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Tom Cora

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In addition to performing with other bands and musicians, Cora began a solo concert career in 1986. The prospect of managing a concert-length performance single-handedly was a challenge with risks, but he learned to balance risk with intention and the results were solo performances across North
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and triggering system to be played with his feet. He unveiled the system in a 25 concert solo tour in 1992. Unfortunately, the unique tailor-made instrument constructed at STEIM was later lost, forgotten on a train from Neuchâtel to La Chaux-de-Fonds while touring Switzerland.
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With his saturnine good looks and gaunt demeanour, he brought a hint of American Gothic to the ever-shifting cartoon soundtrack of the downtown scene. Poised over his instrument and more often than not with all four limbs busy playing something, his was a compelling stage
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on stage and for their act, Cora constructed musical contraptions he could play with his feet. The band existed for five years during which time they toured Europe, North America and Japan extensively. They made two studio albums,
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in 2000. But the good intentions of all concerned were never realised when Knitting Factory Records was bought out and Jauniaux received no royalties from the sale of the CD.
609:. The influence of this folk music is evident in much of his work. Skeleton Crew once devoted an entire concert to playing only Eastern European folk tunes. 944: 1436: 934: 243:, United States. He made his musical debut as drummer on a local television program and in the mid-1970s he played guitar for a Washington, D.C. 510:, a two-CD set featuring a selection of recordings by Cora and some of the groups he recorded with, plus new recordings of Cora's compositions. 1239: 924: 444: 1471: 1002: 506: 458: 448: 482:
at the age of 44 in a hospital in the south of France, where he lived with his wife, singer Catherine Jauniaux, and their son, Elia Corra.
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band best known for their live performances where they played various instruments simultaneously. Cora and Frith were each
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with appearances by Catherine Jauniaux, Fred Frith, George Cartwright, Zeena Parkins and others. A CD of this concert,
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and a "third person" who changed from concert to concert. Two CDs of some of their performances were released,
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America, Europe and Japan. Two live albums from some of these performances were released in 1987 and 1991.
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in 1979. Cora remained with Curlew for over ten years and appeared on five of their albums.
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Cora appeared in Nicolas Humbert and Werner Penzel's 1990 documentary film on Fred Frith,
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On the stage, his presence was striking. Ed Baxter noted in his biography of Tom Cora:
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who had joined the band in 1984. In October 1983 Skeleton Crew joined
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Buga Up (band with Tom Cora, Guigou Chenevier and Chris Cohade):
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Cora explored non-idiomatic improvising and studied Turkish and
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In 1979 Cora moved to New York City, where he worked with
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Cora performed with a number of other bands, including
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It's a Brand New Day – Live at the Knitting Factory
1030:A Quick Morsel of Energy (Live à Vandoeuvre 1987) 1393: 555:Besides performing, Cora composed music for the 388:Cora was also a member of the improvising trio 1233: 461:. In 1990, he played two concerts with Dutch 1049:A limited edition bonus CD included in the 899:Angel Carver: Live in Milwaukee and Chicago 285:circuits of North America. He performed at 1240: 1226: 381:, followed by another in February 1984 in 1003:Hallelujah, Anyway – Remembering Tom Cora 507:Hallelujah, Anyway – Remembering Tom Cora 497:, produced by John Zorn, was released on 761:And the Weathermen Shrug Their Shoulders 430: 317:and others. Cora also collaborated with 336:In 1982 Tom Cora and Fred Frith formed 1437:People from Albemarle County, Virginia 1394: 1221: 1067: 489:in aid of his family was held at the 404:, George Cartwright, Chris Cochrane, 1472:20th-century American male musicians 835:2000 Statues and the English Channel 573:American Museum of the Moving Image 13: 1127: 1073: 1019:Live in Tel Aviv and Aubervilliers 991:Testament: A Conduction Collection 523:, New York City in February 1989. 325:which led to the formation of the 289:clubs and venues in New York with 14: 1488: 1344:Learn to Talk / Country of Blinds 1247: 1156: 980:Allies (Music for Dance volume 2) 718:Learn to Talk / Country of Blinds 31: 1462:20th-century American composers 1198: (archived March 6, 2005). 883:Re Records Quarterly Vol.1 No.2 281:, introducing the cello to the 1121: 1043: 1000:Tom Cora and various artists: 621: 485:A month after Cora's death, a 400:in 1991 (with "third persons" 1: 1442:University of Virginia alumni 1060: 557:National Film Board of Canada 424:in 1995 (with "third person" 196:performances in the field of 16:American cellist and composer 1467:Jazz musicians from Virginia 1452:Skeleton Crew (band) members 1422:American male jazz musicians 582: 526: 234: 7: 1200:London Musicians Collective 1134:London Musicians Collective 547:, where he tailored a live 10: 1493: 688:A Beautiful Western Saddle 1373: 1354: 1335: 1316: 1289: 1255: 1163:Tom Cora Myspace Memorial 633:Live at the Western Front 577:Man with the Movie Camera 569:Man with the Movie Camera 255:and studied with cellist 157: 146: 136: 128: 120: 98: 81: 61: 51: 46: 30: 23: 1036: 806:(1995, Knitting Factory) 504:John Zorn also compiled 499:Knitting Factory Records 373:, a commission from the 365:(1986), the latter with 1412:American male composers 377:, for a performance in 1447:Tzadik Records artists 1417:American jazz cellists 1108:Downtown Music Gallery 1032:(2021, Thödol Records) 914:Le tresor de la langue 821:Environment for Sextet 753:Scrabbling at the Lock 619: 571:, commissioned by the 516:Step Across the Border 440: 253:University of Virginia 241:Yancey Mills, Virginia 219:, and was a member of 75:Yancey Mills, Virginia 47:Background information 1477:20th-century cellists 1427:Curlew (band) members 1306:The Country of Blinds 1175:June 19, 2019 at the 939:Differently Desperate 919:Ambiances Magnétiques 775:The Untraceable Cigar 710:The Country of Blinds 645:(1991, Sound Aspects) 614: 587:Tom Cora's cello was 435:Cora performing with 434: 416:, Zeena Parkins, and 362:The Country of Blinds 239:Tom Cora was born in 1457:Deaths from melanoma 1169:Tom Cora discography 1130:"Tom Cora biography" 951:(1993, Disc Akabana) 741:(2021, Klanggalerie) 595:modified and highly 375:Berlin Jazz Festival 733:(1997, Rarefaction) 543:research centre in 207:. He recorded with 39:Moers Jazz Festival 1432:Free improvisation 1336:Compilation albums 1192:Tom Cora biography 1186:Etymology Bio Page 1182:Tom Cora biography 1051:Fred Records Story 955:Richard Teitelbaum 949:Yunta & Jiraba 860:Cargo Cult Revival 480:malignant melanoma 441: 410:Catherine Jauniaux 261:Luis Garcia-Renart 186:Thomas Henry Corra 124:Musician, composer 115:free improvisation 72:September 14, 1953 57:Thomas Henry Corra 1389: 1388: 866:Ferdinand Richard 851:(1982, Parachute) 831:Eugene Chadbourne 690:(1993, Cuneiform) 684:(1991, Cuneiform) 658:(1981, Landslide) 643:Gumption in Limbo 478:Tom Cora died of 340:, an improvising 319:George Cartwright 279:Eugene Chadbourne 180: 179: 1484: 1374:Related articles 1325:Free Dirt (Live) 1242: 1235: 1228: 1219: 1218: 1208: 1150: 1149: 1147: 1145: 1140:on March 6, 2005 1136:. Archived from 1125: 1119: 1118: 1116: 1114: 1100: 1091: 1090: 1088: 1086: 1071: 1054: 1047: 1017:and Fred Frith: 971:(1995, Off Note) 798:Knitting Factory 783:(1999, Red Note) 777:(1996, Red Note) 738:Free Dirt (Live) 604:Eastern European 559:, choreographer 541:electro-acoustic 491:Knitting Factory 139: 88: 71: 69: 54: 35: 21: 20: 1492: 1491: 1487: 1486: 1485: 1483: 1482: 1481: 1392: 1391: 1390: 1385: 1369: 1350: 1331: 1312: 1285: 1251: 1246: 1206: 1196:Wayback Machine 1177:Wayback Machine 1159: 1154: 1153: 1143: 1141: 1126: 1122: 1112: 1110: 1102: 1101: 1094: 1084: 1082: 1074:Ankeny, Jason. 1072: 1068: 1063: 1058: 1057: 1048: 1044: 1039: 945:Tetsuhiro Daiku 929:Voix de Surface 817:Andrea Centazzo 624: 585: 529: 487:benefit concert 315:Toshinori Kondo 299:Andrea Centazzo 263:and later with 237: 194:improvisational 183: 153:, Sound Aspects 137: 90: 86: 73: 67: 65: 52: 42: 26: 17: 12: 11: 5: 1490: 1480: 1479: 1474: 1469: 1464: 1459: 1454: 1449: 1444: 1439: 1434: 1429: 1424: 1419: 1414: 1409: 1404: 1387: 1386: 1384: 1383: 1381:Duck and Cover 1377: 1375: 1371: 1370: 1368: 1367: 1358: 1356: 1352: 1351: 1349: 1348: 1339: 1337: 1333: 1332: 1330: 1329: 1320: 1318: 1314: 1313: 1311: 1310: 1302: 1293: 1291: 1287: 1286: 1284: 1283: 1276: 1271: 1264: 1256: 1253: 1252: 1245: 1244: 1237: 1230: 1222: 1216: 1215: 1203: 1189: 1179: 1166: 1158: 1157:External links 1155: 1152: 1151: 1120: 1092: 1065: 1064: 1062: 1059: 1056: 1055: 1041: 1040: 1038: 1035: 1034: 1033: 1026: 1011: 998: 984: 983:(1996, RecRec) 972: 969:First Deserter 965:Kazutoki Umezu 962: 952: 942: 941:(1991, RecRec) 932: 931:(1990, RecRec) 922: 906: 891: 878:Duck and Cover 875: 874:(1983, RecRec) 863: 852: 842: 828: 808: 807: 801: 785: 784: 778: 766: 765: 764:(1993, RecRec) 757: 756:(1991, RecRec) 743: 742: 734: 726: 714: 706: 692: 691: 685: 679: 672:Live in Berlin 669: 659: 647: 646: 640: 623: 620: 593:electronically 584: 581: 561:Donna Uchizono 528: 525: 426:Kazutoki Umezu 371:Duck and Cover 236: 233: 182:Musical artist 181: 178: 177: 159: 155: 154: 148: 144: 143: 140: 134: 133: 130: 126: 125: 122: 118: 117: 100: 96: 95: 89:(aged 44) 83: 79: 78: 63: 59: 58: 55: 49: 48: 44: 43: 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 1489: 1478: 1475: 1473: 1470: 1468: 1465: 1463: 1460: 1458: 1455: 1453: 1450: 1448: 1445: 1443: 1440: 1438: 1435: 1433: 1430: 1428: 1425: 1423: 1420: 1418: 1415: 1413: 1410: 1408: 1405: 1403: 1400: 1399: 1397: 1382: 1379: 1378: 1376: 1372: 1365: 1364: 1360: 1359: 1357: 1353: 1346: 1345: 1341: 1340: 1338: 1334: 1327: 1326: 1322: 1321: 1319: 1315: 1308: 1307: 1303: 1300: 1299: 1298:Learn to Talk 1295: 1294: 1292: 1290:Studio albums 1288: 1282: 1281: 1280:Zeena Parkins 1277: 1275: 1274:Dave Newhouse 1272: 1270: 1269: 1265: 1263: 1262: 1258: 1257: 1254: 1250: 1249:Skeleton Crew 1243: 1238: 1236: 1231: 1229: 1224: 1223: 1220: 1213: 1209: 1204: 1201: 1197: 1193: 1190: 1187: 1183: 1180: 1178: 1174: 1170: 1167: 1164: 1161: 1160: 1139: 1135: 1131: 1124: 1109: 1105: 1099: 1097: 1081: 1077: 1070: 1066: 1052: 1046: 1042: 1031: 1027: 1024: 1020: 1016: 1012: 1009: 1005: 1004: 999: 996: 992: 988: 985: 982: 981: 976: 973: 970: 966: 963: 961:(1994, Moers) 960: 956: 953: 950: 946: 943: 940: 936: 935:The Hat Shoes 933: 930: 926: 923: 920: 916: 915: 910: 907: 904: 900: 896: 893:Tom Cora and 892: 889: 885: 884: 879: 876: 873: 872: 867: 864: 861: 857: 854:Tom Cora and 853: 850: 846: 843: 840: 836: 832: 829: 826: 822: 818: 815: 814: 813: 812: 805: 802: 799: 795: 792: 791: 790: 789: 782: 779: 776: 773: 772: 771: 770: 763: 762: 758: 755: 754: 750: 749: 748: 747: 740: 739: 735: 732: 731: 727: 724: 720: 719: 715: 712: 711: 707: 704: 703: 702:Learn to Talk 699: 698: 697: 696: 695:Skeleton Crew 689: 686: 683: 680: 677: 673: 670: 667: 663: 662:North America 660: 657: 654: 653: 652: 651: 644: 641: 638: 637:No Man's Land 634: 631: 630: 629: 628: 618: 613: 610: 608: 605: 600: 598: 594: 590: 580: 578: 574: 570: 566: 562: 558: 553: 550: 546: 542: 538: 533: 524: 522: 518: 517: 511: 509: 508: 502: 500: 496: 492: 488: 483: 481: 476: 474: 473: 468: 464: 460: 457: 454: 450: 446: 438: 433: 429: 427: 423: 419: 415: 411: 407: 403: 399: 395: 391: 386: 384: 380: 376: 372: 368: 367:Zeena Parkins 364: 363: 358: 357: 356:Learn to Talk 351: 350:one-man bands 347: 343: 339: 338:Skeleton Crew 334: 332: 328: 324: 320: 316: 312: 308: 307:Wayne Horvitz 304: 300: 296: 292: 288: 284: 280: 276: 271: 269: 266: 262: 258: 254: 250: 246: 242: 232: 230: 229:Skeleton Crew 226: 222: 218: 214: 210: 206: 202: 199: 195: 191: 187: 175: 171: 167: 163: 162:Skeleton Crew 160: 156: 152: 151:No Man's Land 149: 145: 141: 135: 131: 127: 123: 121:Occupation(s) 119: 116: 112: 108: 104: 101: 97: 93: 85:April 9, 1998 84: 80: 76: 64: 60: 56: 50: 45: 40: 34: 29: 22: 19: 1361: 1342: 1323: 1304: 1296: 1278: 1273: 1267: 1266: 1259: 1199: 1185: 1144:November 22, 1142:. 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Index

Cora at the Moers Jazz Festival, 1997
Moers Jazz Festival
Yancey Mills, Virginia
Draguignan
Jazz
avant-rock
experimental
free improvisation
No Man's Land
Skeleton Crew
The Ex
Curlew
Third Person
improvisational
experimental
jazz
rock
John Zorn
Butch Morris
the Ex
Curlew
Third Person
Skeleton Crew
Yancey Mills, Virginia
jazz
house band
University of Virginia
Pablo Casals
Luis Garcia-Renart
vibraphonist

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