33:
194:
473:âThe result is a strange fusion of images, showing time and value systems broken down by new modes of processing. Rather than building an interpretive structure for these images that explores their meaning and understanding by human cognition, Fischer instead lets the code do what it will, and allows new interpretations to emerge instead⊠Itâs as if Fischer were asking what the meaning of an audience is in the modern era, and even, perhaps, if that audience needs to be human.â
664:, writing for Artforum, described the interventions as a challenge to the âstaid and uniformâ methods of contemporary curation. Coverage in the Los Angeles times was more critical, commenting that Fischerâs work was largely derivative of artists that came before, such as Robert Gober, Marcel Duchamp and Bruce Nauman; and that the art world satire felt hollow considering that the vast majority of works were loaned from private galleries and collections.
157:, resulting in an oeuvre that âresists easy classificationâ. His subversive, metaphysical approach to art is often considered to be influenced by anti-art movements like Neo-Dada, Lost Art, or the Situationist International. Since Fischer began showing his work in Europe in the mid-1990s, he has produced an enormous number of objects, drawings, collages, and room-size installations. Fischer has been described by the arts and culture magazine
577:
1680:
628:
accelerate the process or the life of the work can be extended by limiting the number of wicks lit at once. The work can be lit continuously or sporadically. Once the figure has melted completely, the remains will be returned to the Swiss foundry where it was made to be recast and returned to the museum for the next installation.
631:
Mitzevich described the acquisition to The
Australian as â what this generation of art is aboutâ. In another interview with the Canberra Times, Mitzevich says that the sculpture demonstrates that contemporary art âis not static, it is alive and always changing, reflecting the world in which we liveâ.
364:
said âresurrected the spirit of Andy Warholâs
Factoryâ, was a word-of-mouth weekly salon of food, music, and creativity at Spencer Sweeneyâs Chinatown studio in New York City. Open to the public, guests were invited to eat, listen to improvisational music, and create their own artworks to hang on the
647:
In 2012, the
Palazzo Grassi exhibited a retrospective of Fischerâs work, conceived by the artist and curator Caroline Bourgeois. The exhibition was a restaging of the artistâs London studio, and included a survey of models, sketches, notes, furnishings and works of art. Fischer was the first living
290:
In 2012, Fischer launched his own publishing imprint, Kiito-San, whose books are distributed by DAP and
Buchhandlung Walther König. The imprint has published exhibition catalogues by Fischer as well as books on the work of Spencer Sweeney, Peter Regli, and Darren Bader. In 2015 Kiito-San released a
627:
of seventeenth-century Dutch painting, where motifs such as food, candles, hourglasses and skulls are utilised as a reminder of mortality. The artist sets no strict parameters for the burning of the sculpture. Wicks are inserted at various locations on the work; all the wicks can be lit at once to
256:
by
Flemish-Italian sculptor Giambologna for the Venice Biennale. The sculpture was produced at the Swiss foundry, The Kunstgiesserei. Giambologna's original work in the Piazza della Signoria was digitized using an optical scanner, and the image was used to create a 3D model in polyurethane foam. A
711:
Project Space, Hydra, Greece (2013); âPlay,â Gagosian West 21st Street, New York, 2018, âMaybe,â The Modern
Institute, Glasgow (2018); âDasha,â Gagosian, Davies Street, London (2018); âBig Clay #4 and 2 Tuscan Men,â Piazza della Signoria, Florence (2017); âThe Public & the Private,â Legion of
643:
Fischerâs first solo exhibition in an
American museum was âUrs Fischer: Marguerite de Ponty, exhibited across three floors of the New Museum in 2009. The exhibition, curated by the artist, featured âimmersive installations and hallucinatory environments." Despite the expansive survey of Fischerâs
593:
wax sculptures have become iconic of the artistâs practice. Fischer began making wax sculptures in the early 2000s, resulting in anonymous and crudely cut female forms. Today, his wax sculptures are refined portraits of significant art world figures that are lit like candles and melted over the
622:
2017 depicts Bonami atop an open refrigerator stacked with fruit and vegetables. The refrigerator acts as a plinth, a satire of sculpture's elevation of important men on marble plinths. The figure stares at his smartphone, in a position âemblematic of our eraâ. The melting wax and fruit and
261:
2011, to melt like a candle for the duration of the
Biennale. The exhibition included another wax sculpture of Fischerâs friend and fellow artist Rudolf Stringel and a wax creation of Fischerâs own office chair. The work was described as a highlight of the Venice Biennale by Vault magazine.
229:. The publication was a parallel project to the 2009 group exhibition âRemembering Henryâs Showâ at the Brant Foundation in Greenwich, Connecticut. The text is a close examination of the fear and obsessions that pervade the life of an artist, set against a series of images.
322:
That same year, Fischer started exploring painting on an iPad: âIt is so much closer to playing an instrument: your direct touch transfers immediately into what it is, rather than needing to move material around.â His iPad paintings, reminiscent of
755:
highlighted the forward-thinking nature of his work: âImplicitly
Duchampian yet marvelously experiential, these pieces have seemed to signal the end of installation art, like monochrome paintings sometimes seem to forewarn the end of painting.â
314:, a room-size exhibit combining choreography and sculpture in which audience members can interact with robotic office chairs equipped with motion sensors and motors that move on their own and react to the actions of participants in the gallery.
651:
In 2013, MOCA undertook a huge retrospective of
Fischerâs work across its two locations, The Geffen Contemporary and MOCA Grand Avenue. This included curation of Fischerâs own works as well as physical interventions in the space such as
527:, an edition of three 23-foot-tall, 20-ton, bronze bears (two are yellow, the third is blue) intersected with generic functional lamps that appear to spring out of their heads; in 2011, one of the pieces was displayed for five months at
422:, the project took over two years to complete and involved a global team of experts in 3D modeling, animation, and motion capture. Objects were chosen by Fischer because they were "engineered, cultured or manufactured by humans."
2142:
594:
duration of an exhibition. The wax works are almost exclusively sculptural portraits of human subjects, and the process of melting lends itself to contemplation of existentialism and the ultimate meaning of art and its legacy.
278:"The 'problem' is that an organic or inorganic object obstructs each visage. Beets, a wrench or a banana â each obstacle is quotidian, but at this size, for some are as large as a pony, they are immediately iconic." -
93:, Switzerland. After the basic, first-year course in art and design, he enrolled in the school's photography department, and supported himself by working as a bouncer at Zurich night clubs and house parties.
152:
Fischer works across sculpture, photography, drawing, painting, publishing, and digital art. The artist employs a variety of materials and processes in his work, including novel computation systems and
379:
While being locked down in Los Angeles during the COVID pandemic, Fischer created a new series of paintings inspired by home life (including his house, garden, studio, and childhood photographs),
81:(born 1973) is a Swiss-born contemporary visual artist living in New York City and Los Angeles. Fischerâs practice includes sculpture, installation, photography, and digitally-mediated images.
236:(2007), two entire walls are equipped with floor-to-ceiling mirrors and set in motion by a hydraulic system, to create the surreal effect of a room in flux, morphing in shape and size.
469:
was a 12â x 12â cube of LED screens displaying algorithmically-generated video clips of TV commercials, stored in a new type of video database Fischer designed with software engineers.
347:
in Berlin, a series of new paintings that built upon the aesthetic of his earlier Problem Paintings, using classic Hollywood stills as a foundation to explore form, shape, and color.
365:
studio walls. After nine months, when Sweeneyâs lease expired, the studio walls were photographed, and Fischer recreated them 1:1 as a commemorative wallpaper that was displayed
2115:
441:
in New York City on a state-of-the-art 14â x 30â micro LED wall display with .84 pixel pitch. The screen featured all 1000 digital objects interacting in a single space.
1732:
257:
negative was made from the foam model, and filled with wax that was pigmented to imitate the effect of marble. A wick system was developed to allow the work,
569:
in New York, Fischer excavated the gallery's main room, bringing in contractors to dig an eight-foot hole where the floor had been, and calling the result
161:
as âinternationally celebratedâ and one of the most significant contemporary artists working today, with global sale prices reaching up to $ 6.8 million.
683:
in 2004, titled "Kir Royal," was his first large-scale solo museum exhibition. Recent major exhibitions include "Not My House Not My Fire," Espace 315,
2226:
853:
720:
513:(2004-2005), displays a giant wooden chair (actually cast aluminium) intersecting a half-empty packet of cigarettes dramatically increased in scale.
411:, a series containing 1000 digitally-scanned and recreated everyday physical objects (like an egg and a lighter) paired to interact with each other.
1897:
919:
573:. The work was described by art critic Jerry Saltz as âexperimentally rich, buzzing with energy and entropy, crammed with chaos and contradiction.â
1188:
2143:"Urs Fischer Explores 'Lovers' Through Monumental Sculpture Connecting With His Vast, Inimitable Oeuvre At His First Solo Show In Latin America"
1434:
1073:
274:, âBeds & Problem Paintingsâ, featuring oversized vintage Hollywood publicity stills obstructed by silkscreened images of mundane objects.
1537:
1435:"Urs Fischer's First NFT, Which Created Tension With His Longtime Dealer Gagosian, Sold for Nearly 100 Times Its Estimate on Fair Warning"
938:
644:
sculptural and installation works, the exhibition was described as âelegant and breathtakingly spareâ, and was well received by critics.
1254:
174:
In 1996, Fischer had his first solo exhibition at Galerie Walcheturm, Zurich. In 1999, he was selected to be an artist-in-residence at
403:
Throughout his career, Fischer has used digital technology to mix repurposed images with generated images. In 2021, he fully explored
1364:
2089:
704:
1228:"Urs Fischer: PLAY with choreography by Madeline Hollander, West 21st Street, New York, September 6âOctober 13, 2018 | Gagosian"
1074:"Major Collector Lonti Ebers and Delfina Foundation Director Aaron Cezar on Why Artist Residencies Are As Important As Ever"
1460:
2244:
2362:
712:
Honour Museum, San Francisco (2017); âSIRENS,â Galerie Max Hetzler (2019); and âImages,â Gagosian, Beverly Hills (2019).
2264:
895:
105:, The Netherlands, in 1993, aged 19, and had his first solo show at a gallery in Zurich in 1996. He later lived in
1871:
1511:
1390:
833:
692:
457:, with clips of cutout heads of YouTube video influencers projected over it. The installation was compared to â
1976:
640:
Fischerâs first large-scale solo exhibition was Kir Royal in 2004 at the Kunsthaus Zurich in 2004.
605:
1305:
1161:
1338:
89:
Born to two doctors as the second of two children in 1973, Fischer studied at the Schule fĂŒr Gestaltung in
1990:
1136:
566:
540:
154:
1555:
210:
2173:
812:
691:, Art Museum of the University of Houston, Houston, Texas (2006); "Urs Fischer: Marguerite de Ponty,"
765:
1817:
660:
2013 that consisted of many âsculptural experimentsâ in clay created by visitors to the exhibition.
616:. It is the first work of Fischerâs to be accessioned into a collection in the southern hemisphere.
453:, a recreation of Room 43 of the National Gallery featuring replicas of paintings from artists like
2022:
1123:
749:
profile said, âFischerâs own art, like Fischer himself, is highly memorable but hard to pin down.â
580:
Urs Fischer's Francesco 2017 on display at the National Gallery of Australia, Canberra, April 2019.
1279:
1099:
775:
Fischer was in a relationship with Cassandra MacLeod and a daughter was born of the relationship.
2007:
1930:
1849:
1485:
291:
cookbook called Cooking for Artists, written by Mina Stone, who cooks lunch at Fischer's studio.
2064:
732:
2372:
2116:""Urs Fischer: Lovers", la primera exhibiciĂłn individual en MĂ©xico del artista plĂĄstico suizo"
1573:
885:
137:
2193:
1783:
2367:
2230:
1137:"Urs Fischer:: Untitled, 2011:: Die Kunstschaffenden und ihre Projekte:: Kunstgiesserei.ch"
656:
2007, where the artist has cut huge holes out of the museum wall, and an interactive piece
1227:
8:
715:
In April 2022, Fischer opened his first institutional exhibition in Latin America at the
667:
Fischer's installations and sculptures have been exhibited in some group exhibitions and
344:
1486:"Urs Fischer: Denominator, 555 West 24th Street, New York, September 9âOctober 15, 2022"
680:
2311:
1047:
913:
751:
415:
311:
175:
129:
32:
2201:
1955:
1905:
1791:
1595:
1559:
1313:
1162:"Urs Fischer: Beds & Problem Paintings, Beverly Hills, February 23âApril 7, 2012"
901:
891:
769:
764:
Since the early 2000s and as of 2019, Fischer has been living in a 1920s home in the
404:
429:#1â#500 launched to the public via online auctions on Fair Warning and MakersPlace.
2025:
2010:
1255:"'An Artwork Is Not About the Now': Urs Fischer on His New Gagosian Show, 'Images'"
708:
601:
552:
528:
454:
438:
332:
271:
2090:"'Urs Fischer: Lovers', la exposiciĂłn en el Museo Jumex que explora tus sentidos"
1609:
1391:"Urs Fischer's Pioneering NFT Series 'CHAOƧ' Reaches Its Denouement | Ocula News"
735:. The exhibition was curated by Francesco Bonami. He won the GNMH AWARD in 2016.
728:
696:
688:
684:
676:
465:
series, where the viewerâs participation in the work becomes part of its image.â
1757:
225:
In 2010, Fischer released a publication with fellow artist Darren Bader, titled
2315:
2249:
2178:
2169:
1934:
1624:
1541:
1029:
817:
745:
724:
700:
613:
483:
384:
328:
183:
122:
1843:
939:"New York â Urs Fischer: "Denominator" at Gagosian Through October 15th, 2022"
2356:
2205:
1909:
1795:
1317:
905:
840:
719:
in Mexico City. New candle works created for the exhibition features artists
590:
532:
324:
193:
118:
2038:
1651:
668:
437:, the culmination of the series, was exhibited in the show "Denominator" at
369:
as an installation in Beirut in 2020 (Fischerâs first Middle Eastern show).
2326:
2307:
779:
661:
536:
854:"Artist Urs Fischer Reveals His Enchanting Home and Garden in Los Angeles"
2330:
716:
187:
179:
141:
110:
2227:
Artist Urs Fischer Reveals His Enchanting Home and Garden in Los Angeles
1213:
1004:
551:. The blue version, affectionately known as "Blueno," was installed at
458:
886:
Bourgeois, Caroline, Michele Robecchi and Patricia Falguieres (2012).
1610:"Urs Fischer | Untitled (Lamp/Bear) (2005â06) | Public Art"
1124:
Urs Fischer: 'Douglas Sirk', Sadie Coles HQ, London, 06/10â11/12/2010
672:
102:
1733:"National Gallery's $ 1 million new acquisition begins melting away"
768:
neighborhood of Los Angeles. He previously also lived in New York's
612:
in 2018, the first acquisition under the leadership of new director
46:
209:
In 2002, Fischer had his first institutional show in the US at the
133:
648:
artist to receive a monographic exhibition at the Palazzo Grassi.
433:
sold for nearly $ 100,000 to an unknown buyer. In September 2022,
1706:
1408:
576:
1898:"Art review: Urs Fischer's grand gestures come up short at MOCA"
1512:"Urs Fischer's Pop-up Store Lands at Jeffrey Deitch in New York"
2023:
Urs Fischer: mermaid / pig / bro w/ hat, April 3 - May 23, 2014
1977:
URS FISCHER: Agnes Martin, December 15, 2007 â January 20, 2008
1596:"Two monumental contemporary sculptures coming to Brown campus"
600:
2017 is a four-metre tall wax sculpture of the Italian curator
506:
121:. In Berlin and New York, he shared studios with fellow artist
114:
106:
90:
548:
482:
In late 2022, Fischer launched his clothing line, UF, at the
1214:"Kiito-San D.A.P. Client Publisher Distribution Information"
539: sold it for $ 6 million. It is currently displayed at
2300:
Caroline Bourgeois, Patricia FalguiĂšres, Michele Robecchi,
1784:"Exploration of Space: Swiss Artist Goes Big at New Museum"
544:
128:
In 2009 Fischer's studio occupied a large warehouse in the
1306:"A Chinatown Loft Party in the Spirit of Warhol's Factory"
964:
Babington, Jaklyn (Autumn 2019). "Urs Fischer Sculpture".
2245:
Can Big Art Make It in Las Vegas? Urs Fischer Weighs In.
252:
In 2011, Fischer created a to-scale wax reproduction of
67:
2174:
The Imperfectionist: Urs Fischerâs inspired sloppiness
813:
The Imperfectionist: Urs Fischer's inspired sloppiness
136:, near the waterfront. In 2019 he had a studio in the
1845:
Urs Fischer - Curator Jessica Morgan - MOCAU - MOCAtv
2065:"Urs Fischer Spotlights Pluralistic Notions of Love"
2008:
Urs Fischer: schmutz schmutz, April 5 - May 26, 2012
679:
in 2003, 2007, and 2011. His solo exhibition at the
395:
2262:
1574:"10 things you didn't know about HIA's Giant Teddy"
449:At the same show, Fischer unveiled two new pieces:
1625:"Saying goodbye to Blueno â send us your tribute!"
1461:"Artists Jump Into NFTs, Seeing a Digital Bonanza"
1538:Bidding War for a Warhol Breaks Out at Christieâs
444:
2354:
1758:"Exhibitions - Urs Fischer: Marguerite de Ponty"
1189:"Out There | Urs Fischer's Really Big Problems"
1048:"Urs Fischer Biography â Urs Fischer on artnet"
829:
827:
555:in Providence, Rhode Island from 2016 to 2020.
505:(2004-2005), Fischer constructed a Swiss style
2340:Bruce Hainley, Jörg Heiser, Mirjam Varadinis,
604:, a close personal friend of the artist. The
390:
372:
270:In 2012, Fischer exhibited his first show at
918:: CS1 maint: multiple names: authors list (
824:
623:vegetables in the fridge are a reference to
164:
986:. Exhibition catalog. Kunsthalle Wien 2002.
84:
31:
1956:"jet set lady - a project by urs fischer"
1365:"Urs Fischer: The Intelligence of Nature"
1252:
1072:DurĂłn, MaximilĂano (September 22, 2022).
963:
807:
805:
803:
801:
799:
797:
795:
516:
494:
213:, which included an early wax sculpture,
1730:
1556:Christie's Bullish on Urs Fischer's Bear
1432:
695:, New York (2009â10); "Skinny Sunrise",
575:
192:
2295:Urs Fischer: Beds and Problem Paintings
2062:
1988:
1303:
1186:
414:Released as a series of 500 individual
343:In 2019, Fischer exhibited "SIRENS" at
227:The Bearded Island / The Artists Lament
2355:
1896:Knight, Christopher (April 25, 2013).
1895:
1852:from the original on December 21, 2021
1678:
1388:
792:
2191:
2165:
2163:
1872:"TASTE TESTS: THE ART OF URS FISCHER"
1781:
1704:
1679:Wilson, Ashleigh (October 26, 2018).
1674:
1672:
1649:
1339:"Urs Fischer: Lives of Forms | Essay"
1253:Armstrong, Annie (January 11, 2019).
1071:
1005:"Urs Fischer: Burning down the house"
477:
418:and culminating in a capstone piece,
338:
2335:Urs Fischer: Good Small Make-Up Tree
2263:Symonds, Alexandria (May 21, 2015).
2096:(in Mexican Spanish). April 18, 2022
1841:
1097:
998:
996:
994:
992:
959:
957:
955:
933:
931:
929:
881:
879:
877:
875:
811:Calvin Tomkins (October 19, 2009). â
738:
699:, Vienna (2012); "Madame Fisscher,"
200:, 1999/2005, Berlin, Nationalgalerie
2192:Smith, Roberta (October 29, 2009).
1989:Massara, Kathleen (December 2009).
1782:Smith, Roberta (October 29, 2009).
1622:
1433:Kinsella, Eileen (April 12, 2021).
1304:Detrick, Ben (September 12, 2018).
531:'s plaza before being auctioned at
13:
2160:
1991:"Urs Fischer: Marguerite de Ponty"
1815:
1669:
1650:Saltz, Jerry (November 25, 2007).
1389:Gaskin, Sam (September 26, 2022).
1180:
1002:
888:Urs Fischer : Madame Fisscher
523:Between 2005 and 2006, he created
14:
2384:
2348:
2140:
2063:Amadour, Ricky (April 28, 2022).
989:
952:
926:
872:
707:, Los Angeles (2013); and "YES,"
584:
317:
215:What Should an Owl Do with a Fork
1731:Cerabona, Ron (March 15, 2019).
1458:
1187:McGarry, Kevin (March 1, 2012).
759:
703:, Venice (2012); "Urs Fischer,"
687:, Paris (2004); "Mary Poppins,"
489:
244:
2287:
2256:
2237:
2225:Mayer Rus (November 12, 2019),
2219:
2185:
2134:
2108:
2082:
2056:
2031:
2016:
2001:
1982:
1970:
1948:
1923:
1889:
1869:
1863:
1835:
1809:
1775:
1750:
1724:
1698:
1643:
1616:
1602:
1588:
1566:
1548:
1530:
1504:
1478:
1452:
1426:
1401:
1382:
1357:
1331:
1297:
1272:
1246:
1220:
1206:
1154:
1129:
1117:
1091:
1065:
1040:
1126:The Modern Institute, Glasgow.
1022:
976:
846:
778:In late 2014, Fischer married
693:New Museum of Contemporary Art
635:
1:
2320:Urs Fischer: Shovel in a Hole
785:
606:National Gallery of Australia
2302:Urs Fischer: Madame Fisscher
1979:Regen Projects, Los Angeles.
1576:. NRI Cafe. January 18, 2015
1536:Carol Vogel (May 11, 2011),
509:out of loaves of bread. His
294:
285:
254:The Rape of the Sabine Women
239:
220:
204:
169:
7:
2344:(Zurich: JRP Ringier), 2005
2337:(Zurich: JRP Ringier), 2005
2322:(Zurich: JRP Ringier), 2009
2304:(New York: Kiito-San), 2012
541:Hamad International Airport
486:Gallery in New York City.
399:(Digital Sculptures / NFTs)
280:The New York Times Magazine
43:1973 (age 50–51)
10:
2389:
2363:Swiss contemporary artists
2265:"Tara Subkoff Does Cannes"
2243:Nancy Hass (8 June 2024),
1762:New Museum Digital Archive
705:Museum of Contemporary Art
391:Recent work (2021âpresent)
381:The Intelligence of Nature
374:The Intelligence of Nature
211:Santa Monica Museum of Art
2297:(New York: Rizzoli), 2012
1280:"URS FISCHER-SIRENS-2019"
407:for this first time with
165:Previous work (1996â2020)
96:
62:
54:
39:
30:
23:
16:Swiss installation artist
567:Gavin Brown's Enterprise
383:, that was exhibited at
350:
147:
85:Early life and education
2039:"URS FISCHER Biography"
1931:"Urs Fischer Biography"
1707:"Urs Fischer Sculpture"
1100:"OPENINGS: URS FISCHER"
1030:"Urs Fischer (b. 1973)"
890:. New York: Kiito-San.
310:, with choreography by
299:
155:artificial intelligence
2342:Urs Fischer: Kir Royal
2194:"Exploration of Space"
581:
558:
525:Untitled (Lamp / Bear)
518:Untitled (Lamp / Bear)
511:Bad Timing, Lamb Chop!
503:Untitled (Bread House)
496:Untitled (Bread House)
475:
327:'s, were exhibited at
306:In 2018, he conceived
283:
201:
1842:MOCA (May 24, 2013),
1141:www.kunstgiesserei.ch
671:worldwide, including
579:
565:For his 2007 show at
471:
276:
198:Baked Master's Basket
196:
178:in London, alongside
2231:Architectural Digest
2172:(October 12, 2009),
2122:(in Mexican Spanish)
2094:Architectural Digest
1098:Gingeras, Alison M.
858:Architectural Digest
836:Untitled (Lamp/Bear)
733:Eugenio LĂłpez Alonso
445:"Denominator" (Show)
1705:Babington, Jaklyn.
1623:Neumann, Dietrich.
1284:Galerie Max Hetzler
345:Galerie Max Hetzler
117:, before moving to
2312:Massimiliano Gioni
2269:The New York Times
2198:The New York Times
2043:www.ursfischer.com
1788:The New York Times
1681:"Beyond the frame"
1631:. Brown University
1518:. December 8, 2022
1343:Gagosian Quarterly
1310:The New York Times
860:. November 7, 2019
752:The New York Times
582:
478:UF (Clothing Line)
335:in Beverly Hills.
312:Madeline Hollander
202:
176:Delfina Foundation
2120:vanguardia.com.mx
1995:The Brooklyn Rail
1902:Los Angeles Times
1818:"Madame Fisscher"
1816:Grassi, Palazzo.
1652:"Can You Dig It?"
1560:New York Observer
1413:chaosoahchaos.com
1234:. August 17, 2018
770:Greenwich Village
739:Critical response
405:digital sculpture
266:Problem Paintings
234:Death of a Moment
101:Fischer moved to
76:
75:
2380:
2281:
2280:
2278:
2276:
2260:
2254:
2241:
2235:
2223:
2217:
2216:
2214:
2212:
2189:
2183:
2167:
2158:
2157:
2155:
2153:
2141:Gural, Natasha.
2138:
2132:
2131:
2129:
2127:
2112:
2106:
2105:
2103:
2101:
2086:
2080:
2079:
2077:
2075:
2060:
2054:
2053:
2051:
2049:
2035:
2029:
2026:Gagosian Gallery
2020:
2014:
2011:Gagosian Gallery
2005:
1999:
1998:
1986:
1980:
1974:
1968:
1967:
1965:
1963:
1952:
1946:
1945:
1943:
1941:
1927:
1921:
1920:
1918:
1916:
1893:
1887:
1886:
1884:
1882:
1867:
1861:
1860:
1859:
1857:
1839:
1833:
1832:
1830:
1828:
1813:
1807:
1806:
1804:
1802:
1779:
1773:
1772:
1770:
1768:
1754:
1748:
1747:
1745:
1743:
1728:
1722:
1721:
1719:
1717:
1702:
1696:
1695:
1693:
1691:
1676:
1667:
1666:
1664:
1662:
1647:
1641:
1640:
1638:
1636:
1620:
1614:
1613:
1606:
1600:
1599:
1592:
1586:
1585:
1583:
1581:
1570:
1564:
1552:
1546:
1534:
1528:
1527:
1525:
1523:
1508:
1502:
1501:
1499:
1497:
1492:. August 1, 2022
1482:
1476:
1475:
1473:
1471:
1456:
1450:
1449:
1447:
1445:
1430:
1424:
1423:
1421:
1419:
1405:
1399:
1398:
1386:
1380:
1379:
1377:
1375:
1361:
1355:
1354:
1352:
1350:
1335:
1329:
1328:
1326:
1324:
1301:
1295:
1294:
1292:
1290:
1276:
1270:
1269:
1267:
1265:
1250:
1244:
1243:
1241:
1239:
1224:
1218:
1217:
1210:
1204:
1203:
1201:
1199:
1184:
1178:
1177:
1175:
1173:
1168:. April 12, 2018
1158:
1152:
1151:
1149:
1147:
1133:
1127:
1121:
1115:
1114:
1112:
1110:
1104:www.artforum.com
1095:
1089:
1088:
1086:
1084:
1069:
1063:
1062:
1060:
1058:
1044:
1038:
1037:
1026:
1020:
1019:
1017:
1015:
1003:Kubler, Alison.
1000:
987:
980:
974:
973:
961:
950:
949:
947:
945:
935:
924:
923:
917:
909:
883:
870:
869:
867:
865:
850:
844:
831:
822:
809:
709:Deste Foundation
681:Kunsthaus ZĂŒrich
602:Francesco Bonami
553:Brown University
529:Seagram Building
140:neighborhood of
72:
69:
35:
21:
20:
2388:
2387:
2383:
2382:
2381:
2379:
2378:
2377:
2353:
2352:
2351:
2325:Garrick Jones,
2290:
2285:
2284:
2274:
2272:
2261:
2257:
2242:
2238:
2224:
2220:
2210:
2208:
2190:
2186:
2168:
2161:
2151:
2149:
2139:
2135:
2125:
2123:
2114:
2113:
2109:
2099:
2097:
2088:
2087:
2083:
2073:
2071:
2061:
2057:
2047:
2045:
2037:
2036:
2032:
2021:
2017:
2006:
2002:
1987:
1983:
1975:
1971:
1961:
1959:
1954:
1953:
1949:
1939:
1937:
1929:
1928:
1924:
1914:
1912:
1894:
1890:
1880:
1878:
1870:Kuo, Michelle.
1868:
1864:
1855:
1853:
1840:
1836:
1826:
1824:
1814:
1810:
1800:
1798:
1780:
1776:
1766:
1764:
1756:
1755:
1751:
1741:
1739:
1729:
1725:
1715:
1713:
1703:
1699:
1689:
1687:
1677:
1670:
1660:
1658:
1648:
1644:
1634:
1632:
1621:
1617:
1608:
1607:
1603:
1594:
1593:
1589:
1579:
1577:
1572:
1571:
1567:
1553:
1549:
1535:
1531:
1521:
1519:
1510:
1509:
1505:
1495:
1493:
1484:
1483:
1479:
1469:
1467:
1457:
1453:
1443:
1441:
1431:
1427:
1417:
1415:
1407:
1406:
1402:
1387:
1383:
1373:
1371:
1363:
1362:
1358:
1348:
1346:
1337:
1336:
1332:
1322:
1320:
1302:
1298:
1288:
1286:
1278:
1277:
1273:
1263:
1261:
1251:
1247:
1237:
1235:
1226:
1225:
1221:
1212:
1211:
1207:
1197:
1195:
1185:
1181:
1171:
1169:
1160:
1159:
1155:
1145:
1143:
1135:
1134:
1130:
1122:
1118:
1108:
1106:
1096:
1092:
1082:
1080:
1070:
1066:
1056:
1054:
1046:
1045:
1041:
1028:
1027:
1023:
1013:
1011:
1009:vaultart.com.au
1001:
990:
981:
977:
962:
953:
943:
941:
937:
936:
927:
911:
910:
898:
884:
873:
863:
861:
852:
851:
847:
832:
825:
810:
793:
788:
762:
741:
729:Esthella Provas
721:Spencer Sweeney
697:Kunsthalle Wien
689:Blaffer Gallery
685:Centre Pompidou
677:Venice Biennale
638:
587:
563:
521:
499:
492:
480:
447:
425:In April 2021,
401:
393:
377:
355:
341:
320:
304:
297:
288:
250:
242:
223:
207:
172:
167:
150:
99:
87:
66:
50:
44:
26:
17:
12:
11:
5:
2386:
2376:
2375:
2370:
2365:
2350:
2349:External links
2347:
2346:
2345:
2338:
2323:
2316:Jessica Morgan
2305:
2298:
2289:
2286:
2283:
2282:
2271:. Travel Diary
2255:
2250:New York Times
2236:
2218:
2184:
2179:The New Yorker
2170:Calvin Tomkins
2159:
2133:
2107:
2081:
2055:
2030:
2015:
2000:
1981:
1969:
1947:
1935:Sadie Coles HQ
1922:
1888:
1862:
1834:
1822:Palazzo Grassi
1808:
1774:
1749:
1737:Canberra Times
1723:
1697:
1685:The Australian
1668:
1642:
1615:
1601:
1587:
1565:
1554:Sarah Douglas
1547:
1542:New York Times
1529:
1503:
1477:
1451:
1425:
1400:
1395:Ocula Magazine
1381:
1369:Sadie Coles HQ
1356:
1345:. June 8, 2020
1330:
1296:
1271:
1245:
1219:
1205:
1179:
1153:
1128:
1116:
1090:
1064:
1052:www.artnet.com
1039:
1021:
988:
984:Skinny Sunrise
975:
951:
925:
896:
871:
845:
823:
818:The New Yorker
790:
789:
787:
784:
761:
758:
740:
737:
731:, and founder
725:Kembra Pfahler
701:Palazzo Grassi
637:
634:
614:Nick Mitzevich
586:
585:Wax Sculptures
583:
562:
557:
520:
515:
498:
493:
491:
488:
484:Jeffrey Deitch
479:
476:
446:
443:
400:
394:
392:
389:
385:Sadie Coles HQ
376:
371:
362:New York Times
354:
349:
340:
337:
331:in London and
329:Sadie Coles HQ
319:
318:iPad Paintings
316:
303:
298:
296:
293:
287:
284:
249:
243:
241:
238:
222:
219:
206:
203:
184:Mark Wallinger
171:
168:
166:
163:
149:
146:
123:Rudolf Stingel
98:
95:
86:
83:
74:
73:
64:
60:
59:
56:
55:Known for
52:
51:
45:
41:
37:
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
2385:
2374:
2373:Living people
2371:
2369:
2366:
2364:
2361:
2360:
2358:
2343:
2339:
2336:
2332:
2328:
2324:
2321:
2317:
2313:
2309:
2306:
2303:
2299:
2296:
2293:Adam McEwen,
2292:
2291:
2270:
2266:
2259:
2252:
2251:
2246:
2240:
2233:
2232:
2228:
2222:
2207:
2203:
2199:
2195:
2188:
2181:
2180:
2175:
2171:
2166:
2164:
2148:
2144:
2137:
2121:
2117:
2111:
2095:
2091:
2085:
2070:
2066:
2059:
2044:
2040:
2034:
2027:
2024:
2019:
2012:
2009:
2004:
1996:
1992:
1985:
1978:
1973:
1957:
1951:
1936:
1932:
1926:
1911:
1907:
1903:
1899:
1892:
1877:
1873:
1866:
1851:
1847:
1846:
1838:
1823:
1819:
1812:
1797:
1793:
1789:
1785:
1778:
1763:
1759:
1753:
1738:
1734:
1727:
1712:
1708:
1701:
1686:
1682:
1675:
1673:
1657:
1653:
1646:
1630:
1626:
1619:
1611:
1605:
1597:
1591:
1575:
1569:
1562:
1561:
1557:
1551:
1544:
1543:
1539:
1533:
1517:
1513:
1507:
1491:
1487:
1481:
1466:
1462:
1459:Crow, Kelly.
1455:
1440:
1436:
1429:
1414:
1410:
1404:
1396:
1392:
1385:
1370:
1366:
1360:
1344:
1340:
1334:
1319:
1315:
1311:
1307:
1300:
1285:
1281:
1275:
1260:
1256:
1249:
1233:
1229:
1223:
1215:
1209:
1194:
1190:
1183:
1167:
1163:
1157:
1142:
1138:
1132:
1125:
1120:
1105:
1101:
1094:
1079:
1075:
1068:
1053:
1049:
1043:
1035:
1031:
1025:
1010:
1006:
999:
997:
995:
993:
985:
982:Urs Fischer:
979:
971:
967:
960:
958:
956:
940:
934:
932:
930:
921:
915:
907:
903:
899:
897:9780984721030
893:
889:
882:
880:
878:
876:
859:
855:
849:
842:
839:
837:
834:Urs Fischer,
830:
828:
820:
819:
814:
808:
806:
804:
802:
800:
798:
796:
791:
783:
781:
776:
773:
771:
767:
766:Solano Canyon
760:Personal life
757:
754:
753:
748:
747:
736:
734:
730:
727:, art dealer
726:
722:
718:
713:
710:
706:
702:
698:
694:
690:
686:
682:
678:
674:
670:
665:
663:
659:
655:
649:
645:
641:
633:
629:
626:
621:
617:
615:
611:
607:
603:
599:
595:
592:
591:temporary art
578:
574:
572:
568:
561:
556:
554:
550:
546:
542:
538:
534:
530:
526:
519:
514:
512:
508:
504:
497:
490:Notable works
487:
485:
474:
470:
468:
464:
460:
456:
452:
442:
440:
436:
432:
428:
423:
421:
417:
412:
410:
406:
398:
388:
386:
382:
375:
370:
368:
363:
359:
353:
348:
346:
336:
334:
330:
326:
325:David Hockney
315:
313:
309:
302:
292:
282:
281:
275:
273:
268:
267:
263:
260:
255:
247:
237:
235:
230:
228:
218:
216:
212:
199:
195:
191:
189:
185:
181:
177:
162:
160:
156:
145:
143:
139:
135:
131:
126:
124:
120:
119:New York City
116:
112:
108:
104:
94:
92:
82:
80:
71:
65:
61:
57:
53:
49:, Switzerland
48:
42:
38:
34:
29:
22:
19:
2341:
2334:
2327:Brice Marden
2319:
2308:Bice Curiger
2301:
2294:
2288:Bibliography
2273:. Retrieved
2268:
2258:
2248:
2239:
2229:
2221:
2209:. Retrieved
2197:
2187:
2177:
2150:. Retrieved
2146:
2136:
2124:. Retrieved
2119:
2110:
2098:. Retrieved
2093:
2084:
2072:. Retrieved
2068:
2058:
2046:. Retrieved
2042:
2033:
2018:
2003:
1994:
1984:
1972:
1960:. Retrieved
1958:. Designboom
1950:
1938:. Retrieved
1925:
1913:. Retrieved
1901:
1891:
1879:. Retrieved
1875:
1865:
1854:, retrieved
1844:
1837:
1825:. Retrieved
1821:
1811:
1799:. Retrieved
1787:
1777:
1765:. Retrieved
1761:
1752:
1740:. Retrieved
1736:
1726:
1714:. Retrieved
1710:
1700:
1688:. Retrieved
1684:
1659:. Retrieved
1655:
1645:
1633:. Retrieved
1628:
1618:
1604:
1590:
1578:. Retrieved
1568:
1558:
1550:
1540:
1532:
1520:. Retrieved
1515:
1506:
1494:. Retrieved
1489:
1480:
1468:. Retrieved
1464:
1454:
1442:. Retrieved
1438:
1428:
1416:. Retrieved
1412:
1403:
1394:
1384:
1372:. Retrieved
1368:
1359:
1347:. Retrieved
1342:
1333:
1321:. Retrieved
1309:
1299:
1287:. Retrieved
1283:
1274:
1262:. Retrieved
1258:
1248:
1236:. Retrieved
1231:
1222:
1208:
1196:. Retrieved
1192:
1182:
1170:. Retrieved
1165:
1156:
1144:. Retrieved
1140:
1131:
1119:
1107:. Retrieved
1103:
1093:
1081:. Retrieved
1077:
1067:
1055:. Retrieved
1051:
1042:
1033:
1024:
1012:. Retrieved
1008:
983:
978:
969:
965:
942:. Retrieved
887:
862:. Retrieved
857:
848:
835:
816:
780:Tara Subkoff
777:
774:
763:
750:
744:
742:
714:
666:
662:Michelle Kuo
657:
653:
650:
646:
642:
639:
630:
625:memento mori
624:
619:
618:
609:
597:
596:
588:
570:
564:
559:
537:Jose Mugrabi
524:
522:
517:
510:
502:
500:
495:
481:
472:
466:
462:
450:
448:
434:
430:
426:
424:
419:
413:
408:
402:
396:
380:
378:
373:
366:
361:
360:, which the
357:
356:
351:
342:
321:
307:
305:
300:
289:
279:
277:
269:
265:
264:
258:
253:
251:
245:
233:
231:
226:
224:
214:
208:
197:
173:
158:
151:
127:
100:
88:
78:
77:
18:
2368:1973 births
2331:Beatrix Ruf
2275:November 1,
2028:, New York.
1629:Today@Brown
1580:October 25,
1439:Artnet News
1259:ARTnews.com
1078:ARTnews.com
843:, New York.
838:(2005-2006)
717:Museo Jumex
636:Exhibitions
467:Denominator
463:Gazing Ball
188:Sonia Boyce
180:Keith Tyson
142:Los Angeles
132:section of
111:Los Angeles
79:Urs Fischer
25:Urs Fischer
2357:Categories
1711:nga.gov.au
1635:August 17,
1238:October 5,
1193:T Magazine
1034:Christie's
841:Christie's
786:References
746:New Yorker
675:3 and the
589:Fischerâs
533:Christie's
459:Jeff Koons
435:CHAOS #501
420:CHAOS #501
68:ursfischer
2206:0362-4331
1962:April 17,
1940:April 17,
1910:0458-3035
1876:Art Forum
1796:0362-4331
1656:NYMag.com
1516:Hypebeast
1318:0362-4331
966:Artonview
914:cite book
906:811741471
673:Manifesta
669:biennales
620:Francesco
610:Francesco
608:acquired
598:Francesco
387:in 2021.
295:2018â2021
286:Kiito-San
240:2011â2017
221:2007â2010
205:2001â2006
170:1996â2000
103:Amsterdam
2048:April 6,
2013:, Paris.
1915:April 6,
1881:April 6,
1856:April 6,
1850:archived
1827:April 6,
1801:April 6,
1767:April 6,
1742:April 6,
1716:April 6,
1690:April 6,
1661:April 6,
1490:Gagosian
1232:Gagosian
1166:Gagosian
1146:April 6,
1014:April 6,
972:: 14â15.
535:, where
455:Van Gogh
439:Gagosian
431:CHAOS #1
339:"SIRENS"
333:Gagosian
272:Gagosian
259:Untitled
246:Untitled
138:Frogtown
134:Brooklyn
130:Red Hook
2152:May 16,
2126:May 16,
2100:May 16,
2074:May 16,
1409:"CHAOS"
743:A 2009
367:in situ
63:Website
2247:
2211:May 2,
2204:
2176:
2147:Forbes
2069:Frieze
1908:
1794:
1522:May 4,
1496:May 3,
1470:May 3,
1444:May 9,
1418:May 3,
1374:May 3,
1349:May 3,
1323:May 3,
1316:
1289:May 3,
1264:May 2,
1198:May 5,
1172:May 5,
1109:May 2,
1083:May 2,
1057:May 2,
944:May 4,
904:
894:
864:May 9,
507:chalet
451:People
186:, and
115:Berlin
113:, and
107:London
97:Career
91:Zurich
58:Artist
47:ZĂŒrich
549:Qatar
427:CHAOS
409:CHAOS
397:CHAOS
358:HEADZ
352:HEADZ
159:Vault
148:Style
2277:2015
2213:2023
2202:ISSN
2154:2022
2128:2022
2102:2022
2076:2022
2050:2019
1964:2008
1942:2008
1917:2019
1906:ISSN
1883:2019
1858:2019
1829:2019
1803:2019
1792:ISSN
1769:2019
1744:2019
1718:2019
1692:2019
1663:2019
1637:2020
1582:2017
1524:2023
1498:2023
1472:2023
1446:2023
1420:2023
1376:2023
1351:2023
1325:2023
1314:ISSN
1291:2023
1266:2023
1240:2018
1200:2023
1174:2023
1148:2019
1111:2023
1085:2023
1059:2023
1016:2019
946:2023
920:link
902:OCLC
892:ISBN
866:2023
545:Doha
416:NFTs
308:PLAY
301:PLAY
248:2011
70:.com
40:Born
1465:WSJ
815:â.
658:Yes
654:You
571:You
560:You
543:in
501:In
461:âs
232:In
2359::
2333:,
2329:,
2318:,
2314:,
2310:,
2267:.
2200:.
2196:.
2162:^
2145:.
2118:.
2092:.
2067:.
2041:.
1993:.
1933:.
1904:.
1900:.
1874:.
1848:,
1820:.
1790:.
1786:.
1760:.
1735:.
1709:.
1683:.
1671:^
1654:.
1627:.
1514:.
1488:.
1463:.
1437:.
1411:.
1393:.
1367:.
1341:.
1312:.
1308:.
1282:.
1257:.
1230:.
1191:.
1164:.
1139:.
1102:.
1076:.
1050:.
1032:.
1007:.
991:^
970:97
968:.
954:^
928:^
916:}}
912:{{
900:.
874:^
856:.
826:^
794:^
782:.
772:.
723:,
547:,
217:.
182:,
144:.
125:.
109:,
2279:.
2253:.
2234:.
2215:.
2182:.
2156:.
2130:.
2104:.
2078:.
2052:.
1997:.
1966:.
1944:.
1919:.
1885:.
1831:.
1805:.
1771:.
1746:.
1720:.
1694:.
1665:.
1639:.
1612:.
1598:.
1584:.
1563:.
1545:.
1526:.
1500:.
1474:.
1448:.
1422:.
1397:.
1378:.
1353:.
1327:.
1293:.
1268:.
1242:.
1216:.
1202:.
1176:.
1150:.
1113:.
1087:.
1061:.
1036:.
1018:.
948:.
922:)
908:.
868:.
821:.
190:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
