Knowledge

Totentanz (Liszt)

Source đź“ť

122: 290: 25: 184: 1412: 1422: 2004: 338:(an early biographer) notes, "Every variation discloses some new character—the earnest man, the flighty youth, the scornful doubter, the prayerful monk, the daring soldier, the tender maiden, the playful child." 364:, the original edition for two pianos, however, merely incorporated the solo part of Liszt's rendering for piano and orchestra, with a transcription of the orchestral accompaniment in the second piano. Dr. 45: 43: 175:, Liszt frequented Parisian "hospitals, gambling casinos and asylums" in the early 1830s, and he even went down into prison dungeons in order to see those condemned to die. 1851: 1133: 44: 360:(1919). The standard version is the final and third version of the piece (1859). Liszt also wrote versions for two pianos (S.652) and solo piano (S.525). Edited by 1379: 1004: 226:) melody in a shockingly modernistic manner. In 1830 Liszt attended the first performance of the symphony and was struck by its powerful originality. Liszt's 1458: 1425: 85: 171:. In the young Liszt we can already observe manifestations of his obsession with death, with religion, and with heaven and hell. According to 1094: 328:
like sections where the pianist's repeated notes beat with diabolic intensity and special sound effects in the orchestra—for example, the
1886: 1374: 451: 1893: 2024: 580: 1451: 943: 113:
as well as for stylistic innovations. It was first planned in 1838, completed and published in 1849, and revised in 1853 and 1859.
1397: 1976: 703: 612: 986: 538:"Artsong Update | Reviews | Norfolk Chamber Consort: Berlin Philharmonic Wind Quintet with Andrey Kasparov, Piano" 163: 317: 1444: 630: 537: 269:, and in 1838 he visited Pisa. Only ten years later, Liszt's first sketches materialized into a complete version of his 924: 1962: 963: 742: 320:, a work composed almost a hundred years later. This may be no coincidence since BartĂłk frequently performed Liszt's 576: 2044: 1955: 1900: 206:
often replaced the original moral intent. A musical example of such irony can be found in the last movement of the
1928: 1183: 999: 791: 1837: 1797: 1758: 289: 1667: 654: 419: 937: 918: 1810: 1509: 1369: 887: 882: 877: 644: 1126: 2034: 1815: 1739: 1101: 368:
has since re-imagined this setting as a work for piano duo. It shows to great effect the breadth of the
2029: 1994: 1946: 1677: 1198: 471: 172: 1772: 1052: 559: 1907: 1765: 1233: 949: 871: 649: 605: 121: 1540: 777: 749: 709: 34: 1203: 993: 911: 2039: 1749: 1609: 1553: 1318: 1066: 1038: 733: 722: 1263: 1017: 930: 403: 2008: 1879: 1010: 812: 258: 168: 1779: 1515: 1308: 973: 968: 254: 208: 1629: 784: 1935: 1415: 1258: 1080: 1073: 979: 598: 308:, but by far the most innovative aspect of the scoring is the shockingly modernistic, even 346:
Like most Liszt pieces, a number of versions exist. Next to Liszt's first version of the
8: 1921: 1914: 1858: 1844: 1734: 1087: 395: 312:, nature of the piano part. The opening comes surprisingly close to the introduction in 1343: 1657: 1482: 1392: 1384: 1328: 1031: 770: 715: 514: 157: 126: 1872: 1865: 1364: 1303: 1193: 443: 435: 266: 231: 135: 1188: 407: 387: 278: 1723: 1686: 1313: 1213: 1045: 853: 798: 399: 391: 357: 313: 246: 139: 494:
Franz Liszt. Studien und Erinnerungen: Gesammelte Schriften ĂĽber Musik und Musiker
423: 1467: 1293: 1268: 1248: 1218: 763: 431: 365: 273:. Revisions followed in 1853 and 1859, and its final form was first performed at 223: 101: 1108: 756: 1830: 1823: 1662: 1652: 1338: 1333: 1298: 1283: 1273: 1238: 1178: 1059: 844: 836: 805: 510: 361: 250: 213: 585: 151: 2018: 1589: 1533: 1502: 1436: 1278: 1253: 1228: 1223: 1173: 1156: 439: 411: 375: 302: 1348: 183: 1711: 1704: 1584: 1526: 1288: 1243: 955: 489: 402:, performances of historic significance include those of the Liszt student 335: 305: 1717: 1323: 1024: 685: 661: 621: 447: 427: 415: 195: 97: 1969: 1729: 1574: 1495: 1488: 1150: 819: 678: 309: 104: 60: 515:"Petrucci Music Library | Totentanz | S.126 (Liszt, Franz)" 352: 330: 274: 218: 109: 93: 1599: 1547: 199: 1624: 1614: 1558: 1520: 1208: 325: 241:
Another source of inspiration for the young Liszt was the famous
1594: 242: 1421: 590: 1604: 1579: 203: 89: 1619: 262: 356:
version was prepared from Liszt's manuscript sources by
334:
in the strings sound like shuddering or clanking bones.
1134:
Fantasy on Themes from Mozart's Figaro and Don Giovanni
1380:
Franz Liszt International Piano Competition (Budapest)
1992: 265:. Liszt had eloped to Italy with his mistress, the 422:(1961 – Arkadia HP 507.1; 1962 – Memoria 999-001), 452:Second International Franz Liszt Piano Competition 372:, when distributed evenly between two performers. 16:Composition for piano and orchestra by Franz Liszt 297:Since it is based on Gregorian material, Liszt's 202:, the aspect of fantastic or grotesquely macabre 2016: 509: 1466: 560:"World Premieres and Transcriptions, Volume 1" 535: 234:for piano and orchestra, also paraphrases the 145:Some of the titles of Liszt’s pieces, such as 1452: 606: 586:Live Recording of Ivan Drenikov – Sofia 1985 1887:Self-Portrait with Death Playing the Fiddle 1375:International Franz Liszt Piano Competition 1894:Skull of a Skeleton with Burning Cigarette 1459: 1445: 613: 599: 529: 499:. Leipzig: Bernhard Schlicke. p. 402. 378:has transcribed the work for solo organ. 198:age, due to a fascination with everything 581:International Music Score Library Project 476:Franz Liszt: The Virtuoso Years 1811–1847 301:contains Medieval sounding passages with 178: 406:(1945 – Port Nat S IPL 108), as well as 288: 284: 182: 120: 116: 51:Performed by Neal O'Doan with orchestra 2017: 1398:University of Music Franz Liszt Weimar 1365:Liszthaus Raiding (Liszt's birthplace) 503: 470: 324:. Other modernistic features are the 216:which quotes the medieval (Gregorian) 1977:Do not go gentle into that good night 1440: 704:The Bells of the Strasbourg Cathedral 594: 381: 488: 318:Sonata for Two Pianos and Percussion 277:on 15 April 1865 by Liszt's student 536:Campbell, John (17 February 2014). 13: 1963:Because I could not stop for Death 987:Harmonies poĂ©tiques et religieuses 341: 23: 14: 2056: 570: 281:, to whom the work is dedicated. 88:, is the name of a work for solo 2025:Concertante works by Franz Liszt 2002: 1956:And death shall have no dominion 1901:Sleep and His Half-Brother Death 1420: 1411: 1410: 944:Variation on a Waltz by Diabelli 59:Problems playing this file? See 41: 1929:The Three Ages of Man and Death 1852:Gather Ye Rosebuds While Ye May 1184:Hans Bronsart von Schellendorff 743:Ce qu'on entend sur la montagne 620: 478:. Faber and Faber. p. 152. 249:(at Liszt's time attributed to 100:notable for being based on the 552: 482: 464: 1: 1668:Capuchin catacombs of palermo 420:Arturo Benedetti Michelangeli 1370:Franz Liszt Academy of Music 386:Besides the performances by 7: 1740:The Masque of the Red Death 230:(Dance of Death), a set of 10: 2061: 925:Morceau de salon, Ab Irato 919:Grandes Ă©tudes de Paganini 1945: 1796: 1766:Death and Transfiguration 1748: 1696: 1676: 1645: 1638: 1567: 1554:Personifications of death 1475: 1406: 1357: 1166: 1143: 1127:RĂ©miniscences de Don Juan 1118: 903: 863: 829: 732: 695: 670: 637: 628: 74: 1541:Sic transit gloria mundi 750:Tasso: lamento e trionfo 710:Slavimo slavno, Slaveni! 457: 2045:Compositions in D minor 1773:Der Tod und das Mädchen 1610:Post-mortem photography 1319:Agnes Street-Klindworth 1067:Grand galop chromatique 1053:Bagatelle sans tonalitĂ© 438:(Deutsche Grammophon), 1005:Sarabande and Chaconne 830:Other orchestral works 294: 245:"Triumph of Death" by 191: 179:Sources of inspiration 169:fascination with death 167:, show the composer's 142: 28: 1516:Lamentation of Christ 1309:William Hall Sherwood 1204:Élie-Miriam Delaborde 912:Transcendental Études 292: 285:Stylistic innovations 255:Buonamico Buffalmacco 209:Symphonie fantastique 186: 124: 27: 1936:The Triumph of Death 1838:Death and the Maiden 1510:Death and the Maiden 1470:and mortality in art 1264:JosĂ© Vianna da Motta 1259:Sebastian Bach Mills 1081:Hungarian Rhapsodies 1018:Dem Andenken PetĹ‘fis 950:AnnĂ©es de pèlerinage 931:Three Concert Études 888:Piano Concerto No. 3 883:Piano Concerto No. 2 878:Piano Concerto No. 1 631:List of compositions 404:JosĂ© Vianna da Motta 188:The Triumph of Death 117:Obsession with death 1922:The Shadow of Death 1915:The Garden of Death 1859:La Calavera Catrina 1845:Death and the Miser 1102:Rhapsodie espagnole 1095:Rondeau fantastique 1088:Glanes de Woronince 864:Piano and orchestra 540:. Artsongupdate.org 396:Sergei Rachmaninoff 2035:Music based on art 1735:Hamlet's soliloquy 1658:Catacombs of Paris 1483:All flesh is grass 1393:Lisztomania (song) 1032:La lugubre gondola 938:Two Concert Études 723:Les quatre Ă©lĂ©mens 513:(5 October 2013). 382:Notable performers 295: 253:and today also to 192: 158:La lugubre gondola 143: 127:The Dance of Death 29: 2030:1849 compositions 1990: 1989: 1986: 1985: 1873:Pyramid of Skulls 1806:Et in Arcadia ego 1434: 1433: 1304:Giovanni Sgambati 1119:Opera paraphrases 1000:Sonata in B minor 872:Hungarian Fantasy 444:Raymond Lewenthal 442:(Naxos and BIS), 436:Krystian Zimerman 267:Countess d’Agoult 138:, 1493, attr. to 136:Liber Chronicarum 75:Dance of the Dead 46: 2052: 2007: 2006: 2005: 1998: 1724:Book of the Dead 1687:The Seventh Seal 1643: 1642: 1461: 1454: 1447: 1438: 1437: 1424: 1414: 1413: 1344:JĂłzef Wieniawski 1314:Alexander Siloti 1214:Arthur Friedheim 1046:Mephisto Waltzes 964:Feuilles d'album 854:Mephisto Waltzes 615: 608: 601: 592: 591: 579:: Scores at the 564: 563: 556: 550: 549: 547: 545: 533: 527: 526: 524: 522: 507: 501: 500: 486: 480: 479: 468: 426:(EMI Classics), 400:Ferruccio Busoni 358:Ferruccio Busoni 293:Opening measures 247:Francesco Traini 164:PensĂ©e des morts 140:Michael Wolgemut 76: 48: 47: 26: 2060: 2059: 2055: 2054: 2053: 2051: 2050: 2049: 2015: 2014: 2013: 2009:Classical Music 2003: 2001: 1993: 1991: 1982: 1941: 1908:The Ambassadors 1792: 1744: 1692: 1672: 1634: 1563: 1471: 1465: 1435: 1430: 1402: 1353: 1294:Moriz Rosenthal 1269:Dionys Pruckner 1249:Heinrich Lutter 1234:Frederic Lamond 1219:Karl Klindworth 1199:Arthur De Greef 1162: 1139: 1114: 1039:Valse-Impromptu 899: 859: 825: 792:HĂ©roĂŻde funèbre 734:Symphonic poems 728: 691: 666: 633: 624: 619: 573: 568: 567: 558: 557: 553: 543: 541: 534: 530: 520: 518: 511:von Sauer, Emil 508: 504: 487: 483: 469: 465: 460: 432:Martha Argerich 410:(EMI 74012 2), 384: 366:Andrey Kasparov 344: 342:Extant versions 287: 224:Day of Judgment 181: 119: 66: 65: 57: 55: 54: 53: 52: 49: 42: 39: 30: 24: 17: 12: 11: 5: 2058: 2048: 2047: 2042: 2040:Death in music 2037: 2032: 2027: 2012: 2011: 1988: 1987: 1984: 1983: 1981: 1980: 1973: 1966: 1959: 1951: 1949: 1943: 1942: 1940: 1939: 1932: 1925: 1918: 1911: 1904: 1897: 1890: 1883: 1876: 1869: 1862: 1855: 1848: 1841: 1834: 1831:Death and Life 1827: 1824:Death and Fire 1820: 1819: 1818: 1813: 1802: 1800: 1794: 1793: 1791: 1790: 1783: 1776: 1769: 1762: 1754: 1752: 1746: 1745: 1743: 1742: 1737: 1732: 1727: 1720: 1715: 1708: 1700: 1698: 1694: 1693: 1691: 1690: 1682: 1680: 1674: 1673: 1671: 1670: 1665: 1663:Sedlec Ossuary 1660: 1655: 1653:Capuchin Crypt 1649: 1647: 1640: 1636: 1635: 1633: 1632: 1627: 1622: 1617: 1612: 1607: 1602: 1597: 1592: 1587: 1582: 1577: 1571: 1569: 1565: 1564: 1562: 1561: 1556: 1551: 1544: 1537: 1530: 1523: 1518: 1513: 1506: 1499: 1492: 1485: 1479: 1477: 1473: 1472: 1464: 1463: 1456: 1449: 1441: 1432: 1431: 1429: 1428: 1418: 1407: 1404: 1403: 1401: 1400: 1395: 1390: 1382: 1377: 1372: 1367: 1361: 1359: 1355: 1354: 1352: 1351: 1346: 1341: 1339:Bettina Walker 1336: 1334:Anton Urspruch 1331: 1326: 1321: 1316: 1311: 1306: 1301: 1299:Emil von Sauer 1296: 1291: 1286: 1284:Martha Remmert 1281: 1276: 1274:Laura Rappoldi 1271: 1266: 1261: 1256: 1251: 1246: 1241: 1239:Georg Liebling 1236: 1231: 1226: 1221: 1216: 1211: 1206: 1201: 1196: 1194:Eugen d'Albert 1191: 1189:Hans von BĂĽlow 1186: 1181: 1179:Arthur H. Bird 1176: 1170: 1168: 1164: 1163: 1161: 1160: 1154: 1147: 1145: 1141: 1140: 1138: 1137: 1130: 1122: 1120: 1116: 1115: 1113: 1112: 1105: 1098: 1091: 1084: 1077: 1070: 1063: 1060:Mephisto Polka 1056: 1049: 1042: 1035: 1028: 1021: 1014: 1011:Weihnachtsbaum 1007: 1002: 997: 990: 983: 976: 971: 966: 961: 953: 946: 941: 934: 927: 922: 915: 907: 905: 901: 900: 898: 897: 890: 885: 880: 875: 867: 865: 861: 860: 858: 857: 850: 842: 833: 831: 827: 826: 824: 823: 816: 813:Hunnenschlacht 809: 802: 795: 788: 781: 774: 767: 760: 753: 746: 738: 736: 730: 729: 727: 726: 719: 712: 707: 699: 697: 693: 692: 690: 689: 682: 674: 672: 668: 667: 665: 664: 659: 658: 657: 655:Transcriptions 652: 641: 639: 635: 634: 629: 626: 625: 618: 617: 610: 603: 595: 589: 588: 583: 572: 571:External links 569: 566: 565: 551: 528: 502: 481: 462: 461: 459: 456: 408:György Cziffra 388:Hans von BĂĽlow 383: 380: 362:Emil von Sauer 343: 340: 286: 283: 279:Hans von BĂĽlow 251:Andrea Orcagna 214:Hector Berlioz 180: 177: 118: 115: 79:Paraphrase on 56: 50: 40: 33: 32: 31: 22: 21: 20: 15: 9: 6: 4: 3: 2: 2057: 2046: 2043: 2041: 2038: 2036: 2033: 2031: 2028: 2026: 2023: 2022: 2020: 2010: 2000: 1999: 1996: 1978: 1974: 1971: 1967: 1964: 1960: 1957: 1953: 1952: 1950: 1948: 1944: 1938: 1937: 1933: 1931: 1930: 1926: 1924: 1923: 1919: 1917: 1916: 1912: 1910: 1909: 1905: 1903: 1902: 1898: 1896: 1895: 1891: 1889: 1888: 1884: 1882: 1881: 1877: 1875: 1874: 1870: 1868: 1867: 1863: 1861: 1860: 1856: 1854: 1853: 1849: 1847: 1846: 1842: 1840: 1839: 1835: 1833: 1832: 1828: 1826: 1825: 1821: 1817: 1814: 1812: 1809: 1808: 1807: 1804: 1803: 1801: 1799: 1795: 1789: 1788: 1784: 1782: 1781: 1777: 1775: 1774: 1770: 1768: 1767: 1763: 1761: 1760: 1759:Danse macabre 1756: 1755: 1753: 1751: 1747: 1741: 1738: 1736: 1733: 1731: 1728: 1726: 1725: 1721: 1719: 1716: 1714: 1713: 1709: 1707: 1706: 1702: 1701: 1699: 1695: 1689: 1688: 1684: 1683: 1681: 1679: 1675: 1669: 1666: 1664: 1661: 1659: 1656: 1654: 1651: 1650: 1648: 1644: 1641: 1637: 1631: 1628: 1626: 1623: 1621: 1618: 1616: 1613: 1611: 1608: 1606: 1603: 1601: 1598: 1596: 1593: 1591: 1590:Funerary text 1588: 1586: 1583: 1581: 1578: 1576: 1573: 1572: 1570: 1566: 1560: 1557: 1555: 1552: 1550: 1549: 1545: 1543: 1542: 1538: 1536: 1535: 1534:Mono no aware 1531: 1529: 1528: 1524: 1522: 1519: 1517: 1514: 1512: 1511: 1507: 1505: 1504: 1503:Danse Macabre 1500: 1498: 1497: 1493: 1491: 1490: 1486: 1484: 1481: 1480: 1478: 1474: 1469: 1462: 1457: 1455: 1450: 1448: 1443: 1442: 1439: 1427: 1423: 1419: 1417: 1409: 1408: 1405: 1399: 1396: 1394: 1391: 1389: 1387: 1383: 1381: 1378: 1376: 1373: 1371: 1368: 1366: 1363: 1362: 1360: 1356: 1350: 1347: 1345: 1342: 1340: 1337: 1335: 1332: 1330: 1329:István Thomán 1327: 1325: 1322: 1320: 1317: 1315: 1312: 1310: 1307: 1305: 1302: 1300: 1297: 1295: 1292: 1290: 1287: 1285: 1282: 1280: 1279:Carl Reinecke 1277: 1275: 1272: 1270: 1267: 1265: 1262: 1260: 1257: 1255: 1254:Sophie Menter 1252: 1250: 1247: 1245: 1242: 1240: 1237: 1235: 1232: 1230: 1229:Carl Lachmund 1227: 1225: 1224:Martin Krause 1222: 1220: 1217: 1215: 1212: 1210: 1207: 1205: 1202: 1200: 1197: 1195: 1192: 1190: 1187: 1185: 1182: 1180: 1177: 1175: 1174:Carl Baermann 1172: 1171: 1169: 1165: 1158: 1157:Cosima Wagner 1155: 1152: 1149: 1148: 1146: 1142: 1136: 1135: 1131: 1129: 1128: 1124: 1123: 1121: 1117: 1111: 1110: 1106: 1104: 1103: 1099: 1096: 1092: 1090: 1089: 1085: 1083: 1082: 1078: 1076: 1075: 1071: 1068: 1064: 1061: 1057: 1054: 1050: 1048: 1047: 1043: 1040: 1036: 1033: 1029: 1026: 1022: 1019: 1015: 1013: 1012: 1008: 1006: 1003: 1001: 998: 996: 995: 994:Deux lĂ©gendes 991: 989: 988: 984: 982: 981: 977: 975: 974:Ballade No. 2 972: 970: 969:Ballade No. 1 967: 965: 962: 960: 958: 954: 952: 951: 947: 945: 942: 940: 939: 935: 933: 932: 928: 926: 923: 921: 920: 916: 914: 913: 909: 908: 906: 902: 896: 895: 891: 889: 886: 884: 881: 879: 876: 874: 873: 869: 868: 866: 862: 856: 855: 851: 849: 847: 843: 841: 839: 835: 834: 832: 828: 822: 821: 817: 815: 814: 810: 808: 807: 803: 801: 800: 796: 794: 793: 789: 787: 786: 782: 780: 779: 775: 773: 772: 768: 766: 765: 761: 759: 758: 754: 752: 751: 747: 745: 744: 740: 739: 737: 735: 731: 725: 724: 720: 718: 717: 713: 711: 708: 706: 705: 701: 700: 698: 694: 688: 687: 683: 681: 680: 676: 675: 673: 669: 663: 660: 656: 653: 651: 648: 647: 646: 645:Musical works 643: 642: 640: 636: 632: 627: 623: 616: 611: 609: 604: 602: 597: 596: 593: 587: 584: 582: 578: 575: 574: 561: 555: 539: 532: 516: 512: 506: 498: 495: 491: 490:Pohl, Richard 485: 477: 473: 467: 463: 455: 453: 449: 445: 441: 440:Arnaldo Cohen 437: 433: 429: 425: 424:Michel BĂ©roff 421: 417: 413: 412:Claudio Arrau 409: 405: 401: 397: 393: 389: 379: 377: 376:Stephen Tharp 373: 371: 367: 363: 359: 355: 354: 349: 339: 337: 333: 332: 327: 323: 319: 315: 311: 307: 304: 300: 291: 282: 280: 276: 272: 268: 264: 260: 256: 252: 248: 244: 239: 237: 233: 229: 225: 221: 220: 215: 211: 210: 205: 201: 197: 189: 185: 176: 174: 170: 166: 165: 160: 159: 154: 153: 148: 141: 137: 133: 129: 128: 123: 114: 112: 111: 106: 103: 99: 95: 91: 87: 83: 82: 72: 71: 64: 62: 38: 37: 19: 1934: 1927: 1920: 1913: 1906: 1899: 1892: 1885: 1878: 1871: 1864: 1857: 1850: 1843: 1836: 1829: 1822: 1805: 1786: 1785: 1778: 1771: 1764: 1757: 1722: 1712:Bardo Thodol 1710: 1705:Ars moriendi 1703: 1685: 1646:Architecture 1585:Funerary art 1546: 1539: 1532: 1527:Memento mori 1525: 1508: 1501: 1494: 1487: 1385: 1289:Eduard Reuss 1244:Max Liebling 1132: 1125: 1109:Liebesträume 1107: 1100: 1086: 1079: 1072: 1044: 1009: 992: 985: 980:Consolations 978: 956: 948: 936: 929: 917: 910: 893: 892: 870: 852: 845: 837: 818: 811: 804: 797: 790: 783: 776: 769: 762: 757:Les prĂ©ludes 755: 748: 741: 721: 714: 702: 696:Choral works 684: 677: 554: 542:. Retrieved 531: 519:. Retrieved 505: 497: 493: 484: 475: 472:Walker, Alan 466: 385: 374: 369: 353:De Profundis 351: 347: 345: 336:Richard Pohl 329: 321: 306:counterpoint 298: 296: 270: 240: 235: 227: 217: 207: 193: 187: 162: 156: 150: 146: 144: 131: 125: 108: 80: 78: 69: 68: 67: 58: 35: 18: 1880:Roman Widow 1718:Book of Job 1388:(1975 film) 1386:Lisztomania 1324:Karl Tausig 1025:Nuages gris 686:Sardanapalo 662:Lisztomania 622:Franz Liszt 517:. Imslp.org 448:Enrico Pace 428:Byron Janis 416:Jorge Bolet 392:BĂ©la BartĂłk 259:Campo Santo 238:plainsong. 173:Alan Walker 152:FunĂ©railles 98:Franz Liszt 2019:Categories 1730:Left Ginza 1697:Literature 1575:Death mask 1496:Consolatio 1489:Carpe diem 1349:GĂ©za Zichy 1159:(daughter) 1151:Adam Liszt 904:Solo piano 820:Die Ideale 785:Festklänge 771:Prometheus 716:Via crucis 679:Don Sanche 650:Late works 310:percussive 232:variations 105:plainchant 73:(English: 61:media help 1787:Totentanz 894:Totentanz 577:Totentanz 521:7 January 454:in 1989. 418:(Decca), 370:Totentanz 350:a second 348:Totentanz 331:col legno 322:Totentanz 299:Totentanz 275:The Hague 271:Totentanz 257:) in the 236:Dies Irae 228:Totentanz 219:Dies Irae 190:, c. 1355 147:Totentanz 132:Totentanz 110:Dies irae 102:Gregorian 94:orchestra 81:Dies irae 70:Totentanz 36:Totentanz 1970:Erlkönig 1811:Guercino 1798:Painting 1780:Erlkönig 1600:Memorial 1548:Ubi sunt 1416:Category 1153:(father) 848:Symphony 840:Symphony 799:Hungaria 492:(1883). 474:(1983). 200:Medieval 196:Romantic 1816:Poussin 1639:Artwork 1625:Tragedy 1615:Requiem 1559:Vanitas 1521:Macabre 1358:Related 1209:Amy Fay 1074:Csárdás 778:Mazeppa 764:Orpheus 544:27 July 496:, vol.2 450:at the 430:(RCA), 326:toccata 303:canonic 194:In the 134:) from 107:melody 1995:Portal 1947:Poetry 1866:Plague 1630:Wreath 1595:Lament 1476:Themes 1167:Pupils 1144:Family 959:Sonata 806:Hamlet 671:Operas 446:, and 314:BartĂłk 243:fresco 1750:Music 1605:Mummy 1580:Elegy 1568:Forms 1468:Death 1426:Audio 957:Dante 846:Dante 838:Faust 638:Music 458:Notes 204:irony 90:piano 86:S.126 1678:Film 1620:Tomb 546:2014 523:2015 398:and 263:Pisa 161:and 92:and 316:'s 212:by 96:by 77:): 2021:: 434:, 414:, 394:, 390:, 261:, 155:, 149:, 84:, 1997:: 1979:" 1975:" 1972:" 1968:" 1965:" 1961:" 1958:" 1954:" 1460:e 1453:t 1446:v 1097:" 1093:" 1069:" 1065:" 1062:" 1058:" 1055:" 1051:" 1041:" 1037:" 1034:" 1030:" 1027:" 1023:" 1020:" 1016:" 614:e 607:t 600:v 562:. 548:. 525:. 222:( 130:( 63:.

Index

Totentanz
media help
S.126
piano
orchestra
Franz Liszt
Gregorian
plainchant
Dies irae

The Dance of Death
Liber Chronicarum
Michael Wolgemut
Funérailles
La lugubre gondola
Pensée des morts
fascination with death
Alan Walker

Romantic
Medieval
irony
Symphonie fantastique
Hector Berlioz
Dies Irae
Day of Judgment
variations
fresco
Francesco Traini
Andrea Orcagna

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑