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322:'s Wag Club. However, inspired by his hunger for new music, and following early experiments with keyboards and beatboxes, and a short stint on a music production college course in North London, Simenon was quick to take up the offer of a two-day recording session. Working alongside Pascal Gabriel, who would later go on to become a major name in programming, the fruit of the pair's labour became
216:
758:; a project that would demand eighteen months, due to worsening divisions within the band acerbated by Dave Gahan's battle with heroin addiction. Upon release, the album went straight into the UK charts at number one, selling 40,000 copies in its first week of release, and launched a number of singles, including
569:" included on one of the tracks. However, the most contentious delay was when the band had to briefly ditch their Bomb the Bass tag, due to media censoring out of context references to warfare during the first Iraq war. (The collective would briefly release under the singular title, Tim Simenon.)
790:"I just felt f*cked by the end of the recording, and I carried on working in January and February 1997, which was the worst thing I could have done. I started to feel really ill. So I took a break and had a few months off. I was just mentally and physically exhausted."
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Launched in 2000 as an outlet for "electronic and left-field releases", the label was initially designed to showcase acts
Simenon thought deserved attention, however, he has also contributed several tracks to Electric Tones compilations under his experimental alias,
904:. Simenon also put a live version of the act together, built around himself on samples and live mixing, Conboy on live keyboards and vocals, plus two brothers as live DJ (Claudio) and visual scratch artist (Valerio).
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Across his first three albums, Simenon would also continue to indulge his eclectic aesthetic fascinations by repeatedly borrowing from non-musical popular culture sources: with samples from both
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In between Bomb the Bass projects, Simenon continued to produce, remix and collaborate with a wide range of artists. In addition to collaborating with John Foxx on the 12" single
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Stepping down, Simenon moved to
Amsterdam and took what would become an extended break; diverting some of his attention into setting up and running the independent
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writing method; whilst the constant references to drug use, and the reliance on spoken word across most of the albums tracks would suggest an updated return to the
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As a result, Simenon was brought on board to produce what would become
Depeche Mode's first album without multi-instrumentalist and production-strong Alan Wilder,
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However, despite being a hit and going on to achieve over three million sales worldwide, the project would have another - less positive - effect on
Simenon.
814:"It’d been non-stop for more than 10 years, and I was just burnt out. It all just caught up, and took its toll; just left me feeling very, very uninspired."
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Reputedly costing £500 to make, the track followed the emerging, hip-hop inspired cut-and-paste method of collaging samples together. According to the
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482:- which Simenon produced - that his future reputation as a hit-maker began to take shape. The song, which featured lyrics name-checking Simenon ("
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on vocals), Simenon returned to the studio to begin work on the next Bomb the Bass album, due for release in late 2009.
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More significantly, Simenon also re-activated Bomb the Bass, with the collective delivering the critically applauded
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742:), but in the end we picked (Simenon) because Martin (Gore) and I really liked the Gavin Friday album that he did.
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would strike out even further, blending reggae and dub into the mix courtesy of various instrumentalists from the
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The following year, Simenon was nominated for an Ivor
Novello for his work on the theme to the BBC TV series,
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Over the last few years, Simenon has slowly but surely returned to active duties: producing for Dot
Allison,
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on the US dance chart. This was followed by several further hits in succession, courtesy of second single,
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movie), but also caught the attention of a pair of
British musicians on the look out for a new producer:
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Simenon went on to follow up the track with three more singles taken from a hastily recorded album
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marriage of music and poetry. Said spoken words came courtesy of Justin
Warfield, novelist
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Having wrapped the Future Chaos campaign after the third single, Black River (featuring
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trend by incorporating ever greater amounts of live instrumentation into his sound:
638:(continuing the Beat tradition of mixing heroin with writing), and writer/musician
506:. Despite the latter not being fully produced by Simenon, it would follow the same
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is an absolutely brilliant album, (and) we really loved the sounds he produced."
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Whilst
Simenon continued to earn money stacking supermarket shelves and DJ'ing,
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The latter two projects would both have a major effect on
Simenon. The
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EP) would - with the exception of a further single with Depeche Mode,
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The work in question, which took the form of recording sessions with
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show, the track contains an alleged 72 samples, including lifts from
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The other side of the glass: Simenon's evolving career as a producer
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was a mish-mash of Burroughs references and mirror of the author's
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which found its way onto the hugely successful soundtrack of the
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With each successive album, Simenon moved to buck the accepted
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Keeping the beat: Simenon's first three albums as Bomb the Bass
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in 2008. Written, recorded and produced in collaboration with
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comic books - influenced much of the imagery surrounding the '
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from the article and its talk page, especially if potentially
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on the other hand (released on the Stoned Heights imprint of
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Tim Simenon's music career began aproper in the mid 1980s,
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Bomb the Bass - Empire w/B Zephaniah & Sinéad O'Connor
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would set raw rock guitars against its breakbeats; whilst
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imprint: a ruse designed to suggest that the record was a
888:), the nine-track album also contains contributions from
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at number two when released by Rhythm King records. Its
1027:
One Inch Punch - Secrets of the One Inch Punch (album)
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246:
614:: the cover was an homage to the advert poster of the
1047:
Sinéad O'Connor - You Made Me the Thief of Your Heart
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may contain excessive or inappropriate references to
1122:). "Depeche Mode: Black Celebration". Andre Deutsch.
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Bomb the Bass - Butterfingers w/ Fujiya & Miyagi
861:, as well as initial tracks with the Scottish band,
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However, it would be with the wildly popular single
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Gavin Friday & Bono - In the Name of the Father
812:- be the last Bomb the Bass outing for many years.
951:Primal Scream - Sometimes I Feel So Lonely (remix)
1063:Bomb the Bass - Bug Powder Dust w/Justin Warfield
1083:Bomb the Bass - Winter in July w/Loretta Heywood
486:, rock this place") reached number three on the
302:, and label boss, most famous for his work as
1065:Bomb the Bass - Brain Dead w/Justin Warfield
845:Back to the front: Simenon as performer again
985:Bomb the Bass - Disco Bob w/Justin Warfield
1033:David Bowie - Heart's Filthy Lesson (remix)
1053:Sinéad O'Connor - Thank You For Hearing Me
925:Bomb the Bass - Black River w/Mark Lanegan
547:Despite scoring another huge hit with the
63:about living persons that is unsourced or
1085:Bomb the Bass - Unknown Territory (album)
192:Learn how and when to remove this message
134:Learn how and when to remove this message
1097:Bomb the Bass - Into the Dragon (album)
1061:Bomb the Bass - Dark Heart w/Spikey Tee
14:
991:Depeche Mode - Only When I Lose Myself
977:Bomb the Bass - Clear Cut w/Lali Puna
270:Producer, mixer, musician, label owner
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561:was marred by delays; not least when
429:acknowledged the debt it owed to the
172:by removing references to unreliable
931:Bomb the Bass - Future Chaos (album)
393:. The record went straight into the
176:where they are used inappropriately.
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1035:Gavin Friday - Shag Tobacco (album)
923:Toob - Pirate Teeth w/Bomb the Bass
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510:template, pre-dating the American
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1049:Sinéad O'Connor - Fire On Babylon
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834:Randall & Hopkirk (Deceased)
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1021:Depeche Mode - Barrel of a Gun
1005:Alpha - Sometime Later (remix)
782:Depeche Mode: Black Celebration
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1013:Depeche Mode - The Bottom Line
983:Bomb the Bass - Lost Your Soul
967:Robot Finger (as Flow Creator)
575:The Good, the Bad and the Ugly
565:refused to clear a sample of "
362:The Good, the Bad and the Ugly
13:
1:
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1095:Neneh Cherry - Buffalo Stance
1057:Bomb the Bass - Clear (album)
802:(which later surfaced as the
1055:Massive Attack - Sly (remix)
1011:Depeche Mode - Ultra (album)
584:soundtracks, and films like
401:artwork - borrowed from the
41:biography of a living person
7:
1077:Cheb Khaled - Didi (remix)
1015:Depeche Mode - It's No Good
739:Songs of Faith and Devotion
68:must be removed immediately
10:
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1071:Björk - Play Dead (remix)
995:Curve - Something Familiar
957:Biggi - Sofdu Med Ljosid A
933:Fangs - Fangs City Rockers
929:Bomb the Bass - So Special
359:), alongside samples from
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1099:Bomb the Bass - Megablast
780:Quoted in the biography,
557:single, the second album
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969:Ikara (as Flow Creator)
955:Dot Allison - Paper Rose
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1003:Curve - Coming Up Roses
961:Biggi - Perfect Sunday
953:Dot Allison - Quicksand
809:Only When I Lose Myself
1181:"Electric Tones is..."
1155:"Tim Simenon: q&a"
1135:Check date values in:
1017:Depeche Mode - Insight
959:Biggi - Reason to Grow
945:Futon - End Of Friend
943:Futon - Love So Strong
381:first appeared on the
357:The Jimmy Castor Bunch
328:, the debut single by
230:Background information
163:self-published sources
55:Please help by adding
18:User:Dylanfromthenorth
1039:Gavin Friday - Angel
1037:Gavin Friday - Caruso
788:, Simenon confessed,
453:/ Wild Bunch and the
389:import, fresh out of
935:Fangs - Panik Attak
596:peppering tracks on
514:revolution to come.
343:on their clip-based
282:(born 21 June 1967,
61:Contentious material
1019:Depeche Mode - Home
999:Curve - Killer Baby
941:Futon - Strap It On
898:Fujiya & Miyagi
800:Meat Beat Manifesto
1161:. 10 February 2008
1001:Curve - Dirty High
915:Production credits
721:Romeo & Juliet
684:, French producer
349:old school hip hop
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1188:. Retrieved
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1163:. Retrieved
1159:steve jansen
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767:It's No Good
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682:Consolidated
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50:verification
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1165:10 February
1137:|date=
894:Jon Spencer
878:Paul Conboy
874:!K7 Records
730:Martin Gore
666:David Bowie
617:Naked Lunch
551:pioneering
524:dance music
435:Major Force
372:soundtracks
355:(including
280:Tim Simenon
257:Electronica
208:Tim Simenon
1105:References
872:album via
837:alongside
726:Dave Gahan
680:, rap act
587:Videodrome
563:Pink Floyd
413:' scenes.
407:acid house
383:Mister-Ron
170:improve it
94:newspapers
1190:1 January
1128:cite news
658:Nation 12
636:Will Self
455:23 Skidoo
441:producer
46:citations
706:project,
653:Remember
549:trip-hop
542:Tackhead
497:Manchild
492:number 1
449:artists
443:Steinski
439:New York
431:Japanese
403:Watchmen
391:New York
379:Beat Dis
341:Beat Dis
325:Beat Dis
296:composer
292:musician
261:Trip-hop
182:May 2010
124:May 2010
72:libelous
851:Bangkok
820:label.
620:movie;
512:hip-hop
478:artist
476:African
472:Swedish
409:' and '
290:) is a
284:Brixton
239:Brixton
174:sources
108:scholar
900:, and
882:A.P.E.
853:based
804:Tracks
770:, and
628:cut-up
399:smiley
320:London
288:London
253:Genres
243:London
235:Origin
222:Zurich
110:
103:
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89:
81:
863:Fangs
859:Futon
857:band
798:from
755:Ultra
715:Angel
662:Björk
603:Clear
567:Money
533:Clear
508:urban
459:Ronin
345:TOTP2
316:DJing
310:Debut
115:JSTOR
101:books
39:This
16:<
1192:2008
1167:2008
1141:help
1120:2006
1090:1988
1080:1991
1074:1992
1068:1993
1042:1994
1030:1995
1024:1996
1008:1997
988:1998
980:1999
972:2001
964:2002
948:2006
938:2007
920:2008
890:Toob
884:and
773:Home
728:and
692:and
678:Seal
632:Beat
590:and
578:and
490:and
411:rave
387:U.S.
365:and
353:funk
87:news
48:for
784:by
732:of
674:Ash
656:as
470:by
337:BBC
318:at
224:'08
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