USS Enterprise (NCC-1701)

817: 723:. The bridge was monochromatic for "The Cage", but it was redecorated for "Where No Man Has Gone Before" because of the increasing popularity of color televisions. The first pilot episode's bridge set was rigid, making it difficult for cameras to move in. For series production, the bridge set was rebuilt modularly, allowing large sections to be removed to make camera movement easier. The complicated electronics that provided bridge set readouts and lights required expensive air conditioning to avoid overheating. The chairs used on the bridge and other sets were manufactured by Burke of 2425: 2586: 661:" (1966), various details of this 11-foot model were altered, and the starboard windows and running lights were internally illuminated. When the series went into production, the model was altered again, and it was regularly modified throughout its active filming. Most of the fine details on the large model were not visible to television viewers. Wiring for the interior lighting ran into the model on its left side, so it could only be filmed from the right; for shots requiring the other side of the 935: 450: 484:, was responsible for designing the ship and several of its sets. Jefferies and Roddenberry did not want the vessel to look like any of the rocket ships already used by the aerospace industry or in popular culture; many designs were rejected for being "too conventional". To meet Roddenberry's requirement that the ship look believable, Jefferies tried "to visualize what the fourth, fifth or tenth generation of present-day equipment would be like". Jefferies' experience with 1133: 599: 630: 742:, was redressed as the shuttlebay. Other sets that were redressed to save costs included the briefing room, which also served as the recreation room and cargo deck; and Kirk's cabin, which was also Spock's. Going into the show's second season, NBC executives pressed the production to have fewer episodes based on the ship, and more that occur on alien worlds. In April 1968, Roddenberry pushed back, comparing the 62: 1424:, and the model's digital paint recreated the "Aztec" hull pattern from the first films. The large engine nacelles had a sleeker finish and shape compared to the original ship's otherwise simple nacelles. Sean Hargreaves' redesign of the successor NCC-1701-A "beef up" the vessel's support pylons, which are depicted as vulnerabilities in 649:. Datin supervised the work and did detailing on the model, which was constructed from plaster, sheet metal, and wood. When completed, it was 135 inches (3.43 m) long, weighed 125 kilograms (276 lb), and cost $ 6,000 (equivalent to $ 58,011 in 2023). The model was delivered too late to be used much for the initial 1016:, and Michelson largely retained the design and its consoles. The weapons console was rotated 90 degrees to break the monotony of stations facing the wall. Designer Lee Cole brought logic and function to the console designs, though Michelson wanted to remain focused on "drama, spectacle and beauty" over accuracy and logic. 1500:. The designers had an unusually long time to work on the ship: April to October 2017, whereas they usually had only a few weeks to design a vessel. Other than a few small notes, they were given no explicit direction about the ship's appearance; Schneider called the redesign project the trio's "golden hour". 1664:'s and Spock's console scanners, red bridge railings, and turbolift handles. They also created new elements, such as a corridor running behind the bridge. According to Deverell, the hardest part of designing the bridge was choosing the color palette. The bridge chairs were nearly identical to those used in 1027:

Set designer Lewis Splittgerber described the engine room set as the most difficult to realize. Through forced perspective and small actors, the 40-foot (12 m) set was depicted as a 100-foot (30 m) engineering space. Corridors were initially a straight-wall design similar to the television

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During a visit with Jefferies, Roddenberry and NBC staff were drawn to a sketch of the ship resembling its final configuration. Jefferies had created a small model of this design that, when held from a string, hung upside-down – an appearance he had to "unsell". He kept the hull smooth, with a sense

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or other musical instrument, and engine sounds were created in part with a noisy air conditioner. Although there is no sound in space, producers thought that dramatic license required the ship to make noise during exterior shots. The sound of the ship "whoosh"ing past in the main title sequence was

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The 11-foot model was initially filmed by Howard Anderson. Anderson's team struggled to film the model in a way that suggested it was moving at tremendous speeds, as the producers wanted to avoid the cliched look of a spacecraft drifting through space. Additionally, the model was so large there was

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design and focused on the functionality behind the familiar components. His initial designs were modeled and refined by set designer Joseph Hiura. This design was then given to ILM for further refinement and developed into photo-realistic models by Alex Jaeger's team. ILM's Roger Guyett, recalling

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model was seen in only 17 poses, the new model had five articulation points and could be shot from any angle. Paul Olsen painted the "Aztec" hull pattern to provide an additional level of detail and to suggest the presence of interlocking panels providing strength. The effect was made possible by

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for major subcomponents and otherwise worked on the model for approximately 110 hours during November 1964. The 33-inch (0.84 m) model was made mostly of pine, with Plexiglass and brass details. Datin made minor changes after Roddenberry's review, and he submitted the completed model – which

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influenced Church's redesign for the bridge. Sophisticated technology became a motif on the new set, with multiple displays and computer graphics. The viewscreen from the television series was kept, and giving different characters their own computer displays suggested the idea of a team working

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We're out in deep space, on the equivalent of a cruiser-size spaceship. We don't know what the mode of power is, but I don't want to see any trails of fire. No streaks of smoke, no jet intakes, rocket exhaust, or anything like that . It will be like a deep space exploration vehicle, operating

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and less like a studio filming model. The model underwent restorations in 1974, 1984, 1992, and 2016. For much of its time on display, fans have been surprised at the differences between the model and their expectations about how the "real" spacecraft should appear. A substantial, multi-year

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wanted the corridors to be narrower than on the television series, and mirrors gave the impression that they were longer than they actually were. Wise was also responsible for the ship's drab interior color scheme: the muted colors were meant to be comfortable across a five-year journey.

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together. Because the original series transporter room seemed flat to Abrams, he used swirling light and a moving camera to make the redesigned set and effects more dynamic. The budget prevented the creation of a huge, functional engineering room set, and producers instead filmed at a

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walked through the production lots looking for "serendipitous items" that could be modified into set details to enhance the interiors. Jefferies added new details to a portable maintenance tunnel set each time it was used. The production staff called the set the "Jefferies tube" as an

1352: 1568:. One distinct challenge was the hull: Jefferies' design featured a smooth hull, but the lack of features would appear too simple on modern high-definition displays. The designers added details, such as phaser banks and control thrusters, that "must have been there" on the original 488:

let him imbue his designs with what he called "aircraft logic". He imagined the ship's engines would be too powerful to be near the crew, requiring them to be set apart from the hull. Jefferies initially rejected a disk-shaped component, worried about the similarities to

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s design, which influenced future starships in the franchise, is iconic. The design came at the end of a trend for science-fiction spaceships to resemble rockets, and just as real spacecraft began to influence sci-fi designs. When it first appeared on television, the

493:; however, a spherical module eventually flattened into a disk. Because the ship would be expected to flash by quickly on television screens, Jefferies wanted the design to be "very simple, but immediately identifiable - a shape that you could instantly pick out." 1750:

to bring it closer to the size of the original series set. The sets were designed to function like a practical starship, with moving components and pre-programmed monitor graphics that reacted to the actors. While the viewscreen was a visual effect in

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bridge simulator. The production crew made several "plugs" to cover consoles and alcoves, and pyrotechnics could destroy the plugs during combat sequences without damaging the underlying set. The torpedo bay set is a redress of the Klingon bridge from

1097:. The bridge set was "unbuttoned" so segments could be removed to better accommodate filming more dynamic action, though filming on the 360-degree set was still challenging. Further complicating the set was that it served three roles in the film: the 669:

little room in the filming space for the camera to move around it. Anderson could not keep up with the filming and special effects needs for regular production, so producers hired several other studios to contribute effects and additional footage.

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bridge appears in the second season's finale. Production designer Tamara Deverell and her team wanted to honor the original bridge but needed to create the set using modern techniques and to meet modern audience expectations. The production's

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model and reveled in its destruction. Rather than damage the large and expensive model, several less expensive miniatures and modules were created and destroyed. One of the destroyed models had been created by Brick Price Movie Miniatures for

1267:, initially planned to use the film-era set. Ultimately, recreations of the original television series' captain's chair, navigation console, and engineering console were rented from fans, and the rest was filled in with archival footage and 694:

footage to recreate the ship's movements, contributing to the impression of the animated series being a fourth season of the original. The animated show's limited color palette could not accommodate all of the ship's various colors, so the

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s overlap, and are clearly related, but they do not map completely onto each other," and unpacking distinctions between them contributes to scholarly analysis of popular and material culture and of "this significant television artifact".

1893:. Kirk then lures most of the Klingons onto the immobilized vessel, which he and his officers set to self-destruct before abandoning ship. When Kirk and his officers return to Earth, Kirk is demoted to captain and given command of a new 1093:, and more blinking lights and signage to match the nautical atmosphere Meyer wanted to convey. Rear-projection systems for bridge displays were replaced with monitors looping taped material created by graphic designer Lee Cole at the 1759:

set. Sickbay was an entirely new design, meant to convey a large scale and capable of accommodating many camera movements. Designers relied on a massive augmented reality LED volume to depict the scale of main engineering. Due to

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to help refine the ship's details. Probert added items such as phaser banks, control thrusters, and hatches for saucer section landing gear; Taylor redesigned the edge of the saucer and elements of the warp nacelles. Art director

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subsidiary Magicam spent 14 months and $ 150,000 building the 8-foot (2.4 m), 39-kilogram (86 lb) model. An arc-welded aluminum skeleton ensured parts of the ship would not sag, bend, or shake. While the original

1668:, and the captain's chair was heavily influenced by Captain Kirk's original. A fan-created replica of the original bridge – later opened as museum – sent the production team hundreds of buttons for the set's consoles. 880:

He began with the original design and identified components, such as the engines, that would have been upgraded. Some elements, like the sensor dish, would move inside the ship to be more easily serviced. Abandoning

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bridge as having a large piece of transparent aluminum at its front that can become either transparent or opaque. Eaves sent the design team's model to the visual effects team, which made further design changes.

1511:'s sleek aesthetic, and the team selected one to refine. They developed the vessel with the assumption that components like the warp nacelles and impulse engines would be replaced over time; the modules for the 508:

s basic modules: a main body, two engine pods, and a neck with a head on it. Some of Jefferies' rejected design concepts – such as spherical hull sections and warp engines that encircle a ship – inspired future

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was largely recreated from the live action series, a second turbolift was added to the bridge in response to Roddenberry being asked, "What do they do if the doors get stuck?" Franz Joseph designed full

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a "mother goddess" who, consistent with "one of the oldest and highest myths" in humanity, sacrifices herself so her children, the crew, can live on. David C. Fein, who produced the director's cut of

396:, and a cylindrical secondary hull – persisted across several television and film redesigns. The vessel influenced the design of subsequent franchise spacecraft, and the model filmed for the original 997:

relit the ship as if it were an ocean liner, "a grand lady of the seas at night", because there would be no external light source in deep space. A 20-inch (51 cm) model was used for long shots.

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in 1974, disassembled across three crates and dirty. In shipping the model, Paramount estimated the value of the model at $ 5,000. Starting in 1976, it hung at an exhibit gallery entrance at the

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films for bridge displays came initially from Stowmar Enterprises. When production exhausted the films faster than Stowmar could supply them, production designers manufactured their own from

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film has the same core design as Matt Jefferies' original. It also includes elements from previous films, such as the "Aztec" paint scheme. The enlarged engine nacelles emphasize director

1727:"tried to evoke the experience of watching , but with the grammar available to us today." Goldsman describes the ship as aspirational and meant to pull audiences into an imagined future. 5470: 1299:. Set designer Laura Richarz's biggest challenge was finding Burke chairs to populate the ship: she found just one, which the production team used to make molds to create more. 1503:

They considered but quickly rejected a design significantly different from Jefferies' original. Eaves created 10 relatively similar sketches that streamlined the original

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to move it. Illustrator Mike Minor described the ship as a "sculpture" with an "aerodynamic shape," requiring careful filming so that its movements did not appear "silly".

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in the paint, which altered its apparent color. However, the paint created light flare that made it hard to discern the edge of the ship against a dark background, and

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design: a saucer section, engineering section, and a pair of engine nacelles. Probert did this in part to assuage skeptical fans who were concerned about the original

5320: 665:, the footage was either flipped or filmed using the 33-inch model. Because of this, some of the fine details added to the model were added only to its right side. 7421: 2708:

before being moved to the gift shop, where it stayed for 14 years. In the first of its initial restorations, the model was altered to look more like the starship

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as a character or popular culture icon, and the actual physical objects (for example, the filming models) as an iconic design. According to Weitekamp, "The two

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redesigns because the film medium would resolve more detail than television, and one of the most difficult challenges facing the producers was recreating the

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model is one of the company's highest-selling kits: one million kits sold during the show's first year of production; the previous bestseller, a car from

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restoration culminated in 2016 with the unveiling of a new display in the Milestones of Flight Hall. This restoration highlighted the duality of the

1214:

described the model as "gorgeous," and she said some of its details – such as the windows into the arboretum – were not done justice by photographs.

440:'s main vessel to look like. Despite the research, he was more confident in what he did not want than what he did want. He set several parameters: 6005: 5418: 1202:

that was virtually identical to the previous ship. It took ILM more than six weeks to restore and repaint the original model to appear as the new

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film bridges – also recorded in widescreen – to assist with designing for the different ratio. The bridge was a fully constructed set, save for

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Crucially, the famous words that begin each episode of the TV show, and that recur in the films, are not "These are the voyages of Captain Kirk

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film. Previsualization lead David Dozoretz credits the designers for overcoming the challenge of doing "a 2009 version of the '60s". Director

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for the remastered original series had to ensure the model was not so detailed that it was incongruous with the overall 1960s production.

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As production continued, standing sets like the engine room and bridge became increasingly detailed. Jefferies and associate producer

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as Kirk's lover, and said destroying the ship meant Kirk "killed the woman that he loves more than any existing being in the world."

1811: 1628:, wasn't worried whether fans were satisfied with the ship's redesign: while many of the staff who developed the new appearance were 824: 654: 7020: 6513: 6328:

The SMC looks like a miniature version of a war room at the Pentagon and works in a similar fashion to the bridge seen on Star Trek.

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interiors were designed to be distinct from the film's Klingon ship, and certain support structure designs were used throughout the

8056: 6146: 4944: 1229:. The director's cut replaced several bridge computer voices with human voices to "warm up" the film. The bridge and several other 735:. When production ended after the third season, major elements of the bridge set were donated to the UCLA Theater Arts Department. 513:

vessel designs. Jefferies designed the hull to be smooth, concluding that the ship's important machinery would be inside the hull.

6672: 6315: 1403:" look while retaining the traditional shape, and he otherwise gave designers leeway to create the ship. The designers wanted the 8287: 7458: 7453: 7448: 7407: 4783: 2353: 2013: 1256: 6976: 2988: 1850:

novels and other media depict a second five-year mission under Kirk's command between the events of the first and second films.

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destroyed. Although Bennett had insisted that the demise of the ship be kept secret, the news leaked. Visual effects supervisor

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s, and Jefferies believed a venture into space would be a joint operation by the United States and Russia. Jefferies rejected

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and conceptual illustrator Mike Minor added additional details. David Kimble created diagrams and deck plans for the updated

5639: 3983: 3743: 7947: 7667: 7130: 6673:"Jeff Bezos lifts curtain on Blue Origin rocket factory, lays out grand plan for space travel that spans hundreds of years" 4255: 3245: 1776:

palette. A specific shade of red is used as a secondary color throughout the ship, complementing warm and cold off-whites.

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According to Abrams, recreating the original bridge would have been ridiculous and too small. Abrams' enthusiasm for a new

7491: 6215: 2185: 1885:, and Kirk and his senior officers steal the ship as part of their plan to restore Spock's life. During their mission, a 1156: 1146: 457:

design; soon after, Jefferies would realize the design into a small wooden model. Note the prototypical elements used in

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would look like if it were designed by the Japanese, and he used that impression as the basis for his refinement of the

360:

carries its crew on a mission "to explore strange, new worlds; to seek out new life and new civilizations; to boldly go

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as being "very static", added moving parts. ILM retained subtle geometric forms and patterns to allude to the original

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was heavily redesigned for film, it retains the same basic components from its television appearance. In designing the

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Reusing sets helped address Desilu's budget concerns. The engine room, whose sense of scale was enhanced by the use of

6528: 6121: 4970: 8086: 6913: 6863: 6845: 6820: 6787: 5901: 5876: 4613: 3848: 3530: 677:. Filming was often delayed by the heat generated by the studio and model's lights. Most third-season footage of the 5562: 4867: 2814: 2398:

being "replaced". Much of Probert's design is based on a "what if?" painting he made after finalizing the 1979 film

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sets to "help counteract any 'sameness' about the ship". Roddenberry described the ship's hallways as "Des Moines

586:

is a member of the Starship Class". Licensed texts, on-screen graphics, and dialogue later describe the ship as a

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Desilu then ordered a larger filming model, which Datin contracted to Volmer Jensen and Production Model Shop in

7109: 6193: 5471:"Exclusive! The 'Star Trek: Strange New Worlds' Enterprise fuses midcentury design with SciFi futurism - Part 1" 4169: 4052: 3142: 681:

was reused first- or second-season footage. Special effects were produced as cheaply as possible. Animators for

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Kerr, Greg (July 2012). "The Enterprise and Me: The long road to Polar Lights' 1:350 TOS Enterprise-Part One".

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Kirk's quarters were redressed with more personal items and a more naval appearance, and the same set depicted

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Roddenberry further specified that the ship would have a crew of 100–150 and be incredibly fast. Art director

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Weitekamp, Margaret A. (2016), "Two Enterprises: Star Trek's Iconic Starship As Studio Model and Celebrity",

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models. The ship's scale also fluctuated, which meant the designers had to adjust window sizes and patterns.

1481: 1474: 1194: 887: 401: 366: 121: 6034:"STAR TREK: STRANGE NEW WORLDS Sets a Course for Old-School Exploration and Adventure — SPOILER-FREE Review" 3523:

The Fifty-Year Mission: The Complete, Uncensored, Unauthorized Oral History of Star trek: The First 25 years

2908:

The Fifty-Year Mission: The Complete, Uncensored, Unauthorized Oral History of Star Trek: The First 25 Years

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has repeatedly been identified as one of the best-designed and most influential science fiction spacecraft.

8292: 8079: 7559: 7338: 6441: 5444:"See USS Enterprise's Engineering In 'Star Trek: Strange New Worlds' Created Using Virtual Production Tech" 3001: 2931: 2656: 2110: 1803: 1688: 1408: 816: 658: 375: 361: 179: 153: 4463:

Anderson, Kay (1982). "'Star Trek II: The Wrath of Khan': How the TV series became a hit movie, at last".

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created sounds for different parts of the vessel: console sound effects were often created with a Hammond

236: 8179: 8174: 8169: 8026: 7961: 7789: 7629: 7302: 7297: 7282: 7188: 7183: 7178: 6644: 5321:"'Star Trek: Strange New Worlds' Panel Talks New Aliens, Expanding The Enterprise, Time Travel, And More" 4753: 2369: 2059: 1894: 1203: 1052: 472:

spacecraft: a disc-like primary hull, a pair of offset engine nacelles, and a cylindrical secondary hull.

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Visitors to Independence's pilot-house see many resemblances to the bridge of the Starship Enterprise...

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blueprints in April 1975, and by December 1976 they were in their seventh printing. The first run of a

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distress call. At the film's conclusion, James Kirk is promoted to captain and receives command of the

1656:

for the main viewer. The set maintained the original's layout and included references and details from

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created paintings that hung in Kirk's quarters, the recreation area, and the upper rim of the bridge.

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When Jefferies left the project, art director Richard Taylor wanted to start over with designing the

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than any of the actors. According to film critic Scott Jordan Harris, although the contemporaneous

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has had considerable cultural impact, and the original ship's model is "a living cultural object".

2444: 1536: 1336: 918:; however, Roddenberry convinced him to continue working with Jefferies' design. Taylor brought on 6437: 232: 8202: 8102: 7898: 7658: 7468: 6961: 6244: 4653: 4519: 4212: 3413: 3198: 3177: 2701: 1936: 719: 638: 621:, hired Richard C. Datin to make a pre-production model. Datin used a subcontractor with a large 341: 1271:

technology. The bridge was again partially recreated, with other parts added digitally, for the

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Perhaps the most famous example of Star Trek inspiring real-life took place in the 1970s. (...)

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Pearson, Roberta; Davies, Máire Messenger (2014). "Star Trek and American Television History".

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Although the model's original pearlescent paint job had been covered and was redressed as the

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series, and Michelson changed them to an angular design with light radiating upward. Director

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Rosebud Sleds and Horses' Heads: 50 of Film's Most Evocative Objects - An Illustrated Journey

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influenced how previously unseen interior arrangements like the torpedo bay were depicted in

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that were provided to model makers, toy companies, and other licensed product manufacturers.

539: 526: 246: 7825: 7046: 5295:"Pike's Kitchen, Spock's Love, And More Revealed From 'Star Trek: Strange New Worlds' Panel" 4309: 2874: 2490:

of the 1960s that sparked space travel fantasies. A 1976 write-in campaign led to the first

1877:; Spock sacrifices his life to save the ship. Starfleet decides to decommission the damaged 1526:. The designers tried to incorporate elements from other ships that precede and succeed the 8236: 8140: 7983: 7814: 7589: 5769: 4872: 2668: 2424: 2171: 1641: 1318:

and it was the first production model of the starship to be built in more than 30 years. A

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The first miniature built from Jefferies' drawings was a 4-inch (100 mm) scale model.

6467: 2319:"as both a character unto herself and as a mirror reflecting the people who inhabit her." 934: 8: 8253: 8246: 8156: 7544: 7252: 7165: 6499: 6254: 6006:""Welcome back and welcome aboard" — Star Trek: Strange New Worlds: "Strange New Worlds"" 4276: 2640: 2606: 2158: 1965: 1865:

in 2285. Kirk assumes command to investigate problems at space station Regula 1. The USS

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required the reuse of existing sets, but they presented challenges in realizing director

869: 646: 462: 24: 8186: 6156: 4948: 1764:, some sets were not complete when filming began; Goldsman said they were "building the 1648:, required the set design to be more "stretched out" horizontally; designers referenced 752:, the location of some of that show's best episodes. He also said they would create new 8194: 8148: 7579: 7549: 7272: 7193: 6889: 6805: 6605:"The Smithsonian gives the USS Enterprise an honored place in the Air and Space Museum" 5951: 4637: 4634:

Star Trek III: The Search for Spock, Special Collector's Edition: Director's Commentary

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commands the ship and its 430-person crew on an exploration mission from 2264 to 2269.

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sets to convey a shared motif. A new bridge had been designed and partially built for

993:

light reflected by the pearlescent paint also complicated filming. Effects supervisor

8231: 7731: 6943: 6919: 6909: 6893: 6859: 6841: 6833: 6816: 6783: 6765: 6741: 6088: 5923: 5897: 5872: 5702: 5672: 5519: 5386:"'Star Trek' Showrunner Discusses 'Strange New Worlds' Plan, Evolving Q for 'Picard'" 4824: 4729: 4609: 4601: 4445:

Trimble, John; Trimble, Bjo (June 2010). Simpson, Paul (ed.). "Eye of the Beholder".

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wrote that, after being depicted as a complicated vessel requiring detailed care in

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NCC-1701-A, the eight-foot film franchise model was used as a referent for the CGI

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with a triangular hull that later inspired the appearance of the eponymous ship in

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cost about $ 600 (equivalent to $ 5,894 in 2023) – to Desilu in December 1964.

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Sherwin, Jill (June 2010). Simpson, Paul (ed.). "Of Sequels, Sons and Starships".

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From Sawdust to Stardust: The Biography of DeForest Kelley, Star Trek's Dr. McCoy

5697: 4749: 4115: 3991: 3715:"The Tulip Chair in Star Trek - putting the record straight - Film and Furniture" 3060: 2628: 2590: 2585: 2571: 2505: 2486:

prompted intellectual awareness of the possibilities of space travel, it was the

2440: 2296: 2235: 2136: 2115: 2092:, characterizing the original as superior to ten later versions of its namesake. 1928: 1447: 1017: 850: 784: 5419:"How the Starship Enterprise Was Redesigned for 'Star Trek: Strange New Worlds'" 4845: 3246:"Original 'Star Trek' Enterprise Model Is Found After Being Missing for Decades" 1579:

Budge kept the designers in check by ensuring details and features added to the

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fan series was later opened as a public exhibit. The distinct beeps emitted by

2509: 2483: 2145: 1839: 1720: 1708: 1625: 1086: 1078: 919: 820: 788: 614: 481: 381: 138: 7122: 5356: 5265:"How The USS Enterprise Bridge Was Brought To Life For 'Star Trek: Discovery'" 3129: 964:

and Mike Minor rearranged those components to establish its connection to the

711:

was meant to serve as a familiar, recurring setting, similar to Dodge City in

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rollout ceremony on September 17, 1976. A letter-writing campaign convinced

1051:(1982), with its exterior shine dulled and extra detail added to the frame. 7534: 7333: 7117: 7104: 7091: 7079: 7067: 7054: 6812: 6084: 5644: 5214:"'Star Trek: Discovery' Showrunners Explain Why the USS Enterprise is Back" 4820: 4725: 4651:

Tobias, Tracey (December 2001). "Redesigning the USS Enterprise NCC-1701".

4210:

Tobias, Tracey (December 2001). "Redesigning the USS Enterprise NCC-1701".

2615: 2307:'s original 1960s look with what audiences expect from modern productions. 2104:

as one of the 50 most significant objects to appear in film, alongside the

1792: 1392: 1366: 1296: 1021: 924: 501:

starship seen in the third season by rearranging and changing the shape of

175: 90: 8071: 6316:"Capable of full autonomy, we go inside the stealth destroyer USN Zumwalt" 4784:"Tribbles Week: Re-watching Deep Space Nine's "Trials and Tribble-ations"" 4517:

Robinson, Ben, ed. (September 2002). "Special 'The Wrath of Khan' Issue".

2803:

Star Trek Blueprints: General Plans, Constitution Class, U.S.S. Enterprise

2720:

The original captain's chair prop sold at auction for $ 304,750. In 2006,

2256:

ranked the ship's destruction the 32nd greatest scene in science fiction.

8132: 7606: 7596: 7564: 6923: 6342:"An Elvis Impersonator Built an Exact Replica of the Starship Enterprise" 5975:"'Star Trek: Strange New Worlds' has promise, and the usual frustrations" 5762:"Star Trek III: The Search for Spock, Leonard Nimoy, and William Shatner" 5362: 5348: 2737: 2535: 2471: 2412:'s third season draws inspiration from the film redesign, which producer 1692: 1661: 1192:

would lead to a redesigned ship for future sequels, but the producers of

1169: 1029: 777: 757: 728: 688: 674: 530:

and had "always been proud of that ship and wanted to use the name." The

477: 4555:

Star Trek II: The Wrath of Khan, The Directors Edition: Special Features

2605:

design has been licensed for use in variety of games, models, and toys.

6280: 2736:. Another model of the film version is on display at aerospace company 2721: 1653: 1485: 1288: 1268: 1251:

bridge set was trashed when production ended. Producers working on the

990: 274: 264: 2234:

that even Spock's resurrection does not displace. In her biography of

1976:

is "a character in its own right," and the ship "was just as important

1132: 1059:

difficult to work with: it took eight people to mount the model and a

497:

that the ship's components were serviced from inside. He designed the

6998: 6285: 6220: 6151: 6122:"Picard's New Starship Took Inspiration From "Retro" Star Trek Canon" 4791: 4761: 2966: 2559: 1784: 1443: 1439: 1307: 598: 328: 157: 70:(NCC-1701) as it appeared in promotional material for the remastered 51: 4670: 4668: 4229: 4227: 4077: 4075: 3472:"Five things only a conservator would know about the USS Enterprise" 2226:

has been described as "truly iconic" and "a good way to go", though

1247:

Except for some components donated to UCLA, the original television

6677: 6529:"The Long-Lost Original Star Trek Enterprise Model Is Heading Home" 5979: 4632:; Harve Bennett, Charles Correll, Robin Curtis (October 22, 2002). 4405: 3796: 2279: 2198: 2055: 1761: 1351: 1060: 1036: 846: 713: 485: 323: 31: 3696: 3694: 3692: 3690: 3677: 3675: 2046:

was called an "elegant and weird looking behemoth". Design expert

6649: 6010: 5733: 5572: 4701: 4693: 4665: 4606:

Star Trek: "Where No Man Has Gone Before" — A History in Pictures

4583: 4531: 4499: 4430: 4397: 4357: 4224: 4191: 4072: 3821: 3744:"Eames on the Enterprise: The 1960s Interior Design of Star Trek" 3032: 3030: 2852: 2575: 2292: 1886: 1595:

had never been depicted with one. The solution was to depict the

1400: 1374: 773: 748: 498: 393: 6940:

Return to Tomorrow: The Filming of Star Trek: The Motion Picture

3225: 3098: 2578:, created a 31-foot (9.4 m) model starship inspired by the 1919:

and its sequels occur in a different timeline than the original

1846:" when Admiral Kirk takes command to address a threat to Earth. 1810:

for approximately a decade, and he is the commanding officer in

1302:"Trials and Tribble-ations" also required exterior shots of the 1066:

ILM developed several techniques to depict battle damage to the

629: 570:

was the first vessel of Starfleet's 17th starship design, hence

7645: 7638: 7574: 6216:"Virgin Galactic's Private Spaceship Makes First Crewed Flight" 5240:"How Star Trek: Discovery Redesigned the USS Enterprise Bridge" 5166: 4306:"How ILM came up with the new Enterprise for J.J. Abrams' Trek" 3687: 3672: 2842: 2840: 2068:

ocean liner. The interiors are also exemplars of 1960s design.

1434: 1407:

to appear as carefully crafted as a luxury car. Concept artist

724: 566:

as "too easily confused" on screen; he eventually reasoned the

407:

Initially a vision of the potential for human spaceflight, the

7034:

Andrew Probert's page with photos, drawings, and notes on the

6276:"LCS 2's Streamlined Design Could Become Fleet's New Standard" 5741: 5358:

Star Trek: Strange New Worlds | Inside The Series | Paramount+

4034: 4032: 3762: 3760: 3027: 2956: 2954: 2952: 1842:. Decker describes the refit vessel as "an almost totally new 907:

would be explained within the story as the outcome of a major

7855: 7601: 7584: 7569: 7353: 5947:"'Star Trek: Discovery' Season 2 Premiere: Ruffling Feathers" 5807:"Star Trek: A Brief History of Blowing Up the USS Enterprise" 4053:"'Star Trek: Discovery' Design Is Straight Outta 'Star Wars'" 3539: 2692:

The three-foot model was loaned out during the production of

2554: 2021:

curator Margaret Weitekamp identifies two distinct celebrity

1854: 1838:

is completing an 18-month refit overseen by its new captain,

1242: 1115: 908: 622: 606: 191: 16:

Fictional starship in Star Trek with registry number NCC-1701

6406: 6101: 5488: 3963: 3660: 2837: 2382:(1987–1994), which takes place 100 years after the original 1587:

ships, such as whether the bridge would have a window: most

1522:

are meant to appear more primitive than what is depicted in

1160:(1984) was otherwise predictable, producer and screenwriter 808:

interior deck plans in 1974 with approval from Roddenberry.

657:". When Roddenberry was approved to film the second pilot, " 436:, dating back to 1931, to gather ideas about what he wanted 7383: 6958:"Conserving the Star Trek starship Enterprise Studio Model" 6189: 6181: 5064: 4971:"Star Trek Beyond's new USS Enterprise, by Sean Hargreaves" 4144: 4029: 3939: 3882:

The Star Trek Encyclopedia: A Reference Guide to the Future

3857: 3784: 3772: 3757: 3656:. Berkeley: University of California Press. pp. 23–24. 3551: 3213: 2949: 2880: 2823: 2821: 2819: 2817: 2455: 2211:

ranked the film appearance as the second-best design of an

2078:

has the best design of the franchise's various ships named

1988:

was the franchise's most important character, pointing out:

986: 5693:"Star Trek, Before Darkness: 47 Years of Starship Designs" 5539: 5537: 5535: 5096: 5094: 5081: 5079: 4170:"See What Lies Behind The Hull Of The Starship Enterprise" 4134: 4132: 4130: 4092: 4090: 3951: 3453: 3451: 3382: 3380: 3378: 3376: 3374: 3372: 3370: 3320:"Model, Starship Enterprise, Television Show, "Star Trek"" 3056:"Star Trek, Before Darkness: 47 Years of Starship Designs" 811: 6558: 5811: 5567: 5106: 4722:

Star Trek: The Next Generation Companion: Revised Edition

3879:; Okuda, Denise; Mirek, Debbie (1999). "Jefferies Tube". 3438: 3436: 3434: 3432: 3430: 3302: 3300: 3298: 3296: 2563:

are "an offspring" of the melodic sounds created for the

2207: 2084: 673:

equipment was too expensive, so the ship was filmed with

524:, but Roddenberry was fascinated by the aircraft carrier 6624: 6245:"Here's how Popular Science covered 'Star Trek' in 1967" 5640:"Classics of everyday design No 61: Starship Enterprise" 5412: 5410: 5408: 5406: 5190: 5178: 5154: 5142: 5130: 5118: 3920:"Douglas Grindstaff, 'Star Trek' Sound Whiz, Dies at 87" 3342: 3340: 3338: 3336: 3285:

McCullars, William S. (2001). "Enterprise '64, Part 1".

2764: 2762: 2760: 2758: 827:

for a "toy spaceship" in the likeness of the redesigned

6546: 6418: 5532: 5091: 5076: 5052: 4369: 4127: 4087: 3448: 3367: 3110: 3015: 776:, and the term is used in dialogue to describe similar 6056: 6054: 5343: 5341: 5288: 5286: 5018: 5016: 4488: 4486: 4484: 4482: 4480: 4478: 3427: 3293: 3128:

Scott Arthur's interview with Gene Roddenberry (1973)

2088:

ranked the original design as the best version of the

6147:"Star Trek: History & Effect on Space Technology" 5403: 4914: 4912: 3525:. Thomas Dunne Books/St. Martin's Press. p. 83. 3333: 3280: 3278: 3276: 3274: 2755: 2000:..." They are "These are the voyages of the Starship 1984:". According to film critic Scott Jordan Harris, the 1291:

used a computer to recreate the graphics seen on the

1024:, medical imagery, and an experimental computer lab. 7251: 6899: 6757:

Star Trek: U.S.S. Enterprise Owners' Workshop Manual

6438:"Iconic TV series Star Trek Forever stamps released" 5835:"'Star Trek': The Many Deaths of the USS Enterprise" 5507: 5505: 5503: 4273:"Probing the Ships of Star Trek: the Motion Picture" 4250:. Bristol, UK: STAR Books. pp. 91, 92, 93, 94. 4163: 4161: 4159: 3231: 2972: 2858: 2799: 2717:

as both a filming model and inspirational starship.

1951:, NCC-1701-A, is commissioned under Kirk's command. 1488:, Scott Schneider, and William Budge redesigned the 1004:

was responsible for the ship's interior design. The

867:

was dropped in favor of a return to television with

6994:"Could We Build 'Star Trek's' Starship Enterprise?" 6051: 5338: 5283: 5040: 5028: 5013: 5001: 4475: 3170:"Report: Visual Effects Magic Not Always High-Tech" 2541:'s Ship's Mission Center have been compared to the 1719:"sexy, and groovy, and fun." According to producer 1632:fans, Harberts said fans rarely agree on anything. 1314:

model exactly half the size of the 11-foot original

1150:(1984) because the story was otherwise predictable. 760:Style". To keep the ship from looking too sterile, 7429: 6804: 6795: 5563:"All 11 Versions of the U.S.S. Enterprise, Ranked" 4989: 4924: 4909: 4754:"Star Trek: The Next Generation Rewatch: "Relics"" 4689:"Majel Barrett Roddenberry: A Woman of Enterprise" 4411: 4393:"Harold Michaelson: Visualizing the New Star Trek" 4363: 4233: 3913: 3911: 3909: 3802: 3271: 2259: 1861:, serving as a training ship, at the beginning of 1496:, which occurs about a decade before the original 6981:- Hypersonic velocity test of the hull design by 5500: 4782:Atkinson, Torie; Myers, Eugene (April 14, 2010). 4156: 3494: 3492: 3174:Report: Visual Effects Magic Not Always High-Tech 2901: 2899: 2897: 2895: 1591:ship bridges have a front-facing window, but the 1480:finale (2018) and occasionally during the show's 609:with the 33-inch (0.8 m) first filming model 400:TV series has been on display for decades at the 374:under the command of Kirk's predecessor, Captain 8269: 6074: 6072: 5896:(Kindle ed.). Pocket Books. Location 4177. 5592:"Revisiting Star Trek III: The Search For Spock" 3049: 3047: 3045: 3002:"Evolution of the Starship Enterprise (3 of 28)" 2932:"Evolution of the Starship Enterprise (2 of 28)" 2678:as the setting for two of his illustrations for 2183:to be operable by just a handful of officers in 2095: 1822:. Throughout the first live action and animated 1457: 1198:(1986) decided to have the crew return to a new 1037:Sequel film adjustments, destruction, and return 831:in 1979. Probert was granted the patent in 1981. 542:codes assigned to the United States. The second 7152: 6780:Designing Starships: The Enterprises and Beyond 5556: 5554: 5552: 4426:"Progress Report: Star Trek The Motion Picture" 3906: 3885:(Updated and Expanded ed.). Pocket Books. 3875: 3839:(2014). "Star Trek—The Unfulfilled Potential". 3606:"Star Trek: The Animated Series DVD Set Review" 3189: 3187: 2336:and 1979 film designs have affected subsequent 1699:has a "big idea of the week" like the original 1355:The re-conceptualized "alternate universe" USS 6730: 6373:"About Vulcan, Alberta's Star Ship FX6-1995-A" 5859: 5857: 5747: 5583: 4707: 4674: 4537: 4444: 4197: 4081: 3969: 3737: 3735: 3666: 3647: 3645: 3489: 2892: 2870: 2795: 2793: 2791: 2789: 2687: 1687:(2022), which depicts the ship led by Captain 1446:consulted with original series sound designer 633:The 11-foot (3.4 m) filming model, which 8087: 7841: 7415: 7237: 7138: 6777: 6753: 6402:. Iola, WI: Krause Publications. p. 169. 6190:National Aeronautics and Space Administration 6107: 6069: 5494: 4936: 4781: 4596: 4594: 4462: 4345:. Roddenberry Entertainment. January 16, 2020 4308:. Sci Fi Wire. April 17, 2009. Archived from 4150: 4038: 3651: 3570:Careless, James (2004). "From Model to CGI". 3219: 3104: 3042: 3036: 2984: 2960: 2886: 2827: 2806:(2nd ed.). Ballantine Books. p. 4. 2732:films for $ 240,000; it is on display at the 2619:, took two years to reach one million sales. 1931:, in 2255. Captain Christopher Pike commands 1560:(1994). They also included elements from the 1346: 975:Jim Dow was in charge of building the model. 702: 423: 418: 6828: 6412: 6081:The Star Trek: The Next Generation Companion 6065:, Eaglemoss Productions Ltd., pp. 12–15 5659: 5628: 5549: 4890: 4814: 4300: 4298: 4296: 4294: 4020:, "Toy spaceship", issued 1981-09-15 3957: 3945: 3863: 3790: 3778: 3766: 3700: 3681: 3597: 3557: 3545: 3399: 3397: 3395: 3348:"Star Trek Starship Enterprise Studio Model" 3184: 2846: 2416:called "the best starship design ever made. 2390:-D retains the hallmarks of Matt Jefferies' 388:for television, and its core components – a 8101: 6807:The Making of Star Trek: The Motion Picture 5854: 5207: 5205: 4815:Erdmann, Terry J.; Block, Paula M. (2000). 4810: 4808: 4686: 4512: 4510: 4458: 4456: 4386: 4384: 3732: 3642: 3520: 3195:"Interviews: Matt Jefferies: Why NCC-1701?" 3141:Gross, Edward; Altman, Mark A. (May 2016). 3140: 3130:https://www.youtube.com/watch?v=k77gMo8ifh4 2905: 2786: 2593:, has a replica starship designed like the 2166:looked "like a toy boat in a lava lamp" in 2054:as having the same aesthetic appeal as the 1996:..." or "These are the voyages of Starfleet 332:media franchise. It is the main setting of 8094: 8080: 7848: 7834: 7422: 7408: 7244: 7230: 7145: 7131: 5668:"Every "Star Trek" USS Enterprise, Ranked" 4591: 1935:on its 2258 maiden voyage to respond to a 1927:first appears while under construction in 1243:Spinoff appearances and remaster CGI model 968:universe while distinguishing it from the 839:went off the air, pre-production began on 60: 8298:Collection of the Smithsonian Institution 6985:'s X2 Super-Orbital Expansion Tube using 6871: 6721: 6712: 6703: 6630: 6564: 6552: 6526: 6494: 6462: 6424: 6060: 6000: 5560: 5543: 5196: 5184: 5172: 5160: 5148: 5136: 5124: 5112: 5100: 5085: 5070: 5058: 4868:"Anniversary Meeting Via Special Effects" 4846:"The Making of Trials and Tribble-ations" 4775: 4748: 4401:(30): 42–46 – via Internet Archive. 4375: 4291: 4138: 4096: 3814: 3457: 3442: 3392: 3386: 3306: 3284: 3116: 3089: 3021: 1184:Ralston had hoped the destruction of the 825:United States Patent and Trademark Office 6724:U.S.S. Enterprise NCC-1701 Special Issue 5938: 5680:from the original on September 19, 2018. 5202: 4865: 4844:Nemecek, Larry (January–February 1997). 4805: 4516: 4507: 4453: 4381: 3741: 3569: 3469: 2584: 2443:), and NASA administrators attended the 2423: 2352:"look old and out of date". Model maker 2189:. Jill Sherwin suggested that the aging 2050:described the "convincing and exciting" 2014:Journal of Popular Film & Television 1746:was more compact than the one built for 1738:differs slightly from its appearance in 1350: 1131: 933: 815: 628: 597: 448: 392:-shaped primary hull, two offset engine 285:190,000 metric tons (210,000 short tons) 6576: 6313: 6078: 5919:"The 50 Best Moments in Sci-Fi History" 5863: 5804: 5789: 5759: 5726: 5665: 5634: 5383: 5318: 5237: 4843: 4719: 4600: 4390: 4333: 4331: 4329: 4327: 4012: 3835: 3521:Gross, Edward; Altman, Mark A. (2016). 3243: 2906:Gross, Edward; Altman, Mark A. (2016). 2639:sold over one million prints. In 2010, 2435:(third from right, in dark brown), the 2327: 2291:"gorgeous inside and out." Writing for 1339:" (2005). Artists creating another CGI 1279:" (1996), in which the crew visits the 1225:created for the 2001 director's cut of 812:1970s redesigns for television and film 546:was added because Soviet aircraft used 8270: 6874:Journal of Popular Film and Television 6242: 5972: 5832: 5737:(33): 62 – via Internet Archive. 5690: 5615: 5589: 5561:Whitbrook, James (February 21, 2018). 5511: 5468: 5292: 4650: 4264: 4209: 3712: 3603: 3403: 3053: 2810:from the original on December 6, 2006. 2269:called it "a joy" to see the original 1959: 1295:sets, and others were drawn by artist 8278:Fictional elements introduced in 1966 8075: 7829: 7403: 7225: 7126: 6937: 6778:Robinson, Ben; Riley, Marcus (2018), 6754:Robinson, Ben; Riley, Marcus (2010), 6670: 6397: 6339: 6119: 6031: 5891: 5666:Moseman, Andrew (September 8, 2016). 5416: 5211: 4942: 4622: 4572: 4570: 4568: 4423: 4245: 4167: 4050: 3817:"Mike Minor: Illustrating the Future" 3498: 3406:"How Big is the Starship Enterprise?" 2508:named its first commercial spaceship 1904: 1671: 1644:, as opposed to the original series' 1081:'s desire for a "livelier" tone. The 873:, for which Jefferies designed a new 7211:NASA interstellar spacecraft concept 6991: 6642: 6602: 6484:from the original on August 4, 2019. 6314:Griffin, Matthew (October 7, 2016). 6180: 4896: 4817:Star Trek: Deep Space Nine Companion 4576: 4543: 4492: 4324: 4108: 3742:Phillips, Elaine K. (May 15, 2013). 3470:Michelle, Donahue (August 2, 2016). 3092:Klingon K't'inga-Class Special Issue 2478:received more fan letters about the 1954: 1233:film sets were redressed for use in 1070:without actually harming the model. 582:means "United Space Ship" and that " 6853: 6732:Reeves-Stevens, Judith and Garfield 6577:Whitley, Jared (January 26, 2015). 6527:Whitbrook, James (April 18, 2024). 6516:from the original on April 8, 2013. 6340:Locke, Charley (December 7, 2016). 6243:Wright, James W. (March 26, 2018). 5944: 5916: 5867:(2014). "The Return of Star Trek". 5319:Pascale, Anthony (April 17, 2022). 5293:Wright, Matt (September 13, 2021). 5046: 5034: 5022: 5007: 4995: 4930: 4918: 4168:Smith, Christopher (May 31, 2017). 3917: 3713:Benson, Paula (November 13, 2014). 3585:"Star Trek: The 30th Anniversary". 2994: 2527:bridge's style and layout, and the 2224:Star Trek III: The Search for Spock 2186:Star Trek III: The Search for Spock 2144:"bold" and "handsome". Conversely, 1883:Star Trek III: The Search for Spock 1755:, it was physically built into the 1157:Star Trek III: The Search for Spock 1147:Star Trek III: The Search for Spock 1045:model was slightly refurbished for 699:was depicted as a consistent gray. 411:became a popular culture icon. The 13: 6992:Redd, Nola Taylor (July 3, 2012). 6931: 6645:"Where No Auction Has Gone Before" 5833:Graeme, McMillan (June 27, 2016). 5579:from the original on July 9, 2019. 4866:Spelling, Ian (October 13, 1996). 4687:Greenberger, Robert (March 1987). 4565: 3981: 3630:"Star Trek: The Animated Series". 3604:Wright, Matt (November 18, 2006). 2462:in honor of the television vessel. 2419: 2364:model. Andrew Probert returned to 2230:wrote that it "casts a pall" over 2179:, it seemed "a bit loony" for the 14: 8309: 7014: 6120:Britt, Ryan (February 17, 2023). 5384:Hibbert, James (April 12, 2021). 5238:Collura, Scott (April 12, 2019). 5212:Britt, Ryan (February 11, 2018). 3654:Star Trek and American Television 3244:Schmall, Emily (April 20, 2024). 2700:donated the 11-foot model to the 1834:takes place in the 2270's as the 593: 453:The first color rendering of the 340:(1966–69), and it is depicted in 7114:(NCC-1701-A) (alternate reality) 6838:Inside Star Trek: The Real Story 6706:U.S.S. Enterprise NCC-1701 Refit 6664: 6636: 6603:Paul, Richard (April 13, 2016). 6596: 6570: 6520: 6505:The Atlanta Journal-Constitution 6488: 6473:The Atlanta Journal-Constitution 6456: 6430: 6391: 6365: 6333: 6307: 6268: 6236: 6208: 6174: 6139: 6113: 6025: 5994: 5966: 5910: 5885: 5826: 5805:Collura, Scott (July 29, 2016). 5798: 5783: 5760:Franich, Darren (May 13, 2016). 5753: 5720: 5691:Conway, Richard (May 16, 2013). 5684: 5618:"The Evolution of the Spaceship" 5609: 5469:Benson, Paula (August 4, 2022). 5462: 5436: 5377: 5312: 5257: 5231: 4963: 4947:. Round 2 Models. Archived from 4859: 4837: 4553:cast and crew (August 6, 2002). 4275:. Round 2 Models. Archived from 4270: 3984:"An Interview with Franz Joseph" 3815:Hutchison, David (August 1979). 3499:Adams, Charles (February 1998). 3232:Whitfield & Roddenberry 1968 3143:"An Oral History of "Star Trek"" 3094:, Eaglemoss Ltd. 2020, p. 8 3054:Conway, Richard (May 16, 2013). 2973:Whitfield & Roddenberry 1968 2859:Whitfield & Roddenberry 1968 2681:The Atlanta Journal-Constitution 2523:evaluated the efficiency of the 2315:' set dressing and use show the 5945:Deb, Sopan (January 17, 2019). 5590:Carter, Alex (April 16, 2015). 5518:. Intellect Books. p. 68. 5417:Mantz, Scott (August 3, 2022). 4742: 4713: 4680: 4644: 4438: 4417: 4391:Houston, David (January 1980). 4239: 4203: 4111:"Star Trek: The Motion Picture" 4102: 4044: 4006: 3975: 3869: 3829: 3808: 3706: 3623: 3578: 3563: 3514: 3463: 3404:Caputo, Joseph (May 19, 2009). 3312: 3237: 3162: 3134: 3122: 3083: 2728:model created for the original 2260:Spin-off television appearances 2140:called the ship's redesign for 1863:Star Trek II: The Wrath of Khan 1507:to appear more consistent with 1121:David Kimble's deck plans from 1048:Star Trek II: The Wrath of Khan 949:Star Trek II: The Wrath of Khan 891:(1979) necessitated additional 842:Star Trek: Planet of the Titans 538:being one of the international 352:. Under the command of Captain 8288:Star Trek: The Original Series 7432:Star Trek: The Original Series 7064:(NCC-1701) (alternate reality) 6908:, New York: Ballantine Books, 6856:Star Trek: The Art of the Film 5727:Ellison, Harlan (April 1980). 4424:Lewis, Barbara (August 1979). 4412:Sackett & Roddenberry 1980 4364:Sackett & Roddenberry 1980 4234:Sackett & Roddenberry 1980 3803:Sackett & Roddenberry 1980 3176:. startrek.com. Archived from 2924: 2379:Star Trek: The Next Generation 2303:' producers for balancing the 1802:s first captain, succeeded by 1473:appears briefly at the end of 1411:retained much of the original 1253:Star Trek: The Next Generation 1236:Star Trek: The Next Generation 717:and Blair General Hospital in 684:Star Trek: The Animated Series 463:other franchise vessels named 1: 7029:National Air and Space Museum 6886:10.1080/01956051.2015.1075955 6671:Boyle, Alan (March 9, 2016). 5917:Orf, Darren (April 9, 2018). 5512:Harris, Scott Jordan (2013). 4899:Sci-fi & Fantasy Modeller 4051:Britt, Ryan (July 24, 2016). 3918:Deb, Sopan (August 3, 2018). 3353:National Air and Space Museum 2800:Franz Joseph Designs (1975). 2743: 2706:National Air and Space Museum 2549:bridge replica created for a 2096:Film redesign and destruction 2019:National Air and Space Museum 1943:. The vessel is destroyed in 1832:Star Trek: The Motion Picture 1820:Star Trek: Strange New Worlds 1684:Star Trek: Strange New Worlds 1616:as a blending of old and new 1572:but were not depicted on the 1458:Redesign for streaming series 1195:Star Trek IV: The Voyage Home 888:Star Trek: The Motion Picture 402:National Air and Space Museum 367:Star Trek: Strange New Worlds 122:Star Trek: Strange New Worlds 7513:VI: The Undiscovered Country 7206:Virgin Galactic SpaceShipTwo 6938:Jones, Preston Neal (2014). 6726:, Eaglemoss Productions Ltd. 6717:, Eaglemoss Productions Ltd. 6708:, Eaglemoss Productions Ltd. 6442:United States Postal Service 4943:Plant, Bob (July 23, 2009). 4608:. Pocket Books. p. 79. 4579:"The Re-Making of Star Trek" 4495:"The Re-Making of Star Trek" 4339:"The One with David C. Fein" 2748: 2657:United States Postal Service 2439:cast (with the exception of 2238:, Terry Lee Rioux calls the 1779: 1713:first officer Una Chin-Riley 1608:said she hoped fans see the 1462: 1450:on sound design for the new 1385:was redesigned for the 2009 1073:The much smaller budget for 1053:Industrial Light & Magic 659:Where No Man Has Gone Before 362:where no man has gone before 154:United Federation of Planets 7: 6643:Ryan, Joel (May 19, 2006). 6032:Tifft, Jenn (May 1, 2022). 4661:(8). Fabbri Publishing: 85. 4220:(8). Fabbri Publishing: 85. 2688:Production models and props 1826:television series, Captain 1707:is "the star of the show". 1583:were consistent with other 1530:, such as the 21st-century 1263:visits a recreation of the 370:(2022–present) depicts the 344:, other television series, 10: 8314: 7201:NASA Space Shuttle orbiter 6987:holographic interferometry 6715:U.S.S. Enterprise NCC-1701 6696: 6610:Public Radio International 6400:Star Trek The Collectibles 5973:Cooper, D. (May 1, 2002). 2356:tried to imagine what the 2277:s second-season premiere. 2025:s: the fictional starship 1347:2009 film franchise reboot 823:submitted this art to the 703:Sets, sounds, and fixtures 424:Concept and initial design 419:Development and production 301:127.1 metres (417 ft) 293:288.6 metres (947 ft) 29: 23:ships with this name, see 18: 8214: 8112: 8049: 8010: 7973: 7932: 7875: 7868: 7802: 7773: 7748: 7668:The Kobayashi Alternative 7620: 7522: 7492:III: The Search for Spock 7467: 7439: 7321: 7265: 7161: 6782:, Eaglemoss Productions, 6108:Robinson & Riley 2018 5892:Rioux, Terry Lee (2005). 5616:Miller, Ron (July 1982). 5495:Robinson & Riley 2018 4151:Robinson & Riley 2018 4109:Shay, Don (Spring 1979). 4039:Robinson & Riley 2018 3501:"The Starship Enterprise" 3220:Robinson & Riley 2018 3105:Robinson & Riley 2018 3037:Robinson & Riley 2018 2985:Robinson & Riley 2010 2961:Robinson & Riley 2018 2887:Robinson & Riley 2018 2828:Robinson & Riley 2010 2659:has released several USS 2322: 1550:(2001–2005), and the USS 1540:(1996), the 22nd-century 1285:The Trouble With Tribbles 1277:Trials and Tribble-ations 1118:more "monastic" quarters. 1095:Jet Propulsion Laboratory 799:Although the interior in 746:to the home and ranch on 434:science fiction magazines 309:72.6 metres (238 ft) 305: 297: 289: 281: 270: 252: 242: 228: 220: 210: 205: 197: 171: 163: 149: 144: 134: 110: 82: 59: 49: 41: 6983:University of Queensland 6854:Vaz, Mark Cotta (2009), 6413:Solow & Justman 1996 4577:Naha, Ed (August 1982). 3958:Solow & Justman 1996 3946:Solow & Justman 1996 3864:Solow & Justman 1996 3791:Solow & Justman 1996 3779:Solow & Justman 1996 3767:Solow & Justman 1996 3701:Solow & Justman 1996 3682:Solow & Justman 1996 3558:Solow & Justman 1996 3546:Solow & Justman 1996 2847:Solow & Justman 1996 2651:for "owners" of the USS 2589:The visitor's center in 2218:The destruction of the 1980:... as Kirk, Spock, and 1970:ships with the same name 1873:, seriously damages the 1537:Star Trek: First Contact 1337:These Are the Voyages... 1154:Recognizing the plot of 903:that the changes to the 835:Soon after the animated 727:and were similar to the 8059:Star Trek Into Darkness 7948:Star Trek Into Darkness 7899:Star Trek Into Darkness 7675:The Promethean Prophecy 6962:Smithsonian Institution 6906:The Making of Star Trek 6352:Condé Nast Publications 6079:Nemecek, Larry (2003). 5365:. Event occurs at 3:47 4886:(subscription required) 4853:Star Trek: Communicator 4720:Nemecek, Larry (2003). 4654:Star Trek: The Magazine 4527:(5). Fabbri Publishing. 4520:Star Trek: The Magazine 4248:Creating The Enterprise 4213:Star Trek: The Magazine 3632:Star Trek: The Magazine 3414:Smithsonian Institution 2702:Smithsonian Institution 1814:, the second season of 1768:around shooting on the 1695:, who plays Pike, said 1681:is the main setting of 1140:decided to destroy the 946:approach each other in 783:Sound effects designer 639:Smithsonian Institution 576:The Making of Star Trek 206:General characteristics 7810:Awards and nominations 7076:class model (original) 6740:, Simon and Schuster, 6288:. 2017. Archived from 5869:The World of Star Trek 5840:The Hollywood Reporter 5729:"Ellison Reviews Trek" 5390:The Hollywood Reporter 4752:(September 25, 2012). 4750:DeCandido, Keith R. A. 4493:Naha, Ed (July 1982). 3841:The World of Star Trek 3572:Star Trek Communicator 3287:Star Trek Communicator 2910:. Thomas Dunne Books. 2598: 2463: 2009: 1378: 1283:during the events of " 1210:. After visiting ILM, 1151: 1055:(ILM) staff found the 972: 885:in favor of producing 832: 642: 610: 473: 447: 445:throughout our galaxy. 7739:Secret of Vulcan Fury 7696:V: The Final Frontier 7506:V: The Final Frontier 7485:II: The Wrath of Khan 6466:(November 26, 2008). 6398:Kelly, Scott (2008). 6186:"Enterprise (OV-101)" 6002:DeCandido, Keith R.A. 5175:, pp. 12, 16–17. 4975:thetrekcollective.com 2734:Museum of Pop Culture 2696:and lost until 2024. 2588: 2427: 2348:is meant to make the 2340:productions. The USS 1990: 1742:. The bridge set for 1557:Star Trek Generations 1548:Star Trek: Enterprise 1354: 1332:Star Trek: Enterprise 1135: 937: 819: 792:recorded by composer 632: 601: 540:aircraft registration 520:was originally named 468:, and numerous other 452: 442: 432:reviewed hundreds of 8283:Star Trek spacecraft 7764:Planet of the Titans 6900:Whitfield, Stephen; 6737:The Art of Star Trek 5770:Meredith Corporation 4951:on September 6, 2009 4873:The Washington Times 4246:Olsen, Paul (2013). 3994:on December 31, 2004 3201:on September 1, 2006 3180:on January 14, 2010. 2770:"Enterprise, U.S.S." 2669:editorial cartoonist 2641:Simon & Schuster 2458:to name the shuttle 2328:Within the franchise 2232:The Search for Spock 2195:The Search for Spock 2172:Entertainment Weekly 2100:Harris included the 1889:attack disables the 1881:at the beginning of 1816:Star Trek: Discovery 1723:, the designers for 1476:Star Trek: Discovery 1190:The Search for Spock 1164:decided to have the 1000:Production designer 865:Planet of the Titans 860:Star Trek: Discovery 534:registry stems from 30:For the galaxy, see 8293:Star Trek: Phase II 7749:Unrealized projects 7499:IV: The Voyage Home 7088:class model (refit) 6942:. Taylor L. White. 6500:"Editorial Cartoon" 6468:"Editorial Cartoon" 6444:. September 2, 2016 6255:Bonnier Corporation 6159:on October 24, 2017 5748:Reeves-Stevens 1995 4708:Reeves-Stevens 1995 4675:Reeves-Stevens 1995 4538:Reeves-Stevens 1995 4343:Mission Log Podcast 4279:on October 23, 2013 4198:Reeves-Stevens 1995 4082:Reeves-Stevens 1995 3970:Reeves-Stevens 1995 3703:, pp. 167–168. 3684:, pp. 114–115. 3667:Reeves-Stevens 1995 3476:Smithsonian Insider 2871:Reeves-Stevens 1995 2159:The Washington Post 1960:Original appearance 1259:" (1992), in which 1112:The Motion Picture. 985:small particles of 952:(1982). Though the 899:. Roddenberry told 870:Star Trek: Phase II 801:The Animated Series 25:Starship Enterprise 7689:The Rebel Universe 7550:Khan Noonien Singh 7478:The Motion Picture 7042:designs and models 6834:Justman, Robert H. 6760:, Haynes Manuals, 6722:Eaglemoss (2019), 6713:Eaglemoss (2017), 6704:Eaglemoss (2013), 6292:on October 7, 2017 6061:Eaglemoss (2014), 5952:The New York Times 5871:. BenBella Books. 5792:Star Trek Magazine 5475:Film and Furniture 5355:(April 29, 2022). 4710:, p. 285–286. 4677:, p. 258–260. 4638:Paramount Pictures 4559:Paramount Pictures 4540:, p. 228–229. 4447:Star Trek Magazine 4200:, p. 229–230. 4178:Motorsport Network 4084:, p. 181–182. 4018:Probert, Andrew G. 3925:The New York Times 3843:. BenBella Books. 3719:Film and Furniture 3250:The New York Times 3107:, p. 150–151. 3090:Eaglemoss (2020), 2698:Paramount Pictures 2694:The Motion Picture 2637:The Motion Picture 2623:released a set of 2599: 2570:s bridge console. 2521:United States Navy 2474:said the original 2464: 2313:Strange New Worlds 2301:Strange New Worlds 2289:Strange New Worlds 2273:as redesigned for 2266:The New York Times 2244:The Motion Picture 2168:The Wrath of Khan. 2154:The Motion Picture 2142:The Motion Picture 2074:said the original 1905:Reboot film series 1871:Khan Noonien Singh 1812:the original pilot 1757:Strange New Worlds 1744:Strange New Worlds 1736:Strange New Worlds 1725:Strange New Worlds 1703:, and as such the 1697:Strange New Worlds 1673:Strange New Worlds 1566:The Motion Picture 1448:Douglas Grindstaff 1379: 1369:'s desire for the 1329:at the end of the 1227:The Motion Picture 1179:Star Trek Phase II 1152: 1123:The Motion Picture 977:Paramount Pictures 973: 833: 740:forced perspective 643: 635:Paramount Pictures 611: 474: 198:Auxiliary vehicles 8265: 8264: 8232:Klingon starships 8227:Ferengi starships 8069: 8068: 8045: 8044: 7823: 7822: 7397: 7396: 7219: 7218: 7153:Spacecraft named 6949:978-0-9839175-4-0 6902:Roddenberry, Gene 6830:Solow, Herbert F. 6801:Roddenberry, Gene 6771:978-1-4516-2129-7 6747:978-1-4391-0855-0 6318:. Global Futurist 6196:on March 26, 2015 6094:978-0-7434-7657-7 5924:Popular Mechanics 5673:Popular Mechanics 5636:Glancey, Jonathan 5525:978-1-78320-040-5 4830:978-0-671-50106-8 4735:978-0-7434-7657-7 4636:(DVD; Disc 1/2). 4557:(DVD; Disc 2/2). 4312:on April 18, 2009 3548:, pp. 35–36. 3508:FineScale Modeler 2849:, pp. 27–28. 2409:Star Trek: Picard 2253:Popular Mechanics 2177:The Wrath of Khan 2071:Popular Mechanics 2065:Queen Elizabeth 2 1955:Critical reaction 1806:. Pike leads the 1787:commissioned the 1642:widescreen format 1612:'s appearance in 1306:. To film these, 1127:The Wrath of Khan 1107:Starfleet Academy 1075:The Wrath of Khan 794:Alexander Courage 617:, which produced 350:fan-created media 338:television series 313: 312: 275:Matter/antimatter 247:Deflector shields 8305: 8096: 8089: 8082: 8073: 8072: 7955:Star Trek Beyond 7924:(in development) 7914:Star Trek Beyond 7873: 7872: 7863:Timeline) series 7850: 7843: 7836: 7827: 7826: 7702:25th Anniversary 7580:Montgomery Scott 7560:Christopher Pike 7530:Christine Chapel 7424: 7417: 7410: 7401: 7400: 7339:Christopher Pike 7246: 7239: 7232: 7223: 7222: 7147: 7140: 7133: 7124: 7123: 7010: 7008: 7006: 6973: 6971: 6969: 6953: 6926: 6896: 6868: 6850: 6840:, Pocket Books, 6825: 6810: 6792: 6774: 6750: 6727: 6718: 6709: 6690: 6689: 6687: 6685: 6668: 6662: 6661: 6659: 6657: 6640: 6634: 6628: 6622: 6621: 6619: 6617: 6600: 6594: 6593: 6591: 6589: 6574: 6568: 6562: 6556: 6550: 6544: 6543: 6541: 6539: 6524: 6518: 6517: 6492: 6486: 6485: 6460: 6454: 6453: 6451: 6449: 6434: 6428: 6422: 6416: 6410: 6404: 6403: 6395: 6389: 6388: 6386: 6384: 6375:. Archived from 6369: 6363: 6362: 6360: 6358: 6337: 6331: 6330: 6325: 6323: 6311: 6305: 6304: 6299: 6297: 6272: 6266: 6265: 6263: 6261: 6240: 6234: 6233: 6231: 6229: 6212: 6206: 6205: 6203: 6201: 6192:. Archived from 6178: 6172: 6171: 6166: 6164: 6155:. Archived from 6143: 6137: 6136: 6134: 6132: 6117: 6111: 6105: 6099: 6098: 6076: 6067: 6066: 6063:U.S.S. Excelsior 6058: 6049: 6048: 6046: 6044: 6029: 6023: 6022: 6020: 6018: 5998: 5992: 5991: 5989: 5987: 5970: 5964: 5963: 5961: 5959: 5942: 5936: 5935: 5933: 5931: 5914: 5908: 5907: 5889: 5883: 5882: 5861: 5852: 5851: 5849: 5847: 5830: 5824: 5823: 5821: 5819: 5802: 5796: 5795: 5787: 5781: 5780: 5778: 5776: 5757: 5751: 5745: 5739: 5738: 5724: 5718: 5717: 5715: 5713: 5688: 5682: 5681: 5663: 5657: 5656: 5654: 5652: 5638:(May 21, 2009). 5632: 5626: 5625: 5613: 5607: 5606: 5604: 5602: 5587: 5581: 5580: 5558: 5547: 5541: 5530: 5529: 5509: 5498: 5492: 5486: 5485: 5483: 5481: 5466: 5460: 5459: 5457: 5455: 5440: 5434: 5433: 5431: 5429: 5414: 5401: 5400: 5398: 5396: 5381: 5375: 5374: 5372: 5370: 5345: 5336: 5335: 5333: 5331: 5316: 5310: 5309: 5307: 5305: 5290: 5281: 5280: 5278: 5276: 5271:. April 12, 2019 5261: 5255: 5254: 5252: 5250: 5235: 5229: 5228: 5226: 5224: 5209: 5200: 5194: 5188: 5182: 5176: 5170: 5164: 5158: 5152: 5146: 5140: 5134: 5128: 5122: 5116: 5110: 5104: 5098: 5089: 5083: 5074: 5073:, p. 12–13. 5068: 5062: 5056: 5050: 5044: 5038: 5032: 5026: 5020: 5011: 5005: 4999: 4993: 4987: 4986: 4984: 4982: 4977:. August 6, 2016 4967: 4961: 4960: 4958: 4956: 4945:"Church of Trek" 4940: 4934: 4928: 4922: 4916: 4907: 4906: 4894: 4888: 4887: 4884: 4882: 4880: 4863: 4857: 4856: 4850: 4841: 4835: 4834: 4812: 4803: 4802: 4800: 4798: 4779: 4773: 4772: 4770: 4768: 4746: 4740: 4739: 4717: 4711: 4705: 4699: 4698: 4684: 4678: 4672: 4663: 4662: 4648: 4642: 4641: 4626: 4620: 4619: 4598: 4589: 4588: 4574: 4563: 4562: 4547: 4541: 4535: 4529: 4528: 4514: 4505: 4504: 4490: 4473: 4472: 4460: 4451: 4450: 4442: 4436: 4435: 4421: 4415: 4414:, p. 85–91. 4409: 4403: 4402: 4388: 4379: 4373: 4367: 4361: 4355: 4354: 4352: 4350: 4335: 4322: 4321: 4319: 4317: 4302: 4289: 4288: 4286: 4284: 4268: 4262: 4261: 4257:978-0-9740407-14 4243: 4237: 4231: 4222: 4221: 4207: 4201: 4195: 4189: 4188: 4186: 4184: 4165: 4154: 4148: 4142: 4136: 4125: 4124: 4106: 4100: 4094: 4085: 4079: 4070: 4069: 4067: 4065: 4048: 4042: 4036: 4027: 4026: 4025: 4021: 4010: 4004: 4003: 4001: 3999: 3990:. 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Archived from 3191: 3182: 3181: 3166: 3160: 3159: 3157: 3155: 3138: 3132: 3126: 3120: 3114: 3108: 3102: 3096: 3095: 3087: 3081: 3080: 3078: 3076: 3051: 3040: 3039:, p. 10–12. 3034: 3025: 3019: 3013: 3012: 3010: 3008: 2998: 2992: 2982: 2976: 2975:, p. 79–80. 2970: 2964: 2958: 2947: 2946: 2944: 2942: 2928: 2922: 2921: 2903: 2890: 2884: 2878: 2868: 2862: 2856: 2850: 2844: 2835: 2825: 2812: 2811: 2797: 2784: 2783: 2781: 2779: 2766: 2621:Ballantine Books 2569: 2451: 2433:Gene Roddenberry 2402:design. The USS 2246:, described the 2111:The Wizard of Oz 2048:Jonathan Glancey 2006: 1999: 1995: 1979: 1945:Star Trek Beyond 1804:Christopher Pike 1801: 1689:Christopher Pike 1646:4:3 aspect ratio 1606:Gretchen J. Berg 1518:s appearance in 1517: 1427:Star Trek Beyond 1373:to feel like a " 1335:series finale, " 1327:cameo appearance 1261:Montgomery Scott 1105:bridge, and the 1091:boatswain's call 1002:Harold Michelson 995:Douglas Trumbull 507: 430:Gene Roddenberry 376:Christopher Pike 348:, products, and 346:spin-off fiction 237:Photon torpedoes 180:Christopher Pike 83:First appearance 64: 39: 38: 8313: 8312: 8308: 8307: 8306: 8304: 8303: 8302: 8268: 8267: 8266: 8261: 8222:Earth Spacedock 8210: 8128:Deep Space Nine 8108: 8100: 8070: 8065: 8041: 8006: 7969: 7928: 7864: 7854: 7824: 7819: 7798: 7769: 7744: 7616: 7518: 7463: 7435: 7428: 7398: 7393: 7369:Jean-Luc Picard 7329:Jonathan Archer 7317: 7261: 7250: 7220: 7215: 7169: starships 7157: 7151: 7017: 7004: 7002: 6967: 6965: 6964:. June 27, 2016 6956: 6950: 6934: 6932:Further reading 6929: 6916: 6866: 6858:, Titan Books, 6848: 6823: 6790: 6772: 6748: 6699: 6694: 6693: 6683: 6681: 6669: 6665: 6655: 6653: 6641: 6637: 6629: 6625: 6615: 6613: 6601: 6597: 6587: 6585: 6575: 6571: 6563: 6559: 6551: 6547: 6537: 6535: 6525: 6521: 6510:Cox Enterprises 6498:(May 6, 2009). 6496:Luckovich, Mike 6493: 6489: 6478:Cox Enterprises 6464:Luckovich, Mike 6461: 6457: 6447: 6445: 6436: 6435: 6431: 6423: 6419: 6411: 6407: 6396: 6392: 6382: 6380: 6379:on July 2, 2010 6371: 6370: 6366: 6356: 6354: 6338: 6334: 6321: 6319: 6312: 6308: 6295: 6293: 6274: 6273: 6269: 6259: 6257: 6250:Popular Science 6241: 6237: 6227: 6225: 6224:. July 16, 2010 6214: 6213: 6209: 6199: 6197: 6179: 6175: 6162: 6160: 6145: 6144: 6140: 6130: 6128: 6118: 6114: 6106: 6102: 6095: 6077: 6070: 6059: 6052: 6042: 6040: 6030: 6026: 6016: 6014: 6004:(May 5, 2022). 5999: 5995: 5985: 5983: 5971: 5967: 5957: 5955: 5943: 5939: 5929: 5927: 5915: 5911: 5904: 5890: 5886: 5879: 5862: 5855: 5845: 5843: 5831: 5827: 5817: 5815: 5803: 5799: 5788: 5784: 5774: 5772: 5758: 5754: 5746: 5742: 5725: 5721: 5711: 5709: 5689: 5685: 5664: 5660: 5650: 5648: 5633: 5629: 5614: 5610: 5600: 5598: 5588: 5584: 5559: 5550: 5542: 5533: 5526: 5510: 5501: 5493: 5489: 5479: 5477: 5467: 5463: 5453: 5451: 5442: 5441: 5437: 5427: 5425: 5415: 5404: 5394: 5392: 5382: 5378: 5368: 5366: 5347: 5346: 5339: 5329: 5327: 5317: 5313: 5303: 5301: 5291: 5284: 5274: 5272: 5263: 5262: 5258: 5248: 5246: 5236: 5232: 5222: 5220: 5210: 5203: 5195: 5191: 5183: 5179: 5171: 5167: 5159: 5155: 5147: 5143: 5135: 5131: 5123: 5119: 5111: 5107: 5099: 5092: 5084: 5077: 5069: 5065: 5057: 5053: 5045: 5041: 5033: 5029: 5021: 5014: 5006: 5002: 4994: 4990: 4980: 4978: 4969: 4968: 4964: 4954: 4952: 4941: 4937: 4929: 4925: 4917: 4910: 4895: 4891: 4885: 4878: 4876: 4864: 4860: 4848: 4842: 4838: 4831: 4823:. p. 386. 4813: 4806: 4796: 4794: 4780: 4776: 4766: 4764: 4747: 4743: 4736: 4728:. p. 219. 4718: 4714: 4706: 4702: 4685: 4681: 4673: 4666: 4649: 4645: 4628: 4627: 4623: 4616: 4599: 4592: 4575: 4566: 4549: 4548: 4544: 4536: 4532: 4515: 4508: 4491: 4476: 4465:Cinefantastique 4461: 4454: 4443: 4439: 4422: 4418: 4410: 4406: 4389: 4382: 4374: 4370: 4362: 4358: 4348: 4346: 4337: 4336: 4325: 4315: 4313: 4304: 4303: 4292: 4282: 4280: 4269: 4265: 4258: 4244: 4240: 4232: 4225: 4208: 4204: 4196: 4192: 4182: 4180: 4166: 4157: 4149: 4145: 4137: 4128: 4116:Cinefantastique 4107: 4103: 4095: 4088: 4080: 4073: 4063: 4061: 4049: 4045: 4037: 4030: 4023: 4011: 4007: 3997: 3995: 3980: 3976: 3968: 3964: 3956: 3952: 3944: 3940: 3930: 3928: 3916: 3907: 3897: 3895: 3893: 3874: 3870: 3862: 3858: 3851: 3834: 3830: 3813: 3809: 3801: 3797: 3789: 3785: 3777: 3773: 3765: 3758: 3748: 3746: 3740: 3733: 3723: 3721: 3711: 3707: 3699: 3688: 3680: 3673: 3665: 3661: 3650: 3643: 3629: 3628: 3624: 3614: 3612: 3602: 3598: 3587:Cinefantastique 3584: 3583: 3579: 3568: 3564: 3560:, pp. 262. 3556: 3552: 3544: 3540: 3533: 3519: 3515: 3503: 3497: 3490: 3480: 3478: 3468: 3464: 3456: 3449: 3441: 3428: 3418: 3416: 3410:smithsonian.com 3402: 3393: 3385: 3368: 3358: 3356: 3346: 3345: 3334: 3324: 3322: 3318: 3317: 3313: 3305: 3294: 3283: 3272: 3262: 3260: 3242: 3238: 3230: 3226: 3218: 3214: 3204: 3202: 3193: 3192: 3185: 3168: 3167: 3163: 3153: 3151: 3139: 3135: 3127: 3123: 3115: 3111: 3103: 3099: 3088: 3084: 3074: 3072: 3052: 3043: 3035: 3028: 3020: 3016: 3006: 3004: 3000: 2999: 2995: 2983: 2979: 2971: 2967: 2959: 2950: 2940: 2938: 2930: 2929: 2925: 2918: 2904: 2893: 2885: 2881: 2869: 2865: 2857: 2853: 2845: 2838: 2826: 2815: 2798: 2787: 2777: 2775: 2768: 2767: 2756: 2751: 2746: 2690: 2629:cutaway drawing 2591:Vulcan, Alberta 2567: 2506:Virgin Galactic 2449: 2441:William Shatner 2422: 2420:Broader culture 2330: 2325: 2297:Keith DeCandido 2262: 2236:DeForest Kelley 2116:Maschinenmensch 2098: 2011:Writing in the 2004: 1997: 1993: 1977: 1972:, the original 1962: 1957: 1929:Riverside, Iowa 1907: 1799: 1782: 1676: 1515: 1478:'s first-season 1467: 1460: 1349: 1273:Deep Space Nine 1245: 1039: 1018:Rear projection 901:Cinefantastique 853:designed a new 851:Ralph McQuarrie 814: 785:Doug Grindstaff 705: 637:donated to the 596: 590:-class vessel. 505: 428:Series creator 426: 421: 263: 259: 235: 190: 186: 182: 178: 156: 130: 111:Last appearance 106: 78: 35: 28: 17: 12: 11: 5: 8311: 8301: 8300: 8295: 8290: 8285: 8280: 8263: 8262: 8260: 8259: 8251: 8239: 8234: 8229: 8224: 8218: 8216: 8212: 8211: 8209: 8208: 8200: 8192: 8184: 8183: 8182: 8177: 8172: 8167: 8154: 8146: 8138: 8130: 8125: 8116: 8114: 8110: 8109: 8103:Spacecraft in 8099: 8098: 8091: 8084: 8076: 8067: 8066: 8064: 8063: 8053: 8051: 8047: 8046: 8043: 8042: 8040: 8039: 8031: 8023: 8014: 8012: 8008: 8007: 8005: 8004: 7996: 7988: 7979: 7977: 7971: 7970: 7968: 7967: 7966: 7965: 7951: 7944: 7936: 7934: 7930: 7929: 7927: 7926: 7918: 7910: 7909: 7908: 7895: 7894: 7893: 7879: 7877: 7870: 7866: 7865: 7853: 7852: 7845: 7838: 7830: 7821: 7820: 7818: 7817: 7812: 7806: 7804: 7803:Related topics 7800: 7799: 7797: 7796: 7787: 7777: 7775: 7771: 7770: 7768: 7767: 7760: 7752: 7750: 7746: 7745: 7743: 7742: 7735: 7728: 7725:Judgment Rites 7721: 7720: 7719: 7714: 7709: 7699: 7692: 7685: 7678: 7671: 7664: 7656: 7649: 7642: 7635: 7626: 7624: 7618: 7617: 7615: 7614: 7609: 7604: 7599: 7594: 7593: 7592: 7582: 7577: 7572: 7567: 7562: 7557: 7552: 7547: 7542: 7537: 7532: 7526: 7524: 7520: 7519: 7517: 7516: 7509: 7502: 7495: 7488: 7481: 7473: 7471: 7465: 7464: 7462: 7461: 7456: 7451: 7445: 7443: 7437: 7436: 7427: 7426: 7419: 7412: 7404: 7395: 7394: 7392: 7391: 7386: 7381: 7379:Edward Jellico 7376: 7371: 7366: 7364:Rachel Garrett 7361: 7356: 7351: 7349:Willard Decker 7346: 7341: 7336: 7331: 7325: 7323: 7319: 7318: 7316: 7315: 7310: 7305: 7300: 7295: 7290: 7285: 7280: 7275: 7269: 7267: 7263: 7262: 7249: 7248: 7241: 7234: 7226: 7217: 7216: 7214: 7213: 7208: 7203: 7198: 7197: 7196: 7191: 7186: 7181: 7176: 7167:Star Trek 7162: 7159: 7158: 7150: 7149: 7142: 7135: 7127: 7121: 7120: 7107: 7094: 7082: 7070: 7057: 7044: 7040:Motion Picture 7031: 7016: 7015:External links 7013: 7012: 7011: 6989: 6974: 6954: 6948: 6933: 6930: 6928: 6927: 6914: 6897: 6869: 6864: 6851: 6846: 6826: 6821: 6797:Sackett, Susan 6793: 6788: 6775: 6770: 6751: 6746: 6728: 6719: 6710: 6700: 6698: 6695: 6692: 6691: 6663: 6635: 6631:Weitekamp 2016 6623: 6595: 6569: 6567:, p. 7–8. 6565:Weitekamp 2016 6557: 6553:Weitekamp 2016 6545: 6519: 6487: 6455: 6429: 6425:Weitekamp 2016 6417: 6415:, p. 357. 6405: 6390: 6364: 6332: 6306: 6267: 6235: 6207: 6173: 6138: 6112: 6100: 6093: 6068: 6050: 6024: 5993: 5965: 5937: 5909: 5902: 5884: 5877: 5865:Gerrold, David 5853: 5825: 5797: 5782: 5752: 5750:, p. 229. 5740: 5719: 5683: 5658: 5627: 5608: 5582: 5548: 5544:Weitekamp 2016 5531: 5524: 5499: 5487: 5461: 5450:. May 18, 2022 5435: 5402: 5376: 5353:Akiva Goldsman 5337: 5311: 5282: 5256: 5230: 5201: 5197:Eaglemoss 2019 5189: 5185:Eaglemoss 2019 5177: 5173:Eaglemoss 2019 5165: 5161:Eaglemoss 2019 5153: 5149:Eaglemoss 2019 5141: 5137:Eaglemoss 2019 5129: 5125:Eaglemoss 2019 5117: 5115:, p. 8–9. 5113:Eaglemoss 2019 5105: 5101:Eaglemoss 2019 5090: 5086:Eaglemoss 2019 5075: 5071:Eaglemoss 2019 5063: 5059:Eaglemoss 2019 5051: 5049:, p. 106. 5039: 5037:, p. 105. 5027: 5025:, p. 102. 5012: 5010:, p. 100. 5000: 4988: 4962: 4935: 4923: 4908: 4889: 4858: 4836: 4829: 4804: 4774: 4741: 4734: 4712: 4700: 4679: 4664: 4643: 4630:Nimoy, Leonard 4621: 4614: 4590: 4564: 4542: 4530: 4506: 4474: 4452: 4437: 4416: 4404: 4380: 4376:Eaglemoss 2013 4368: 4366:, p. 210. 4356: 4323: 4290: 4263: 4256: 4238: 4236:, p. 207. 4223: 4202: 4190: 4155: 4143: 4139:Eaglemoss 2013 4126: 4101: 4097:Eaglemoss 2013 4086: 4071: 4043: 4028: 4005: 3982:Newitt, Paul. 3974: 3962: 3950: 3948:, p. 189. 3938: 3905: 3891: 3877:Okuda, Michael 3868: 3866:, p. 165. 3856: 3849: 3837:Gerrold, David 3828: 3807: 3795: 3793:, p. 404. 3783: 3781:, p. 116. 3771: 3769:, p. 414. 3756: 3731: 3705: 3686: 3671: 3659: 3641: 3622: 3596: 3577: 3562: 3550: 3538: 3531: 3513: 3488: 3462: 3458:Weitekamp 2016 3447: 3443:Weitekamp 2016 3426: 3391: 3387:Eaglemoss 2013 3366: 3332: 3311: 3307:Weitekamp 2016 3292: 3270: 3236: 3224: 3212: 3183: 3161: 3133: 3121: 3117:Eaglemoss 2017 3109: 3097: 3082: 3041: 3026: 3022:Eaglemoss 2017 3014: 2993: 2977: 2965: 2948: 2923: 2917:978-1250065841 2916: 2891: 2889:, p. 8–9. 2879: 2863: 2851: 2836: 2813: 2785: 2753: 2752: 2750: 2747: 2745: 2742: 2689: 2686: 2672:Mike Luckovich 2665:Pulitzer Prize 2534:'s bridge and 2484:Apollo program 2445:Space Shuttle 2421: 2418: 2329: 2326: 2324: 2321: 2261: 2258: 2201:for the aging 2152:a "jalopy" in 2146:Harlan Ellison 2097: 2094: 1961: 1958: 1956: 1953: 1906: 1903: 1869:, hijacked by 1840:Willard Decker 1781: 1778: 1721:Akiva Goldsman 1709:Rebecca Romijn 1675: 1670: 1626:Aaron Harberts 1466: 1461: 1459: 1456: 1359:from the 2009 1348: 1345: 1244: 1241: 1079:Nicholas Meyer 1038: 1035: 920:Andrew Probert 821:Andrew Probert 813: 810: 789:electric organ 704: 701: 671:Motion control 615:Desilu Studios 595: 594:Filming models 592: 578:explains that 491:flying saucers 482:Matt Jefferies 480:'s assistant, 425: 422: 420: 417: 382:Matt Jefferies 311: 310: 307: 303: 302: 299: 295: 294: 291: 287: 286: 283: 279: 278: 272: 268: 267: 254: 250: 249: 244: 240: 239: 230: 226: 225: 222: 218: 217: 212: 208: 207: 203: 202: 199: 195: 194: 188:Willard Decker 173: 169: 168: 165: 161: 160: 151: 147: 146: 142: 141: 139:Matt Jefferies 136: 132: 131: 129: 128: 125: 118: 114: 112: 108: 107: 105: 104: 101: 94: 86: 84: 80: 79: 65: 57: 56: 47: 46: 15: 9: 6: 4: 3: 2: 8310: 8299: 8296: 8294: 8291: 8289: 8286: 8284: 8281: 8279: 8276: 8275: 8273: 8258: 8257: 8252: 8249: 8248: 8243: 8240: 8238: 8235: 8233: 8230: 8228: 8225: 8223: 8220: 8219: 8217: 8215:Other vessels 8213: 8207: 8206: 8201: 8199: 8198: 8193: 8191: 8190: 8185: 8181: 8178: 8176: 8173: 8171: 8168: 8166: 8163: 8162: 8161: 8160: 8155: 8153: 8151: 8147: 8145: 8144: 8139: 8137: 8136: 8131: 8129: 8126: 8124: 8123: 8118: 8117: 8115: 8111: 8107: 8106: 8097: 8092: 8090: 8085: 8083: 8078: 8077: 8074: 8062: 8060: 8055: 8054: 8052: 8048: 8037: 8036: 8032: 8029: 8028: 8024: 8021: 8020: 8019:Star Trek DAC 8016: 8015: 8013: 8009: 8002: 8001: 7997: 7994: 7993: 7989: 7986: 7985: 7981: 7980: 7978: 7976: 7972: 7963: 7959: 7958: 7957: 7956: 7952: 7950: 7949: 7945: 7943: 7942: 7938: 7937: 7935: 7931: 7925: 7923: 7919: 7916: 7915: 7911: 7907: 7904: 7903: 7901: 7900: 7896: 7892: 7889: 7888: 7886: 7885: 7881: 7880: 7878: 7874: 7871: 7867: 7862: 7858: 7851: 7846: 7844: 7839: 7837: 7832: 7831: 7828: 7816: 7813: 7811: 7808: 7807: 7805: 7801: 7795: 7793: 7788: 7786: 7784: 7779: 7778: 7776: 7772: 7766: 7765: 7761: 7759: 7758: 7757:The God Thing 7754: 7753: 7751: 7747: 7741: 7740: 7736: 7734: 7733: 7729: 7727: 7726: 7722: 7718: 7715: 7713: 7710: 7708: 7705: 7704: 7703: 7700: 7698: 7697: 7693: 7691: 7690: 7686: 7684: 7683: 7682:First Contact 7679: 7677: 7676: 7672: 7670: 7669: 7665: 7663: 7661: 7657: 7655: 7654: 7653:Video Trek 88 7650: 7648: 7647: 7643: 7641: 7640: 7636: 7634: 7632: 7628: 7627: 7625: 7623: 7619: 7613: 7610: 7608: 7605: 7603: 7600: 7598: 7595: 7591: 7588: 7587: 7586: 7583: 7581: 7578: 7576: 7573: 7571: 7568: 7566: 7563: 7561: 7558: 7556: 7555:Leonard McCoy 7553: 7551: 7548: 7546: 7543: 7541: 7540:James T. Kirk 7538: 7536: 7533: 7531: 7528: 7527: 7525: 7521: 7515: 7514: 7510: 7508: 7507: 7503: 7501: 7500: 7496: 7494: 7493: 7489: 7487: 7486: 7482: 7480: 7479: 7475: 7474: 7472: 7470: 7466: 7460: 7457: 7455: 7452: 7450: 7447: 7446: 7444: 7442: 7438: 7434: 7433: 7425: 7420: 7418: 7413: 7411: 7406: 7405: 7402: 7390: 7389:Seven of Nine 7387: 7385: 7382: 7380: 7377: 7375: 7374:William Riker 7372: 7370: 7367: 7365: 7362: 7360: 7359:John Harriman 7357: 7355: 7352: 7350: 7347: 7345: 7344:James T. Kirk 7342: 7340: 7337: 7335: 7332: 7330: 7327: 7326: 7324: 7320: 7314: 7311: 7309: 7306: 7304: 7301: 7299: 7296: 7294: 7291: 7289: 7286: 7284: 7281: 7279: 7276: 7274: 7271: 7270: 7268: 7264: 7260: 7259: 7255: 7247: 7242: 7240: 7235: 7233: 7228: 7227: 7224: 7212: 7209: 7207: 7204: 7202: 7199: 7195: 7192: 7190: 7187: 7185: 7182: 7180: 7177: 7175: 7172: 7171: 7170: 7168: 7164: 7163: 7160: 7156: 7148: 7143: 7141: 7136: 7134: 7129: 7128: 7125: 7119: 7115: 7113: 7108: 7106: 7102: 7100: 7095: 7093: 7089: 7087: 7083: 7081: 7077: 7075: 7071: 7069: 7065: 7063: 7058: 7056: 7052: 7050: 7045: 7043: 7041: 7037: 7032: 7030: 7026: 7024: 7019: 7018: 7001: 7000: 6995: 6990: 6988: 6984: 6980: 6979: 6975: 6963: 6959: 6955: 6951: 6945: 6941: 6936: 6935: 6925: 6921: 6917: 6915:0-345-31554-5 6911: 6907: 6903: 6898: 6895: 6891: 6887: 6883: 6879: 6875: 6870: 6867: 6865:9781848566200 6861: 6857: 6852: 6849: 6847:0-671-89628-8 6843: 6839: 6835: 6831: 6827: 6824: 6822:0-671-25181-3 6818: 6814: 6809: 6808: 6802: 6798: 6794: 6791: 6789:9781858755274 6785: 6781: 6776: 6773: 6767: 6763: 6762:Gallery Books 6759: 6758: 6752: 6749: 6743: 6739: 6738: 6733: 6729: 6725: 6720: 6716: 6711: 6707: 6702: 6701: 6680: 6679: 6674: 6667: 6652: 6651: 6646: 6639: 6633:, p. 12. 6632: 6627: 6612: 6611: 6606: 6599: 6584: 6583:TrekMovie.com 6580: 6573: 6566: 6561: 6554: 6549: 6534: 6530: 6523: 6515: 6511: 6507: 6506: 6501: 6497: 6491: 6483: 6479: 6475: 6474: 6469: 6465: 6459: 6443: 6439: 6433: 6426: 6421: 6414: 6409: 6401: 6394: 6378: 6374: 6368: 6353: 6349: 6348: 6343: 6336: 6329: 6317: 6310: 6303: 6291: 6287: 6283: 6282: 6277: 6271: 6256: 6252: 6251: 6246: 6239: 6223: 6222: 6217: 6211: 6195: 6191: 6187: 6183: 6177: 6170: 6158: 6154: 6153: 6148: 6142: 6127: 6123: 6116: 6110:, p. 29. 6109: 6104: 6096: 6090: 6087:. p. 9. 6086: 6082: 6075: 6073: 6064: 6057: 6055: 6039: 6035: 6028: 6013: 6012: 6007: 6003: 5997: 5982: 5981: 5976: 5969: 5954: 5953: 5948: 5941: 5926: 5925: 5920: 5913: 5905: 5903:1-4165-0004-9 5899: 5895: 5888: 5880: 5878:9781939529572 5874: 5870: 5866: 5860: 5858: 5842: 5841: 5836: 5829: 5814: 5813: 5808: 5801: 5793: 5786: 5771: 5767: 5763: 5756: 5749: 5744: 5736: 5735: 5730: 5723: 5708: 5704: 5700: 5699: 5694: 5687: 5679: 5675: 5674: 5669: 5662: 5647: 5646: 5641: 5637: 5631: 5623: 5619: 5612: 5597: 5593: 5586: 5578: 5574: 5570: 5569: 5564: 5557: 5555: 5553: 5545: 5540: 5538: 5536: 5527: 5521: 5517: 5516: 5508: 5506: 5504: 5497:, p. 28. 5496: 5491: 5476: 5472: 5465: 5449: 5448:TrekMovie.com 5445: 5439: 5424: 5420: 5413: 5411: 5409: 5407: 5391: 5387: 5380: 5364: 5360: 5359: 5354: 5350: 5344: 5342: 5326: 5325:TrekMovie.com 5322: 5315: 5304:September 13, 5300: 5299:TrekMovie.com 5296: 5289: 5287: 5270: 5269:TrekMovie.com 5266: 5260: 5245: 5241: 5234: 5219: 5215: 5208: 5206: 5199:, p. 18. 5198: 5193: 5187:, p. 17. 5186: 5181: 5174: 5169: 5163:, p. 16. 5162: 5157: 5151:, p. 10. 5150: 5145: 5139:, p. 15. 5138: 5133: 5127:, p. 12. 5126: 5121: 5114: 5109: 5102: 5097: 5095: 5087: 5082: 5080: 5072: 5067: 5060: 5055: 5048: 5043: 5036: 5031: 5024: 5019: 5017: 5009: 5004: 4998:, p. 98. 4997: 4992: 4976: 4972: 4966: 4950: 4946: 4939: 4933:, p. 92. 4932: 4927: 4921:, p. 88. 4920: 4915: 4913: 4904: 4900: 4893: 4875: 4874: 4869: 4862: 4854: 4847: 4840: 4832: 4826: 4822: 4818: 4811: 4809: 4793: 4789: 4785: 4778: 4763: 4759: 4755: 4751: 4745: 4737: 4731: 4727: 4723: 4716: 4709: 4704: 4696: 4695: 4690: 4683: 4676: 4671: 4669: 4660: 4656: 4655: 4647: 4639: 4635: 4631: 4625: 4617: 4615:0-671-51149-1 4611: 4607: 4603: 4602:Dillard, J.M. 4597: 4595: 4586: 4585: 4580: 4573: 4571: 4569: 4560: 4556: 4552: 4546: 4539: 4534: 4526: 4522: 4521: 4513: 4511: 4502: 4501: 4496: 4489: 4487: 4485: 4483: 4481: 4479: 4471:(5–6): 50–74. 4470: 4466: 4459: 4457: 4448: 4441: 4433: 4432: 4427: 4420: 4413: 4408: 4400: 4399: 4394: 4387: 4385: 4378:, p. 14. 4377: 4372: 4365: 4360: 4344: 4340: 4334: 4332: 4330: 4328: 4311: 4307: 4301: 4299: 4297: 4295: 4278: 4274: 4271:Hood, Jamie. 4267: 4259: 4253: 4249: 4242: 4235: 4230: 4228: 4219: 4215: 4214: 4206: 4199: 4194: 4179: 4175: 4171: 4164: 4162: 4160: 4153:, p. 26. 4152: 4147: 4141:, p. 13. 4140: 4135: 4133: 4131: 4122: 4118: 4117: 4112: 4105: 4099:, p. 12. 4098: 4093: 4091: 4083: 4078: 4076: 4060: 4059: 4054: 4047: 4041:, p. 14. 4040: 4035: 4033: 4019: 4015: 4009: 3993: 3989: 3988:trekplace.com 3985: 3978: 3972:, p. 70. 3971: 3966: 3960:, p. 57. 3959: 3954: 3947: 3942: 3927: 3926: 3921: 3914: 3912: 3910: 3894: 3888: 3884: 3883: 3878: 3872: 3865: 3860: 3852: 3850:9781939529572 3846: 3842: 3838: 3832: 3824: 3823: 3818: 3811: 3804: 3799: 3792: 3787: 3780: 3775: 3768: 3763: 3761: 3745: 3738: 3736: 3720: 3716: 3709: 3702: 3697: 3695: 3693: 3691: 3683: 3678: 3676: 3669:, p. 34. 3668: 3663: 3655: 3648: 3646: 3637: 3633: 3626: 3611: 3610:TrekMovie.com 3607: 3600: 3592: 3588: 3581: 3574:(148): 46–47. 3573: 3566: 3559: 3554: 3547: 3542: 3534: 3532:9781250065841 3528: 3524: 3517: 3509: 3502: 3495: 3493: 3477: 3473: 3466: 3460:, p. 10. 3459: 3454: 3452: 3444: 3439: 3437: 3435: 3433: 3431: 3415: 3411: 3407: 3400: 3398: 3396: 3389:, p. 17. 3388: 3383: 3381: 3379: 3377: 3375: 3373: 3371: 3355: 3354: 3349: 3343: 3341: 3339: 3337: 3321: 3315: 3308: 3303: 3301: 3299: 3297: 3288: 3281: 3279: 3277: 3275: 3259: 3255: 3251: 3247: 3240: 3233: 3228: 3222:, p. 13. 3221: 3216: 3200: 3196: 3190: 3188: 3179: 3175: 3171: 3165: 3150: 3149: 3144: 3137: 3131: 3125: 3119:, p. 15. 3118: 3113: 3106: 3101: 3093: 3086: 3071: 3067: 3063: 3062: 3057: 3050: 3048: 3046: 3038: 3033: 3031: 3024:, p. 11. 3023: 3018: 3003: 2997: 2990: 2986: 2981: 2974: 2969: 2963:, p. 10. 2962: 2957: 2955: 2953: 2937: 2933: 2927: 2919: 2913: 2909: 2902: 2900: 2898: 2896: 2888: 2883: 2876: 2872: 2867: 2861:, p. 79. 2860: 2855: 2848: 2843: 2841: 2833: 2829: 2824: 2822: 2820: 2818: 2809: 2805: 2804: 2796: 2794: 2792: 2790: 2774: 2771: 2765: 2763: 2761: 2759: 2754: 2741: 2739: 2735: 2731: 2727: 2723: 2718: 2716: 2711: 2707: 2703: 2699: 2695: 2685: 2683: 2682: 2677: 2674:has used the 2673: 2670: 2666: 2662: 2658: 2654: 2650: 2649:Haynes Manual 2646: 2645:Gallery Books 2642: 2638: 2634: 2630: 2626: 2622: 2618: 2617: 2612: 2608: 2604: 2596: 2592: 2587: 2583: 2581: 2577: 2573: 2566: 2562: 2561: 2556: 2552: 2548: 2544: 2540: 2539: 2533: 2532: 2526: 2522: 2518: 2515:to honor the 2514: 2513: 2507: 2503: 2499: 2498: 2493: 2492:Space Shuttle 2489: 2485: 2481: 2477: 2473: 2469: 2466:The starship 2461: 2457: 2453: 2448: 2442: 2438: 2434: 2430: 2426: 2417: 2415: 2414:Terry Matalas 2411: 2410: 2405: 2401: 2397: 2393: 2389: 2385: 2381: 2380: 2375: 2373: 2367: 2363: 2359: 2355: 2351: 2347: 2346:Star Trek III 2343: 2339: 2335: 2332:The original 2320: 2318: 2314: 2310: 2306: 2302: 2298: 2294: 2290: 2286: 2282: 2281: 2276: 2272: 2268: 2267: 2257: 2255: 2254: 2249: 2245: 2241: 2237: 2233: 2229: 2228:David Gerrold 2225: 2221: 2216: 2214: 2210: 2209: 2204: 2200: 2196: 2192: 2188: 2187: 2182: 2178: 2174: 2173: 2169: 2165: 2161: 2160: 2155: 2151: 2147: 2143: 2139: 2138: 2133: 2132: 2131:Batman Begins 2127: 2123: 2122: 2117: 2113: 2112: 2107: 2106:ruby slippers 2103: 2093: 2091: 2087: 2086: 2081: 2077: 2073: 2072: 2067: 2066: 2061: 2057: 2053: 2049: 2045: 2040: 2035: 2032: 2028: 2024: 2020: 2016: 2015: 2008: 2003: 1989: 1987: 1983: 1975: 1971: 1969: 1952: 1950: 1946: 1942: 1938: 1934: 1930: 1926: 1922: 1918: 1914: 1909: 1902: 1900: 1898: 1892: 1888: 1884: 1880: 1876: 1872: 1868: 1864: 1860: 1857:commands the 1856: 1851: 1849: 1845: 1841: 1837: 1833: 1829: 1828:James T. Kirk 1825: 1821: 1817: 1813: 1809: 1805: 1798: 1794: 1790: 1786: 1777: 1775: 1771: 1767: 1763: 1758: 1754: 1749: 1745: 1741: 1737: 1733: 1728: 1726: 1722: 1718: 1715:, called the 1714: 1710: 1706: 1702: 1698: 1694: 1690: 1686: 1685: 1680: 1674: 1669: 1667: 1663: 1659: 1655: 1651: 1647: 1643: 1638: 1633: 1631: 1627: 1623: 1619: 1615: 1611: 1607: 1603: 1598: 1594: 1590: 1586: 1582: 1577: 1575: 1571: 1567: 1563: 1559: 1558: 1553: 1549: 1545: 1544: 1539: 1538: 1533: 1529: 1525: 1521: 1514: 1510: 1506: 1501: 1499: 1495: 1491: 1487: 1483: 1482:second season 1479: 1477: 1472: 1465: 1455: 1453: 1449: 1445: 1441: 1436: 1431: 1429: 1428: 1423: 1419: 1416:the original 1414: 1410: 1406: 1402: 1398: 1394: 1390: 1389: 1384: 1376: 1372: 1368: 1364: 1363: 1358: 1353: 1344: 1342: 1338: 1334: 1333: 1328: 1324: 1321: 1317: 1313: 1309: 1305: 1300: 1298: 1294: 1290: 1286: 1282: 1278: 1274: 1270: 1266: 1262: 1258: 1254: 1250: 1240: 1239:(1987–1994). 1238: 1237: 1232: 1228: 1224: 1220: 1215: 1213: 1212:Majel Barrett 1209: 1207: 1201: 1197: 1196: 1191: 1187: 1182: 1180: 1175: 1171: 1167: 1163: 1162:Harve Bennett 1159: 1158: 1149: 1148: 1143: 1139: 1138:Harve Bennett 1134: 1130: 1128: 1124: 1120: 1117: 1113: 1108: 1104: 1100: 1096: 1092: 1088: 1084: 1080: 1076: 1071: 1069: 1065: 1062: 1058: 1054: 1050: 1049: 1044: 1034: 1031: 1025: 1023: 1022:oscilloscopes 1019: 1015: 1011: 1007: 1003: 998: 996: 992: 988: 983: 978: 971: 967: 963: 959: 955: 951: 950: 945: 941: 936: 932: 930: 926: 921: 917: 912: 910: 906: 902: 898: 894: 890: 889: 884: 879: 876: 872: 871: 866: 863: 861: 856: 852: 848: 844: 843: 838: 830: 826: 822: 818: 809: 807: 802: 797: 795: 790: 786: 781: 780:in spinoffs. 779: 775: 770: 765: 763: 759: 755: 751: 750: 745: 741: 736: 734: 733:Eero Saarinen 730: 726: 722: 721: 716: 715: 710: 700: 698: 693: 690: 686: 685: 680: 676: 672: 666: 664: 660: 656: 652: 648: 640: 636: 631: 627: 624: 620: 616: 608: 604: 603:Leonard Nimoy 600: 591: 589: 585: 581: 577: 573: 569: 565: 561: 557: 553: 549: 545: 541: 537: 533: 529: 528: 523: 519: 514: 512: 504: 500: 494: 492: 487: 483: 479: 471: 467: 466: 460: 456: 451: 446: 441: 439: 435: 431: 416: 414: 410: 405: 403: 399: 395: 391: 390:flying saucer 387: 384:designed the 383: 379: 377: 373: 369: 368: 363: 359: 355: 354:James T. Kirk 351: 347: 343: 339: 337: 334:the original 331: 330: 325: 321: 319: 308: 304: 300: 296: 292: 288: 284: 280: 276: 273: 269: 266: 262: 261:Impulse drive 258: 255: 251: 248: 245: 241: 238: 234: 231: 227: 223: 219: 216: 213: 209: 204: 200: 196: 193: 189: 185: 184:James T. Kirk 181: 177: 174: 170: 166: 162: 159: 155: 152: 148: 143: 140: 137: 133: 126: 124: 123: 119: 116: 115: 113: 109: 102: 100: 99: 95: 92: 88: 87: 85: 81: 77: 75: 69: 63: 58: 54: 53: 48: 45: 40: 37: 33: 26: 22: 8255: 8245: 8242:Shuttlecraft 8204: 8196: 8188: 8164: 8158: 8149: 8142: 8134: 8121: 8113:Main vessels 8104: 8058: 8050:Other topics 8033: 8025: 8017: 7998: 7990: 7982: 7962:Sledgehammer 7953: 7946: 7939: 7921: 7912: 7897: 7882: 7860: 7856: 7794:(NCC-1701-A) 7791: 7782: 7780: 7762: 7755: 7737: 7730: 7723: 7701: 7694: 7687: 7680: 7673: 7666: 7659: 7651: 7644: 7637: 7630: 7535:Pavel Chekov 7511: 7504: 7497: 7490: 7483: 7476: 7430: 7334:Robert April 7277: 7257: 7256:ships named 7253: 7173: 7166: 7154: 7118:Memory Alpha 7111: 7105:Memory Alpha 7101:(NCC-1701-A) 7098: 7092:Memory Alpha 7086:Constitution 7085: 7080:Memory Alpha 7074:Constitution 7073: 7068:Memory Alpha 7061: 7055:Memory Alpha 7048: 7039: 7035: 7022: 7003:. Retrieved 6997: 6977: 6966:. Retrieved 6939: 6905: 6877: 6873: 6855: 6837: 6813:Pocket Books 6811:, New York: 6806: 6779: 6756: 6736: 6723: 6714: 6705: 6684:September 8, 6682:. Retrieved 6676: 6666: 6654:. Retrieved 6648: 6638: 6626: 6614:. Retrieved 6608: 6598: 6586:. Retrieved 6582: 6572: 6560: 6555:, p. 7. 6548: 6536:. Retrieved 6532: 6522: 6503: 6490: 6471: 6458: 6448:September 9, 6446:. Retrieved 6432: 6427:, p. 8. 6420: 6408: 6399: 6393: 6381:. Retrieved 6377:the original 6367: 6355:. Retrieved 6345: 6335: 6327: 6320:. Retrieved 6309: 6301: 6294:. Retrieved 6290:the original 6279: 6270: 6258:. Retrieved 6248: 6238: 6226:. Retrieved 6219: 6210: 6200:November 28, 6198:. Retrieved 6194:the original 6176: 6168: 6161:. Retrieved 6157:the original 6150: 6141: 6131:February 19, 6129:. Retrieved 6125: 6115: 6103: 6085:Pocket Books 6080: 6062: 6041:. Retrieved 6038:TrekCore.com 6037: 6027: 6015:. Retrieved 6009: 5996: 5984:. Retrieved 5978: 5968: 5956:. Retrieved 5950: 5940: 5928:. Retrieved 5922: 5912: 5893: 5887: 5868: 5844:. Retrieved 5838: 5828: 5816:. Retrieved 5810: 5800: 5791: 5785: 5773:. Retrieved 5765: 5755: 5743: 5732: 5722: 5710:. Retrieved 5696: 5686: 5671: 5661: 5649:. Retrieved 5645:The Guardian 5643: 5630: 5621: 5611: 5599:. Retrieved 5595: 5585: 5566: 5546:, p. 3. 5514: 5490: 5478:. Retrieved 5474: 5464: 5452:. Retrieved 5447: 5438: 5426:. Retrieved 5422: 5393:. Retrieved 5389: 5379: 5367:. Retrieved 5357: 5328:. Retrieved 5324: 5314: 5302:. Retrieved 5298: 5275:December 30, 5273:. Retrieved 5268: 5259: 5247:. Retrieved 5243: 5233: 5221:. Retrieved 5217: 5192: 5180: 5168: 5156: 5144: 5132: 5120: 5108: 5103:, p. 8. 5088:, p. 7. 5066: 5061:, p. 6. 5054: 5042: 5030: 5003: 4991: 4981:September 7, 4979:. Retrieved 4974: 4965: 4953:. Retrieved 4949:the original 4938: 4926: 4902: 4898: 4892: 4877:. Retrieved 4871: 4861: 4852: 4839: 4821:Pocket Books 4819:. New York: 4816: 4795:. Retrieved 4787: 4777: 4765:. Retrieved 4757: 4744: 4726:Pocket Books 4724:. New York: 4721: 4715: 4703: 4692: 4682: 4658: 4652: 4646: 4633: 4624: 4605: 4582: 4554: 4550: 4545: 4533: 4524: 4518: 4498: 4468: 4464: 4446: 4440: 4429: 4419: 4407: 4396: 4371: 4359: 4347:. Retrieved 4342: 4314:. Retrieved 4310:the original 4281:. Retrieved 4277:the original 4266: 4247: 4241: 4217: 4211: 4205: 4193: 4181:. Retrieved 4173: 4146: 4120: 4114: 4104: 4062:. Retrieved 4056: 4046: 4008: 3996:. Retrieved 3992:the original 3987: 3977: 3965: 3953: 3941: 3929:. Retrieved 3923: 3898:December 30, 3896:. Retrieved 3881: 3871: 3859: 3840: 3831: 3820: 3810: 3798: 3786: 3774: 3747:. Retrieved 3722:. Retrieved 3718: 3708: 3662: 3653: 3635: 3631: 3625: 3613:. Retrieved 3609: 3599: 3593:(11/12): 67. 3590: 3586: 3580: 3571: 3565: 3553: 3541: 3522: 3516: 3507: 3479:. Retrieved 3475: 3465: 3445:, p. 6. 3417:. Retrieved 3409: 3357:. Retrieved 3351: 3325:February 19, 3323:. Retrieved 3314: 3309:, p. 5. 3286: 3261:. Retrieved 3249: 3239: 3227: 3215: 3205:December 31, 3203:. Retrieved 3199:the original 3178:the original 3173: 3164: 3154:December 18, 3152:. Retrieved 3146: 3136: 3124: 3112: 3100: 3091: 3085: 3073:. Retrieved 3059: 3017: 3005:. Retrieved 2996: 2980: 2968: 2939:. Retrieved 2935: 2926: 2907: 2882: 2866: 2854: 2802: 2776:. Retrieved 2773:startrek.com 2772: 2729: 2725: 2719: 2714: 2709: 2693: 2691: 2679: 2675: 2660: 2652: 2647:published a 2636: 2632: 2624: 2616:The Munsters 2614: 2610: 2602: 2600: 2594: 2579: 2564: 2558: 2550: 2546: 2542: 2537: 2531:Independence 2530: 2524: 2519:vessel. The 2516: 2511: 2502:Constitution 2501: 2500:rather than 2495: 2494:being named 2487: 2479: 2475: 2467: 2465: 2459: 2446: 2436: 2428: 2407: 2403: 2399: 2395: 2391: 2387: 2383: 2377: 2374:, NCC-1701-D 2371: 2365: 2361: 2357: 2349: 2345: 2341: 2337: 2333: 2331: 2316: 2312: 2308: 2304: 2300: 2288: 2284: 2278: 2274: 2270: 2264: 2263: 2251: 2247: 2243: 2239: 2231: 2223: 2219: 2217: 2212: 2206: 2202: 2197:served as a 2194: 2190: 2184: 2180: 2176: 2170: 2167: 2163: 2157: 2153: 2149: 2141: 2135: 2129: 2120: 2109: 2101: 2099: 2089: 2083: 2079: 2075: 2069: 2063: 2056:Concorde jet 2051: 2043: 2038: 2036: 2030: 2026: 2022: 2012: 2010: 2001: 1991: 1985: 1973: 1967: 1963: 1948: 1944: 1940: 1932: 1924: 1920: 1916: 1910: 1908: 1899:, NCC-1701-A 1896: 1890: 1882: 1878: 1874: 1866: 1862: 1858: 1852: 1847: 1843: 1835: 1831: 1823: 1819: 1815: 1807: 1796: 1793:Robert April 1788: 1783: 1773: 1769: 1765: 1756: 1752: 1747: 1743: 1739: 1735: 1731: 1729: 1724: 1716: 1711:, who plays 1704: 1700: 1696: 1682: 1678: 1677: 1672: 1665: 1657: 1649: 1636: 1634: 1629: 1621: 1617: 1613: 1609: 1601: 1596: 1592: 1588: 1584: 1580: 1578: 1573: 1569: 1565: 1561: 1555: 1551: 1547: 1542: 1535: 1531: 1527: 1523: 1519: 1512: 1508: 1504: 1502: 1497: 1493: 1489: 1475: 1470: 1468: 1463: 1451: 1432: 1425: 1421: 1417: 1412: 1404: 1396: 1393:J. J. Abrams 1386: 1382: 1380: 1370: 1367:J. J. Abrams 1361: 1356: 1340: 1330: 1322: 1315: 1311: 1303: 1301: 1297:Doug Drexler 1292: 1280: 1272: 1264: 1252: 1248: 1246: 1234: 1230: 1226: 1222: 1218: 1216: 1208:, NCC-1701-A 1205: 1199: 1193: 1189: 1185: 1183: 1178: 1173: 1165: 1155: 1153: 1145: 1141: 1126: 1122: 1119: 1111: 1102: 1101:bridge, the 1098: 1085:was given a 1082: 1074: 1072: 1067: 1064: 1056: 1046: 1042: 1040: 1026: 1013: 1009: 1005: 999: 981: 974: 969: 965: 962:Joe Jennings 957: 953: 947: 943: 942:(right) and 939: 928: 925:Joe Jennings 915: 913: 904: 900: 896: 892: 886: 882: 878: 874: 868: 864: 858: 854: 840: 836: 834: 828: 805: 800: 798: 782: 778:crawl spaces 766: 753: 747: 743: 737: 731:designed by 718: 712: 708: 706: 696: 691: 682: 678: 667: 662: 644: 618: 612: 588:Constitution 587: 583: 579: 575: 571: 567: 563: 559: 555: 551: 547: 543: 535: 531: 525: 521: 517: 515: 510: 502: 495: 475: 469: 464: 458: 454: 443: 437: 427: 412: 408: 406: 397: 385: 380: 371: 365: 357: 335: 327: 317: 315: 314: 215:Constitution 214: 201:Shuttlecraft 176:Robert April 120: 96: 91:The Man Trap 73: 67: 50: 43: 36: 20: 8035:Bridge Crew 8011:Video games 8003:(2013–2014) 7975:Comic books 7933:Soundtracks 7922:Star Trek 4 7774:Enterprises 7622:Video games 7607:Nyota Uhura 7597:Hikaru Sulu 7590:development 7565:Janice Rand 6322:October 17, 6296:October 24, 6163:October 23, 5596:Den of Geek 5349:Wil Wheaton 4283:October 22, 3148:Smithsonian 2936:cbsnews.com 2738:Blue Origin 2724:bought the 2545:bridge. 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In 2009, 2472:Bjo Trimble 2354:Bill George 2283:called the 2205:franchise. 2148:called the 2060:B-17 bomber 2039:Enterprise' 1693:Anson Mount 1654:greenscreen 1409:Ryan Church 1399:to have a " 1310:created an 1269:greenscreen 1170:Ken Ralston 1087:ship's bell 1030:Robert Wise 970:Enterprise. 774:inside joke 769:Bob Justman 758:Holiday Inn 729:tulip chair 720:Dr. Kildare 675:stop motion 478:Pato Guzman 461:redesigns, 150:Affiliation 145:Information 8272:Categories 8256:Enterprise 8159:Enterprise 8150:Enterprise 8057:Knowledge 7815:Theme song 7792:Enterprise 7785:(NCC-1701) 7783:Enterprise 7612:Number One 7523:Characters 7313:NCC-1701-G 7308:NCC-1701-F 7303:NCC-1701-E 7298:NCC-1701-D 7293:NCC-1701-C 7288:NCC-1701-B 7283:NCC-1701-A 7258:Enterprise 7155:Enterprise 7112:Enterprise 7099:Enterprise 7062:Enterprise 7051:(NCC-1701) 7049:Enterprise 7025:model page 7023:Enterprise 7005:August 31, 6978:Enterprise 6968:August 31, 6656:August 31, 6616:August 24, 6588:August 27, 6357:August 25, 6281:Navy Times 6260:August 31, 5846:August 25, 5818:August 25, 5775:August 28, 5712:August 25, 5651:August 28, 5601:August 27, 5480:August 26, 5363:Paramount+ 5244:IGN Africa 5223:August 31, 4955:October 4, 4855:(110): 55. 4697:(116): 64. 4183:August 28, 4174:Motor1.com 4123:(2–3): 90. 4014:USD260789S 3998:August 26, 3931:August 31, 3892:0671536095 3749:August 28, 3724:August 28, 3615:August 31, 3481:August 28, 3419:August 31, 3359:August 24, 3289:(132): 51. 3075:August 25, 3007:August 25, 2941:August 25, 2778:August 26, 2744:References 2726:Enterprise 2722:Paul Allen 2715:Enterprise 2710:Enterprise 2676:Enterprise 2661:Enterprise 2653:Enterprise 2633:Enterprise 2625:Enterprise 2611:Enterprise 2603:Enterprise 2595:Enterprise 2580:Enterprise 2565:Enterprise 2547:Enterprise 2543:Enterprise 2525:Enterprise 2512:Enterprise 2497:Enterprise 2488:Enterprise 2480:Enterprise 2468:Enterprise 2460:Enterprise 2447:Enterprise 2400:Enterprise 2396:Enterprise 2392:Enterprise 2388:Enterprise 2372:Enterprise 2370:a new USS 2368:to design 2358:Enterprise 2350:Enterprise 2334:Enterprise 2317:Enterprise 2305:Enterprise 2285:Enterprise 2275:Discovery' 2271:Enterprise 2248:Enterprise 2240:Enterprise 2220:Enterprise 2213:Enterprise 2191:Enterprise 2181:Enterprise 2164:Enterprise 2150:Enterprise 2124:, and the 2121:Metropolis 2102:Enterprise 2090:Enterprise 2080:Enterprise 2076:Enterprise 2052:Enterprise 2044:Enterprise 2031:Enterprise 2027:Enterprise 2023:Enterprise 2002:Enterprise 1986:Enterprise 1974:Enterprise 1949:Enterprise 1947:and a new 1941:Enterprise 1933:Enterprise 1925:Enterprise 1897:Enterprise 1891:Enterprise 1879:Enterprise 1875:Enterprise 1859:Enterprise 1844:Enterprise 1836:Enterprise 1808:Enterprise 1797:Enterprise 1789:Enterprise 1770:Enterprise 1766:Enterprise 1732:Enterprise 1717:Enterprise 1705:Enterprise 1679:Enterprise 1660:, such as 1637:Enterprise 1624:producer, 1620:. Another 1610:Enterprise 1597:Enterprise 1593:Enterprise 1581:Enterprise 1570:Enterprise 1564:refit for 1562:Enterprise 1552:Enterprise 1543:Enterprise 1528:Enterprise 1513:Enterprise 1505:Enterprise 1490:Enterprise 1486:John Eaves 1471:Enterprise 1452:Enterprise 1422:Enterprise 1418:Enterprise 1413:Enterprise 1405:Enterprise 1397:Enterprise 1383:Enterprise 1371:Enterprise 1357:Enterprise 1341:Enterprise 1323:Enterprise 1312:Enterprise 1304:Enterprise 1293:Enterprise 1289:Mike Okuda 1287:" (1967). 1281:Enterprise 1265:Enterprise 1249:Enterprise 1231:Enterprise 1223:Enterprise 1219:Enterprise 1206:Enterprise 1200:Enterprise 1186:Enterprise 1174:Enterprise 1172:hated the 1166:Enterprise 1142:Enterprise 1099:Enterprise 1083:Enterprise 1068:Enterprise 1057:Enterprise 1043:Enterprise 1010:Enterprise 1006:Enterprise 991:bluescreen 982:Enterprise 954:Enterprise 940:Enterprise 929:Enterprise 916:Enterprise 905:Enterprise 897:Enterprise 893:Enterprise 875:Enterprise 855:Enterprise 829:Enterprise 806:Enterprise 762:Mike Minor 754:Enterprise 744:Enterprise 709:Enterprise 697:Enterprise 692:Enterprise 689:rotoscoped 687:(1973–75) 679:Enterprise 663:Enterprise 584:Enterprise 568:Enterprise 527:Enterprise 518:Enterprise 503:Enterprise 465:Enterprise 459:Enterprise 455:Enterprise 413:Enterprise 409:Enterprise 386:Enterprise 372:Enterprise 358:Enterprise 320:(NCC-1701) 318:Enterprise 265:Warp drive 253:Propulsion 135:Created by 117:"Hegemony" 68:Enterprise 44:Enterprise 19:For other 8254:Starship 8197:Protostar 8143:Discovery 8105:Star Trek 8027:Star Trek 7984:Countdown 7941:Star Trek 7884:Star Trek 7857:Star Trek 7660:Star Trek 7631:Star Trek 7254:Star Trek 6999:Space.com 6894:191380605 6286:U.S. Navy 6221:Space.com 6152:Space.com 6043:March 19, 5958:March 10, 5707:0040-781X 5624:(60): 55. 5428:August 4, 5395:April 17, 5369:April 29, 4879:August 4, 4797:August 4, 4792:Tor Books 4762:Tor Books 4587:(61): 19. 4551:Star Trek 4503:(60): 22. 4434:(25): 48. 4316:April 21, 4064:March 10, 3825:(25): 36. 3638:(16): 68. 3263:April 21, 3258:0362-4331 3070:0040-781X 2749:Citations 2730:Star Trek 2667:–winning 2560:Star Wars 2551:Star Trek 2517:Star Trek 2510:VSS 2476:Star Trek 2437:Star Trek 2429:Star Trek 2384:Star Trek 2366:Star Trek 2362:Excelsior 2342:Excelsior 2338:Star Trek 2203:Star Trek 2162:said the 2126:Batmobile 1968:Star Trek 1921:Star Trek 1917:Star Trek 1911:The 2009 1848:Star Trek 1824:Star Trek 1818:, and in 1791:in 2245. 1785:Starfleet 1780:Depiction 1774:Discovery 1753:Discovery 1748:Discovery 1740:Discovery 1701:Star Trek 1666:Star Trek 1658:Star Trek 1650:Star Trek 1630:Star Trek 1622:Discovery 1618:Star Trek 1614:Discovery 1604:producer 1602:Discovery 1589:Discovery 1585:Discovery 1574:Star Trek 1524:Star Trek 1520:Discovery 1509:Discovery 1498:Star Trek 1494:Discovery 1464:Discovery 1444:Ben Burtt 1440:Budweiser 1388:Star Trek 1362:Star Trek 1308:Greg Jein 1275:episode " 1255:episode " 1136:Producer 966:Star Trek 837:Star Trek 619:Star Trek 605:poses as 511:Star Trek 470:Star Trek 438:Star Trek 398:Star Trek 336:Star Trek 329:Star Trek 257:Thrusters 229:Armaments 158:Starfleet 98:Star Trek 74:Star Trek 72:original 52:Star Trek 21:Star Trek 8237:Runabout 8189:Franklin 8165:NCC-1701 8122:Cerritos 7859:reboot ( 7717:Game Boy 7707:Computer 7449:Season 1 7441:Episodes 7322:Captains 7278:NCC-1701 7174:NCC-1701 7036:Phase II 6904:(1968), 6880:: 2–13, 6836:(1996), 6803:(1980), 6734:(1995), 6678:GeekWire 6514:Archived 6482:Archived 6383:July 29, 6228:July 29, 6184:(2000). 5980:Engadget 5949:. Arts. 5930:July 20, 5678:Archived 5577:Archived 5047:Vaz 2009 5035:Vaz 2009 5023:Vaz 2009 5008:Vaz 2009 4996:Vaz 2009 4931:Vaz 2009 4919:Vaz 2009 4905:: 48–49. 4767:July 14, 4604:(1994). 2808:Archived 2663:stamps. 2609:'s 1966 2431:creator 2309:TrekCore 2299:praised 2280:Engadget 2199:metaphor 1853:Captain 1762:COVID-19 1484:(2019). 1430:(2016). 1325:makes a 1061:forklift 1014:Phase II 883:Phase II 847:Ken Adam 714:Gunsmoke 655:The Cage 532:NCC-1701 522:Yorktown 486:aviation 394:nacelles 324:starship 277:reaction 243:Defenses 224:NCC-1701 221:Registry 164:Launched 32:NGC 1701 8247:Galileo 8205:Voyager 8135:Defiant 7902:(2013) 7887:(2009) 7732:Pinball 7545:Joachim 7027:at the 6697:Sources 6650:E! 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