hindi version features Bharat Bhushan in a lead role as father of the heroine
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him. Having lost everything, Sambu Sastri goes to Madras hoping to find employment as a music teacher. But he fails in his efforts. Savitri, who was thrown out of her husband's house, returns to her village and learns that her father has left for Madras. She goes in search of him. In the meantime she
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Charu has a pet dog, which accompanies her to the school. The headmistress throws the dog out and it gets fatally injured. Charu takes it to the hospital and the matron of the hospital does not attend to it immediately. Uma Rani arrives there and Charu seeks her help to get the dog treated. The very
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Sambu wakes up and hears the cries of the child. When he does not find anyone around and nobody claims the child, he decides to bring her up himself in his own way and goes to Nallan, his erstwhile servant, who has settled down in Chavadikuppam, a suburb of Madras. With the presence of Sambu and the
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Uma Rani regrets not having taken Charu's details. She immediately instructs her lawyer to trace the child and finally finds her and Sambu. Without revealing her true identity, Uma Rani pays frequent visits to Chavadikuppam to meet her child and father. Sambu Sastri is elated that the distinguished
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Sambu Sastrigal is a compassionate landlord who belongs to a conservative Brahmin community in the village Nedungarai. His only daughter Savitri is married to Sridharan, who works in Calcutta. Savitri leads a life of devotion and piety while Sridharan is fashionable, has his own secret inclinations
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Unfazed by the declaration K Subrahmanyam and S.S. Vasan announced that shows would run for free continuously in Gaitey theatre until the ban declaration was served to it. This brought in a huge rush of viewers and finally the ban became enforced after a lathi charge took place inside the theatre.
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Thinking that Sambu Sastri and Charu have disappeared, Uma Rani meets the Police Deputy Commissioner for help and is surprised to find Sridharan arrested by the police for forgeries he committed in Calcutta. Out of pity Uma Rani arranges his bail and he is released. Learning that Uma Rani is none
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penned the Tamil version of "Krishna NÊe Begane Baro" and tuned it. Baby Saroja learnt Bharatha Natyam from Gowri Ammal, the last Devadasi of Mylapore Kapaleeswarar temple. Her mother Vatsala (Alamelu Viswanathan) sang the song to which Baby Saroja danced in the film. With the songs there was an
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Sridharan repents and decides to join the campaign for the upliftment of the country as retribution. Practically at the same time, Sridharan and Uma Rani court imprisonment for the noble cause. A new light dawns upon them. They feel that they are no longer man and wife, but children of the soil.
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In his anxiety to ensure that his daughter starts her marital life, Sambu sells his properties and pays a huge dowry to Sridharan's father for taking Savitri into their household. Savitri starts living at Calcutta. Time passes and she becomes pregnant. But Savitri's life becomes sorrowful with a
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supported the Congress Party due to the visuals of congress cap wearing people in scenes as well as a sing rendered by D.K. Pattammal "Desiya Sevai Seyya Vareer", it was banned as soon as the Governor took over the administration in 1940 when the film had already been running full for 22 weeks.
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was sworn in as the Chief Minister. As an immediate consequence of this change of guard, censorship was relaxed on films glorifying the freedom movement and national leaders. Encouraged by the new government's policies, a few films glorifying the freedom movement were made during this period.
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Kalki Krishnamurthy was inspired by real life people and performers, Papanasam Sivan, S.D. Subbulakshmi and Baby Saroja to write a story that intertwined characters written for them set in the social milieu of reformation, the freedom movement and personal sacrifice.
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500,000 for the development of Madras and is felicitated for the gesture. Uma Rani is none other than Savitri, who has inherited the wealth of her aunt who died in Bombay She tries to trace her father and child and lives in Madras incognito as Uma Rani.
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Sambu brings up Charu who grows to be a girl with many talents, more specifically dance. She is very popular among her schoolmates, but is always in the bad books of the headmistress. In the meanwhile, Uma Rani, a rich woman from Bombay, donates
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child, Chavadikuppam becomes an important colony. Sambu devotes all his time and energy for the upliftment of his poor neighbours and embarks on Gandhian social upliftment programmes, including picketing of liquor shops.
621:. The ban evoked severe protests from Indian film-viewers. However, by the time the ban was enforced, Thyagabhoomi was already a success â€” it was being screened at packed theaters in and around 293:
Sambu Sastri shelters Harijans in his home when they are rendered homeless by a cyclone, thus inviting social ostracism from the community. The orthodox Hindu society gets agitated and
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protagonist (Sambu Sastri), while Gita plays the main role of Savitri. Charu is played in this version by Aparna Anantharaman. Several other well-known artistes are also featured.
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Sambu Sastri feels out of place at Uma Rani's home and realises that his place in life is more in Chavadikuppam and its environments. He returns to Chavadikuppam with Charu.
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disgruntled mother-in-law and an indifferent husband. She writes letters to her father seeking help, which are intercepted by her stepmother and hence she receives no help.
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gives birth to a girl child. She finds her father but he was in a state of trance. As she doesn't want to be a burden to him, she leaves the child with him and goes away.
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sight of Charu strikes a chord in Uma Rani's heart; she immediately orders the matron to treat the dog. When the dog dies, Charu blames the doctor and runs away.
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However, censorship was reimposed when the Congress Government resigned on the eve of India's entry into the
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was the first film released in Madras to be banned. As the British Government believed that
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and his ideals in no mean terms. The story for the film was based on a novel written by
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Credits adapted from the film's songbook and the opening credits of the film:
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for the first time in the elections to the Madras Legislative Assembly and
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who took over the administration of the province subsequently banned
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of leading a licentious life and whiles away his time with his
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Pattas Pattas Pareer Pareer ... Sabash Sabash Pareer Pareer
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is the only Indian film to be banned after release by the
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The singers were 1547:Films about the caste system in India 1522:Cultural depictions of Mahatma Gandhi 1270: 143:The Madras United Artists Corporation 1073: 338: 235:and was financed and distributed by 1276: 1079: 213: 13: 1004:Chollu Gandhi Thathavukku Je Je Je 14: 1573: 1406: 1054: 1497:Films directed by K. Subramanyam 1532:Films about interracial romance 1425:Bandham ahandru nam thiru naadu 1366:. indiafilm.com. Archived from 970:Saake Thaathipa Ramaa Rama Vibo 1537:Films about interclass romance 1303: 1082:"Versatile writer and patriot" 696:V. Govindasami Nayakar â€“ 589:In 1937, the pro-independence 286:girlfriend Susie in Calcutta. 259:. The story was serialized in 255:is now at an archive store in 1: 1277:Guy, Randor (21 March 2008). 1067: 739: 650:. The lyrics were written by 584: 1542:Films set in the British Raj 1512:Films based on Indian novels 1492:Indian black-and-white films 690:Parthasarthi Iyengar â€“ 599:Chakravarthi Rajagopalachari 7: 1451:Krishna Nee Vegamaai Vaadaa 1364:"Landmarks in Tamil cinema" 1126:"Mahatma Gandhi and cinema" 835:Piravi Thanile Suthinamithe 10: 1578: 1482:1930s Tamil-language films 1432:- A song from the film by 925:Krishna Nee Vegamaai Vaada 775: 642:The music was composed by 424:Police Deputy Commissioner 1312:"Shirley Temple of India" 1106:: CS1 maint: unfit URL ( 1032: 990: 726:Srinivasa Iyengar â€“ 593:defeated the pro-British 197: 189: 179: 156: 148: 134: 122: 114: 106: 88: 80: 68: 58: 50: 40: 28: 23: 1477:Film censorship in India 1181:. Movies & TV Dept. 820:Thunburave Enai Padaitha 637: 591:Indian National Congress 217: Land of Sacrifice 1507:Indian propaganda films 910:Vaalum Manai Udal Aadai 560:Thiruvenkatatha Iyengar 330: 268: 152:Gemini Pictures Circuit 1187:. 2011. Archived from 983:Desa Sevai Seya Vareer 895:Thedi Thedi Alaindhene 708:Rangasami Iyer â€“ 556:S. S. Mani Bhagavathar 375:P. R. Rajagopala Iyer 278: 1279:"Blast from the past" 1179:"Thyagabhoomi (1939)" 1080:CVG (20 March 2001). 938:Urave Purindhome Naam 382:Salem Sundara Sastri 277:A still from the film 276: 165:20 May 1939 1552:Films set in Chennai 1527:Films set in Kolkata 1216:S. Theodore Baskaran 427:S. A. Iyer (Ceylon) 403:Thanjavur Mani Iyer 389:S. Ramachandra Iyer 1562:1930s controversies 1557:Films set in Mumbai 1458:- Baby Saroja dance 1344:. indiaheritage.com 1124:Randor Guy (2003). 951:Jaya Jaya Jaya Devi 233:Kalki Krishnamurthy 219:) is a 1939 Indian 1487:1930s Indian films 1322:on 20 October 2013 1184:The New York Times 1138:on 13 October 2003 955:S. D. Subbulakshmi 839:S. D. Subbulakshmi 824:S. D. Subbulakshmi 809:S. D. Subbulakshmi 720:Vittal Rao â€“ 660:S. D. Subbulakshmi 615:Governor of Madras 510:R. S. Rajalakshmi 458:S. D. Subbulakshmi 441:C. V. R. Chandran 417:T. V. Neelakantan 279: 251:. The film's only 249:British government 239:before he created 93:S. D. Subbulakshmi 1030: 1029: 606:was one of them. 581: 580: 543:Baby Thambichella 420: 410:W. S. Srinivasan 368:Jolly Kittu Iyer 361: 205: 204: 1569: 1452: 1441: 1426: 1401: 1400: 1398: 1396: 1386: 1380: 1379: 1377: 1375: 1370:on 10 April 2008 1360: 1354: 1353: 1351: 1349: 1338: 1332: 1331: 1329: 1327: 1318:. Archived from 1307: 1301: 1300: 1298: 1296: 1291:on 25 March 2008 1287:. Archived from 1274: 1268: 1267: 1265: 1263: 1248: 1235: 1234: 1232: 1230: 1212: 1201: 1200: 1198: 1196: 1175: 1169: 1168: 1166: 1164: 1154: 1148: 1147: 1145: 1143: 1134:. Archived from 1121: 1112: 1111: 1105: 1097: 1095: 1093: 1077: 744: 743: 714:Simanlal â€“ 684:Motibabu â€“ 646:, Motibabu, and 611:Second World War 566:Ramasami Iyengar 527: 520: 513: 506: 499: 492: 489:Meenakshi Ammal 485: 478: 471: 462: 444: 438:Police Inspector 437: 430: 423: 418: 413: 406: 399: 392: 385: 378: 371: 364: 359: 358:K. J. Mahadevan 354: 339: 309: 218: 215: 172: 170: 33: 21: 20: 18:1939 Indian film 1577: 1576: 1572: 1571: 1570: 1568: 1567: 1566: 1462: 1461: 1450: 1439: 1434:D. K. Pattammal 1424: 1409: 1404: 1394: 1392: 1388: 1387: 1383: 1373: 1371: 1362: 1361: 1357: 1347: 1345: 1340: 1339: 1335: 1325: 1323: 1308: 1304: 1294: 1292: 1275: 1271: 1261: 1259: 1256:InternetArchive 1250: 1249: 1238: 1228: 1226: 1213: 1204: 1194: 1192: 1177: 1176: 1172: 1162: 1160: 1156: 1155: 1151: 1141: 1139: 1122: 1115: 1099: 1098: 1091: 1089: 1078: 1074: 1070: 1057: 1035: 1023:D. K. Pattammal 987:D. K. Pattammal 914:Papanasam Sivan 899:Papanasam Sivan 884:Papanasam Sivan 869:Papanasam Sivan 854:Papanasam Sivan 793:Papanasam Sivan 777:Papanasam Sivan 771:D. K. Pattammal 742: 732:L. Alan â€“ 702:Alirasa â€“ 675:orchestra too. 672:Papanasam Sivan 668:D. K. Pattammal 664:Papanasam Sivan 652:Papanasam Sivan 644:Papanasam Sivan 640: 587: 582: 535:Supporting cast 525: 518: 511: 504: 497: 490: 483: 476: 469: 460: 442: 435: 428: 421: 411: 404: 397: 390: 383: 376: 369: 362: 352: 350:Papanasam Sivan 333: 307: 271: 216: 182: 175: 168: 166: 159: 144: 139: 137: 129: 127:Papanasam Sivan 101:Papanasam Sivan 99: 95: 75: 36: 19: 12: 11: 5: 1575: 1565: 1564: 1559: 1554: 1549: 1544: 1539: 1534: 1529: 1524: 1519: 1517:Censored films 1514: 1509: 1504: 1499: 1494: 1489: 1484: 1479: 1474: 1460: 1459: 1447: 1436: 1421: 1408: 1407:External links 1405: 1403: 1402: 1381: 1355: 1333: 1302: 1269: 1236: 1202: 1191:on 20 May 2011 1170: 1149: 1113: 1071: 1069: 1066: 1056: 1055:Other versions 1053: 1039:Mahatma Gandhi 1034: 1031: 1028: 1027: 1025: 1020: 1017: 1013: 1012: 1010: 1005: 1002: 998: 997: 994: 989: 984: 981: 977: 976: 974: 971: 968: 964: 963: 961: 952: 949: 945: 944: 942: 939: 936: 932: 931: 929: 926: 923: 919: 918: 916: 911: 908: 904: 903: 901: 896: 893: 889: 888: 886: 881: 880:Srugara Lahari 878: 874: 873: 871: 866: 863: 859: 858: 856: 851: 848: 844: 843: 841: 836: 833: 829: 828: 826: 821: 818: 814: 813: 811: 806: 803: 799: 798: 796: 790: 787: 783: 782: 779: 774: 768: 765: 761: 760: 757: 754: 751: 748: 741: 738: 737: 736: 730: 724: 718: 712: 706: 700: 694: 688: 681: 680: 639: 636: 586: 583: 579: 578: 574: 573: 570: 567: 564: 561: 558: 553: 550: 547: 544: 541: 537: 536: 531: 530: 529: 522: 515: 508: 501: 496:D. 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Vasan 169:1939-May-20 110:Sailen Bose 97:Baby Saroja 81:Produced by 41:Directed by 1472:1939 films 1466:Categories 1258:(in Tamil) 1068:References 740:Soundtrack 585:Production 563:Lakshmanan 549:Baby Radha 503:Leela Bai 500:Swarnammal 419:B.A., B.L. 386:Dikshithar 136:Production 1316:The Hindu 1284:The Hindu 1224:Frontline 1102:cite news 1086:The Hindu 710:Mridangam 686:Harmonium 679:Orchestra 572:Gopal Rao 365:Sridharan 344:Male cast 115:Edited by 1326:17 March 1061:telefilm 795:, Chorus 773:, Chorus 734:Clarinet 486:Mangalam 445:Gardener 198:Language 130:Motibabu 123:Music by 89:Starring 76:by Kalki 69:Based on 59:Story by 1456:YouTube 1445:YouTube 1430:YouTube 1295:26 July 1229:8 April 1044:charkha 941:Vatsala 928:Vatsala 759:Length 704:Sarangi 521:Teacher 463:Savitri 214:transl. 190:Country 185:194 min 167: ( 138:company 1033:Themes 996:01:25 781:03:08 756:Lyrics 753:Singer 722:Dholak 698:Fiddle 623:Madras 613:. 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Index


K. Subramanyam
Kalki
S. D. Subbulakshmi
Baby Saroja
Papanasam Sivan
Papanasam Sivan
Tamil
K. Subramanyam
Mahatma Gandhi
Kalki Krishnamurthy
S. S. Vasan
Gemini Studios
British government
existing print
Pune
Ananda Vikatan

Anglo-Indian
excommunicates
Papanasam Sivan
S. D. Subbulakshmi
Baby Saroja
S. S. Mani Bhagavathar
Indian National Congress
Justice Party
Chakravarthi Rajagopalachari
Second World War
Governor of Madras
Madras

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