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1995. One of the panels was advertised for sale in a
Christie's New York Fine Chinese Ceramics, Paintings and Works of Art auction catalogue in 2000. It was seized by US Customs in response to a request made by the Chinese authorities and the stolen panel was returned to China in 2001, and is now on display at the
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The grave was robbed in July 1994 because of the high artistic level of its wall paintings and reliefs which are of great historical value. Thieves used dynamite to blast their way into the tomb before removing several painted marble relief panels. The tomb was subsequently excavated officially in
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Painted on two marble reliefs, a group of servants and a fifteen-member ladies' orchestra. It provides information about the musical tastes of the upper classes during the late Tang dynasty.
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Angela
Schottenhammer: Tombs of the upper classes in Ancient China: The grave of Wang Chuzhi (863–923)
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The Golden Age of
Chinese Archaeology. Celebrated Discoveries from the People's Republic of China.
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China's music and music education in cultural exchanges with neighboring countries and the West
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Scots Hammer, Angela: "The grave of Wang Chuzhi (863–923)." In: Angela Scots Hammer (ed.)
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106:(大鼓; bass drum) while, in the back row, there are seven women playing the
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The
Transformation of Medieval Chinese Elites (Nicolas Olivier Tackett)
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38:(863–923 CE), a senior military governor of the late period of the
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125:(篳篥; oboes), and two bamboo transverse flutes (hengdi 橫笛 or
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453:. Frankfurt am Main: Peter Lang, 2003. pp. 61–117.
50:. It was rediscovered in 1980 in Xiyanchuan village in
34:(Chinese 王處直墓 / 王处直墓 Wang Chizhi mu) is the grave of
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Stone relief from tomb of Wang Chuzhi on display at
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409:List of traditional Chinese musical instruments
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424:五代王处直墓. Beijing: Wenwu chubanshe 1998,
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94:(琵琶; lute),
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44:Later Liang
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307:彩绘浮雕女伎乐图
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461:ISBN
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