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shrines as votive offerings, a fact which indicates something of the artistic quality or emotional impact of his depictions of Kabuki actors. By the time of his death in 1729, Kiyonobu had not only painted a great number of signboards and the like, but had also produced illustrations for woodblock
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Kiyonobu focused almost exclusively on producing billboards and other promotional material for Edo's kabuki theaters; the relationship between the theaters and the Torii school was a strong and important one, and one that continues today. Guided by the need to attract attention, Kiyonobu's style
126:
As is the case with most Torii school artists, Kiyonobu's dates are not known for sure, and the relationships between the various Torii artists are similarly unclear. The styles of
Kiyonobu's disciples and relatives are very similar, and most scholars entertain the possibility that
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were the same man as the subject of this article, Kiyonobu I, or as one another. Very few, if any, paintings created by the Torii school are known definitely to have been painted by any one particular artist.
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tended towards bold, colorful exuberance. In addition to a distinctive use of color, details, and various other aesthetic elements, the Torii style is especially distinguished by the use of thick, bold line.
99:(modern Tokyo) when he was twenty-four, and emerged there as a major artist with a unique style. Kiyonobu's work is regarded as being highly influenced by that of
154: – a contemporary of Kiyonobu, in a somewhat different style. Kiyomasu may have been Kiyonobu's brother, or they may have even been the same man.
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By 1700, Kiyonobu was a fully established and accomplished artist. His works were praised by contemporary writers, and were often even placed in
103:(d. 1694), the father of ukiyo-e; Kiyonobu would also have been well-versed, as most major artists were at the time, in the styles of the
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Beauty in a Black Kimono by Torii
Kiyonobu, c. 1710–20, Japan, Edo period, Hanging scroll; ink, colors, and gold on paper
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Hickman, Money (1993). "Enduring
Alliance: The Torii Line of Ukiyo-e Artists and Their Work for the Kabuki Theatre."
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kabuki actor and painter Torii
Kiyomoto, born in 1664. He moved, with his father, to
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2nd ed., revised by L. Carrington
Goodrich. NY:Ronald Press, 19355. (1st ed, 1925)
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printed books, depicting kabuki dramas, and had issued individual prints as well.
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31:"Courtesan painting a screen", 18th century ukiyo-e woodblock print by Kiyonobu.
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The
Invention of Printing in China and its spread Westward
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signboards and related materials. Along with his father
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914:List of Utagawa school members
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1381:Japonaiserie (Van Gogh)
312:Harukawa Eizan school
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1003:artists and movements
894:Utagawa Hiroshige III
249:List of ukiyo-e terms
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1391:Anglo-Japanese style
889:Utagawa Hiroshige II
809:Utagawa Kunisada III
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869:Utagawa Yoshifuji
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834:Utagawa Kuniyoshi
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172:
166:Fenway Court
165:
125:
117:
113:
109:Tosa schools
88:
86:
82:Torii school
50:
49:
44:
1441:1729 deaths
1401:Art Nouveau
1313:Hara school
1308:Akita ranga
1303:Kanō school
1245:Reika Iwami
1140:Masao Maeda
1120:Itow Takumi
1054:Ohara Koson
1024:Itō Shinsui
944:Ogata Gekkō
934:Sawa Sekkyō
625:Hirosada II
336:Shiba Kōkan
66: 1664
1425:Categories
1012:Shin-hanga
992:Yokohama-e
987:Nagasaki-e
982:Kamigata-e
620:Hirosada I
159:References
1375:Japonisme
1150:Maki Haku
975:By region
650:Yoshitaki
505:Tsukimaro
635:Kunimasu
610:Ashiyuki
140:See also
55:Japanese
35:In this
1368:Ukiyo-e
1341:Nihonga
1286:Related
1261:Others
929:Sharaku
645:Shunshi
239:Ukiyo-e
232:General
70:ukiyo-e
41:surname
1456:Kabuki
120:Shintō
89:Shōbei
74:kabuki
39:, the
1334:Nanga
93:Osaka
59:鳥居 清信
45:Torii
1358:Yōga
107:and
105:Kanō
131:or
97:Edo
43:is
1427::
111:.
63:c.
61:;
57::
219:e
212:t
205:v
53:(
47:.
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