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Torment (comics)

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345:), concluding that "Torment is nothing more than a showcase of Spider-Man's fluid movement, and while the art is wonderful, pages (at times) are congested and indulgent." Even for fans of the series at the time the series has not stood the test of time. Augie De Blieck Jr. confessed that "hen they first came out, I was a mind-numbed McFarlane fan" but reading the trade paperback he found that "the money shots of Spidey over the city and fighting for his life still look as energetic and lively as ever, the rest of the pages feel claustrophobic" and that Parker's lettering was "awful." 337:, "commercial success didn't equate to critical acclaim for McFarlane's new venture, and many found the artist's attempts at writing to be clumsy, unsophisticated and pretentious" and that "here was a frequent sense - as with many writer-artists - that McFarlane's scripts were being written in such a way as to give himself something 'cool' to draw, rather than to provide a particularly compelling or satisfying story." The writing was also picked up by Alex Rodrik at Comics Bulletin, who highlighted the lack of consistency in the narration (switching from 360:#1 is the beginning of me starting to put kinks on the page writing, which you have to then eventually, like all writers do, get through. I was in that weird situation on that first issue where, arguably, the worst story I ever write is going to be the one that most people bought. But I never said I was going to come wholly formed here. But I believe that, as time went by, two, three, four years later, that the writing became adequate at that point, and was better than the writing in 1652: 292:-friendly stories: "The ongoing Spider-Man books were like never-ending soap operas. When they tried to collect stories, they had a problem. So the idea was to create a new series where we would do six-part self-contained stories that could then easily be collected as trade paperbacks" They were also inspired by 276:
has said it came about organically. He explained, "I encouraged Todd to get more involved and start inking his own work. ... he was such a naturally good storyteller, and thinking about everything he was doing. Todd was willing to go off and write backups or do whatever he could just to starting
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the writer, even though "the itch, the creative itch, of writing at the point wasn't so much that I wanted to be a writer. Because to me, I just wanted to draw. It was being in control of what I was drawing. The only way I was going to get there was to go, 'Well, I have to make up the story.'"
28: 356:#1 came out, I'd been in the business, five years, six years, I'd done hundreds if not thousands of pages of art at that point. I've been able to get the kinks out of my drawing. While 298:
to try better paper quality. Marvel would not introduce it into a current series because of the increase in price, but if they started a new title they could go ahead with their plans.
326:#1 (October 1991) sold 7.5 million copies, these sales being driven by heavy use of collector cards and variant covers. Within a year these superstar artists left Marvel to form 743: 246:
is hypnotizing the Lizard to do her bidding. Spider-Man defeats both Calypso and the Lizard, but Spider-Man believes the Lizard died from Calypso's effect on his brain.
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off the back of the success on these titles, and developments started in these comics led to the speculator boom of the mid-1990s.
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at the time that I found myself doing something I never thought I'd want to do, which was to add yet another
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tries to stop him. The Lizard poisons Spider-Man and throws him off of a building. It is later revealed that
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writing and learn the whole writing thing. I felt he was so vital to what we were doing with
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The first issue sold 2.65 million copies, setting a record at the time. The following year,
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McFarlane admitted his first run at writing a series had problems:
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The Dark Age: Grim, Great & Gimmicky Post-Modern Comics
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in 1992 and has been reprinted a number of times since:
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Marvel Knights Spider-Man/The Sensational Spider-Man
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Retrieved 512:the original 503: 493: 472: 463: 455: 451: 443: 439: 401: 381: 372: 361: 357: 353: 352:by the time 351: 347: 343:third-person 339:first person 332: 328:Image Comics 321: 311: 305: 293: 287: 282: 278: 274:Jim Salicrup 271: 265: 261: 255: 253: 234: 221:Image Comics 203: 188: 186: 170: 164:Jim Salicrup 77: 15: 1997:Wanda Blake 1739:Eddie Brock 1656:Categories 1565:Reprintings 1506:Sins Rising 1298:Secret Wars 1078:Spider-Girl 1043:Spider-Gwen 308:Rob Liefeld 195:written by 142:Colorist(s) 136:Rick Parker 132:Letterer(s) 2038:Categories 1932:Overt-Kill 1912:Malebolgia 1902:Jason Wynn 1867:Cogliostro 1804:Spider-Man 1791:Spider-Man 1759:Garryn Bek 1666:Storylines 1608:story arcs 1600:story arcs 1457:Dying Wish 1247:Storylines 1227:Spider-Men 1203:Crossovers 1028:continuity 1026:mainstream 714:Spider-Man 621:References 456:Spider-Man 444:Spider-Man 362:Spider-Man 358:Spider-Man 354:Spider-Man 283:Spider-Man 279:Spider-Man 262:Spider-Man 240:Spider-Man 236:The Lizard 209:comic book 205:Spider-Man 146:Bob Sharen 91:Spider-Man 79:Spider-Man 1771:Mekanique 1418:" (2009)" 1381:Civil War 1374:The Other 647:"Torment" 603:Newsarama 302:Reception 193:story arc 171:Hardcover 160:Editor(s) 124:Artist(s) 114:Writer(s) 65:Superhero 36:Publisher 21:"Torment" 1992:Violator 1942:Redeemer 1897:The Heap 1877:Disciple 1617:See also 1557:" (2023) 1555:Gang War 1550:" (2023) 1543:" (2022) 1536:" (2022) 1534:Dark Web 1529:" (2021) 1522:" (2021) 1515:" (2020) 1508:" (2020) 1501:" (2019) 1494:" (2019) 1487:" (2018) 1480:" (2018) 1473:" (2016) 1466:" (2014) 1459:" (2012) 1452:" (2012) 1445:" (2011) 1438:" (2010) 1436:Big Time 1431:" (2010) 1411:" (2008) 1404:" (2008) 1397:" (2007) 1390:" (2007) 1376:" (2005) 1369:" (2001) 1356:" (1998) 1342:" (1993) 1335:" (1990) 1328:" (1987) 1321:" (1987) 1314:" (1985) 1307:" (1984) 1300:" (1984) 1293:" (1984) 1286:" (1982) 1279:" (1973) 1272:" (1971) 1265:" (1971) 1258:" (1965) 841:(vol. 2) 608:June 15, 579:June 15, 553:June 14, 518:June 15, 74:Title(s) 1977:Tiffany 1829:Tigress 1809:Torment 1333:Torment 1024:Outside 318:Jim Lee 313:X-Force 285:book". 272:Editor 244:Calypso 201:ongoing 191:" is a 189:Torment 103:Calypso 2023:Necrid 1987:Urizen 1982:Tremor 1917:Mammon 1882:Domina 1857:Angela 1817:Strata 1786:Ogress 1749:Icicle 1721:Marvel 1659:Titles 1492:Hunted 1424:(2009) 1362:(1998) 1238:(2014) 1230:(2012) 1222:(1981) 1214:(1976) 1016:(2014) 1008:(2010) 1000:(2008) 992:(2007) 984:(2005) 976:(2004) 968:(2002) 960:(2002) 952:(1995) 882:Spidey 736:issues 636:  410:  396:  388:  178:  148:(#1-3) 99:Lizard 2011:Other 1957:Spawn 1952:Satan 1892:Haunt 1887:Freak 1872:Curse 1834:Venom 1776:Mercy 1590:Other 751:Venom 419:Notes 323:X-Men 58:Genre 2002:Zera 1627:#129 634:ISBN 610:2010 581:2010 555:2010 520:2010 408:ISBN 394:ISBN 386:ISBN 295:Epic 176:ISBN 155:(#5) 82:#1-5 52:1990 1927:Nyx 364:#1. 341:to 320:'s 310:'s 266:and 2040:: 1717:DC 601:. 572:. 541:. 537:. 506:. 502:. 481:^ 458:#5 446:#1 427:^ 227:. 1811:" 1807:" 1719:/ 1701:e 1694:t 1687:v 1553:" 1546:" 1539:" 1532:" 1525:" 1518:" 1511:" 1504:" 1497:" 1490:" 1483:" 1476:" 1469:" 1462:" 1455:" 1448:" 1441:" 1434:" 1427:" 1414:" 1407:" 1400:" 1393:" 1386:" 1379:" 1372:" 1365:" 1352:" 1345:" 1338:" 1331:" 1324:" 1317:" 1310:" 1303:" 1296:" 1289:" 1282:" 1275:" 1268:" 1261:" 1254:" 706:e 699:t 692:v 653:) 642:. 612:. 583:. 557:. 522:. 414:) 187:"

Index


Publisher
Marvel Comics
1990
Superhero
Spider-Man
Spider-Man
Mary Jane Watson
Lizard
Calypso
Todd McFarlane
Rick Parker
Bob Sharen
Gregory Wright
Jim Salicrup
ISBN
0-7851-3791-2
story arc
Todd McFarlane
ongoing
Spider-Man
comic book
Marvel Comics
Modern Age of Comic Books
Image Comics
speculator market
The Lizard
Spider-Man
Calypso
The Amazing Spider-Man

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