1710:
420:
later have an argument. She questions him about the number of women he is seeing. Paul contradicts himself and claims the other woman is only a friend. However, Connie sees through the lie. She mentions that their affair is over and pushes him out of her way. Connie leaves his apartment, but he catches up and forces himself on her. She tries to fight him off and pleads with him to stop. However still realizing her attraction to Paul, Connie forgives him. She eventually surrenders herself to Paul and has sex with him in the hallway.
628:. Lane and Martinez would also talk over the scenes in his trailer beforehand. Once on the set, they felt uncomfortable until several takes in. She said, "My comfort level with it just had to catch up quickly if I wanted to be the actress to play it." Martinez was not comfortable with nudity. Lane said that Lyne would often shoot a whole magazine of film, "so one take was as long as five takes. By the end, you're physically and emotionally shattered."
550:
the
Sumners had a bad marriage with no sex, to create greater sympathy for Connie. Both men opposed the change; Lyne in particular felt that the studio's suggestions would have robbed the film of any drama: "I wanted two people who were perfectly happy. I loved the idea of the totally arbitrary nature of infidelity." The Sumners' relationship was rewritten as a good marriage, with her affair the result of a chance meeting.
1756:
568:. He felt that the actress "breathes a certain sexuality. But she's sympathetic, and I think so many sexy women tend to be tough and hard at the same time." Lyne also wanted Gere and Lane to gain weight in order to portray the comfort of a middle-age couple. In particular, he wanted Gere to gain 30 pounds and left donuts in the actor's trailer every morning.
405:, the wind knocks Connie into a man named Paul Martel, and they fall over. At his apartment, Paul cleans and ices her leg, then puts his hand on hers. Connie gives him her first name only. Paul insists that Connie take a book before she leaves, pointing out a passage about seizing the moment. His number is inside the book.
29:
559:
ordinary things." Once cast in the role, Martinez, with Lyne's approval, changed some of his dialogue and the scene in which he first seduces Lane's character, while she is looking at a book in
Braille. According to Martinez, "The story that was invented before was much more sensual, erotic and clear."
656:
Following negative reactions from test audiences, the studio reinstated the original ending; a few weeks before the film was to open in theaters, Lyne asked Gere and Lane to return to Los
Angeles for reshoots of the ending. Lyne claimed that the new ending was more ambiguous than the original and was
740:
wrote, "The only performer who manages to get inside her character is Lane. Whether it's her initial half-distrustful tentativeness, her later sensual abandon or her never-ending ambivalence, Lane's
Constance seems to be actually living the role in a way no one else matches, a way we can all connect
558:
During pre-production, the producers received a videotaped audition from
Olivier Martinez, who was selected for Paul. His character was portrayed as French once Martinez was cast. Lyne said, "I think it helps one understand how Connie might have leapt into this affair—he's very beguiling, doing even
438:
Days later, Connie discovers a hidden compartment in the snow globe, where years earlier, Edward placed a photograph of them and infant
Charlie, with the message ″To My Beautiful Wife, the Best Part of Every Day!″ Realizing how much he loved her, she burns the incriminating photographs. Edward
434:
At the dry cleaner, Connie finds the photos of her and Paul in Edward's clothes. At a party that night, she finds the snow globe back in their collection. When she confronts Edward, he reveals that he knew all along about her infidelity. Edward breaks down while mentioning how hard he worked to give
597:
At times, Lyne's directing took its toll on the cast and crew. In a scene taking place in an office, the director pumped it full of smoke, an effect that "makes the colors less contrasty, more muted". According to Biziou, "The texture it gives helps differentiate and separate various density levels
423:
Connie leaves, missing Edward. Paul lets Edward in, and Edward finds a snow globe he gave Connie. He fractures Paul's skull with it, killing him. While cleaning up the evidence, he overhears Connie's voice message ending the affair. Edward erases it and puts Paul's body in the trunk of his car
419:
One day, Connie forgets to pick up
Charlie from school and realizes she cannot carry on the affair anymore. She plans to end her affair with Paul. After doing a grocery shopping errand, she drives over to Paul's home to tell him the news but spots him with another woman. She confronts him, and they
549:
According to actor
Richard Gere, an early draft of the screenplay presented the Sumners as suffering from a dysfunctional sexual relationship, which gave Connie some justification for having an affair. According to Gere and to director Adrian Lyne, the studio wanted to change the storyline so that
810:
The studio campaign's theme consisted of what the studio called the film's "iconic scene": Constance recalling her first tryst with Paul as she takes a train home. According to Tom
Rothman, chairman of Fox Filmed Entertainment, "That scene captured the power of her performance. It's what everyone
750:
praised the "taut, economical screenplay" that "digs into its characters' marrow (and into the perfectly selected details of domestic life) without wasting a word. That screenplay helps to ground a film whose visual imagination hovers somewhere between soap opera and a portentous pop surrealism."
593:
Initially, the story was set against snowy exteriors, but this idea was rejected early on. Principal photography began in New York City on March 22, 2001 and wrapped on June 1, 2001 with Lyne shooting in continuity whenever possible. During the windstorm sequence where Connie first meets Paul, it
631:
Lane had not met
Martinez before filming, and they did not get to know each other well during the shoot, mirroring the relationship between their characters. A full four weeks of the schedule was dedicated to the scenes in Paul's loft, which was located on the third floor of a six-story building
609:
The film has many explicit sex scenes, including a tryst in a restaurant bathroom and a passionate exchange in an apartment building hallway. Lyne's repeated takes for these scenes were demanding for the actors, especially for Lane, who had to be emotionally and physically fit for the scenes. To
652:
officials, who wanted to "make the marriage gray, the sex bad. I fought that. I tried to explore the guilt, the jealousy—that's what I'm interested in." The studio did not like the film's "enigmatic" ending, which they felt failed to punish crimes committed by the characters. It imposed a
594:
rained and Lyne used the overcast weather conditions for the street scenes. The director also preferred shooting practical interiors on location so that the actors could "feel an intimate sense of belonging", Biziou recalls. The cinematographer also used natural light as much as possible.
442:
Returning home one evening, Edward stops at a red light. Connie falls into an escape fantasy that they could leave the country and assume new identities, and Edward agrees it sounds perfect. Consoling her as she cries, it is revealed that Edward stopped next to a police station.
801:
is escapism in its purest form, and I am willing to experience it on that level, even though with all the unalloyed joy on display, there's almost no humor," and concluded that it was "one of the very few mainstream movies currently directed exclusively to grown-ups".
657:
the original one by screenwriter Alvin Sargent. Lyne also thought the new ending "would be more interesting and provoke more discussion", saying he intentionally "wanted to do a more ambiguous ending, which treats the audience much more intelligently".
412:. Paul invites her over, and they flirt again. On her third visit, they dance and have sex. Connie keeps finding excuses to continue visiting Paul. Edward becomes suspicious when he notices Connie's satin lingerie and catches her in a lie.
581:. After reading the script, Biziou felt that the story was appropriate for the classic 1.85:1 aspect ratio because it "so often has two characters working together in the frame". During pre-production, Biziou, Lyne and production designer
719:
awarded the film an "A−" grade and praised Lane for delivering "the most urgent performance of her career", writing that she "is a revelation. The play of lust, romance, degradation, and guilt on her face is the movie's real story."
415:
Edward fires an employee for perceived disloyalty. The employee, who saw Connie and Paul together, tells Edward to look at his own family. Edward hires a private investigator and is devastated to see photos confirming the affair.
598:
of darkness farther back in frame". The smoke was piped in for 18 to 20 hours a day and Gere remembers, "Our throats were being blown out. We had a special doctor who was there almost all the time who was shooting people up with
366:
695:, the film has a rating of 50% based on 165 reviews, with an average rating of 5.80/10. The consensus reads, "Diane Lane shines in the role, but the movie adds nothing new to the genre and the resolution is unsatisfying." On
430:
detectives find Connie's number at Paul's and visit the Sumners'. His estranged wife has reported him missing. Connie is surprised Paul was married, and claims she barely knows him. The cops return when Paul's body is found.
353:
on July 8, 2002. The film was a box office success, grossing $ 119.1 million against its $ 50 million production budget. Despite mixed reviews from critics, Lane received critical acclaim for her performance.
787:
shows what a powerful, sexy, smart filmmaker Lyne can be. It's a shame he substitutes the mechanics of suspense for the real suspense of what goes on between a man and a woman, a husband and a wife."
709:
film critic Paul Tatara wrote, "The audience when I saw this one was chuckling at all the wrong times, and that's a bad sign when they're supposed to be having a collective heart attack."
374:
730:
wrote, "Instead of pumping up the plot with recycled manufactured thrills, it's content to contemplate two reasonably sane adults who get themselves into an almost insoluble dilemma."
435:
her and Charlie a better life. He then accuses her of being ungrateful and throwing away all of his hard work for an affair. Edward confesses that he wanted to kill her, not Paul.
773:
leaves you dispirited and grumpy: All that money spent, all that talent wasted, all that time gone forever, and for what? It's an ill movie that bloweth no man to good."
1558:
1461:
699:, the film has a weighted average score of 63 out of 100, based on reviews from 34 critics, indicating "generally favorable reviews". Audiences surveyed by
362:
2052:
757:
gave the film three-and-a-half out of four and Mike Clark wrote, "Diane Lane also reaches a new career plateau with her best performance since 1979's
2087:
2112:
2107:
585:
used a collection of still photographs as style references. These included photos from fashion magazines and shots by prominent photographers.
350:
2067:
1690:
632:
located on Greene Street. Biziou often used two cameras for the film's intimate scenes to reduce the number of takes that had to be shot.
2047:
2037:
1334:
1206:
230:
2082:
2032:
2062:
2027:
2022:
816:
1322:
moviegoers polled by CinemaScore on opening night gave Unfaithful a C+, suggesting that it may suffer from poor word-of-mouth.
343:
whose marriage goes dangerously awry when the wife indulges in an affair with a stranger (Martinez) she encounters by chance.
2007:
1848:
1651:
2012:
962:
683:. It made $ 52 million in the U.S. and Canada, and a total of $ 119 million worldwide, well above its $ 50 million budget.
2072:
2017:
2092:
2002:
2077:
1498:
1475:
824:
2097:
2057:
1997:
1359:
904:
820:
1618:
2102:
832:
382:
370:
1992:
1932:
1526:
1072:
1809:
1137:
398:
2042:
648:, whose initial ending was rejected by the test audience. According to Lyne, he had some debate with the
582:
358:
677:
14 million on its first weekend, with an average of $ 5,374 per screen, ranking in second place behind
427:
1841:
1709:
610:
prepare for the initial love scene between Paul and Constance, Lyne had the actors watch clips from
378:
872:
1682:
1117:
1964:
679:
409:
1873:
1797:
1623:
877:
812:
501:
339:, the film follows Edward (Gere) and Connie Sumner (Lane), a couple living in the suburbs of
1881:
1834:
1728:
1403:
967:
847:
711:
674:
531:
439:
says that he will turn himself in, but she objects. They return to a normal life together.
1815:
1723:
8:
1987:
1567:
1228:
1198:
1169:
765:
624:
386:
367:
Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Leading Role
311:
302:
181:
158:
74:
60:
1344:
349:
was theatrically released in the United States on May 10, 2002, and was screened at the
1948:
1686:
1503:
1039:
932:
909:
828:
746:
606:
infections". Lane acquired an oxygen bottle in order to survive the rigorous schedule.
564:
1311:
972:
1940:
1802:
1775:
1470:
1435:
1426:
1146:
1001:
793:
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495:
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328:
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125:
1924:
841:
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483:
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336:
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195:
120:
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519:
402:
1826:
1702:
1269:
507:
489:
306:
148:
80:
1791:
1290:
1259:
673:
was released in 2,617 theaters in the United States on May 10, 2002, grossing
1981:
1457:
836:
788:
731:
599:
340:
298:
55:
1900:
1077:
562:
Lyne cast Diane Lane in the role of Constance after seeing her in the film
525:
453:
316:
138:
110:
1858:
1780:
1761:
1339:
774:
721:
700:
294:
290:
42:
28:
1916:
1769:
573:
1908:
1295:
696:
459:
320:
115:
1628:
815:
Circle's vote, Lane was given a career tribute by the Film Society of
1660:
1535:
1174:
1122:
1101:
753:
477:
332:
1786:
1595:
1590:
1312:"'Spider-Man' Nets More Records with $ 71.4 Million Second Weekend"
1199:"'Spider-Man' Nets More Records with $ 71.4 Million Second Weekend"
779:
653:"particularly jarring 'Hollywood' final line", which angered Gere.
603:
571:
Lyne asked director of photography Peter Biziou, with whom he made
827:, the New York Film Critics Circle awards and was nominated for a
1099:
Iley, Chrissy (June 10, 2002). "Always In and Out of Passion".
819:. A day before that, Lyne held a dinner for the actress at the
375:
Golden Globe Award for Best Actress in a Motion Picture – Drama
823:. Critics and award voters were invited to both. Lane won the
1619:"Diane Lane Stumbles, Smolders-Richard Gere Plays the Square"
16:
2002 American erotic thriller film directed by Adrian Lyne
1368:
706:
811:
talked about after they saw her." Four days before the
401:
with their 8-year-old son, Charlie. While shopping in
1751:
1856:
1118:"Director Adrian Lyne, faithful to sexual themes"
855:the 27th on their "50 Sexiest Movies Ever" list.
1979:
703:gave the film a grade "C+" on scale of A to F.
1170:"Talk Today: Interact with people in the news"
1066:
1064:
1842:
351:37th Karlovy Vary International Film Festival
1070:
1023:Martin, Kevin H (June 2002). "Broken Vows".
1061:
873:"Unfaithful (2002) - Financial Information"
1849:
1835:
1389:
1115:
1109:
999:Whipp, Glenn (May 10, 2002). "Uncovered".
27:
2053:Films about adultery in the United States
1221:
397:Edward and Connie Sumner live in upscale
1162:
1018:
1016:
1014:
1012:
2088:Films with screenplays by Alvin Sargent
1499:"Day in Town Takes an Unexpected Tryst"
1130:
994:
992:
990:
898:
896:
894:
892:
890:
888:
2113:English-language erotic thriller films
1980:
1649:
1643:
1616:
1556:
1496:
1357:
1037:
1022:
865:
2108:English-language crime thriller films
1830:
1588:
1524:
1456:
1424:
1209:from the original on February 6, 2017
1071:Bhattacharya, Sanjiv (May 26, 2002).
1031:
1009:
998:
930:
902:
769:, Stephen Hunter wrote, "In the end,
1724:"50 Sexiest Movies Ever: Nos. 50-26"
1693:from the original on October 3, 2022
1309:
1196:
1098:
987:
960:
924:
885:
686:
640:Lyne shot five different endings to
2068:Films scored by Jan A. P. Kaczmarek
1092:
954:
13:
2048:English-language crime drama films
1650:Bowles, Scott (January 15, 2003).
635:
14:
2124:
1747:
1116:Wloszczyna, Susan (May 9, 2002).
553:
424:before dumping it in a landfill.
2038:American remakes of French films
1754:
1708:
1557:Hunter, Stephen (May 10, 2002).
825:National Society of Film Critics
363:Best Actress in a Motion Picture
1716:
1675:
1617:Sarris, Andrew (May 12, 2002).
1610:
1582:
1550:
1518:
1497:Holden, Stephen (May 8, 2002).
1490:
1450:
1418:
1383:
1351:
1327:
1303:
1283:
1252:
1190:
2083:Films shot in New York (state)
2033:American erotic thriller films
1689:. March 24, 2003. p. 21.
1310:Gray, Brandon (May 12, 2002).
1197:Gray, Brandon (May 12, 2002).
963:"Meet Unfaithful's Diane Lane"
933:"Olivier Martinez Interview –
833:Academy Award for Best Actress
644:based on his experiences with
544:
383:Academy Award for Best Actress
371:9th Screen Actors Guild Awards
1:
2063:Films directed by Adrian Lyne
2028:American erotic romance films
2023:American crime thriller films
1589:Ansen, David (May 13, 2002).
1425:Ebert, Roger (May 10, 2002).
858:
665:
539:
2008:2000s English-language films
1810:AFI Catalog of Feature Films
1525:Clark, Mike (May 11, 2002).
1358:Tatara, Paul (May 9, 2002).
905:"Smoke to Go With the Steam"
903:Kobel, Peter (May 5, 2002).
805:
660:
462:as Constance "Connie" Sumner
408:Connie later calls him from
399:Westchester County, New York
365:, and was nominated for the
7:
2013:2000s erotic thriller films
1048:About.com: Hollywood Movies
941:About.com: Hollywood Movies
10:
2129:
2073:Films set in New York City
2018:American crime drama films
1563:: Unfathomable Attraction"
1531:turns torrid affair scary"
588:
2093:Regency Enterprises films
2003:2002 crime thriller films
1892:
1865:
293:directed and produced by
274:
266:
258:
250:
240:
201:
191:
164:
154:
144:
134:
103:
86:
69:
48:
38:
33:Theatrical release poster
26:
21:
2078:Films shot in New Jersey
1040:"Diane Lane Interview –
1038:Murray, Rebecca (2002).
1025:American Cinematographer
791:, in his review for the
379:60th Golden Globe Awards
1591:"Lust And Consequences"
835:, losing the latter to
446:
392:
2098:20th Century Fox films
2058:Films about infidelity
1998:2002 crime drama films
1335:"UNFAITHFUL (2002) C+"
410:Grand Central Terminal
221:July 8, 2002
210:May 10, 2002
2103:Thriller film remakes
1683:"Winners: Big upsets"
1624:The New York Observer
813:New York Film Critics
797:, wrote, "Ultimately
763:." In his review for
1993:2000s American films
1893:Feature-length films
1729:Entertainment Weekly
1404:Entertainment Weekly
1291:"Unfaithful Reviews"
975:on December 16, 2012
968:Entertainment Weekly
931:Topel, Fred (2002).
848:Entertainment Weekly
777:, in his review for
712:Entertainment Weekly
532:Joseph Badalucco Jr.
528:as Other Businessman
359:7th Satellite Awards
291:erotic thriller film
218: (United States)
1568:The Washington Post
1260:"Unfaithful (2002)"
961:Wolk, Josh (2002).
766:The Washington Post
625:Last Tango in Paris
387:75th Academy Awards
312:The Unfaithful Wife
305:, adapted from the
303:William Broyles Jr.
289:is a 2002 American
182:Regency Enterprises
159:Jan A. P. Kaczmarek
75:The Unfaithful Wife
61:William Broyles Jr.
2043:Crime film remakes
1857:Films directed by
1798:TCM Movie Database
1687:Detroit Free Press
1504:The New York Times
1478:on October 6, 2008
1360:"Sexually charged
910:The New York Times
821:Four Seasons Hotel
747:The New York Times
744:Stephen Holden in
565:A Walk on the Moon
534:as Train Conductor
1975:
1974:
1941:Indecent Proposal
1471:Los Angeles Times
1436:Chicago Sun-Times
1147:Los Angeles Times
1138:"Director Tweaks
1002:Los Angeles Times
794:New York Observer
737:Los Angeles Times
727:Chicago Sun-Times
687:Critical response
516:as Detective Dean
496:Michelle Monaghan
474:as Charlie Sumner
472:Erik Per Sullivan
329:Erik Per Sullivan
315:(1969). Starring
282:
281:
177:Fox 2000 Pictures
126:Erik Per Sullivan
2120:
1925:Fatal Attraction
1851:
1844:
1837:
1828:
1827:
1764:
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1757:
1741:
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1698:
1679:
1673:
1672:
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1668:
1647:
1641:
1640:
1638:
1636:
1631:on June 24, 2008
1627:. Archived from
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1608:
1607:
1605:
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1586:
1580:
1579:
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1575:
1554:
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1494:
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1474:. Archived from
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1422:
1416:
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1413:
1411:
1393:(May 17, 2002).
1391:Gleiberman, Owen
1387:
1381:
1380:
1378:
1376:
1355:
1349:
1348:
1343:. Archived from
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971:. Archived from
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952:
951:
949:
947:
928:
922:
921:
919:
917:
900:
883:
882:
869:
760:A Little Romance
650:20th Century Fox
646:Fatal Attraction
619:Five Easy Pieces
613:Fatal Attraction
484:Dominic Chianese
466:Olivier Martinez
456:as Edward Sumner
389:, respectively.
337:Dominic Chianese
325:Olivier Martinez
228:
226:
217:
215:
196:20th Century Fox
121:Olivier Martinez
31:
19:
18:
2128:
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2119:
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1978:
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1822:Box Office Mojo
1760:
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1460:(May 8, 2002).
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1317:Box Office Mojo
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1265:Rotten Tomatoes
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1203:Box Office Mojo
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717:Owen Gleiberman
693:Rotten Tomatoes
689:
668:
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638:
636:Post-production
591:
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537:
520:Michael Emerson
486:as Frank Wilson
449:
395:
361:, Lane won for
297:and written by
278:$ 119.1 million
243:
236:
224:
222:
213:
211:
204:
187:
186:
169:
167:
130:
99:
78:
65:
34:
17:
12:
11:
5:
2126:
2116:
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2110:
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2095:
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2075:
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2015:
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1933:Jacob's Ladder
1929:
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1896:
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1749:
1748:External links
1746:
1743:
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1715:
1703:Newspapers.com
1674:
1652:"Studio keeps
1642:
1609:
1581:
1549:
1517:
1489:
1458:Turan, Kenneth
1449:
1417:
1382:
1350:
1347:on 2018-12-20.
1326:
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817:Lincoln Center
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554:Pre-production
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508:Margaret Colin
505:
499:
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492:as Bob Gaylord
490:Erich Anderson
487:
481:
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469:
468:as Paul Martel
463:
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307:Claude Chabrol
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149:Anne V. Coates
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135:Cinematography
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81:Claude Chabrol
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1178:. May 3, 2002
1177:
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1150:. May 6, 2002
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1125:
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1073:"Memory Lane"
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837:Nicole Kidman
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789:Andrew Sarris
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733:
732:Kenneth Turan
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514:Željko Ivanek
512:
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497:
494:
491:
488:
485:
482:
480:as Bill Stone
479:
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341:New York City
338:
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304:
300:
299:Alvin Sargent
296:
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254:United States
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203:Release dates
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56:Alvin Sargent
54:
53:
51:
49:Screenplay by
47:
44:
41:
37:
30:
25:
20:
1963:
1956:
1955:
1947:
1939:
1931:
1923:
1915:
1907:
1899:
1880:
1872:
1816:
1803:
1792:
1781:
1770:
1733:. Retrieved
1727:
1718:
1701:– via
1695:. Retrieved
1677:
1665:. Retrieved
1659:
1656:out in open"
1653:
1645:
1633:. Retrieved
1629:the original
1622:
1612:
1600:. Retrieved
1594:
1584:
1572:. Retrieved
1566:
1560:
1552:
1540:. Retrieved
1534:
1528:
1520:
1508:. Retrieved
1502:
1492:
1480:. Retrieved
1476:the original
1469:
1463:
1452:
1440:. Retrieved
1434:
1428:
1420:
1408:. Retrieved
1402:
1396:
1385:
1373:. Retrieved
1367:
1361:
1353:
1345:the original
1338:
1329:
1321:
1315:
1305:
1294:
1285:
1275:February 22,
1273:. Retrieved
1263:
1254:
1242:. Retrieved
1236:
1230:
1223:
1211:. Retrieved
1202:
1192:
1182:November 18,
1180:. Retrieved
1173:
1164:
1152:. Retrieved
1145:
1139:
1132:
1121:
1111:
1100:
1094:
1082:. Retrieved
1078:The Guardian
1076:
1051:. Retrieved
1047:
1041:
1033:
1024:
1000:
977:. Retrieved
973:the original
966:
956:
944:. Retrieved
940:
934:
926:
914:. Retrieved
908:
876:
867:
852:
846:
840:
829:Golden Globe
809:
798:
792:
784:
778:
770:
764:
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743:
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690:
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670:
669:
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630:
623:
617:
611:
608:
596:
592:
583:Brian Morris
578:
572:
570:
563:
561:
557:
548:
526:Damon Gupton
454:Richard Gere
441:
437:
433:
426:
422:
418:
414:
407:
396:
356:
346:
345:
317:Richard Gere
310:
285:
284:
283:
270:$ 50 million
242:Running time
231:Karlovy Vary
139:Peter Biziou
111:Richard Gere
96:G. Mac Brown
73:
1866:Short films
1859:Adrian Lyne
1762:Film portal
1574:January 22,
1542:January 22,
1510:January 22,
1482:January 22,
1364:falls flat"
1340:CinemaScore
878:The Numbers
775:David Ansen
722:Roger Ebert
701:CinemaScore
600:antibiotics
577:, to shoot
545:Development
502:Kate Burton
295:Adrian Lyne
246:124 minutes
93:Adrian Lyne
87:Produced by
43:Adrian Lyne
39:Directed by
1988:2002 films
1982:Categories
1965:Deep Water
1957:Unfaithful
1909:Flashdance
1817:Unfaithful
1804:Unfaithful
1793:Unfaithful
1782:Unfaithful
1771:Unfaithful
1697:October 3,
1667:August 24,
1654:Unfaithful
1561:Unfaithful
1529:Unfaithful
1464:Unfaithful
1442:October 3,
1429:Unfaithful
1397:Unfaithful
1375:August 24,
1362:Unfaithful
1296:Metacritic
1244:August 24,
1231:Unfaithful
1140:Unfaithful
1084:August 24,
1053:August 24,
1042:Unfaithful
979:August 24,
946:August 24,
935:Unfaithful
859:References
853:Unfaithful
799:Unfaithful
785:Unfaithful
783:, wrote, "
771:Unfaithful
697:Metacritic
680:Spider-Man
671:Unfaithful
666:Box office
642:Unfaithful
579:Unfaithful
540:Production
498:as Lindsay
460:Diane Lane
381:, and the
347:Unfaithful
321:Diane Lane
286:Unfaithful
275:Box office
225:2002-07-08
214:2002-05-10
166:Production
116:Diane Lane
22:Unfaithful
1874:The Table
1661:USA Today
1635:March 20,
1602:March 22,
1536:USA Today
1410:March 22,
1175:USA Today
1123:USA Today
1102:The Times
842:The Hours
806:Accolades
754:USA Today
661:Reception
604:bronchial
478:Chad Lowe
333:Chad Lowe
168:companies
145:Edited by
1917:9½ Weeks
1882:Mr Smith
1787:AllMovie
1735:March 6,
1691:Archived
1596:Newsweek
1270:Fandango
1213:April 5,
1207:Archived
1154:June 10,
916:June 19,
780:Newsweek
574:9½ Weeks
510:as Sally
504:as Tracy
259:Language
155:Music by
104:Starring
70:Based on
1807:at the
1796:at the
1142:Ending"
851:ranked
831:and an
734:of the
724:of the
715:critic
589:Filming
522:as Josh
385:at the
377:at the
369:at the
357:At the
262:English
251:Country
223: (
212: (
1968:(2022)
1960:(2002)
1952:(1997)
1949:Lolita
1944:(1993)
1936:(1990)
1928:(1987)
1920:(1986)
1912:(1983)
1904:(1980)
1885:(1976)
1877:(1973)
622:, and
373:, the
335:, and
267:Budget
229: (
1901:Foxes
741:to."
309:film
1776:IMDb
1737:2018
1699:2022
1669:2007
1637:2009
1604:2022
1576:2022
1544:2009
1512:2022
1484:2009
1444:2007
1412:2022
1377:2007
1277:2022
1246:2007
1215:2017
1184:2015
1156:2010
1086:2007
1055:2007
981:2007
948:2007
918:2008
675:US$
602:for
447:Cast
428:NYPD
403:SoHo
393:Plot
301:and
1820:at
1785:at
1774:at
1369:CNN
839:in
707:CNN
691:On
79:by
1984::
1726:.
1685:.
1658:.
1621:.
1593:.
1565:.
1533:.
1501:.
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1293:.
1268:.
1262:.
1235:.
1205:.
1201:.
1172:.
1144:.
1120:.
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1063:^
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1011:^
989:^
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887:^
875:.
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616:,
331:,
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319:,
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1005:.
983:.
950:.
937:"
920:.
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233:)
227:)
216:)
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