279:
248:
243:
274:
269:
264:
238:
233:
228:
29:
311:
is a bit lighter or perhaps less penetrating than previous 'Quartet' outings yet offers another glimpse of a notoriously 'cutting edge' band who seem capable of pursuing just about any avenue imaginable."
606:
869:
484:
300:
in terms of innovation, Morris nonetheless holds high qualities of inventiveness, singular purpose, and individual vision."
558:
181:
which was recorded in 1999 and released on OmniTone. In addition to Morris, the quartet for this album features violinist
734:
321:
Larry
Appelbaum says about the album that "it is the most overtly jazz-based recording in the Morris catalog...
694:
460:
500:
710:
614:
841:
742:
782:
774:
472:
456:
394:
256:
190:
551:
297:
69:
476:
465:
654:
567:
363:
178:
126:
119:
41:
443:
864:
798:
519:
8:
718:
638:
544:
750:
825:
702:
582:
480:
790:
630:
598:
817:
380:
114:
766:
758:
590:
507:
385:
304:
293:
186:
435:
858:
833:
726:
662:
104:
686:
389:
157:
76:
670:
372:
182:
139:
646:
622:
527:
417:
317:
289:
220:
28:
376:
367:
325:
swings and grooves and leaves a lot of space for interaction."
536:
398:
36:
81:
307:review by Glenn Astarita claims "In some respects,
464:
856:
455:
552:
449:
292:, Michael G. Nastos states "Though short of
261:
225:
559:
545:
475:(8th ed.). London: Penguin. pp.
430:
428:
27:
512:
425:
411:
177:is an album by American jazz guitarist
857:
540:
206:
467:The Penguin Guide to Jazz Recordings
350:"Two Busses and a Long Walk" – 14:14
16:1999 studio album by Joe Morris
13:
493:
14:
881:
263:
227:
328:
277:
272:
267:
262:
246:
241:
236:
231:
226:
566:
335:All compositions by Joe Morris
1:
870:Joe Morris (guitarist) albums
446:. Retrieved October 22, 2014.
404:
357:
196:
7:
10:
886:
809:
574:
473:The Penguin Guide to Jazz
257:The Penguin Guide to Jazz
214:
211:
133:
125:
113:
103:
87:
75:
64:
56:
48:
35:
26:
21:
434:Nastos, Michael G..
347:"Routine Three" – 10:18
70:Westwood, Massachusetts
655:A Cloud of Black Birds
353:"Manipulatives" – 8:20
799:Geometry of Distance
202:Professional ratings
719:Beautiful Existence
341:"Underthru" – 16:24
203:
518:Appelbaum, Larry.
315:In his review for
288:In his review for
201:
852:
851:
826:At the Old Office
703:Age of Everything
499:Astarita, Glenn.
486:978-0-141-02327-4
344:"Remarks" – 14:27
286:
285:
170:
169:
166:
165:
877:
599:Symbolic Gesture
561:
554:
547:
538:
537:
531:
516:
510:
497:
491:
490:
470:
453:
447:
432:
423:
415:
296:energy-wise and
282:
281:
280:
276:
275:
271:
270:
266:
265:
251:
250:
249:
245:
244:
240:
239:
235:
234:
230:
229:
204:
200:
135:
134:
99:
98:
94:
31:
19:
18:
885:
884:
880:
879:
878:
876:
875:
874:
855:
854:
853:
848:
818:Invisible Weave
805:
735:High Definition
570:
565:
535:
534:
517:
513:
498:
494:
487:
454:
450:
433:
426:
416:
412:
407:
381:baritone violin
360:
331:
278:
273:
268:
247:
242:
237:
232:
199:
161:
152:
143:
96:
92:
91:
44:
17:
12:
11:
5:
883:
873:
872:
867:
850:
849:
847:
846:
838:
830:
822:
813:
811:
807:
806:
804:
803:
795:
787:
779:
771:
763:
759:Today on Earth
755:
747:
739:
731:
723:
715:
707:
699:
691:
683:
675:
667:
659:
651:
643:
635:
627:
619:
611:
603:
595:
591:Flip and Spike
587:
578:
576:
572:
571:
564:
563:
556:
549:
541:
533:
532:
511:
508:All About Jazz
492:
485:
448:
424:
409:
408:
406:
403:
402:
401:
395:Gerald Cleaver
392:
386:Chris Lightcap
383:
370:
359:
356:
355:
354:
351:
348:
345:
342:
338:
337:
330:
327:
305:All About Jazz
294:Sonny Sharrock
284:
283:
259:
253:
252:
223:
217:
216:
213:
209:
208:
198:
195:
191:Gerald Cleaver
187:Chris Lightcap
168:
167:
164:
163:
154:
145:
131:
130:
123:
122:
117:
111:
110:
107:
101:
100:
89:
85:
84:
79:
73:
72:
66:
62:
61:
60:March 18, 1999
58:
54:
53:
50:
46:
45:
40:
33:
32:
24:
23:
15:
9:
6:
4:
3:
2:
882:
871:
868:
866:
863:
862:
860:
844:
843:
839:
836:
835:
834:Out Right Now
831:
828:
827:
823:
820:
819:
815:
814:
812:
808:
801:
800:
796:
793:
792:
788:
785:
784:
780:
777:
776:
772:
769:
768:
764:
761:
760:
756:
753:
752:
748:
745:
744:
740:
737:
736:
732:
729:
728:
724:
721:
720:
716:
713:
712:
708:
705:
704:
700:
697:
696:
692:
689:
688:
684:
681:
680:
676:
673:
672:
668:
665:
664:
660:
657:
656:
652:
649:
648:
644:
641:
640:
636:
633:
632:
628:
625:
624:
620:
617:
616:
612:
609:
608:
604:
601:
600:
596:
593:
592:
588:
585:
584:
580:
579:
577:
575:Studio albums
573:
569:
562:
557:
555:
550:
548:
543:
542:
539:
530:
529:
524:
522:
515:
509:
505:
503:
496:
488:
482:
478:
474:
469:
468:
462:
458:
457:Cook, Richard
452:
445:
441:
439:
436:Joe Morris –
431:
429:
421:
420:
414:
410:
400:
396:
393:
391:
387:
384:
382:
378:
374:
371:
369:
365:
362:
361:
352:
349:
346:
343:
340:
339:
336:
333:
332:
329:Track listing
326:
324:
320:
319:
313:
310:
306:
301:
299:
295:
291:
260:
258:
255:
254:
224:
222:
219:
218:
210:
207:Review scores
205:
194:
192:
188:
184:
180:
176:
175:
160:
159:
155:
151:
150:
146:
142:
141:
137:
136:
132:
128:
124:
121:
118:
116:
112:
108:
106:
102:
90:
86:
83:
80:
78:
74:
71:
68:PBS Studios,
67:
63:
59:
55:
51:
47:
43:
38:
34:
30:
25:
20:
840:
832:
824:
816:
797:
789:
781:
773:
765:
757:
749:
741:
733:
725:
717:
709:
701:
693:
685:
678:
677:
669:
663:Deep Telling
661:
653:
645:
637:
629:
621:
613:
605:
597:
589:
581:
526:
520:
514:
501:
495:
466:
461:Brian Morton
451:
437:
418:
413:
334:
322:
316:
314:
308:
302:
298:Derek Bailey
287:
189:and drummer
173:
172:
171:
156:
148:
147:
138:
37:Studio album
865:1999 albums
810:Live albums
695:Singularity
687:Soul Search
639:Racket Club
422:at OmniTone
158:Soul Search
859:Categories
751:Colorfield
671:Many Rings
607:Illuminate
568:Joe Morris
405:References
373:Mat Maneri
364:Joe Morris
185:, bassist
183:Mat Maneri
179:Joe Morris
140:Many Rings
129:chronology
127:Joe Morris
120:Joe Morris
42:Joe Morris
679:Underthru
647:Like Rays
623:You Be Me
615:Elsewhere
583:Sweatshop
528:JazzTimes
521:Underthru
502:Underthru
463:(2006) .
438:Underthru
419:Underthru
358:Personnel
323:Underthru
318:JazzTimes
309:Underthru
197:Reception
174:Underthru
149:Underthru
22:Underthru
842:Altitude
791:Red Hill
743:Wildlife
711:Likewise
631:Antennae
444:AllMusic
440:: Review
290:AllMusic
221:AllMusic
115:Producer
109:Omnitone
57:Recorded
49:Released
39: by
783:Balance
162:(2000)
153:(1999)
144:(1999)
845:(2012)
837:(2001)
829:(2000)
821:(1997)
802:(2019)
794:(2014)
786:(2014)
778:(2011)
775:Traits
770:(2010)
767:Camera
762:(2009)
754:(2009)
746:(2009)
738:(2008)
730:(2007)
722:(2005)
714:(2003)
706:(2002)
698:(2001)
690:(2000)
682:(1999)
674:(1999)
666:(1999)
658:(1998)
650:(1998)
642:(1998)
634:(1997)
626:(1997)
618:(1996)
610:(1995)
602:(1994)
594:(1992)
586:(1990)
523:review
504:review
483:
377:violin
368:guitar
215:Rating
212:Source
88:Length
65:Studio
727:Rebus
399:drums
105:Label
77:Genre
481:ISBN
390:bass
303:The
82:Jazz
52:1999
525:at
506:at
477:948
442:at
861::
479:.
471:.
459:;
427:^
397:–
388:–
379:,
375:–
366:-
193:.
97:43
93:63
560:e
553:t
546:v
489:.
95::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
