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albums. The stripe label lasted until Tower ceased operations sometime around 1970. Tower releases have numerous many small variations of label type for stereo and mono releases and re-pressings. Minor label variations also sometimes make it possible to determine which of the three
Capitol Records factories manufactured each copy.
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Tower record labels from 1964 to approximately 1968 had a solid brownish-orange color. This design was used for both singles and albums. Starting sometime around late 1968 or early 1969 the design was changed to a multicolored stripe label, and again, the stripe design was used for both singles and
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in the USA). Tower released three Pink Floyd albums. The five Pink Floyd singles on Tower have become the most valuable (fetching three figures in mint condition) and sought-after of the label's recordings. Tower released the single
649:. At some point during Curless' tenure with Tower, they also acquired Curless' earliest recordings, which he had made for the Event and Tiffany labels, and re-issued them in a string of Compilation LP's.
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in 2012, UMG now owns and handles the Tower
Records catalog through Capitol, with the exception of the Pink Floyd catalogue, which is owned by the band and currently licensed in the UK and Europe by
255:(only 6 songs recorded in 1963, that were released by Tower on the strength of his hit "It's Not Unusual" two years later in 1965, much to the dismay of the singer, who was actually signed to
359:" (Tower 440) are especially rare and were not released at all in the U.K. After the Tower label was dissolved the Pink Floyd albums were re-issued on another Capitol/EMI subsidiary,
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Named after
Capitol's headquarters building, Tower was formed as a subsidiary to Capitol in 1964. In its early years, it released recordings by British invasion artists like
423:. Other Tower releases by British Invasion acts such as Freddie and the Dreamers, which Tower/Capitol acquired from EMI, are property of Parlophone today.
313:. While not releasing recordings from this genre exclusively, it seemed their greatest chart successes came from garage bands, such as "Blues' Theme" from
221:, Tower often released music by artists who were relatively low-profile in compared to those released on the parent label, including artists—such as
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Capitol shut down Tower
Records in 1970. In 1992, the original label was used as part of EMI's "Legends Of Rock And Roll" series of CDs for their
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872:"Sony Corporation of America: Pink Floyd: For The First Time In Over Two Decades The Complete Pink Floyd Catalog To Be Available On Vinyl"
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Her one and only single on Tower, "What's A Girl To Do"/"When You Get What You Want" (Tower 326), shows her name misspelled as "Annettte"
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294:, a song that was considered racy by some. It became Whitcomb's biggest hit (and Tower's only other Top 10 record, peaking at #8 on
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229:—later recognized as "garage bands". For this reason Tower is often associated with the garage rock phenomenon of the 1960s.
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Features only two tracks by
Freddie & The Dreamers; the other 10 tracks are by other British artists and groups
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Recorded for Tower
Records between c. 1965 until 1970, when he was moved to the roster of Tower's parent label,
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joined the label in 1968. Curb had a hand in releasing several soundtracks on the Tower label, most notably,
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1968–1970: Multi-color striped label with Tower logo on left side (album labels feature the logo at the top)
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were released also in 1967. Today these are very collectible. Mississippi "sunshine pop" group
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Where Did
Robinson Crusoe Go With Friday On Saturday Night—Ian Whitcomb—Tower 274—US #101, 11/66
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in the 70's) placed Tower back on the charts with "Mrs. Bluebird" in the summer of 1968.
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his first national releases. Tower's first single (#101) was "Car Party/Outta Gas" by
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In 1966, the label became one of the premiere purveyors of what would later be called
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The Wild Angels (Soundtrack) -- Davie Allan & The Arrows—Tower 5043—US #17, 10/66
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Devil's Angels (Soundtrack) -- Davie Allan & The Arrows—Tower 5074—US #165, 8/67
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Best Of The
Soundtracks (Compilation) -- Various artists—Tower 5148—US #198, 2/69
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Theme From "The Wild Angels"—Davie Allan & The Arrows—Tower 267—US #99, 11/66
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The Wild Angels, Volume II—Davie Allan & The Arrows—Tower 5056—US #94, 4/67
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This article is about the 1960s record label. For the retail music chain, see
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Shape Of Things To Come—Max Frost & The
Troopers—Tower 419—US #22, 9/68
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Sometimes Good Guys Don't Wear White—The
Standells—Tower 257—US #43, 8/66
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This Sporting Life—Ian Whitcomb & Bluesville—Tower 120—US #100, 3/65
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Fifty-Two Percent—Max Frost & The Troopers—Tower 452—US #123, 12/68
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Send A Letter To Me—Freddie & The Dreamers—Tower 163—US #123, 10/65
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Rare garage single with an even rarer promotional color picture sleeve
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I'm Telling You Now—Freddie & The Dreamers—Tower 5003—US #86, 5/65
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You Were Made For Me—Freddie & The Dreamers—Tower 127—US #21, 5/65
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Blue's Theme—The Arrows featuring Davie Allan—Tower 295—US #37, 4/67
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in the U.S. in 1967 without success after acquiring the rights from
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Devil's Angels—Davie Allan & The Arrows—Tower 341—US #97, 7/67
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Apache '65—The Arrows featuring Davie Allan—Tower 116—US #64, 2/65
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298:). Other Tower hits that year included "I Live For The Sun" by
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Sunshine Among Us—Eternity's Children—Tower 439—US #117, 9/68
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Can't Help But Love You—The Standells—Tower 348—US #78, 11/67
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1964–1968: Brownish orange label with Tower logo on left side
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Riot On Sunset Strip—The Standells—Tower 314—US #133, 3/67
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Mrs. Bluebird—Eternity's Children—Tower 416—US #69, 7/68
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Winchester Cathedral—Dana Rollin—Tower 283—US #71, 11/66
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In 1965, Tower made a bit of a risky move by releasing "
768:"Little Tommy's Letter"/"Ruth From Duluth" (Tower 187)
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Wild In The Streets—Soundtrack—Tower 5099—US #12, 7/68
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N-E-R-V-O-U-S! -- Ian Whitcomb—Tower 155—US #59, 9/65
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I Live For The Sun—The Sunrays—Tower 148—US #51, 9/65
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from the original on 2021-12-22 – via YouTube.
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You Turn Me On—Ian Whitcomb—Tower 5004—US #125, 7/65
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Why Pick On Me—The Standells—Tower 282—US #54, 10/66
474:—Ian Whitcomb & Bluesville—Tower 134—US #8, 5/65
23:. For the building also known as Tower Records, see
889:Freddie and the Dreamers - Topic (18 August 2014).
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Chills And Fever—Tom Jones—Tower 190—US #125, 12/65
60:. Unsourced material may be challenged and removed.
465:Little Lonely One—Tom Jones—Tower 126—US #42, 5/65
462:"—Freddie & The Dreamers—Tower 125—US #1, 3/65
823:"Tom Jones' Visual Discography: Pre-Decca Period"
565:Dirty Water—The Standells—Tower 5027—US #52, 7/66
528:See Emily Play—Pink Floyd—Tower 356—US #134, 9/67
271:, a California pop group produced and managed by
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486:Dirty Water—The Standells—Tower 185—US #11, 4/66
419:unit and in the US and the rest of the world by
854:"Pink Floyd Archives-Tower Records Discography"
827:Tom Jones' Visual Discography (txhighlands.com)
829:. BJ Spencer. January 16, 2005. Archived from
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519:Edelweiss—Vince Hill—Tower 323—US #119, 4/67
217:active from 1964 to 1970. A subsidiary of
492:Andrea—The Sunrays—Tower 191—US #41, 1/66
120:Learn how and when to remove this message
16:American record label active 1964 to 1970
909:"Label: Tower Records - Rate Your Music"
495:Still—The Sunrays—Tower 224—US #93, 5/66
326:Tower released the first recordings by
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403:compilation. With the sale of most of
590:—Pink Floyd—Tower 5093—US #131, 12/67
979:1970 disestablishments in California
969:Record labels disestablished in 1970
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396:' "The Shape of Things To Come".
69:"Tower Records" record label
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401:Best Of Freddie And The Dreamers
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45:needs additional citations for
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363:and later Capitol Records.
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852:Archives, The Pink Floyd.
677:Max Frost and the Troopers
672:Freddie & The Dreamers
394:Max Frost and the Troopers
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891:"What Have I Done To You"
603:Other Tower label artists
575:—Tower 5028—US #116, 7/66
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633:The Chocolate Watch Band
421:Sony Music Entertainment
368:The Chocolate Watch Band
279:Brian, Dennis and Carl.
239:Freddie and the Dreamers
186:Sony Music Entertainment
357:Let There Be More Light
227:The Chocolate Watchband
784:Teddy & The Pandas
302:and "Dirty Water", by
858:pinkfloydarchives.com
409:Universal Music Group
156:Universal Music Group
696:Brother Dave Gardner
54:improve this article
742:Darlene McCrea (of
667:Eternity's Children
460:I'm Telling You Now
390:Wild in the Streets
372:Eternity's Children
366:Several singles by
355:" (Tower 378) and "
243:I'm Telling You Now
413:Warner Music Group
374:(who evolved into
323:& the Arrows.
25:360 Newbury Street
949:Pop record labels
913:rateyourmusic.com
833:on April 28, 2012
682:Annette Funicello
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835:. Retrieved
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798:Ian Whitcomb
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638:Dick Curless
624:The Tornados
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569:Way Out West
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292:Ian Whitcomb
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132:Record label
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52:Please help
47:verification
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780:The Sunrays
759:Dana Rollin
744:The Cookies
738:Dean Martin
728:Gus Jenkins
723:Jake Holmes
660:The E-Types
447:Gus Jenkins
321:Davie Allan
311:garage rock
300:The Sunrays
269:The Sunrays
943:Categories
809:References
755:Pink Floyd
718:Vince Hill
713:Susan Hart
656:Mac Curtis
629:Ray Chafin
620:Heinz Burt
445:Chittlins—
417:Parlophone
328:Pink Floyd
277:Beach Boys
241:, (whose "
80:newspapers
733:Tom Jones
386:Mike Curb
296:Billboard
253:Tom Jones
248:Billboard
895:Archived
837:July 13,
793:Mae West
573:Mae West
376:Starbuck
336:Columbia
233:Overview
934:Discogs
647:Capitol
618:Heinz (
382:A&R
353:Flaming
342:-owned
265:Nilsson
196:Various
170:Defunct
162:Founded
94:scholar
334:'s UK
261:Parrot
257:London
251:) and
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290:" by
193:Genre
101:JSTOR
87:books
839:2014
788:Them
384:man
225:and
173:1970
165:1964
73:news
622:of
415:'s
405:EMI
340:CBS
332:EMI
319:by
56:by
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