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that it was "invested with such intense psychological detail that the narrative faults vanish." Jonathan
Rosenbaum wrote that it was "one of 's last great pictures...The costumes, decor, and 'Scope compositions show Minnelli at his most expressive, and the gaudy intensity—as well as the inside detail
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was unimpressed: “The scenery has a certain amount of charm, but the same can hardly be said for the people. They’re a scheming, quarrelsome lot constantly trying to knife each other, both literally and figuratively....The insecurities, the business and personal jealousies, and the riotous behavior
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The adult subject matter ran into problems with the MPAA and the conservative studio executives at MGM. Joseph Vogel, the new studio head, wanted to transform the project into a "family film" and had it re-edited without
Minnelli's input, reducing the total running time by 15 minutes. Both Minnelli
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While working, he socializes with the beautiful
Veronica, but she actually is in love with Drew. The actor is having a great deal of difficulty with his part, and the movie is over budget and behind schedule. Kruger's stress is increased by the constant harping of Clara, resulting in a heart attack
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was deleted as well as a melancholy monologue by Cyd
Charisse that was supposed to humanize her character. Kirk Douglas later wrote in his 1988 autobiography that "this was such an injustice to Vincente Minnelli, who'd done such a wonderful job with the film. And an injustice to the paying public,
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Andrus is asked to take over the director's chair and complete the film. Glad to do this favor for Kruger, he takes charge and gets the film back on schedule. The actors respond to him so much that Drew's representatives tell Andrus the actor will insist on his directing Drew's next film.
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of some members of the film company are luridly depicted. The acting is capable enough, but I found it hard to care very much about any of the characters. Incidentally, the picture they’re shooting, which is the cause of the heartbreak and the one heart attack, looks perfectly dreadful.”
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Andrus is offered a chance to come to Rome and play a role in Kruger's new film. He is crestfallen upon arriving when told that the part is no longer available to him. Kruger's mean-spirited wife Clara doesn't pity him a bit, but Andrus is invited to take a lesser job assisting at
366:
Proud of what he has done, Andrus goes to Kruger in the hospital, delighted to report the progress he's made, only to be attacked by Clara for trying to undermine Kruger and steal his movie from him. Andrus is shocked when Kruger sides with her.
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review of August 18, 1962 wrote: "The whole thing is a lot of glib trade patter, ridiculous and unconvincing snarls and a weird professional clash between the actor and director that is like something out of a
Hollywood cartoon."
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Once an established movie star, Jack Andrus has hit rock bottom. An alcoholic, he has been divorced by wife
Carlotta, barely survived a car crash, and spent three years in a sanitarium recovering from a nervous breakdown.
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Maurice Kruger, a film director who was something of a mentor to Andrus, is a has-been. However, he has landed a job in Italy, directing a movie that stars Davie Drew, a handsome, up-and-coming young actor.
455:: director (Vincente Minnelli), producer (John Houseman), screenwriter (Charles Schnee), composer (David Raksin), male star (Kirk Douglas), and studio (MGM). Both movies feature performances of the song "
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An all-night descent into an alcohol-fueled rage follows. Carlotta goes along as a drunken Andrus gets behind the wheel of a car and races through the streets of Rome, nearly killing both of them.
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According to MGM records, the film earned $ 1 million in the U.S. and Canada and $ 1.5 million elsewhere, resulting in an overall loss of $ 2,969,000.
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In the scene where Jack Andrus searches for David Drew in nightclubs in Rome, the song is "O' Pellirossa" featuring the
Italian singer and drummer
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At the last minute, Andrus comes to his senses. He vows to return home, continue his sobriety and get his life back on track.
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who could have had the experience of watching a very dramatic, meaningful film. They released it that way, emasculated."
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and depicts the shooting of a romantic costume drama in Rome by a team of decadent
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The film's reputation has greatly improved over time. David
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in a screening room, presented as a movie in which
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is not a sequel, however; the characters in the two stories are unrelated.
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and Houseman protested but to no avail. An orgy-party scene inspired by
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The story was seen by some as a depiction of the relationships among
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Initially, the film wasn't well-received by critics or the public.
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said it earned over $ 1 million in rentals in the US and Canada.
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about the movie business—makes this compulsively watchable."
475:. In one scene of the former, the cast watches clips from
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Please note these are rentals and not gross figures
319:, and starring Kirk Douglas as the lead character.
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296:era. The picture contains several references to
486:George Hamilton was cast as "a troubled, funky
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16:1962 drama film directed by Vincente Minnelli
449:was created by the same team that worked on
311:a decade earlier, also with a screenplay by
307:movie directed by Minnelli and produced by
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519:Kirk Douglas drives is a 3500 GT Spyder.
359:that sends the director to the hospital.
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288:. The film was based on a 1960 novel by
555:The New Biographical Dictionary of Film
355:with the dubbing of the actors' lines.
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613:
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1134:Films directed by Vincente Minnelli
1048:The Four Horsemen of the Apocalypse
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13:
1149:Films about Hollywood, Los Angeles
1088:On a Clear Day You Can See Forever
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627:, Simon & Schuster 2008 p 157
268:. The supporting players include
1064:The Courtship of Eddie's Father
1154:Films based on American novels
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581:List of American films of 1962
1:
699:"Big Rental Pictures of 1962"
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562:
441:
1174:1960s English-language films
1139:Films scored by David Raksin
761:AFI Catalog of Feature Films
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7:
674:"Two Weeks in Another Town"
639:"Two Weeks in Another Town"
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10:
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1164:Metro-Goldwyn-Mayer films
1056:Two Weeks in Another Town
923:The Bad and the Beautiful
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768:Two Weeks in Another Town
755:Two Weeks in Another Town
744:Two Weeks in Another Town
733:Two Weeks in Another Town
722:Two Weeks in Another Town
705:. 9 Jan 1963. p. 13.
481:Two Weeks in Another Town
477:The Bad and the Beautiful
473:The Bad and the Beautiful
465:Two Weeks in Another Town
452:The Bad and the Beautiful
447:Two Weeks in Another Town
299:The Bad and the Beautiful
249:Two Weeks in Another Town
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63:Two Weeks in Another Town
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33:Theatrical release poster
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22:Two Weeks in Another Town
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936:The Story of Three Loves
907:Father's Little Dividend
175:Metro-Goldwyn-Mayer Inc.
1016:The Reluctant Debutante
606:The Eddie Mannix Ledger
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337:
1144:Films about filmmaking
952:The Long, Long Trailer
619:George Hamilton &
303:a previous successful
294:Hollywood on the Tiber
867:Yolanda and the Thief
672:Rosenbaum, Jonathan.
643:Turner Classic Movies
1179:1960s American films
1129:American drama films
915:An American in Paris
843:Meet Me in St. Louis
196: (United States)
899:Father of the Bride
252:is a 1962 American
161:Metro-Goldwyn-Mayer
1032:Home from the Hill
813:Films directed by
738:TCM Movie Database
625:Don't Mind If I Do
419:Rosanna Schiaffino
389:Edward G. Robinson
286:Rosanna Schiaffino
266:Edward G. Robinson
114:Rosanna Schiaffino
94:Edward G. Robinson
1169:CinemaScope films
1159:Films set in Rome
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1040:Bells Are Ringing
1024:Some Came Running
815:Vincente Minnelli
391:as Maurice Kruger
258:Vincente Minnelli
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137:Robert James Kern
124:Milton R. Krasner
43:Vincente Minnelli
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317:David Raksin
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270:Cyd Charisse
262:Kirk Douglas
256:directed by
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205:Running time
181:Release date
146:David Raksin
98:Cyd Charisse
90:Kirk Douglas
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683:January 25,
648:January 25,
427:as Tom Byrd
421:as Barzelli
409:as Veronica
407:Daliah Lavi
397:as Carlotta
315:, music by
278:Daliah Lavi
241:$ 2,500,000
233:$ 3,959,000
209:107 minutes
110:Daliah Lavi
76:Produced by
39:Directed by
1119:1962 films
1113:Categories
968:The Cobweb
883:The Pirate
587:References
563:Box office
488:James Dean
469:Peggy King
442:Production
290:Irwin Shaw
254:drama film
238:Box office
192:1962-08-17
153:Production
70:Irwin Shaw
66:1960 novel
960:Brigadoon
851:The Clock
835:I Dood It
523:Reception
431:Mino Doro
155:companies
130:Edited by
749:AllMovie
575:See also
528:Critical
517:Maserati
222:Language
142:Music by
86:Starring
59:Based on
933:" from
758:at the
736:at the
703:Variety
569:Variety
536:in his
467:and by
225:English
214:Country
190: (
1099:(1976)
1091:(1970)
1083:(1965)
1075:(1964)
1067:(1963)
1059:(1962)
1051:(1962)
1043:(1960)
1035:(1960)
1027:(1958)
1019:(1958)
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995:(1956)
987:(1956)
979:(1955)
976:Kismet
971:(1955)
963:(1954)
955:(1954)
947:(1953)
939:(1953)
926:(1952)
918:(1951)
910:(1951)
902:(1950)
894:(1949)
886:(1948)
878:(1946)
870:(1945)
862:(1945)
854:(1945)
846:(1944)
838:(1943)
830:(1943)
459:": by
437:Tucino
284:, and
230:Budget
1008:Gigi
727:IMDb
685:2019
650:2019
544:The
515:The
377:Cast
338:Plot
330:and
264:and
771:at
747:at
725:at
505:'s
471:in
463:in
433:as
305:MGM
68:by
1115::
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194:)
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